REVIEW: LEGACIES – SEASON 1

Matthew Davis, Peyton 'Alex' Smith, Kaylee Bryant, Danielle Rose Russell, Jenny Boyd, Aria Shahghasemi, and Quincy Fouse in Legacies (2018)

Starring

Danielle Rose Russell (Aloha)
Aria Shahghasemi (No Alternate)
Kaylee Bryant (Santa Clarita Diet)
Jenny Boyd (Viking Quest)
Quincy Fouse (Logan)
Peyton Alex Smith (The Quad)
Matt Davis (The Vampire Diaries)

Matthew Davis, Zach Roerig, and Danielle Rose Russell in Legacies (2018)

Recurring / Notable Guest Cast

Demetrius Bridges (Containment)
Lulu Antariksa (What Still Remains)
Karen David (The Scorpion King 2)
Zach Roerig (The Gifted)
Chris Lee (The Chi)
Sam Ashby (Stranger Things)
Katie Garfield (Project Almanac)
Steven R. McQueen (Piranha 3D)
Ben Levin (Allegiant)
Andreas Damm (The Yearbook)
Amy Manson (The White Princess)
Jodi Lyn O’Keefe (Halloween: H20)
Ben Geurens (Reign)
Ayelet Zurer (Man of Steel)
Nick Fink (Glee)
Riann Steele (Ant-Man and The Wasp)
Erica Ash (Scary Movie 5)
Christopher B. Duncan (Veronica Mars)
Jedidiah Goodacre (The Order)
Rodney Rowland (The 6th Day)

Matthew Davis and Danielle Rose Russell in Legacies (2018)The Vampire Diaries and its resulting spinoff series The Originals saw pretty much every single one of their characters die and get resurrected in some new, creative way, and now, in true vampire fashion, this franchise is defying death once more with another spin-off series, Legacies.Danielle Rose Russell in Legacies (2018)After The CW ended creator Julie Plec’s first spinoff series, The Originals, the initial idea of a further spinoff – about almost an entirely new cast of characters – seemed unnecessary. But the series premiere of Legacies gives fans, old and new alike, credible reasons to return to Mystic Falls.Peyton 'Alex' Smith, Danielle Rose Russell, and Aria Shahghasemi in Legacies (2018)Legacies is an easy entry point for new viewers to join the TVD fandom. Most of the necessary plot details are explained in simple exposition in the first episode — it’s set several years after the Originals’ series finale, following an adult Hope Mikaelson (Danielle Rose Russell) and seeing Alaric Saltzman (fan-favorite Matt Davis) running a school for young supernatural kids out of Salvatore family mansion.Danielle Rose Russell in Legacies (2018)But aside from the thrill of seeing the old Salvatore boarding house being used in a new way and some small but exciting cameos from fan-favorite characters, that’s where the comparisons to The Vampire Diaries and The Originals end, making this new spinoff more accessible than The Originals ever was. And for fans of the first two series, Legacies offers something new – a true supernatural high school drama. Yes, The Vampire Diaries may have started out in high school, but let’s be honest: those teens never saw enough of the inside of a classroom to earn their high school diplomas (let alone get accepted into college).Legacies starts with actual teenagers who are supernatural creatures, living at a school with other supernatural teenagers. The preppy boarding school setting allows Plec and co. dive into high school drama in a way they never have before. This works for several reasons. First, and perhaps most importantly, Legacies stars actors who are actually age-appropriate. No more 30somethings playing 17-year-olds. The friendships and romance intrigue actually feel right for a high school setting – and the supernatural elements are the cherry on top.

What’s most compelling about the romance on Legacies is how the new series takes a fresh and honest look at how many teens approach sexual identity. The new spinoff takes place somewhere in the near future (the timeline on Vampire Diaries and Originals got a little murky towards the end, but it landed somewhere 4-9 years from now) and the sociopolitical attitudes are refreshingly progressive: The teenagers at the school are all sexually fluid and don’t feel the need to label themselves.Danielle Rose Russell in Legacies (2018)With an accessible entry point for those who have never seen a single episode of The Vampire Diaries or The Originals, Legacies is for anyone interested in supernatural high school drama. And the nostalgic setting and fun easter eggs for fans of the Vampire Diaries universe are just the cherries on top.

