REVIEW: DEADPOOL 2: THE SUPER DUPER CUT

CAST

Ryan Reynolds (The Hitman’s Bodyguard)
Josh Brolin (Avengers: Infinity War)
Morena Baccarin (Gotham)
Julian Dennison (Godzilla vs. Kong)
Zazie Beetz (Geostorm)
T.J. Miller (Cloverfield)
Brianna Hildebrand (The Exorcist TV)
Jack Kesy (12 Strong)
Stefan Kapicic (Big Miracle)
Leslie Uggams (Empire)
Karan Soni (Office Christmas Party)
Shioli Kutsuna (The Outsider)
Eddie Marsan (21 Grams)
Lewis Tan (Iron Fist)
Bill Skarsgård (IT)
Terry Crews (The Expendables)
Brad Pitt (Ocean’s Eleven)
Alan Tudyk (Rogue One)
Matt Damon (Dogma)
Mike Dopud (Arrow)
Nicholas Hoult (Mad Max: Fury Road)
James McAvoy (Split)
Evan Peters (Kick-Ass)
Tye Sheridan (Ready Player One)
Alexander Shipp (X-Men: Apocalypse)
Kodi Smit-McPhee (Let Me In)

The “Super Duper” cut of Deadpool 2 probably isn’t going to drastically change anybody’s mind on the movie: if you liked it, there’s more stuff to like; if you didn’t, and unless your chief complaint was “the tonal balance didn’t get it quite right,” it’s not like Ryan Reynolds suddenly decides not to be the same kind of character he always likes to play. It’s still a bit of a superhero tonal clash, as the satirical vibe of the first Deadpool collides with what feels more like the X-Men cinematic universe proper. But where the theatrical cut went for a fairly even balance, the Super Duper version falls (I don’t want to say “errs,” because it’s not really an error) on the side of Deadpool. The fact that a two-part post-credits scene featuring Wade “Deadpool” Wilson (Reynolds) encountering baby Hitler has been reinstated really says it all in that regard.This is a lot more thoughtful than a standard “unrated” cut, however. Yes, you’ll see more violence, more graphic stabbings, more blood, more nudity (including an oddly digitally pixellated male private area), and more shots of characters flipping each other off. Jokes are allowed to run longer, which may be a matter of taste–I’m a fan of jokes that go on and on to the point of absurdity, and by giving Josh Brolin’s time-traveling cyborg Cable more “grimdark” speechifying, this version actually turns him from a Frank Miller-type character to more of an Alan Moore parody of same.But then there are actual cinematic changes, too. Music cues in some cases are completely different, substituting hard-charging action score for lower-key or counter-intuitive tunes that make for a more comedic tone and render some of the extreme violence more slapstick (Boo to replacing the acoustic “Take on Me” with a replay of Celine Dion’s “Ashes,” though). We now meet Russell/Firefist (Julian Dennison) before Deadpool does, as their stories are shown on parallel tracks: as a broken Deadpool goes to the X-Mansion to be fixed, a not-broken Russell goes to the “Reeducation Center” to be tortured by Eddie Marsan’s headmaster, whose evil is more telegraphed in advance. When Russell later laments how he keeps waiting for someone to save him but nobody ever does, it carries that much more weight.Some choices feel like freedom from studio mandates: there are more digs at Fox and competing superhero movies, and a running gag about Deadpool accusing Cable of being racist that was probably too iffy for the suits. Other added running gags make existing ones more funny with callbacks: “Donde esta la biblioteca,” is the most notable, but Deadpool also snickers like Beavis and Butt-head in a few scenes now; for example, whenever Cable says something like “You always make it hard.” Speaking of butts, the whole “prison wallet” sequence involving Russell’s hidden pen has some enhanced gross-out sound effects, which actually make Deadpool’s revulsion to it throughout the movie a bit more understandable. And Colossus gets propositioned a lot more, with Deadpool at one point getting close to undoing his pants…and we won’t speak of what he does to the soap dispenser (what was only hinted at before is spelled out in full now).None of this takes away from the movie’s central theme, however, that Wade Wilson is presented with two possible alternate versions of himself: in Russell, a funny kid consumed with pain; and in Cable, a guy who’s gone past pain to being dead inside and stone-cold ruthless outside. Forced to find a way to somehow make peace between the two, Wade’s going to need a lot of luck and compassion, which he finds literally embodied in Domino (Zazie Beetz) and Colossus (Stefan Kapicic). It becomes, as promised early on, a (dysfunctional) family movie about pushing yourself and others out of emotional ruts, and not making friendship conditional. In that spirit, the scene that calls back to X-Men Origins: Wolverine now basically has Reynolds pleading for a Wolverine and Deadpool movie. It’s unlikely he’s hinting at something actually in the works, rather than just trying to get an idea out there, but it’s a significant change.Is it an entirely different experience, as Ryan Reynolds suggested at the Comic-Con panel earlier in the day? Not really. But it does feel a touch more comic-booky, and if you’re a Deadpool fan, that’s pretty much a plus.

