REVIEW: MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN

CAST

Eva Green (Sin City 2)
Asa Butterfield (Hugo)
Samuel L. Jackson (The Legend of Tarzan)
Judi Dench (Skyfall)
Rupert Everett (Shrek 2)
Allison Janney (Mom)
Chris O’Dowd (St. Vincent)
Terence Stamp (Big Eyes)
Ella Purnell (Kick-Ass 2)
Finlay MacMillan (Waterloo Road)
Lauren McCrostie (The Falling)
Kim Dickens (Hollow Man)

For years Abe Portman (Terence Stamp) tells stories to his Floridian grandson Jake (Asa Butterfield) about his childhood battling monsters and spending World War II living at “Miss Peregrine’s Home for Peculiar Children” at Cairnholm, Wales. The home’s children and their headmistress, Miss Alma Peregrine (Eva Green), possess paranormal abilities and are known as “Peculiars”. After 16-year-old Jake receives a phone call from his grandfather, he goes to his house with his drugstore supervisor Shelly (O-Lan Jones) and finds his grandfather with his eyes missing. Abe tells Jake to go to “the Cairnholm loop of September 3, 1943”, and that the “bird” will tell him everything. Abe then dies mysteriously. As Shelly joins Jake with her gun, he sees one of the monsters from Abe’s stories appear behind her. But when he tells her to shoot behind, the monster disappears.
Convinced by his psychiatrist, Dr. Golan (Allison Janney) and by a letter from Miss Peregrine to Abe that he finds in one of his birthday presents from Abe, Jake and his father Frank (Chris O’Dowd) travel to Cairnholm, where Jake finds that the children’s home was destroyed during a Luftwaffe raid on “September 3, 1943”. At the house, Jake is startled when some of the Peculiar children, surprisingly, come out to greet him. They are sent by Miss Peregrine after she (in “bird” form) saw Jake and Frank arrive on the island. They take him through a cave and he finds himself in 1943, when their house was still intact. Miss Peregrine greets him and explains that she belongs to a class of female Peculiars named “Ymbrynes”, who can transform into birds (in Miss Peregrine’s case, a peregrine falcon) and manipulate time. To avoid persecution for being Peculiars, she and her children hide from the outside world in a time loop she created, set to September 3, 1943, meaning that they all live the same day over and over again and in the meantime, avoid aging. Time loops can only be entered by Peculiars.
Jake is introduced to the rest of the children, including aerokinetic Emma Bloom (Ella Purnell), to whom he is attracted (like she was to his grandfather before). He also learns about “Hollowgasts” (or “Hollows”) – the monsters from Abe’s stories that are invisible to everyone. However, Jake learns he himself is a Peculiar; like his grandfather, he has the ability to see the Hollows. Hollows are Peculiars who were transformed by a failed experiment that used an Ymbryne’s powers to became immortals, killing the Ymbryne in the process. Led by shapeshifter Mr. Barron (Samuel L. Jackson), they hunt Peculiars to consume their eyeballs. When enough eyes are consumed, the Hollows transform into milky-white eyed visible Peculiars known as “Wights”.
A wounded Ymbryne avocet named Miss Avocet (Judi Dench), comes and reveals (also in another letter from Abe to Miss Peregrine) that Barron raided her January 2016 time loop at Blackpool, England, killed her children, and is trying to repeat his failed experiment by using more Ymbrynes. Worried, Miss Peregrine decides to move out with her children and Miss Avocet. While back in 2016, Jake realizes earlier that a Hollow might be nearby and goes back to the cave to warn his friends. He is followed by another visitor on the island, ornithologist John Lamont (Rupert Everett) who is revealed to be Mr. Barron. Barron had tried to find out about Miss Peregrine’s loop from Abe, but his Hollow companion, Mr. Malthus (whose past self is in the island) killed Abe before he could. Barron then posed as Dr. Golan, encouraging him to go to the island so Jake could guide him to the loop. Using Jake as a hostage at the children’s home, Barron forces Miss Peregrine to come with him to Blackpool in her bird form and leave Jake, her children, and Miss Avocet for their own safety.
Malthus arrives and kills Miss Avocet, but Jake and the children escape just as the Luftwaffe raid destroys the house and kills Malthus. Without Miss Peregrine to reset it, the loop closes, leaving them permanently in 1943. They travel on a sunken ocean liner to the Blackpool loop and use their abilities to fight Barron’s Hollow and Wight minions and rescue Miss Peregrine and other captive Ymbrynes. As a last resort, Barron poses as Jake to confuse the children. When the last Hollow arrives, Jake, who can see the monster, is able to avoid him. The Hollow kills Barron and Jake kills the Hollow.
Jake says goodbye to the children and returns to the present world in Florida, relating his adventures to Abe, who is alive and well: Malthus’ death in 1943 erased himself and his murder of Abe from the future (2016). Abe gives Jake a map of time loops, allowing Jake (for months in his own time) to reunite with his friends and Emma. The two kiss as Miss Peregrine (in her peregrine form) follows them and all of her children in their own ship, looking for another time loop.Miss Peregrine’s Home for Peculiar Children is a delightful original adventure directed by Tim Burton. The fantasy iis highly entertaining with lovely characters.