 

REVIEW: DAREDEVIL – SEASON 3

Charlie Cox in Daredevil (2015)

Starring

Charlie Cox (The Theory of Everything)
Deborah Ann Woll (Mother’s Day)
Elden Henson (The Butterfly Effect)
Joanne Whalley (Willow)
Jay Ali (The Fosters)
Wilson Bethel (Hart of Dixie)
Stephen Rider (The Butler)
Ayelet Zurer (Man of Steel)
Vincent D’Onofrio (Jurassic World)

Charlie Cox in Daredevil (2015)

RECURRING / NOTABLE GUEST CAST

Peter McRobbie (Licnoln)
Amy Rutberg (Recount)
Annabella Sciorra (Cop Land)
Geoffrey Cantor (Maniac)
Matt Gerald (Solace)
Meredith Salenger (Lake Placid)
Danny Johnson (Shades of Blue)
Sunita Deshpande (The Ridge: Origins)
Royce Johnson (Ghost in the Graveyard)
Ayelet Zurer (Man of Steel)

This weekend offers the return of one of the greatest superhero TV shows of all time, as Daredevil season 3 begins streaming on Netflix. The Marvel-Netflix partnership has mostly resulted in top-tier high-quality series, two seasons each of Jessica Jones and Luke Cage enjoying widespread acclaim, and one season each of The Punisher and The Defenders receiving solid positive reactions as well. The two prior seasons of Daredevil were fantastic, so season 3 has a lot to live up to.Vincent D'Onofrio in Daredevil (2015)Last month’s release of second 2 of the superhero series Iron Fist was followed weeks later by the sudden cancellation of that show by Netflix. This followed mostly negative reviews of the first season, and a season 2 critical consensus that recognized the show had improved a great deal while still being the weakest entry in the Marvel-Netflix lineup. Whether Iron Fist will appear in cameos or supporting roles in any of the other shows remains to be seen, but I’m betting he’ll pop up in Luke Cage season 3, or perhaps Cage and Fist will team up for a brand new show called Heroes For Hire. Regardless, the Marvel-Netflix corner of the MCU’s has quickly rebounded from the Iron Fist situation and negative news, as Daredevil season 3 proves.Taking loose inspiration from the 1986 fan-favorite comic book story arc “Born Again” by writer Frank Miller, season 3 picks up where The Defenders left off — Matt Murdock, aka Daredevil, is missing after a building exploded and collapsed on him and the assassin Elektra. Presumed dead, Murdock is critically injured and recuperating while imprisoned crime lord Wilson Fisk, aka the Kingpin, sets in motion a plan to get out of prison and eliminate all of his enemies. The story is a return to the crime-and-vigilantism focused narrative of the show’s first season, which evolved into a bit more of a fantastical/mystical narrative in season 2 (which was still great, just different from the seasons bookending it). There’s just enough sprinkling of adaption of certain plot points, character arcs, and scenes from “Born Again” to be familiar, while overall bringing entirely new concepts and storytelling to make it fresh and unpredictable.Charlie Cox in Daredevil (2015)The returning cast are all in top form again. Charlie Cox as Murdock/Daredevil delivers a complicated performance as a hero struggling with a complete emotional and moral breakdown, as well as a physical breakdown that challenges his sense of self and his mission. Cox also perfectly captures Murdock’s spiritual crisis within the larger themes about sin, forgiveness, and accountability. Cox’s fantastic, nuanced performance brings such believability to the situation, you can imagine this is how someone would act and feel if they actually ran around at night wearing a mask to save lives and fight crime. His sense of inevitability, that it’s his singular calling in life to live as Daredevil — more so even than living as Matt Murdock — makes even his most extreme decisions understandable and rational within his worldview.Elden Henson and Charlie Cox in Daredevil (2015)Deborah Ann Woll returns as Karen Page, with another tour de force performance making the character almost worthy of her own superhero series as a crusading reporter willing to stand up against the same villains against whom the superhuman costumed vigilantes do battle. Woll’s role is the single most important supporting character in any of the Marvel-Netflix shows, in terms of the dramatic weight and relevance she has for the narratives and for providing an audience surrogate at times. Woll