 

REVIEW: DEADPOOL 2

CAST

Ryan Reynolds (The Hitman’s Bodyguard)
Josh Brolin (Avengers: Infinity War)
Morena Baccarin (Gotham)
Julian Dennison (Godzilla vs. Kong)
Zazie Beetz (Geostorm)
T.J. Miller (Cloverfield)
Brianna Hildebrand (The Exorcist TV)
Jack Kesy (12 Strong)
Stefan Kapicic (Big Miracle)
Leslie Uggams (Empire)
Karan Soni (Office Christmas Party)
Shioli Kutsuna (The Outsider)
Eddie Marsan (21 Grams)
Lewis Tan (Iron Fist)
Bill Skarsgård (IT)
Terry Crews (The Expendables)
Brad Pitt (Ocean’s Eleven)
Alan Tudyk (Rogue One)
Matt Damon (Dogma)
Mike Dopud (Arrow)
Nicholas Hoult (Mad Max: Fury Road)
James McAvoy (Split)
Evan Peters (Kick-Ass)
Tye Sheridan (Ready Player One)
Alexander Shipp (X-Men: Apocalypse)
Kodi Smit-McPhee (Let Me In)

Ryan Reynolds and Zazie Beetz in Deadpool 2 (2018)After successfully working as the mercenary Deadpool for two years, Wade Wilson fails to kill one of his targets on his anniversary with his girlfriend Vanessa. That night, after the pair decides to start a family together, the target tracks Wilson down and kills Vanessa. Wilson kills the man in revenge. He blames himself for her death and attempts to commit suicide six weeks later by blowing himself up. Wilson has a vision of Vanessa in the afterlife, but the pieces of his body remain alive and are put back together by Colossus. Wilson is left with only a Skee-Ball token, an anniversary gift, as a final memento of Vanessa.Josh Brolin in Deadpool 2 (2018)Recovering at the X-Mansion, Wilson reluctantly agrees to join the X-Men as a form of healing. He, Colossus, and Negasonic Teenage Warhead respond to a standoff between authorities and the unstable young mutant Russell Collins / Firefist at an orphanage, labeled a “Mutant Reeducation Center”. Wilson realizes that Collins has been abused by the orphanage staff, and kills one of the staff members. Colossus stops him from killing anyone else, and both Wilson and Collins are arrested. Restrained with collars that suppress their powers, they are taken to the Ice Box, an isolated prison for mutant criminals. Meanwhile, a cybernetic soldier from the future, Cable, whose family is murdered by an older Collins, travels back in time to kill the boy before Collins ever becomes a killer.Cable breaks into the Ice Box and attacks Collins. Wilson, whose collar has broken in the melee, attempts to defend Collins. After Cable takes Vanessa’s token, Wilson forces himself and Cable out of the prison, but not before Collins overhears Wilson deny that he cares for the young mutant. Near death again, Wilson has another vision of Vanessa in which she convinces him to help Collins. Wilson organizes a team called X-Force to break Collins out of a prison-transfer convoy and defend him from Cable. The team launches its assault on the convoy by parachute, but all of the members die during the landing except for Wilson and the lucky Domino. While they fight Cable, Collins frees fellow inmate Juggernaut, who agrees to help Collins kill the abusive orphanage headmaster. Juggernaut destroys the convoy, allowing himself and Collins to escape.Cable offers to work with Wilson and Domino to stop Collins’ first murder, and agrees to give Wilson a chance to talk Collins down. At the orphanage, they are overpowered by Juggernaut while Collins attacks the headmaster, until Colossus—who had at first refused to help Wilson due to Wilson’s murderous ways—arrives to distract Juggernaut. When Wilson fails to talk down Collins, Cable shoots at the young mutant. Wilson leaps in front of the bullet while wearing the Ice Box collar and dies, reuniting with Vanessa in the afterlife. Seeing this sacrifice, Collins does not kill the headmaster; this changes the future so that Cable’s family now survives. Cable uses the last charge on his time-traveling device, which he needed for returning to his family, to go back several minutes and strap Vanessa’s token in front of Wilson’s heart. Now when Wilson takes the bullet for Collins, it is stopped by the token and both survive. Collins still has his change of heart, and afterwards, the headmaster is run over by Wilson’s taxi-driver friend Dopinder.Ryan Reynolds in Deadpool 2 (2018)In a mid-credits sequence, Negasonic Teenage Warhead and her girlfriend Yukio repair Cable’s time-traveling device for Wilson. He uses it to save the lives of Vanessa and X-Force member Peter, and kills both X-Men Origins: Wolverine’s version of Deadpool and actor Ryan Reynolds while he is considering starring in the film Green Lantern.The first Deadpool is one of my favorite films of all time, and I figured no way even DP2 could beat it, but it did. This film is sheer perfection in every aspect. We need more of these type of films that make you forget all the garbage going on in today’s society… a film that has every positive element including top-notch non-stop comedy . Props to  Ryan Reynolds for topping what I thought could not be topped! This franchise needs to continue and I can’t wait for DP3! I will see this film again and again and I can’t wait to add the bluray to my collection next to DP1. A perfect and well deserved 10/10 from me!

