REVIEW: BLOODRAYNE

CAST

Kristanna Loken (Painkiller jane)
Michael Madsen (Powers)
Matthew Davis (The Vampire Diaries)
Michelle Rodriguez (S.W.A.T.)
Ben Kingsley (Iron Man 3)
Will Sanderson (Alone in The Dark)
Geraldine Chaplin (Chaplin)
Udo Kier (Blade)
Meat Loaf (Fight Club)
Michael Pare (The Virgin Suicides)
Billy Zane (The Scorpion King 3)
T.J. Storm (VR Troopers)
Mike Dopud (Stargate Universe)

The film centers on the character of Rayne, an unholy breed of human and vampire called a Dhampir. Dhampir are unaffected by crucifixes and do not thirst for human blood. She is the daughter of the Vampire King Kagan who has gathered an army of thralls, both vampire and human, in order to annihilate the human race. She was conceived when Kagan raped her mother, and she later witnessed him killing her.Sebastian, Vladimir, and Katarin are three members of the Brimstone Society, who fight vampires. They hear of a carnival freak who may be a Dhampir, so Vladimir plans to recruit her in order to kill Kagan. Kagan is also hunting for her, fearing she will interfere with his plans. Rayne escapes captivity at the carnival. On the road, she encounters and saves a family being attacked by vampires. A fortune teller reveals to Rayne that Kagan has become the most powerful vampire in the land and resides in a well-protected castle. She tells Rayne that Kagan seeks an ancient talisman, a mystical eye, and if she finds it, it would allow her to gain an audience with Kagan. Rayne sets out to the monastery to find it.2006_bloodrayne_013Rayne shelters for the night at the monastery and later sneaks away to where the talisman is guarded by a hammer-wielding, deformed monk. The talisman is further protected by booby traps, and when Rayne lifts it from its pedestal, the chamber floods with holy water. As Rayne hangs from the ceiling to avoid the water, the talisman falls from the box but she catches the eyeball. Examining it closely, the eye magically becomes absorbed into her own eye, and when she falls into the water she is somehow unaffected by it. When she leaves the chamber, the monks explain the artifact is one of three body parts which came from an ancient vampire called Belial, who had found a way to overcome the weaknesses of a vampire. The eye overcomes holy water; the rib overcomes the cross; and the heart overcomes sunlight. The parts have been hidden across the lands. As Kagan wants all these parts, it becomes the heroes’ mission to stop him.maxresdefaultRayne is brought to the headquarters of the Brimstone society and they agree to work together to kill Kagan. Katarin does not trust Rayne and betrays Brimstone to her father, Elrich, who has fallen in league with Kagan, but seeks to betray him and gain power for himself. The location of the heart talisman is known to Katarin as her grandfather hid it in water-filled caves. She seeks it out but Rayne fights and kills her for it. With the talisman, Rayne attempts to gain an audience before Kagan, but he takes the heart and throws her in the dungeon. He plans to extract the eye as part of a ritual. He realizes too late Rayne had only given him an empty box and not the heart. Sebastian and Vladimir intervene, battling Kagan and his minions, but both are fatally wounded, leaving Rayne in a final battle against Kagan. As Sebastian dies he fires a final bolt from his crossbow, but Kagan is too quick and is able to catch it. Rayne is able to summon her last reserves of strength and plunge the bolt into his heart. The battle ends. Rayne seats herself in Kagan’s throne. The film ends when Rayne leaves the castle and goes to the mountains.bloodrayne00As an adaptation of the video game, BloodRayne fails pretty miserably because it changes too many character traits in the lead and completely disregards important plot points in the source material. As a horror movie, BloodRayne also fails pretty miserably because it just isn’t scary or even particularly suspenseful. When all things are seriously considered, BloodRayne is in fact a pretty bad film full of predictable characters, obvious plot twists. Ben Kingsley simply sleepwalk through the film and to see Michael Madsen trying his damnedest to look like he knows what is happening around him. All of this while Lokken chops peoples heads off, screams a lot, and generally overacts. BloodRayne is a train wreck, but it sure is a fun one.