treats every scene like she’s the star of the show, and it’s easy sometimes to forget she’s not. Elden Henson’s role as Foggy Nelson takes some particularly interesting turns this season, including of a moral nature, with Henson keeping an air of “in over his head” sensibilities to Foggy while also revealing how much the character can surprise himself in moments of crisis.Elden Henson and Jay Ali in Daredevil (2015)Henson smartly plays to the fact the character must be simultaneously frustrating and endearing, alternately Murdock’s friend who is reliable and trustworthy while also a guy who screws up and spills the wrong beans or lacks adequate faith in Matt, Karen, or himself. Vincent D’Onofrio continues to awe as Wilson Fisk, a role I’d previously thought was nearly impossible to fill because I couldn’t imagine any actor capturing the delicate balance between cunning villainy, secret vulnerabilities, and sheer larger-than-life presentation required to really get the character right. D’Onofrio not only proved me wrong, he actually managed to improve upon a character who already had decades of exceptional stories in the comics featuring many iconic arcs.Vincent D'Onofrio in Daredevil (2015)There is an undercurrent of pain and purpose to this incarnation of Fisk, as if even simple daily activities like eating or sitting quietly by himself take a toll on his soul and inflict physical discomfort. D’Onofrio’s Kingpin is magnificent, and worthy of transitioning into some of the MCU theatrical releases for at least a few cameos and supporting turns — it would be amazing to see him in a Spider-Man movie, for example.  fear saying too much about any of the newcomers to the cast, because their roles and specific natures are all better revealed to you through watching the episodes. However, I need to mention a few things about three actors in particular.Charlie Cox and Wilson Bethel in Daredevil (2015)Joanne Whalley is sublime in a role requiring quiet dignity in the face of a world that laughs at faith and belief in higher purpose, and the scenes between her and Cox are among the best moments of the season. Jay Ali brings an authentic sense of purpose and integrity coupled with the sort of self-righteousness and frustrated entitlement that can blind even good people to their mistakes, exacerbating the damage to themselves and others around them. And Wilson Bethel is ideal as an iconic character torn apart by inner demons he has long suppressed, fighting a dark desire to give in to his worst nature and put his amazing talents to use for those who were once his enemies.Vincent D'Onofrio in Daredevil (2015)The directing in Daredevil is always splendid, but this season requires even more inky noir than usual, as well as a gothic tone beyond what we saw in the first two seasons. The battle between the angels of our better nature and our base inclinations, and how often people can confuse the two — or justify blurring the lines between them when it suits a desired outcome — is at the heart of this season for all of the characters in one way or another, and that’s reflected consistently in the visual presentation. From lighting and color that speak to the overarching concepts as well as to individual shots and scenes, to the use of wide open space juxtaposed against literal or metaphorical restraint and confinement, season 3 is elevating the entire visual approach to the show.Charlie Cox and Deborah Ann Woll in Daredevil (2015)The fight choreography and action are once again the best of the entire Marvel TV category, and even superior to much of the action and fight scenes we seen in big-screen theatrical releases. They love their long tracking shots in Daredevil, and this season delivers the goods in spades once again — if you loved that hallway fight in season 1 (and let’s face it, who doesn’t love that sequence?) you’re in for some thrills in season 3, I assure you. img_2785Daredevil season 3 keeps that tradition of excellence alive once again. I’ve only seen the first six episodes that were available for preview, so I’ll be watching the clock til the entire show is available for me to binge on Friday like the rest of you fans. If the back half of the season is as good as the first, this looks to be the best season yet for the Devil of Hell’s Kitchen.

