REVIEW: INHUMANS: THE COMPLETE SERIES

MAIN CAST

Anson Mount (Safe)
Serinda Swan (Smallville)
Ken Leung (Lost)
Eme Ikwuakor (Ink)
Isabelle Cornish (Homeand Away)
Ellen Woglom (April Showers)
Iwan Rheon (Game of Thrones)

RECURRING / NOTABLE GUEST CAST

Mike Moh (Street Fighter: Assassin’s fist)
Sonya Balmores (Soul Surfer)
Henry Ian Cusick (Lost)
Jamie Gray Hyder (Voltron: Legendary Defender)
Chad Buchanan (Star)
Liv Hewson (Santa Clarita Diet)
Nicola Peltz (Bates Motel)
Marco Rodríguez (Nightcrawler)
Tom Wright (Creepshow 2)
Krista Alvarez (Wawaii Five-O)
Bridger Zadina  (Bosch)

… And Finally: Inhumans is done. Not officially, mind you — there’s always a chance that this sucker will scrape through to renewal somehow, so until you see a headline confirming its cancellation, assume nothing. Still, whether Marvel’s underwhelming series gets a second go-round or not, the series we saw at the end of September is done for. No more moon city. No more quiet room. No more magic wall face. No more minimalist, uncomfortable throne, at least until it’s revealed what the squiggly blue letters mean. That reveal will never come, because seriously, Inhumans is probably done.It’s tempting to dive into this review by cataloguing the miscalculations, wrongs turns, and missed opportunities that have plagued Inhumans since the beginning. It’s a total buffet of bad judgment, with options ranging from ‘takes the entire premise far too seriously’ to ‘spends too little time with the giant teleporting dog,’ but a roster of missteps isn’t particularly useful or interesting. Still, there are chronic problems worth digging into, because the issues that have most troubled this series are the same ones that sink what was surely meant to be a gripping finale. As it turns out, when you don’t invest at all in your characters, their motivations, and the consequences of their actions, you wind up with a dismal, easily forgettable slog.Some of the failure in this area comes down to casting. The Inhumans ensemble isn’t uniformly bad — despite being given basically nothing of sense to do, Ken Leung, Iwan Rheon, Ellen Woglom, and a few others work their asses off to make a few individual moments work. It should also be said that even highly capable performers can’t do much when they’re desperately miscast. Still, there’s no getting around the fact that Anson Mount’s apparent inability to emotionally engage with the other actors, with the story, with the camera, and with the audience tanks pretty much any scene in which he plays a part. That’s been a problem from the get-go, but it’s a more significant issue here. It’s right there in the title: this is meant to be the Black Bolt variety hour, and yet it’s likely that the biggest response he’ll get will come courtesy of the moment he taps Maximus right over his heart, and said response will probably come in the form of a snort.Mount’s fighting an uphill battle no actor could possibly win. Viola Davis couldn’t make this stuff work. “… And Finally: Black Bolt” centers on a relationship in which the show has not invested, made up of two people the show has taken no time to develop. As the episode meanders toward the scenes meant to make up its climax, it drops information by the wayside, hoping a confession to a crime might help up the stakes. It seems to hope that time spent wandering empty hallways can trick an audience into suddenly caring about the fates of people about whom they know almost nothing. If Inhumans aims to make Maximus a sympathetic character, that ship has long since sailed. If it wants to give Black Bolt some kind of emotional journey, the point at which we’re all supposed to begin to care remains unclear. And if it thinks Black Bolt choosing to break his silence is a powerful moment, its writers should probably have done more to set that up than simply having an actor stay quiet for seven long episodes.The moment Black Bolt whispers “Goodbye, brother” falls flat for any number of reasons. As stated above, there’s no reason to care about the relationship between the two brothers, and that failing alone pretty much dooms the scene. But there’s more to it than that. In fiction, the destruction of one’s home is often symbolic, representing a loss of identity or links to the past, or signalling a future in which old wounds and baggage are left behind. That seems to fit, but because there’s no sense of what Black Bolt’s journey has been, how his perspective has changed or how his beliefs have shifted, there’s no reason to believe the crumbling of that building is anything more than an easy way to block some doors. He doesn’t want to kill his brother, but he’s willing to condemn him to a life that will be lived entirely alone uncase some creepy space invaders show up. That’s a choice that could make sense for the character, but even if it did, we’d have know way of knowing, because Black Bolt lacks any kind of internal life. He’s just a guy who’s a king, a man with a wife and his own sign language. That’s what we’ve got.That’s one example of many — “And Finally” treats the motivations of its characters with a similar level of disinterest throughout its too-long running time. Why does Medusa ask Louise for help, and what’s the help she needs? The answer to the former seems to be that Louise is the only human she knows; the answer to the latter is most likely something along the lines of “oh who cares, just write the scene.” Why does Karnak want to keep Gorgon alive, despite Gorgon’s obvious misery and lack of control? Because it’s better than than Gorgon being dead, one assumes, despite some evidence to the contrary — and the emotional effect of that evidence on Karnak is unclear. Why does Auran make any of the choices she makes here? Absolutely no idea. It’s not even all that clear what those actions are. Medusa smashes the crystal, because that seems dramatic. Maximus reveals his role in the death of his parents, because that was something on the episode checklist.What all this stuff — the lack of development, the unanswered questions, the unexplored ideas, the plot holes, the inexplicable choices — what all these things have in common is total lack of thoughtfulness. It’s there in the uneven effects and the inconsistent tone and the lack of any kind of cohesive written or visual story. It’s evident in the lack of planning that leads to casting Henry Ian Cusack, giving him almost nothing to do for eight episodes, then killing his character to solve a plot problem that doesn’t actually even matter because of other developments to come. It’s even clear in the relative lack of Lockjaw. Failing all else, one should at least try to make a finale entertaining. Even if Inhumans doesn’t give a damn about the people in “… And Finally: Black Bolt,” the show could at least have given half a damn about the dog.

