CAST
Beau Bridges (Stargate SG.1)
Chantal Conlin (Mission To Mars)
Heather McEwen (Convergence)
Mackenzie Gray (Man of Steel)
John DeSantis (Seventh Son)
Adrien Dorval (Shanghai Noon)
Colin Heath (The Overcoat)
Kristian Ayre (Elf)
Mark Gibbon (Roadkill 2)
Kira Clavell (Rogue)
Kim Hawthorne (Lucky Louie)
Ocean Hellman (Highlander: The Series)
Jay Brazeau (Bates Motel)
Dr. Alan Aisling is an antiquities professor who has lost his wife and struggles to keep his daughters’ spirits high and his loneliness at bay. His younger daughter Cassie daydreams about the mythical world her illustrator mother left behind in her drawings and annoys her older sister Miranda.
Then something magical happens: The family find themselves fleeing a plague of monstrous trolls by boarding a mysterious ship called The Unicorn. They are given a quest to find the benevolent dragon that once ruled the legendary faerie isles, before the demon trolls arrived.
They partake of the quest that shows them the wonder of the mythological worlds: Fire-breathing dragons, the mermaids’ siren songs and the Minotaur’s labyrinth, and try to re-ignite an enthusiasm for life within the family.
This film is a wonderful fantasy film for both children and adults alike. It alows the watcher to emerse themselves in the world of magic and fantasy and therefore escape reality for a little while.
Norma Rae Webster is a minimum-wage worker in a cotton mill that has taken too much of a toll on the health of her family for her to ignore their poor working conditions. After hearing a speech by a New York union organizer, Reuben Warshowsky, Norma Rae decides to join the effort to unionize her shop. This causes conflict at home when Norma Rae’s husband, Sonny, says she’s not spending enough time in the home.
Despite being pressured by management, when confronted, Norma Rae takes a piece of cardboard, writes the word “UNION” on it, stands on her work table, and slowly turns to show the sign around the room. One by one, the other workers stop their mill machines, and eventually, the entire room becomes silent. After all the machines have been switched off, Norma Rae is taken to jail but is freed by Reuben.
She then decides to talk to her children and tell them the story of her life. After discussing it with Reuben, Sonny tells Norma there’s no other woman in his mind and he will always remain with her. Norma Rae then successfully orchestrates an election to unionize the factory, resulting in a victory for the union. Finally, Reuben says goodbye to Norma; despite his being smitten with her throughout the movie, they only shake hands because he knows she is married and loves her husband, and Reuben heads back to New York.
This film is very much in the vein of Erin Brockovich(2000)where the worker has to stand his ground and fight for his/her voice to be heard by the oppressive corporate big boys.Sally Field’s Oscar winning performance as Norma Rae Webster was ranked No 15 on the American Film Institute’s Heroes list in their compilation of 100 years of The Greatest Screen Heroes and Villains.It’s good to see a great film with a powerful female lead character.
The characters are great. Stan Smith, the dad of the title is more capable than Family Guy’s Peter Griffin, but just as blinkered. He calls “French toast” smelly and ungrateful and prefers it to be known as “American toast”, has a questionable attraction to his gun and a fear of liberals.
Wife Francine is a housewife who lacks ambition but every so often strikes out on her own. Their children are the geeky Steve and ultra left wing Hayley. Completing teh family are a German athlete who’s mind has been put in a fish Klaus (watch the pilot for the back story) and needy, TV and celebrity obsessed gender bending alien Roger. There are some great set ups e.g. Stan having Francine’s memory erased when he forgets a wedding anniversary, Roger apparently dying and the CIA hunting him as the area 51 alien who previously escaped and Stan being sent to Arabia as a punishment and finding it’s to his taste.
The jokes fly thick and fast e.g. Roger telling Stan “Oh by the way your skin cream did wonders for my ‘roids, well if you won’t let me out of the house to buy my own I guess we’re ointment buddies!”, Stan saying “Should, well we don’t live in Shouldland. Ah Shouldland, what a wonderful place!” and Roger’s retort “yes I’m an alien and I have claws. You’re awfully fat. See? Kitty can scratch!”
There are also some great turns from Patrick Stewart voicing CIA Deputy Director Bullock. Great commentaries and featurettes make a superb package!
Take the holiday–excuse me, Christmas–episode, “The Best Christmas Story Never,” which somehow melds Charles Dickens with a Ray Bradbury-esque cautionary tale of tampering with the past.
CIA Agent and true patriot act Stan Smith (voiced by MacFarlane) loses the spirit of the season in a blizzard of PC secularism in which even the fugitive “Christmas rapist” must be referred to as “the holiday rapist.” In the “is nothing sacred” world of American Dad, Christmas can only be saved by Stan accompanying the Ghost of Christmas Past (Lisa Kudrow) back in time to (don’t ask) kill Jane Fonda (or Donald Sutherland), take over the direction of Taxi Driver from a drug-free Martin Scorsese, and shoot Ronald Reagan.