REVIEW: DAREDEVIL – SEASON ONE

 

MAIN CAST

Charlie Cox (Stardust)
Deborah Ann Woll (Ruby Sparks)
Elden Henson (The Buttefly Effect)
Rosario Dawson (Sin City)
Toby Leonard Moore (John Wick)
Vondie Curtis-Hall (Die Hard 2)
Bob Gunton (The Lincoln Lawyer)
Ayelet Zurer (Man of Steel)
Vincent D’Onofrio (Men In Black)

Charlie Cox and Deborah Ann Woll in Daredevil (2015)

RECURRING / NOTABLE GUEST CAST

Peter McRobbie (Spider-Man 2)
John Patrick Hayden  (Yin/Yang)
Nikolai Nikolaeff (Power Rangers Jungle Fury)
Peter Shinkoda (Masked Rider)
Rob Morgan (Stranger Things)
Scott Glenn (The Silence of The Lambs)
Wai Chang Ho (Robot Stories)
Amy Rutberg (Recount)
Royce Johnson (Ghost in the Graveyard)
Matt Gerald (Terminator 3)

 

Daredevil was a fun, ferocious look at Marvel’s own city-saving vigilante. Similar to DC’s Batman and Green Arrow, Matt Murdock loves his city. Even more so, the neighborhood of Hell’s Kitchen which was hit hard by the Chitarui attack – one of the show’s only mentioned connections to the MCU. In place of a crime-ravaged Irish immigrant-heavy neighborhood (as per the 60s/70s Daredevil comics), the choice was made to portray the square mile of crowded city as “mostly good people on hard times due to recent alien events.” Still folksy, but more modern. A smart move that helped tie Daredevil to the rest of the MCU happenings, despite the fact that the show is the grittiest, most violent entry into Marvel’s TV/movie canon so far. Strong, grounded performances, smart writing, and hard-hitting fight scenes immediately helped elevate Daredevil above fans’ expectations (which were already quite high). Buffy/Angel alums Drew Goddard and Steven S. DeKnight (who took over as showrunner early on after Goddrad left for the ill-fated Sinister Six) delivered a taught, thoughtful, and appreciatively earnest take on Matt Murdock – one of Marvel’s most complex, hard-to-get-a-handle-on characters (and one of the most religious). A hero no movie would ever be able to get quite right.

Vincent D’Onofrio’s Wilson Fisk  served the show well. Fisk was portrayed as a very vulnerable man. A seriously dangerous one, no doubt, but also one who came with his own formative backstory and current web of lies and betrayals. Also…a love story. Fisk’s moments spent, early on, wooing and doting upon Ayelet Zurer’s art gallery curator Vanessa was a daringly wonderful way to introduce us to the character. Especially since Fisk had remained off-screen for a few episodes while the show built him up. D’Onofrio performance as Fisk was, simply put, one of the best parts of the show. As a man who almost seemed to be learning the actual mechanics of how to speak to other people every time he opened his mouth, Fisk’s shyness/awkwardness helped not only separate him from most crime boss cliches, but also helped us understand why a man as lonely and isolated as he was would become so lethally attached to Vanessa. While also seeing someone like Wesley, his right hand man, as a “true friend.” Despite them never showing any real bonds of brotherhood. Just an intense, loyal employer/employee relationship.

Charlie Cox’s Matt Murdock was no slouch either, of course. As Matt constantly wrestled with how far he should morally go as a vigilante, Cox handled things with care and relatable concern. Of course, even with the act of killing as a point of spiritual debatelaire, Matt was willing to do just about most everything else under the sun to achieve his goals – including maiming, torturing, and knocking people into comas. He even, on a few occasions, threatened to kill villains via not saving them from their serious injuries. It was enough make one easily believe that all of this would weigh heavy on a Catholic’s conscience. The supporting cast was great as well. I really liked that this season didn’t go the trite, soapy “love triangle” route with Matt, Foggy, and Karen. There was some flirting, and a few seeds planted here and there for possible romantic tension – but the show politely waved at the idea while graciously passing it by. Deborah Ann Woll’s Karen was to be no one’s prop. And she wouldn’t seek solace “in the arms” of another. And she’d fight back, on whatever level was available to her. Also, Elden Henson’s Foggy Nelson was able to equally provide humor and drama in his fresh take on the “sidekick” role.

This praise also goes for Rosario Dawson’s Claire Temple and Vondie Curtis-Hall’s Ben Urich – both important characters here (though Claire had never been tied to Daredevil in the comics) in their own right, given unique (and sometimes surprising) treatments. The fight scenes are, naturally, worth noting. You’ll find most folks raving over a sequence in the second episode, “Cut Man” (one of the show’s best entries), as well as a few others. And again, expert choreography aside, it’s the fact that Matt quite often takes an extreme shellacking that gives these battle sequences extra “oomph.” It really draws you in when you can almost feel how hard it is for Matt to face down a squad of thugs. When every blow to his body rocks yours. Daredevil was a thrilling, ultra-starisfying take on Daredevil’s material and lore. One that, like Favreau’s first Iron Man film, helped breathe new life and fandom into a somewhat B-tier Marvel character.

REVIEW: MAN OF STEEL

CAST

Henry Cavill (The Immortals)
Amy Adams (American Hustle)
Michael Shannon (Boardwalk Empire)
Diane Lane (Unfaithful)
Russell Crowe (Gladiator)
Antje Traue (Seventh Son)
Harry Lennix (Dollhouse)
Richard Schiff (Seven)
Christopher Meloni (Underground)
Kevin Costner (Waterworld)
Ayelet Zurer (Daredevil TV)
Laurence Fishburne (Hannibal)
Mackenzie Gray (Smallville)
Ian Tracey (Bates Motel)
Carla Gugino (Watchmen)
Julian Richings (Doom Patrol)
Tahmoh Penikett (Dollhouse)
David Lewis (Unspeakable)
David Paetkau (Flashpoint)
Mike Dopud (Arrow)
Chad Krowchuk (RV)
Aaron Pearl (Stargate SG.1)
Jacqueline Scislowski (Power Rangers Beast Morphers)
Alessandro Juliani (Smallville)
Rebecca Buller (Sirens)