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REVIEW: ULTIMATE SPIDER-MAN

Image result for ultimate spider-man
MAIN CAST (VOICES)
Drake Bell (Sueprhero Movie)
Ogie Banks (Superman vs The Elite)
Greg Cipes (Teen Titans)
Clark Gregg (Agents of S.H.I.E.L.D.)
Tom Kenny (Spongebob Squarepants)
Matt Lanter (Heroes)
Chi McBride (Human Target)
Caitlyn Taylor Love (I’m With The Band)
Logan Miller (Deep Powder)
J.K. Simmons (Spider-Man)
Steven Weber (Izombie)
RECURRING / NOTABLE GUEST CAST
Misty Lee (Killer Kids)
Jonathan Adams (Bones)
Tara Strong (The New Batman Adventures)
Eric Bauza (Batman: Assault on Arkam)
Dee Bradley Baker (American Dad)
Kevin Michael richardson (The Cleveland Show)
Stan Lee (Spider-Man)
Fred Tatasciore (Hulk Vs)
Troy Baker (Lego Batman: The Movie)
Clancy Brown (Highlander)
Rob Paulsen (Teenae Mutant Ninja Turtles)
Phil LaMarr (Free Enterpise)
Travis Willingham (Shelf Life)
Steve Blum (Wolverine and The X-Men)
Mark Hamill (Star Wars)
Adrian Pasdar (Heroes)
Roger Craig Smith (Wreck-it Ralph)
Diedrich Bader (Batman: The Brave and The Bold)
Christopher Daniel Barnes (The Little Mermaid)
Maurice LaMarche (Futurama)
Dwight Schultz (The A-Team)
Jack Coleman (Heroes)
Robin Atkin Downes (Babylon 5)
Rose McGowan (Planet Terror)
Bumper Robinson (Sabrina: TTW)
Stan Lee (Avengers Aseesmble)
Seth Green (Family Guy)
Oded Fehr (The Mummy)
Freddy Rodriguez (Ugly Betty)
Phil Morris (Smallville)
Milo Ventimiglia (Heroes)
Cameron Boyce (The Descendants)
Maria Canals-Barrera (Justice League)
Will Friedle (Batman Beyond)
Eliza Dushku (Tru Calling)
Greg Grunberg (Heroes)
Michael Clarke Duncan (The Finder)
George Takei (Star Trek)
Iain De Caestecker (Agents of S.H.I.E.L.D.)
Robert Patrick (Terminator 2)
Elizabeth Henstridge (Agents of S.H.I.E.L.D.)
James Marsters (Caprica)
Keith Szarabajka (Angel)
Billy West (Futurama)

I recently watched  Ultimate Spider-Man and I can honestly say that I have never wanted to stop watching a Spider-Man cartoon before in my life… until now. I have been a big fan of the Spider-Man comic series for many years and have liked almost all of the cartoon iterations of him, but this one just hurts to watch. I understand that Spider-Man is supposed to be a smart-mouthed teen who likes to make jokes while fighting crime, which is my favorite part about the character, but this show just takes it to an extreme.


I think one of the biggest problems for me was how much the stories are broken up by all of the “cut away” scenes.  I understand that Spider-Man is a show made for children and I get that the characters aren’t going to be nearly as serious as they are in the comics, but I feel like this was just too far from the source material for me to enjoy it. Another thing that bothered me was how just a few years ago we had, in my opinion, one of the best Spider-Man shows to date, Spectacular Spider-Man, and it was canceled in only it’s second season. I had really high hopes for Ultimate Spider-Man to fill the void that Spectacular Spider-Man left, but it just didn’t deliver at all.

As far as the voice acting on the show goes, they all seem to have done a really good job… with what they were given to read. So much of the writing in this show just seems so forced.why was Spectacular Spider-Man so much better and the most honest answer that I can give you is that it seems as though Marvel actually put a lot of work into Spectacular Spider-Man. I’m not saying that they didn’t put a lot of work into Ultimate Spider-Man, but it’s much harder to see in this one. The character designs in Spectacular Spider-Man may not have hit all of the right points for some people, but I really enjoyed it. The action in the show looked really good and it was easy to follow exactly what was happening, because you didn’t have a bunch of blur that you had to try and see everything through. The story for Spectacular Spider-Man was your standard Spider-Man fare, but while it was a show essentially for kids, it also appealed to many adults as well.


I really wanted to like Ultimate Spider-Man, but I just didn’t. I feel like if this show was about just another teen superhero other than Spider-Man it would have been much more forgivable, but for it to take such a dump on such a beloved character, it is just really sad to see. Now all that I can do is hope that the new Spider-Man movie can really bring something good to the table.