REVIEW: MR. AND MRS. SMITH

CAST

Brad Pitt (Killing Them Softly)
Angelina Jolie (Maleficent)
Vince Vaughn (Weddign Crashers)
Adam Brody (The OC)
Kerry Washington (Django Unchained)
Keith David (Pitch Black)
Chris Weitz (American Pie)
Michelle Monaghan (Kiss Kiss bang bang)
Stephanie March (The Invention of Lying)
Jennifer Morrison (Amityville: The Awakening)
Jeff Yagher (V)
Angela Bassett (Green Lantern)
William Fichtner (The Dark Knight)

Ravil Isyanov (Octopus)

 

MV5BMTI5MDg3NDQ1MV5BMl5BanBnXkFtZTcwMTAxNjUyMw@@._V1_SY1000_CR0,0,1505,1000_AL_Mr. and Mrs. Smith, while not flawless, is a feature that works well despite the realization as the credits roll that there’s not a great deal to it. Of course, everyone knows by now that stars Brad Pitt and Angelina Jolie are a couple, the mere fact of which has somehow managed to be covered in every single edition of every single tabloid in every single country. The film, from “Bourne Identity” director Doug Liman, stars Pitt and Jolie as Mr. and Mrs. Smith, a suburban couple who lives in a large, beautiful and ultra-modern house on a quiet street. The two met cute and got married, despite keeping a rather large secret from one another – that both are actually assassins who are working for rival organizations.a0acad5c7a89d5b7f3182585aad6c19dThe marriage has obviously cooled over the years, and now discussions over decorations and minor dinner changes are the only thing keeping things from falling into uncomfortable silences. Things get nasty, however, when the two are sent in on the same job – an operative (Adam Brody, from “The O.C.”) and find that their cover has been blown by the person they’d have least expected. From there, Smith turns into a more violent War of the Roses as the two, despite still being together, wage war on each other in their suburban estate.MV5BMTUyNzA3MzMwNF5BMl5BanBnXkFtZTcwNTk5NTUyMw@@._V1_SY1000_CR0,0,1505,1000_AL_However, when it becomes clear that their bosses want them eliminated, they realize they have to turn to each other. Liman, who brought urgency and tension to even the quietest moments of “The Bourne Identity” manages to handle both the action and dark comedy of “Smith” wonderfully. Pitt, who proved he was a surprisingly sharp comedic talent in “Ocean’s 11” has the same off-beat delivery here, and it works well. More surprising is Jolie, who successfully gives the performance a bit more warmth and dark glee than she has in her roles in the past. Vince Vaughn also steals a few scenes as a co-worker who lives with his mother.Director Liman and writer Simon Kinsberg wisely keep things light for the most part,  and yet don’t go so breezy that the film loses urgency and we lose interest. The two stars also manage to portray their subtle inner feelings for each other well during the film’s few quiet moments. Technically, the film is superb, with well-choreographed action sequences, excellent production design, slick cinematography and a superb sound mix.Overall, Mr. and Mrs. Smith’s mixture of very dark comedy and action certainly walks a fine line, and yet Liman and the two leads have managed to work it out very well.