film_supermanreturns_featureimage_desktop_1600x900The planet Krypton, unstable from years of industrial mining, faces impending destruction. Jor-El, chief advisor to Krypton’s supreme council, recommends a full-scale evacuation of the planet’s inhabitants. Before any action can be taken, soldiers led by General Zod, an old friend of Jor-El’s, launch an uprising and arrest the councilors. Realizing that Krypton is doomed, Jor-El steals genetic codes sought by Zod and infuses them into the DNA of his infant son, Kal-El – the first naturally born Kryptonian child in centuries. Donning his old armor, Jor-El sacrifices his life to allow his son to escape on a preprogrammed spacecraft. Zod orders the rocket’s destruction, only to learn that forces loyal to the council have suppressed the rebellion. In a brief trial, Zod and several of the surviving rebels are convicted of treason and sentenced to the Phantom Zone seconds before Krypton explodes.
8610986058_9dfa00c53c_bFollowing Jor-El’s coordinates, the ship crash lands on Earth in Smallville, Kansas. A childless couple, Jonathan and Martha Kent, find Kal-El and raise him as their own, naming him Clark. As he grows up, Clark becomes an isolated young man as a result of developing superhuman powers. He then learns his true origins from Jonathan, who urges him to keep his powers hidden. Several years later, Jonathan dies in a tornado while refusing to let Clark save him. Burdened by guilt, Clark leaves to travel the world under several aliases, seeking a new purpose.
man-of-steel-was-pretty-boringLois Lane, a reporter at the Daily Planet in Metropolis, receives an assignment to investigate the discovery of a Kryptonian scout ship in the Canadian Arctic. Disguised as a worker, Clark enters the ship and activates its central computer using a key left by Jor-El, allowing him to communicate with an artificial intelligence modeled after his father. The AI explains that Clark was sent to Earth to guide its people, and presents him with a Kryptonian uniform bearing his family’s symbol. While following Clark, Lois inadvertently triggers the ship’s security system. Clark uses his powers to rescue Lois before donning the uniform and testing his ability to fly. Lois attempts to have her supervisor Perry White publish an article on the incident, but he refuses to do so without proof. After tracking down Clark, Lois eventually agrees to keep his secret safe.
MAN OF STEELEscaping the Phantom Zone, Zod and his crew travel to Earth after intercepting a transmission from the scout vessel. Deducing that Kal-El is nearby, they broadcast a global address demanding that he surrender or risk war. Clark meets with the U.S. Army and agrees to comply, with Lois joining him as a hostage. Zod reveals that he possesses advanced terraforming equipment salvaged from Kryptonian outposts, which he intends to use to transform Earth into a new Krypton. His science officer, Jax-Ur, extracts Clark’s genes to create Kryptonian colonists who will exterminate humanity and build a society based on Zod’s ideals of genetic purity. With help from Jor-El, Clark and Lois escape and warn the Army, just as Zod orders an invasion.
superman_man_of_steelGiven the codename “Superman”, Clark destroys the terraforming platform, while his human allies launch a suicide attack, killing Zod’s troops. Vowing to eradicate humanity himself, Zod battles with Superman, and the two eventually crash into a train station. Zod turns his own heat vision on a group of passengers, but Superman kills him. Now the last surviving Kryptonian, Superman persuades the Army to let him act independently, so long as he does not turn against humanity. To allow access to dangerous situations without attracting attention, Superman is hired as a freelance reporter for the Daily Planet.man_of_steel_hero1The most striking thing about Man of Steel is how grim it is compared to the previous Superman entries. Christopher Reeve’s Superman was confident and heroic, but here Henry Cavill’s rendition doesn’t seem so sure of himself. He can take off flying much faster though, and isn’t afraid to throw a few punches. The tights that Christopher Reeve wore have been replaced here by a more menacing chain-mail suit. The movie’s general atmosphere is pretty dark, with a blue tint given to the entire movie and a score by Hans Zimmer that is quite a contrast to that of John Williams in the earlier movies. However, it seems like the Superman comic books have recently taken a dark turn as well.  Keeping an open mind while watching Man of Steel, I accepted most of the liberties being taken and enjoyed it for what it was.