REVIEW: LUCKY NUMBER SLEVIN

CAST
Josh Hartnett (Halloween: H20)
Bruce Willis (Sin City)
Lucy Liu (Charles Angels)
Morgan Freeman (Batman Begins)
Ben Kingsley (Iron Man 3)
Michael Rubenfeld (The Recruit)
Peter Outerbridge (Beauty and The Beast)
Stanley Tucci (Transformers 4)
Kevin Chamberlin (Road To Perdition)
Dorian Missick (The Cape)
Mykelti Williamson (Con Air)
Daniel Kash (Bitten)
Corey Stoll (Ant-Man)
Robert Forster (Jackie Brown)
During the film’s opening credits, two bookies are separately ambushed and murdered by their unseen killers; elsewhere, a young man is killed by a sniper. In a bus terminal, a young man is approached by Goodkat (Bruce Willis), who tells the story of Max and the Kansas City Shuffle: two decades earlier, Max borrowed money from the mob to bet on a fixed horse race, only for the horse to die mid-race. To set an example to make sure nobody else would try to bet on a fixed race, the mob killed Max, his wife and young son Henry. Goodkat concludes that a “Kansas City Shuffle” is a misleading double bluff, and so tricks and kills the young man, before loading his body into a truck.
In New York City, Slevin Kelevra (Josh Hartnett) is staying in his friend Nick Fisher’s apartment and, upon being visited by Nick’s neighbor Lindsey (Lucy Liu), discusses Nick’s disappearance and why his apartment was unlocked. Lindsey suggests that Nick may be missing and, after she leaves, Slevin is kidnapped by two henchmen, who take him to “The Boss” (Morgan Freeman). Mistaking Slevin for Nick, The Boss orders him to repay a large gambling debt or kill the son of his rival, “The Rabbi” (Ben Kingsley); The Boss believes The Rabbi is responsible for assassinating his son (seen in the intro), and wants The Rabbi’s homosexual son, Yitzchok “The Fairy”, to be killed in revenge. Slevin then returns to the apartment, but is kidnapped again by two Jewish henchmen working for The Rabbi. The Rabbi also mistakes Slevin for Nick, and also demands he repay a large gambling debt. Slevin returns to The Boss and agrees to kill The Fairy. Concurrently with Slevin visiting the mob bosses, it becomes apparent Goodkat is involved in both sides and is responsible for Nick’s debts being called in, and he plans to kill Slevin after The Fairy dies (though his motivations remain unknown).
Slevin and Lindsey go out to dinner, where Slevin arranges a date with The Fairy. Slevin is approached by Detective Brikowski (Stanley Tucci), who is investigating The Boss and The Rabbi; the detective hassles him again later; Slevin reveals his full name. Slevin arrives at The Fairy’s apartment and fatally shoots him, only for Goodkat to appear; rather than shoot Slevin, however, he finishes The Fairy, who pulls out a gun, revealing Slevin and Goodkat are affiliated. Slevin then brings the bus terminal victim’s body, revealed to be Nick Fisher, into the apartment while Goodkat kills The Fairy’s bodyguards. Together they blow up the apartment and the bodies, faking Slevin’s death in the process. Goodkat and Slevin kidnap The Boss and The Rabbi, with both awakening restrained in The Boss’s penthouse. Slevin appears and explains the overarching twist: Slevin is Henry, the son of the ill-fated Max, and the mobsters who killed Max were The Boss and The Rabbi. Goodkat is revealed as the assassin hired to kill young Henry, but after an attack of conscience took him in and raised him instead.
Twenty years later, Goodkat and Slevin killed The Boss’ son and both mobsters’ bookies, stealing the bookies’ ledgers in the process; after finding Nick Fisher owed a great deal of money to both sides, they killed him and stole his identity. As gang warfare loomed, both mobsters went to Goodkat, who agreed to both kill and protect The Fairy on the condition they call in Nick’s debts, granting Slevin and Goodkat unhindered access to the heavily guarded mobsters and Nick Fisher as an ally respectively. After revealing his plan, Slevin suffocates The Rabbi and The Boss by taping plastic bags over their heads, killing them the same way they killed his father. Since Lindsey earlier photographed Goodkat for Slevin, Goodkat shoots her to protect his identity. Finally, it is revealed that Detective Brikowski killed Slevin’s mother when his own gambling debts were called in by the mobsters; Slevin kills Brikowski as the pseudonym “Slevin Kelevra” is explained: “Lucky Number Slevin” was the horse his father had bet on, and “Kelevra” is Hebrew for “bad dog,” mirroring Goodkat’s name.
Sometime later at the bus terminal, Slevin is met by Lindsey, and it is revealed that Slevin, aware of Goodkat’s intentions, explained his true identity to her and helped fake her death. Goodkat appears, aware of the trickery; since Goodkat spared Slevin as a boy, he sympathizes and agrees to let her live. The film closes with a flashback to Goodkat deciding not to kill Henry; “Kansas City Shuffle” by Bennie Moten (Performed by J. Ralph) starts playing on the radio as they drive away together.
A clever film with a twist at the end. I enjoyed it and so might you if you like thrillers with a twist at the end. An all star cast adds to the pleasure.

