HALLOWEEN OF HORROR REVIEW: GET OUT

CAST

Daniel Kaluuya (Black Panther)
Allison Williams (A Series of Unfortante Events)
Catherine Keener (The 40-Year Old Virgin)
Bradley Whitford (The Cabin In The Woods)
Caleb Landry Jones (X-Men: First Class)
Stephen Root (Dodgeball)
Lakeith Stanfield (The Purge: Anarchy)
Lil Rel Howery (Tag)
Erika Alexander (La Mission)
Marcus Henderson (Honeydrippe)
Betty Gabriel (Westworld)
Richard Herd (V)
Keegan-Michael Key (Why Him?
Jordan Peele (The Twilight Zone)

Daniel Kaluuya in Get Out (2017)Black photographer Chris Washington reluctantly agrees to meet the family of his white girlfriend, Rose Armitage. During their drive to the family’s countryside estate, they hit a deer and report the incident. The white policeman asks for Chris’ identification even though he was not driving, but Rose intervenes and the incident goes unrecorded. At the house, Rose’s parents, neurosurgeon Dean and hypnotherapist Missy, and her brother Jeremy make discomfiting comments about black people. Chris witnesses strange behavior from the estate’s black workers, housekeeper Georgina and groundskeeper Walter.Catherine Keener and Bradley Whitford in Get Out (2017)Unable to sleep, Chris goes outside to smoke and sees Walter sprinting through the grounds while Georgina prowls the house. Missy talks Chris into a hypnotherapy session, ostensibly to cure his smoking addiction. In a trance, he recounts the death of his mother in a hit-and-run when he was a child, about which he feels guilty, and sinks into a void Missy calls the “sunken place”. He awakens believing he had a nightmare but realizes cigarettes now revolt him. Walter confirms that Chris was in Missy’s office. Georgina unplugs his phone, draining his battery, though she claims it was an accident. Dozens of wealthy white people arrive for the Armitages’ annual get-together. They take an interest in Chris, admiring his physique or expressing admiration for black figures such as Tiger Woods. Jim Hudson, a blind art dealer, takes particular interest in Chris’s photography skills. Chris meets another black man, Logan King, who acts strangely and is married to a much older white woman.Geraldine Singer and Lakeith Stanfield in Get Out (2017)Chris calls his friend, a black TSA agent named Rod Williams, about the hypnosis and the strange behavior at the house. Chris tries to inconspicuously photograph Logan with his phone to send to Rod, but his flash goes off; Logan becomes hysterical, yelling at Chris to “get out”. The others restrain him and Dean claims Logan had an epileptic seizure. Away from the house, Chris persuades Rose that they should leave, while Dean holds an auction with a photo of Chris, which Jim Hudson wins. Chris sends the photo of Logan to Rod; Rod recognizes Logan as Andre Hayworth, who has been missing for months. Suspecting a conspiracy, Rod goes to the police, but they deride him.Catherine Keener, Bradley Whitford, Daniel Kaluuya, and Allison Williams in Get Out (2017)While he packs to leave, Chris finds photos of Rose in prior relationships with black men, contradicting her claim that Chris is her first black boyfriend; the collection also includes pictures of Rose with Walter and Georgina. Chris is blocked from leaving the estate by the Armitage family, including Rose. He tries to attack Jeremy, but Missy hypnotizes him into unconsciousness. He awakens strapped to a chair in the basement. A video presentation featuring Rose’s grandfather Roman explains that the family transplants the brains of white people into black bodies; the consciousness of the host remains in the “sunken place”, watching what is happening but powerless to change anything. Hudson tells Chris he wants his body so he can gain Chris’s sight and artistic talents.Daniel Kaluuya in Get Out (2017)Chris plugs his ears with cotton stuffing pulled from the chair, blocking the hypnosis. When Jeremy comes to collect him for the surgery, Chris bludgeons him with a croquet ball and impales Dean on the antlers of a deer mount. After fatally stabbing Missy and beating Jeremy to death, he drives away in Jeremy’s car, but hits Georgina. Remembering his own mother’s death, he carries Georgina into the car, but she is possessed by Rose’s grandmother Marianne; she attacks him and he crashes, killing her. An armed Rose apprehends him with Walter, who is possessed by Roman. Chris awakens Walter with his phone flash. Walter takes Rose’s rifle and shoots her and then himself. Wounded, Rose attempts to shoot Chris; Chris begins to strangle her but stops. Rod arrives in a TSA car and rescues Chris, leaving Rose to bleed to death in the road as Chris and Rod leave. Daniel Kaluuya in Get Out (2017)Get Out doesn’t replace the scares with humour – Peele is too smart to do that. Instead, he balances the fear with laughs and then laces everything with social comment and that unsettling tone. The fact that Chris is so eminently likable just underlines it. It all adds up to something of a treat – for everybody, not just horror fans.