Two episodes are standouts for their animation. “Dungeons and Wagons,” as did South Park with “Make Love, Not Warcraft,” creates a video game universe in which Steve rules. Near the end of “Failure Is Not a Factory-Installed Option,” the screen adjusts to widescreen format, and the saga of the golden turd, begun in the first season episode, “Homeland Insecurity” compellingly continues with the jewel-encrusted oddity becoming the last temptation of an honest cop (Beau Bridges). American Dad is, as should be apparent, not for all tastes (or more sensitive viewers–the episode “Tears of a Clooney” drops some unbleeped F-bombs), but fans of the series are rewarded with this three disc-set’s prodigious extra features, including rowdy, chaotic commentaries for all the episodes, a wealth of hit and miss deleted scenes, and a segment devoted to the production of “Dungeons and Wagons.”
These characters may not be as indelible as the Family Guy clan, but these episodes rarely flag. If the outrageous storylines don’t grab you, the rapid-fire random gags will. Like King of the Hill’s Hank Hill , Stan (voiced by series co-creator Seth McFarlane) is oft confounded by a world seemingly gone mad. Unlike Hank, he is the voice of un-reason. In “Surro-Gate,” Stan’s dizzy wife, Francine (Wendy Schaal) agrees to be the surrogate for the Smith’s gay neighbors, prompting the disapproving Stan to kidnap the infant, as well as the brood of a lesbian couple.
In “Black Mystery Month,” Stan reveals a Da Vinci Code-like conspiracy involving George Washington Carver that’s plain nuts. In another episode, “Bush Comes to Dinner” for a night of drunken debauchery; some easy-target Bush-bashing is redeemed when the President makes peace between Stan and his “lost cause” liberal daughter, Hayley (Rachael MacFarlane). Some of the best episodes focus more on the Smith family than politics. In “The Vacation Goo”, Francine demands a real family getaway after discovering that all previous vacations were artificially created memories. In “Haylias,” it is revealed that the unwitting Hayley is a brainwashed sleeper agent, who is activated by Stan to stop her from moving to France. “The 42-Year-Old Virgin” reveals another shocker: trigger-happy Stan has never actually killed anyone!
American Dad revels in guy humour. As Stan tells an unamused Hayley at one point, “You don’t get a willy, you don’t get the silly.” American Dad brings the silly, but while the series is not above (or beneath) moth fart jokes, it is also smart enough to reference, say, “Equus” or the touching “When Somebody Loved Me” number from Toy Story 2. Stan’s geeky son, Steve (Scott Grimes), bitchy alien Roger (MacFarlane), and talking fish Klaus (Dee Bradley Baker) are no Chris, Brian, or Stewie, but this set contains some of their more memorable outings. In “Frannie 911,” it turns out that it actually would kill Roger to be nice. In “Surro-Gate,” Klaus vows revenge on Roger and Stan following a waterslide prank. American Dad fans will salute this three-disc set’s generous features, including a riotous Comic-Con cast table read of the episode, “The 42 Year-Old Virgin,” nearly a half hour of deleted scenes (deleted jokes would be more accurate), unrated versions (with unbleeped profanities) of certain episodes, and freewheeling audio commentaries (“Hey, aren’t we supposed to talk about the episode?” one participant tries to steer one digressive conversation
With Elizabeth hospitalized, Matt is forced to cope with his two troubled daughters, 10-year-old Scottie (Amara Miller) who seeks attention by bullying other children, and 17-year-old Alex (Shailene Woodley) who has a history of substance abuse and is away at a private boarding school on the Big Island. Doctors determine that Elizabeth’s coma is irreversible and her living will directs all life support to be discontinued. When Matt tells Alex, she reveals that Elizabeth was having an affair at the time of the accident, causing a major rift between mother and daughter.
Two close family friends tell Matt that Elizabeth was unhappy and wanted to leave him for her lover, Brian Speer (Matthew Lillard), a real estate agent. After Matt arranges for friends to bid Elizabeth goodbye, he decides Speer should also have an opportunity. He and the girls, and also Alex’s slacker boyfriend Sid (Nick Krause), travel to Kauai to find Brian. While there, Matt’s cousin, Hugh (Beau Bridges) mentions that Brian is brother-in-law to Don Hollitzer, the developer to whom the family wants to sell the land. Brian stands to make a small fortune from the sales commission.
Matt confronts Brian and informs him Elizabeth is dying and offers him an opportunity to see her one last time. Brian declines, admitting that although Elizabeth was in love with him, it was only a fling to him; he loves his wife, Julie (Judy Greer) and their children, then apologizes to Matt for the pain he caused. When Elizabeth is disconnected from life support, her father, Scott (Robert Forster) admonishes Matt for not being a more generous and loving husband. Choosing not to disclose the details of her affair to Scott, Matt agrees, but Sid and Alex both unexpectedly defend Matt.
At the King family meeting, Matt overrules the majority of his cousins who favor selling to Hollitzer. Matt decides to keep the land and look for a different solution to the problem posed by the Rule Against Perpetuities. Shocked, Hugh tells Matt that he and the other cousins will take legal action if Matt refuses to sell, but Matt is undeterred. Julie, after learning of Brian’s affair with Elizabeth and realizing that he will not visit, comes to the hospital, partly feeling that decency obliges her to. She tearfully admits to Elizabeth that she wants to hate her for “trying to destroy” her family, but that she forgives her.