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REVIEW: HUGO

CAST

Asa Butterfield (Ender’s Game)
Chloe Grace Moretz (Kick-Ass)
Ben Kinglsey (Iron Man 3)
Sacha Baron Cohen (Alice Through The Looking Glass)
Ray Winston (Elfie Hopkins)
Emily Mortimer (Lars and The Real Girl)
Helen McCrory (The Woman In Black 2)
Jude Law (Spy)
Michael Stuhlbarg (Men In Black 3)
Christopher Lee (The Hobbit)
Frances de la Tour (The Lady In The Van)
Richard Griffiths (Harry Potter)
Michael Pitt (Murder By Numbers)

In 1931, 12-year-old Hugo Cabret (Asa Butterfield) lives in Paris with his father (Jude Law), a widowed, but kind clockmaker who also works at a museum. One day his father finds a broken automaton, a mechanical man designed to write with a pen, at the museum, and he and Hugo try to repair it, his father documenting the automaton in a notebook. When his father is killed by a fire at the museum, Hugo is forced to live with his resentful, alcoholic uncle Claude (Ray Winstone), and made to learn how to maintain the clocks at the railway station of Gare Montparnasse. When Claude goes missing for several days, Hugo continues to maintain the clocks, fearing that he would be sent away as an orphan by the vindictive Station Inspector Gustave (Sacha Baron Cohen) if Claude’s absence is discovered. Hugo attempts to repair the automaton with stolen parts, believing it contains a message from his father, but the machine still requires a heart-shaped key that his father could not find.Hugo is caught when stealing from the toy store owner Georges (Ben Kingsley), who looks through his father’s notebook and threatens to destroy it. Hugo encounters Georges’ goddaughter Isabelle (Chloë Grace Moretz) who offers to help get the notebook back. Hugo learns Georges has forbidden Isabelle from going to the cinema, and introduces the medium to her as his father had done for him. As their friendship grows, he shows her the automaton, and is surprised when Isabelle inadvertently reveals she wears the key as a necklace given to her by Georges. When started, the machine draws out a scene that Hugo recognizes from his father’s description of the film A Trip to the Moon. Isabelle identifies the signature, that of a “Georges Méliès”, as her godfather. She sneaks Hugo into her home, where they find a hidden cache of more imaginative drawings of Méliès, but are caught by Georges, who banishes Hugo from his home.Hugo and Isabelle go to the Film Academy Library and find a book about the history of cinema that praises Méliès’ contributions. They meet the book’s author, René Tabard (Michael Stuhlbarg), a film expert who is surprised to hear that Méliès may still be alive, as he had disappeared after World War I along with nearly all copies of his films. Excited at the chance to meet him, René agrees to meet Isabelle and Hugo at Georges’ home to show his copy of A Trip to the Moon, hoping it will invigorate Georges. On the scheduled night, Georges’ wife Jeanne (Helen McCrory) tries to turn them away, but René compliments Jeanne as Jeanne d’Alcy, an actress in many of Méliès’ films, and she allows them to continue. As the film plays, Georges wakes up at the sight, and Jeanne finally convinces him to cherish his accomplishments rather than regret his lost dream. Georges recounts that as a stage magician, he had been fascinated by motion pictures and used the medium to create imaginative works through his Star Film Company, but was forced into bankruptcy following the War, closing his studio and selling his films to be turned into raw materials. He laments that even an automaton he made that he donated to a museum was lost. Hugo recognizes this is the same automaton he has, and races to the station to retrieve it. He is caught by Gustave, who has learned that Claude’s body was found some time ago, and threatens to take Hugo to the orphanage. Georges arrives and tells Gustave that he will now see to Hugo, adopting him as his son.Some time later, Georges is named a professor at the Film Academy, and is paid tribute through a showcase of his films recovered by René. Hugo joins in with his new family as they celebrate, while Isabelle starts to write down Hugo’s story.Martin Scorcese’s Hugo is one of the best cinematic experience, I’ve had in years.  The visual effects, cinematography, art direction, just technically superb. Finally a smart, awe-aspiring family film, which are really rare nowadays. A definite surprise coming from legendary director, Martin Scorcese, who’s known for movies with a lot of swears, violence, drugs and other adult-themed subjects.