REVIEW: GODZILLA: KING OF MONSTERS

Starring
Kyle Chandler (Game Night)
Vera Farmiga (Bates Motel)
Millie Bobby Brown (Stranger Things)
Bradley Whitford (The Cabin In The Woods)
Charles Dance (Game of Thrones)
Thomas Middleditch (Zombieland 2)
Aisha Hinds (Cult)
O’Shea Jackson Jr. (Long Shot)
David Strathairn (Darkest Hour)
Ken Watanabe (Inception)
Zhang Ziyi (Horsemen)
Joe Morton (God Friended Me)
CCH Pounder (Avatar)
Eli Roth (Clown)
Godzilla and King Ghidorah in Godzilla: King of the Monsters (2019)
Five years after the existence of giant monsters, now called “Titans”, was exposed to the world, Dr. Emma Russell, a paleobiologist who works for the Titan-studying organization Monarch, and her daughter Madison witness the birth of a larva dubbed Mothra. Emma calms Mothra down with the “Orca”, a device that can emit frequencies to attract Titans or alter their behavior. A group of eco-terrorists, led by Alan Jonah, suddenly attack the base, slaughter everyone and kidnap Emma and Madison. Mothra flees and pupates under a waterfall.
Godzilla and King Ghidorah in Godzilla: King of the Monsters (2019)
Monarch scientists Dr. Ishirō Serizawa and Dr. Vivienne Graham approach former employee Dr. Mark Russell, Emma’s ex-husband and Madison’s father, to help track them down. Mark is reluctant at first, due to his hatred for Godzilla (whom he blames for the death of Madison’s brother Andrew), but he eventually agrees. The Monarch team follows Godzilla to Antarctica, where Jonah intends to free a three-headed Titan codenamed “Monster Zero”. Emma frees and awakens Monster Zero, which kills several Monarch members, including Dr. Graham, before battling Godzilla and escaping. The team then learn that Emma was not kidnapped by the terrorists, but is secretly working with them. Emma contacts Monarch and argues that the Titans must be awakened in order to heal the Earth from the damages that humans have caused.
Godzilla in Godzilla: King of the Monsters (2019)
From a Monarch bunker in Boston, Jonah and Emma use the Orca’s signal remotely to awaken another Titan, Rodan, in Mexico. Monarch lures Rodan into fighting the approaching Monster Zero, but Monster Zero swiftly defeats Rodan before being ambushed by Godzilla, who severs his left head. During the fight, the Navy launches a prototype missile called the “Oxygen Destroyer”, seemingly killing Godzilla. Completely unaffected, Monster Zero regrows his lost head and awakens all the other dormant Titans around the world, with Rodan submitting to his rule. Madison disowns her mother for her actions. Through mythological texts, Dr. Ilene Chen discovers Monster Zero is Ghidorah, an ancient alien seeking to transform the Earth to his liking. Mothra emerges from her cocoon and flies to Monarch’s Bermuda base to communicate with Godzilla, who survived the detonation and is recuperating in an ancient underwater city. Via submarine, the team locates Godzilla’s lair, where the whole area is highly radioactive. They deduce that it will take far too long for Godzilla to heal on his own and decide to detonate a nuclear warhead to speed up the process. Dr. Serizawa sacrifices himself by manually detonating the weapon, which revives Godzilla and increases his power.
Godzilla in Godzilla: King of the Monsters (2019)
Emma realizes that the destruction that Ghidorah and the other Titans will bring to the world is much worse than anything that humans could inflict, but Jonah ignores her pleas to stop. Unknown to them, Madison overhears this and steals the Orca. Arriving at Fenway Park, Madison broadcasts a frequency that calms the Titans and unwittingly attracts all of them to her location. Ghidorah lands in Boston to destroy the Orca, with Godzilla arriving with Monarch’s assistance to engage him in battle. Mark leads a team to rescue Madison and escape the city after learning that Godzilla’s radiation levels are increasing and will lead to a thermonuclear explosion. Mothra arrives to help Godzilla but is intercepted by Rodan; she defeats him, but is injured in the process.

