REVIEW: STAR TREK: DEEP SPACE NINE – SEASON 1-7

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MAIN CAST

Avery Brooks (Roots: The Gift)
Nana Visitor (Dark Angel)
Rene Auberjonois (Boston Legal)
Alexander Siddig (Game of Thrones)
Terry Farrell (Hellraiser 3)
Colm Meaney (Intermission)
Cirroc Lofton (Soul Food)
Armin Shimerman (Buffy: The Vampire Slayer)
Michael Dorn (Ted 2)
Nicole de Boer (Rated X)

RECURRING / NOTABLE GUEST CAST

Patrick Stewart (American Dad)
Felecia M. Bell (Nightman)
Marc Alaimo (Total Recall)
Aron Eisenberg (Puppet Master 3)
Max Grodenchick (Apollo 13)
J.G. Hrtzler (Roswell)
April Grace (Lost)
Majel Barrett (Babylon 5)
Andrew Robinson (Hellraiser)
Gwynyth Walsh (Taken)
Vaughn Armstrong (Power Rangers Lightspeed Rescue)
Rosalind Chao (I Am Sam)
Edward Albert (Power Rangers Time Force)
Scott MacDonald (Jack Frost)
Jennifer Hetrick (L.A. Law)
John De Lancie (The Hand That Rocks The Cradle)
Tom McCleister (Angel)
Gregory Itzin (Firefly)
Fionnula Flanagan (The Others)
Julie Caitlin Brown (Babylon 5)
Chris Latta (Transformers)
Barry Gordon (Teenage Mutant Ninja Turtles)
Wallace Shawn (The Princess Bride)
Cliff De Young (Glory)
Jonathan Banks (The Lizzie Borden Chronicles)
Keone Young (Men In Black 3)
Jack Shearer (Star Trek: First Contact)
Harris Yullin (Rush Hour 2)
Louise Fletcher (Heroes)
Frank Langella (Masters of The Universe)
Stephen Macht (Galaxina)
Steven Weber (Izombie)
John Glover (Smallville)
Tim Russ (Samantha Who?)
Daphne Ashbrook (The Love Letter)
Don Stark (That 70s Show)
Brian Thompson (The Terminator)
Salli Richardson-Whitfield (I Am Legend)
William Schallert (Innerspace)
K Callan (Lois & CLark)
Chris Sarandon (Child’s Play)
John Colicos (Battlestar Galactica)
Michael Ansara (Batman: TAS)
William Campbell (Dementia 13)
Tony Plana (Ugly Betty)
Michael Bell (Rugrats)
Alan Oppenheimer (Transformers)
Salome Jens (Superbot)
Martha Hackett (Leprechaun 2)
Ken Marshall (Krull)
Mary Kay Adams (Babylon 5)
Bumper Robinson (Sabrina: TTW)
Brett Cullen (Lost)
Jeffrey Combs (The Frighteners)
Tricia O’ Neil (Gia)
Dick Miller (Gremlins)
Deborah Van Valkenburgh (Free Enterprise)
Clint Howard (Apollo 13)
Richard Lee Jackson (Saved By The Bell: The NEw Class)
Andrew Prine (V)
Tracy Scoggins (Lois & Clark)
Erick Avari (Stargate)
Carlos Lacamara (Heroes Reborn)
Leland Orser (Seven)
Chase Masterson (Terminal Invasion)
Penny Johnson Jerald (Castle)
Andrea Martin (Wag The Dog)
Diane Salinger (Batman Returns)
Sherman Howard (Superboy)
Robert O’ Reilly (The Mask)
Obi Ndefo (Stargate SG.1)
Patricia Tallman (Babylon 5)
Galyn Gorg (Robocop 2)
Jeremy Roberts (Veronica Mars)
James Cromwell (Species II)
Charles Napier (The Silence of The Lambs)
Conor O’Farrell (Lie To Me)
Robert Foxworth (Syriana)
Brock Peters (Soylent Green)
Casey Biggs (Broken Arrow)
Tony Todd (The Flash)
Robert DoQui (Robocop)
D. Elliot Woods (Agents of SHIELD)
Jason Marsden (Full House)
Ron Canada (Just Like Heaven)
James Black (Anger Management
Meg Foster (Masters of The Universe)
Tracy Middendorf (Scream: The Series)
John Prosky (The Devil Inside)
Hilary Shepard (Power Rangers Turbo)
Phil Morris (Smallville)
Charlie Brill (Silk Stalkings)
Kurtwood Smith (That 70s Show)
Eric Pierpoint (Alien Nation)
Robert Picardo (Stargate: Atlantis)
Marjean Holden (Hostage)
Brian Markinson (Arrow)
Christopher Shea (Bounty Killer)
Marc Worden (Ultimate Avengers)
Gabrielle Union (Ugly Betty)
Shannon Cochran (The Ring)
Iggy Pop (The Crow 2)
Brad Greenquist (Alias)
Leslie Hope (24)
Stephen McHattie (300)
Michael Weatherly (NCIS)
Henry Gibson (Sabrina: TTW)
James Darren (T.J. Hooker)
Bill Mumy (Babylon 5)
Kevin Rahm (Bates Motel)
Adrienne Barbeau (Swamp Thing)
William Sadler (Roswell)