REVIEW: THUNDERBIRDS (2004)

CAST

Bill Paxton (Agents of SHIELD)
Brady Corbet (Thirteen)
Ben Kingsley (Iron Man 3)
Vanessa Hudgens (Sucker Punch)
Soren Fulon (South of Pico)
Sophia Myles (Underworld)
Ron Cook (Hot Fuzz)
Anthony Edwards (Top Gun)
Philip Winchester (Camelot)

Anthony Edwards, Sophia Myles, and Brady Corbet in Thunderbirds (2004)I was excited when news broke of a live action Thunderbirds film. I also count myself as a kean Star Trek fan and was pleased to see Jonathan Frakes as the producer (Riker from ST Next Generation) and thought that despite being American (where the original series wasn’t a success) he maybe the right man to modernise and introuduce Thunderbirds to a new generation.What we got was a poorly explained, childish and silly mockery of the original series. Major characters from the series take some what more of a back seat in the film..and there is so much chopping and changing that goes on. It takes a knowledgeable Thunderbirds fan a good while to figure out who is who.

Leaving the newcomers no hope of knowing what is going on..or the initial story behind Thunderbirds. This leads me to believe that the film is defiantly intended for fans of the original series as you are thrown head first into a plot that dosen’t explain itself or any of the main characters.

The film also provides no real explanation of who International Rescue are and major series characters such as Scott, Virgil, Gordon and John Tracy play such a small and insignificant role each character has no more than 2 to 8 lines in the entire film. The original series creator Gerry Anderson said in an interview after he saw it “that was the biggest load of crap I have ever seen” . A pure insult to the Thunderbirds legacy. It really takes the original series and rips it apart limb by limb, stamps up and down on it and leaves it in bits. If you loved the original series as a youngster. All this film will do is anger and confuse you. The original series although viewed as a children’s program was very much picked up on by adults. However this is a very childish and silly approach to the Thunderbirds world. A very plastic, Americanized and prissy version.It literally pays no respect to the original magic of Thunderbirds. something that made the series so special and unique to millions of people.

REVIEW: MARVEL ONE-SHOT: ALL HAIL THE KING

All Hail the King poster.jpg

 

CAST

Ben Kingsley (Species)
Scoot McNairy (Batman V Superman)
Sam Rockwell (Galaxy Quest)

Ben Kingsley in Marvel One-Shot: All Hail the King (2014)Trevor Slattery, having been captured at the end of Iron Man 3, is now being held in Seagate Prison. At the prison he is living luxuriously, having his own personal “butler”, Herman, as well as other inmates who act as his fan club and protection from other inmates. Looking on at the attention Slattery receives in the cafeteria is Justin Hammer, who wonders what makes him so special. Slattery has been talking with a documentary filmmaker, Jackson Norriss, to chronicle the events of the Mandarin situation seen in Iron Man 3. Norriss, trying to learn more about Slattery personally, recounts his past from his first casting as a child as well as starring in a failed CBS pilot. Norriss eventually informs Slattery that his portrayal has angered some people, including the actual Ten Rings terrorist group, which Slattery did not know existed. Norriss tells him the history of the Mandarin and the terrorist group, before revealing that he is actually a member of the group. The real reason for Norriss interviewing Slattery is to break him out of prison so he can meet the actual Mandarin. Hearing this, Slattery still has no idea of the full ramifications of his posing as the Mandarin.Ben Kingsley in Marvel One-Shot: All Hail the King (2014)A return to the lovable personality of the hapless Trevor and a step forward for the larger Marvel Cinematic Universe. It has its twists that should satisfy both lovers and haters of Trevor Slattery. But it’s the approach that Pearce takes with the material, from the kung-fu movie style credit sequences to the light-hearted tone that takes a sudden and jarring turn. Kingsley once again shines in the role of Slattery, aloof and ignorant, but more than happy to slide back into Mandarin mode if it will please his adoring fans. .”