Ghidorah overpowers Godzilla and prepares to kill him, but Mothra sacrifices herself and transfers her energy to Godzilla, rapidly healing him. Mark, Emma, and Madison are reunited and reactivate the Orca to lure Ghidorah away from Godzilla. Emma sacrifices herself to lead Ghidorah away, giving Mark and Madison time to escape. Godzilla enters a newly-empowered state, glowing red and melting everything around him. In this state, he easily defeats Ghidorah, obliterating him completely with several nuclear pulses. After Godzilla reverts to his normal state, Rodan and the other Titans arrive and bow down to him. During the end credits, news clippings and Monarch files show that the Titans are helping to heal the planet, a suspected second Mothra egg has been discovered, some of the Titans are converging on Skull Island, and ancient cave paintings show Godzilla battling Kong. In a post-credits scene, Jonah and his forces purchase Ghidorah’s severed left head in Mexico.Godzilla: King of the Monsters (2019)King of the monsters is a movie I’ve been waiting and wanting to see ever since I first saw the animated show and later got reacquainted with the Japanese classics. If you want to get the essence of a Godzilla movie, its lore and just basic monster on monster action in a grand scale with masterful visuals; this is the movie for you. This is a Godzilla movie done right and I have no problem saying I was satisfied for the most part. The rating might be off-putting to many but I loved what I saw and have been waiting for a movie like this for a very long time

HALLOWEEN OF HORROR REVIEW: THE CABIN IN THE WOODS

 

 

 

CAST

Kristen Connolly (The Happening)
Chris Hemsworth (Thor)
Anna Hutchison (Spartacus: Ward of The Damned)
Fran Kranz (Dollhouse)
Jessie Williams (Grey’s Anatomy)
Richard Jenkins (Step Brothers)
Bradley Whitford (The West Wing)
Brian White (Beauty and The Beast)
Amy Acker (Angel)
Tim DeZarn (Fight Club)
Tom Lenk (Buffy)
Jodelle Ferland (Silent Hill)
Adrian Holmes (Arrow)
Ellie Harvie (The New Addams Family)
Patrick Sabongui (The Flash)
Sigourney Weaver (Aliens)
Nels Lennarson (Horns)
Rukiya Bernard (Van Helsing)
Peter Kelamis (Stargate Universe)
Chelah Horsdal (You Me Her)
Terry Chen (Jessica Jones)