DS9 is one of my all-time favourite television shows. It edges out Star Trek’s original series just barely as my favourite in the franchise. I am not going to state that it’s the best Star Trek series, because it definitely will not appeal to everybody, but it is my favourite.

DS9 deviates from the Trek franchise formula in an important way – it is based on one location – a Cardassian-built space station near the planet Bejor. So even the architecture of the main set is alien – not another sterile militaristic star ship inhabited by a primarily white European crew – but a true Babel. Bejor has just been liberated from 60 years of occupation by an expansionist militaristic race – the Cardassians. Both Bejorans and Cardassians will play important roles throughout DS9. Since the station does not move much during the show’s seven year run, DS9 has a much stronger sense of place than the other ST series, and is able to develop story arc and character continuity much more powerfully than the others.

All of the major characters and most of the frequent returning characters have their own interwoven story arcs – most of which span the entire series. Ben Sisko (Avery Brooks), the station’s commander, is a somewhat disgruntled Star Fleet officer who has several personal vendettas which have almost driven him from Star Fleet. He is also a single parent and a genius. In the very first episode, Sisko’s arc begins and it is clear that his story will be the frame within which the entire series is organized – though the reasons for this will no become entirely clear until near the end. Also memorable are the gruff, shape-shifting Chief Constable Odo(Rene Auberjunois) who does not know what he is and where he came from; Kira (Nana Visitor) Sisko’s aggressive and intense Bajoran second officer; Garak (Andy Robinson) a Cardassian Tailor and – possibly – spy, who is easily the most well-developed, well-acted and interesting recurring guest star Star Trek has ever had; Jadzia Dax (Terry Farrell) – the beautiful Trill science officer whose consciousness is enhanced by the memories and personality of a 600 year old symbiotic slug who lives in her stomach and has inhabited dozens of previous hosts; Julian Bashir (Alexander Siddig) the station’s young, brilliant, adventurous and naive doctor; and Quark (Armin Shimmerman), the greedy, conniving, but entirely lovable Ferengi casino owner.

The characters, cast, and serialized stories make DS9 stand apart from the franchise as the most powerfully plotted, intensely dramatic and politically charged Star Trek ever. The show is, however, not for those with limited attention spans and a disdain for complexity. While it isn’t exactly hard to follow, the dialog is often dense and DS9 – more than any other Trek show – uses non-verbal communication very well. Brooks, Visitor and Robinson – all of whom are masters at this – are particularly non-verbal and make a big impression from the first few episodes.

Throughout the series, there are constant underlying political intrigues and surprisingly little filler. Almost every story connects with the main story arc (Sisko’s and Bejor’s) in one way or another, and no time is wasted with aimless experimentation by the writing team (a problem Voyager and Enterprise both suffered from).

The production is consistently theatrical in scope. The special effects are still – even today – above average for television, and even the new BSG doesn’t approach the scope and coherence of the plot.Highly recommended for bright people looking for something more than typical TV drama normally delivers.