REVIEW: IRON MAN 3

CAST

Robert Downey Jr. (Tropic Thunder)
Gwyneth Paltrow (A Perfect Murder)
Don Cheadle (Traffic)
Guy Pearce (Prometheus)
Rebecca Hall (Town)
Jon Favreau (Daredevil)
Ben Kingsley (Lucky Number Sleven)
James Badge Dale (World War Z)
Stephanie Szostak (R.I.P.D.)
Paul Bettany (Legion)
William Sadler (Roswell)
Dale Dickey (My Name Is Earl)
Miguel Ferrer (Robocop)
Ty Simpkins (Jurassic World)
Shaun Toub (Lois & Clark)
Mark Ruffalo (Just Like Heaven)
Joan Rivers (Spaceballs)
Stan Lee (Avengers Assemble)
Rebecca Mader (Lost)

Robert Downey Jr. in Iron Man Three (2013)As the start of “Phase Two” of Marvel’s ever-expanding film lore, Iron Man 3 picks up shortly after the events of The Avengers, where Tony Stark (RDJ) played a crucial role in stopping an other-worldly invasion in New York City. Shaken by the experience to a point of acute panic attacks, Stark finds himself obsessed with his mechanical tinkering, creating and modifying suits in the hours where he can’t sleep or spend time with Pepper Potts (Gwyneth Paltrow), now CEO of Stark Industries. During that time, a bearded fanatic known as The Mandarin (Ben Kingsley) claims responsibility for curiously evidence-free terrorist activities through hacked television broadcasts, backed up by cryptic “lessons” about American indulgence, artifice, and claim to territory. In a fragile state of mind and dealing with the reemergence of a momentary colleague from his past, Aldrich Killian (Guy Pearce), whose radical plans for human advancement (and his attractiveness) draw Pepper’s attention, Tony flexes his Iron Man muscle by publicly provoking The Mandarin.Ben Kingsley in Iron Man Three (2013)Before that, Iron Man 3 offers a glimpse nearly fifteen years into the past as a quasi-preamble, before Stark made his reputation as a public hero. Outside of Black and co-writer Drew Pearce’s evident character reasons for doing so — namely introducing Killian at a younger age, as well as the beautiful, brilliant scientist Maya Hansen (played by Rebecca Hall) and her invaluable yet unstable work in organic regeneration — this also serves as a reminder of a Tony Stark before he stumbled into the duties of a narcissistic hero in a near-impervious suit of his design. Thus begins a personal journey for Stark: complete with voiceover directed at an unspecified listener (you find out who in the post-credit sequence) that transitions to the present era, the strain on his persona created by a near-death sacrificial decision in New York flirts with the comic-book’s famous “Demon in a Bottle” story arc … without ever mentioning alcohol.Robert Downey Jr. in Iron Man Three (2013)The script from Black and Pearce expands on that internal crisis by finding a way to leave Stark without his gear, his girl, and his support structure at a pivotal point, where he’s abandoned in the middle of nowhere with only his wits and scientific knowledge (and a boy essentially embodying a young engineering-savvy version of Tony Stark) to guide him. Some will find this change of pace refreshing, a return to those moments in the Afghanistan cave where he constructed the first rudimentary suit; once again, he’s using only his inventiveness to weave in and out of tricky situations and get Iron Man in fighting shape. Others will find the lack of higher-octane action and similarities to other recent “fallen, morale-damaged hero” storylines frustrating, and that’s partially due to circumstances that are wobbly even for comic-book logic. The pressure rests on Downey Jr. to convince those watching of his fraught situation, and his charisma — now with the added touch of Shane Black’s humorous edge — keeps the attitude upbeat, hectic, and faintly mythic, bolstered by scenes such as Tony literally dragging the weight of his armor over his shoulder across a snowy field.Iron Man Three (2013)As  the film approaches a climax full of Iron Men, fireworks, and plenty of Hail Mary leaps within a dangerous shipyard, backed by a reliably fierce performance from Guy Pearce as his role in the Extremis program comes to fruition. What surprised me the most about the ending, once the smoke clears, is how final and cathartic it ends up feeling, as if it very well could be the bookend to Iron Man himself if they decided not to move the series forward. Giving closure to Stark’s tribulations as a self-focused hero and his rocky relationship with Pepper Potts, it’ll make the eminent day when the Avengers come knocking on his door again all the more intriguing.