Charlie Bronson (Dax Shepard) is enrolled in the Witness Protection Program, staying in Milton, California under the supervision of incompetent U.S. Marshal Randy Anderson (Tom Arnold). Charlie’s girlfriend Annie Bean (Kristen Bell) is a professor at Milton Valley College and has a doctorate in Non-Violent Conflict Resolution from Stanford University, a major she created herself. Annie’s supervisor Debbie Kreeger (Kristin Chenoweth) calls Annie in for a meeting, where she tells her that the University of California is starting a Conflict Resolution program and is interested in interviewing her. The interview is scheduled for Wednesday in Los Angeles at 4:00; Annie balks at the idea saying she needs to talk to her boyfriend about it first, until Debbie tells her to live for herself instead of boyfriends, and that she will be fired if she does not make it to the interview. A perplexed Annie returns home and tells Charlie of the job interview, upsetting him since Los Angeles is the area he lived in prior to enrolling in Witness Protection and can’t return to. Charlie insists Annie interview for the job for her own sake, even though he would be unable to follow her, but Annie instead returns to the college the next day to beg to keep her job. While she is gone, Charlie decides he would return to L.A. after all, and picks up Annie in his souped-up, restored Lincoln Continental, promising to take her to her interview.
Before they leave town Annie realizes that the teaching certificate she needs is at the home of her ex-boyfriend Gil Rathbinn (Michael Rosenbaum). She had previously told Gil that Charlie is in Witness Protection, and he urges Annie not to go with Charlie, who he is certain is a criminal who will chop her up. Annie blows him off and leaves with Charlie; Gil memorizes Charlie’s license plate and asks his gay police officer brother Terry (Jess Rowland) to look up the plate, who finds that the vehicle is registered to “Yul Clint Perkins” — Charlie’s real name. Gil uses the name to look up Charlie’s past, discovering he is a former getaway driver who testified in an ultimately unsuccessful bank robbery case against his accomplices, one of whom shot the bank guard. Gil finds the Facebook page of one of the defendants, Alexander Dmitri (Bradley Cooper), and leaves a message saying he knows where Yul Perkins is for the next 24 hours.
Meanwhile, Randy calls Charlie after discovering he is not home. Charlie tells him he is returning to L.A., and Randy insists on accompanying him per Marshals Service policy, leaving Milton in order to pursue Charlie. A short time later Charlie and Annie discover Gil following them in his vehicle. Charlie pulls over, intending to beat up Gil, but instead tries to non-violently resolve the situation at Annie’s insistence. Gil is unmoved, and reveals that he both knows Charlie’s real name and has Alex Dmitri as a “Facebook friend”. Charlie and Annie then flee from Gil in the Continental, in the process running Randy off the road as he arrives, but ultimately losing Gil. Elsewhere, Alex sees Gil’s Facebook message, gathers his fellow bank robbers Neve (Joy Bryant) and Alan (Ryan Hansen) and heads to meet Gil.
Annie and Charlie gas up the Continental, where the vehicle’s engine is admired by a redneck named Sanders (David Koechner). The two then make their way to a motel, where they are unknowingly followed by Sanders. In the morning, Charlie tries to start the vehicle, only to discover that the engine has been stolen in the night. Gil arrives shortly after, ambushing Charlie with a golf club, but Charlie distracts him and knocks him out, placing him in his vehicle. He quickly discovers that Gil was also accompanied by Alex’s crew, who are at the front desk. Charlie grabs the VIN Number of a Corvette in the parking lot, makes a duplicate keyless entry for the vehicle using the former tools of his trade, and then leaves with Annie, Gil and Alex’s crew in hot pursuit, with Randy joining the chase. During the chase Annie and Charlie argue over his past, where he reveals that he was a getaway driver who participated in 13 bank robberies, and that Neve was once his fiancee. The two ultimately escape their pursuers again.
Afterward, Annie demands Charlie pull over, where she confronts him for lying to her about his past. She decides to proceed to L.A. without Charlie; Gil arrives shortly after, and agrees to take Annie the rest of the way. A short time later they are run off the road by Alex, who takes Annie hostage and calls Charlie, telling him to meet at a nearby diner. Charlie arrives and Alex demands money in exchange for Annie, then argues about Charlie’s betrayal, cut short when Alex reveals that he was raped in jail and blames Charlie for it. Charlie agrees to take him to a hidden stash of bank robbery money located at the home of his estranged father Clint (Beau Bridges). While in transit he surreptitiously places a call to Randy, now in the company of Terry (who’s attracted to Randy) and his partner Angela Roth (Carly Hatter), and gives Randy his father’s address. The three pick up Gil along the way.
The action is fun, the characters are terrific to spend time with, and the ending is satisfying. If you just go with it and let it surprise you, you’ll have a great time.
There is a great mix of humour and drama in this series and stand-out episodes for me include 38 Minutes, Brotherhood, The Defiant One and the excellent mid-season 2 parter, The Storm and The Eye.