In a high tech underground facility, senior technicians Sitterson and Hadley discuss plans for a mysterious operation. A similar operation undertaken by their counterparts in Stockholm has just ended in failure. American college students Dana, Holden, Marty, Jules, and Curt are spending their weekend at a seemingly deserted cabin in the forest, a cabin recently acquired by Curt’s cousin. From their underground facility where they possess significant technological control over the area in which the cabin is situated, Sitterson and Hadley manipulate the teenagers by intoxicating them with mind-altering drugs that hinder rational thinking and increase libido. They take bets from coworkers as to what kind of monster will attack the teenagers and discuss the failures of similar rituals in other nationsIn the cabin’s cellar, the group finds many bizarre objects, including the diary of Patience Buckner, a cabin resident abused by her sadistic family. Dana recites incantations from the journal, inadvertently summoning the zombified Buckner family despite Marty’s warnings. By releasing pheromones, Hadley successfully induces Curt and Jules to have sex. Attacked by the marauding Buckner zombies, Jules is decapitated while Curt escapes to alert the group. Marty, a frequent marijuana smoker, discovers concealed surveillance equipment before being dragged off by one of the Buckners. Later, the facility workers learn that the ritual in Japan has also ended in failure, meaning that the American ritual is humanity’s last hope. It becomes apparent that the ritual involves blood sacrifice.Curt, Holden, and Dana attempt to escape in their RV, but Sitterson triggers a tunnel collapse to block them. Curt jumps a ravine on his motorcycle in an attempt to flee and alert the authorities, only to crash into a force shield, killing him. Holden and Dana retreat to the RV to plan their next move, but one of the Buckners, hiding within all along, fatally stabs Holden as they are driving away, resulting in the RV crashing and sinking into a lake. Dana escapes and swims ashore and is beset in turn. As she is attacked, Sitterson, Hadley, and their staff celebrate the successful completion of the ritual, viewing the events from their underground facility. The celebration is interrupted by a phone call pointing out that Marty has survived. His heavy marijuana use has apparently rendered him immune to Sitterson and Hadley’s manipulations.Marty rescues Dana and takes her to a hidden elevator he discovered under a grave. They descend into the underground facility, where a menagerie of monsters are imprisoned. Dana correlates them with the objects in the cabin’s cellar and realizes that those items gave victims the opportunity to choose the agents of their own deaths during the ritual. Cornered by the facility’s security personnel, she and Marty release the monsters, including zombies, goblins, mutants, witches, wraiths, a basilisk, a unicorn, a killer robot, and an evil clown. They wreak havoc and slaughter the staff; Hadley is killed by a merman and Sitterson escapes to the lower level.Dana and Marty flee the carnage (particularly menaced by a giant bat). Dana accidentally mortally wounds Sitterson, who begs her to kill Marty. Fleeing further, they discover an ancient temple and are confronted by the facility’s leader, known only as The Director. She explains that they are participating in an annual ritual sacrifice to appease the Ancient Ones (described as “giant evil gods”). Each facility’s ritual conforms to the rules of that region’s local lore; in America young people are chosen to be sacrificed based on similarity to certain archetypes: the whore (Jules), the athlete (Curt), the scholar (Holden), the fool (Marty), and the virgin (Dana). In order to complete the ritual the whore must die first and the virgin must survive or die last. Since all other facilities have failed, the penalty for not completing the ritual is the extermination of the entire human race. Hence, The Director urges Dana to kill Marty. Dana considers, but she is interrupted by a werewolf attack, while zombie Patience Buckner appears and kills The Director.Deciding that humanity is not worth saving, Dana and Marty share a joint while awaiting their fate. The temple floor collapses and a giant hand emerges, destroying the facility and the cabin itself.The genius of Cabin is the way director/co-writer Drew Goddard and producer/co-writer Joss Whedon have taken this mindset and embraced it. The film sat on the shelf for years when MGM suffered too many financial woes to afford a release, and yet its wit and invention remain as sharp as ever.  In the interest of keeping expectations managed, Cabin doesn’t reinvent the wheel. Its approach to horror is  original. The increasingly realistic and excessively gruesome style that they rode in on is far from universally loved. Cabin spills its fair share of guts, but it’s a good old-fashioned crowd pleaser.Cabin finds a way to access the reservoir of geekiness by engaging it rather than pandering to it.