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REVIEW: COMIC BOOK: THE MOVIE

CAST

Mark Hamill (Star wars)
Billy West (Futurama)
Donna D’Errico (Candyman 3)
Roger Rose (Happy Feet)
Jess Harnell (Taz-Mania)
Lori Alan (Family Guy)
Daran Norris (Veronica Mars)
Jim Cummings (Aladdin)
Jill Talley (Sky High)
Tara Strong (Batman: The Killing Joke)
Jeremy Bulloch (A Night To Remember)
James Arnold Taylor (Batman: TBATB)
Tom Kenny (Super Hero Squad)
Peter Mayhew (Star Wars)
Bruce Campbell (Ash vs Evil Dead)
Kevin Smith (Dogma)
Hugh Hefner (Hop)
Stan Lee (Avengers Assemble)
Lloyd Kaufman (Tales From The Crapper)
David Prowse (Star Wars)
Matt Groening (The Simpsons)
Arleen Sorkin (Batman: TAS)
Ray Harryhausen (20 Million Miles To Earth)
Phil Morris (Smallville)
Gary Owens(That 70s Show)
Chase Masterson (Star Trek: DS9)
J.J. Abrams (Alias)
Bill Mumy (Lost In Space)
Ron Perlman (Hellboy)
Maurice LaMarche (Futurama)

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The story centers around Don Swan (Hamill), a middle-aged high school teacher and comics aficionado from Wisconsin who owns his own comic book store and even publishes a fanzine about the Golden Age of comics. He’s invited by a Hollywood film studio to be a technical consultant on a movie based on a comic, which in turn was based on a Golden Age comic he’s loved since childhood. It’s his insight Timely Studios wants to help make a good movie… or at least that’s what he thinks.
The fictional comic in question is “Commander Courage,” a WWII-era superhero who is a composite of every legendary, patriotic superhero ever (Superman, Captain America, the Lone Ranger, etc.). He’s got super powers, wears a mask, has a boy sidekick and fights the Nazis. This character eventually faded away but was resurrected as “Codename: Courage” after 9/11. The new version is updated for the times, but to Don’s chagrin, perhaps a little too modern. This new guy embodies every cliche of the mysterious loner/badass-to-the-extreme/tough-as-nails government assassin-type “superhero” to come out of comics in the last 15 years. Or, imagine every action movie character ever played by Stallone, Van Damme, Segal and Schwarzenegger all rolled into one. Now imagine what a movie company would like to do with a character like that!
Image result for comic book the moviePoor Don, he thinks he can actually persuade the studio execs to keep the Courage character close to his original conception and not ignore his 60-year history. Lori Alan and Roger Rose co-star as the vain, uptight, greedy movie moguls who are just using Don to endorse the film at the hugely popular San Diego Comic Con where over 60,000 other geeks are hoping for a sneak peek. After all, no word of mouth endorsements or condemnations travel faster than at the speed of geek. They even provide Don with a Tommy Chong-esque cameraman named Ricky (Jess Harnell) to document everything as a DVD bonus feature.
As is the case with most mockumentaries, there isn’t really a plot to “Comic Book: The Movie,” it’s more of a meandering story of Don’s journey to Hollywood and then to the comic book convention and his feeble attempt to convince the world the original, wholesome character would make a better movie than the gritty one. Don is so committed to his quest he even has a Commander Courage costume professionally made and hires an actor to wear it at the convention CBTM2(Daran Norris is sublime as the clueless patsy). Don’s work on his fanzine manages to get him some pretty big contacts in Los Angeles too, most notably filmmaker Kevin Smith, Playboy publisher Hugh Hefner, and cult movie star Bruce Campbell. All three are genuinely interested in Don’s mission to keep the movie from becoming another lame potboiler. Voice actor extraordanaire Billy West (best known for Fry on Futurama) co-stars as Leo, the long-lost grandson of Commander Courage’s creator who has no idea of the royalties he’s entitled to. Leo’s very shy and not too bright, but over the course of a few days will be seduced by the Hollywood scene and the way he changes is hilarious.
The film was shot entirely on video with hand held cameras to make it look as if you were watching a TV news magazine, or, dare I say it – MTV. It’s an original way to tell the story since the majority of the film takes place at the giant convention with thousands of people walking around. Shooting it this way makes it more believable when we see people standing around watching the main characters talk and even getting in on the action too.
The only problem I had was that sometimes it’s difficult to tell where Comic Book: The Movie ends and the movie-within-the-movie begins. We occasionally see the “real” movie’s camera crew through Ricky’s camera, but unlike Ricky, these guys are never acknowledged. I didn’t feel this was a wink at the camera in-joke, but more of a sloppy filmming technique. It probably would have worked better had the actual movie been shot on film with Ricky’s video footage intercut when necessary instead of at random. The constant back and forth and the appearance of boom mikes is disorienting and confusing. Obviously, Comic Book: The Movie is targeted at a specific audience, and being part of that demographic I couldn’t help but enjoy it. To the non-comics fan it might come across as silly, but there’s really a lot of intelligent satire to be found here.