REVIEW: THE WOLFMAN (2010)

CAST

Benicio del Toro (Sin City)
Anthony Hopkins (The Silence of The Lambs)
Emily Blunt (The Huntsman)
Gemma Whelan (Gulliver’s Travels)
Hugo Weaving (The Matrix)
Geraldine Chaplin (Bloodrayne)
Art Malik (Shadow of The Cobra)
Anthony Sher (Superman II)
Max Von Sydow (Game of Thrones)
Frank Welker (The Simpsons)
Asa Butterfield (Ender’s Game)

In 1891, Ben Talbot is killed by a fierce creature in the Blackmoor woods. Gwen Conliffe, Ben’s fiancée, has contacted his brother Lawrence, a Shakespearean actor, saying that Ben disappeared. Lawrence returns to his family’s estate in Blackmoor where he has an uneasy reunion with his estranged father, Sir John. Lawrence discovers Ben’s mutilated body kept in a slaughterhouse. At the local pub, Lawrence overhears the locals discussing the killing. Many blame Gypsies who are camped outside the town, while another patron claims there was a similar murder several decades earlier and a werewolf was the suspected killer. He has flashbacks as he tours his family’s home that his mother, Solana, committed suicide when he was a boy. Lawrence saw his father standing over her dead body; afterwards he was sent to an insane asylum in London for having to suffer from delusions.

Lawrence visits the Gypsies during a full moon. The local townspeople raid the camp to confiscate a dancing bear they believe is the killer, but a werewolf attacks the camp and bites Lawrence before being chased away by local hunters. A Gypsy woman named Maleva sutures his neck wounds, but her daughter insists the now cursed Lawrence should be killed before he destroys other lives. Maleva refuses, saying he is still a man and that only a loved one can release him.

Lawrence recovers unnaturally quickly, and develops heightened vitality and senses. His father’s servant, Singh shows Lawrence a set of silver bullets and implies that something monstrous is loose in Blackmoor. Inspector Aberline arrives to investigate the recent killings, and suspects Lawrence is responsible based on his mental history and portrayals of mentally-ill characters. Lawrence sends Gwen away to London for her own safety. He follows his father to his mother’s crypt, where Sir John locks himself in a room alone as he gives a cryptic warning to Lawrence. Lawrence then undergoes a painful transformation into the Wolfman before running off into the woods and killing the hunters stationed there.

Aberline and the police arrest the now human Lawrence. Taken to the same asylum he was committed to as a child, Lawrence is subjected to torturous treatments by Dr. Hoenneger. Sir John visits Lawrence and explains that many years before while hunting in India, he was bitten by a feral boy infected with lycanthropy. Lawrence realizes his father, as a werewolf, killed his mother and his brother. Knowing that Lawrence would never be believed, he confesses before leaving his son at the asylum permanently.

Dr. Hoenneger conducts an evening lecture with Lawrence as a case study and assures Lawrence that he is only a werewolf in his imagination, seeking to prove it by putting him on display during the full moon. As the full moon streams through the window, Lawrence transforms into the Wolfman and goes on a rampage throughout the lecture hall and London, with Aberline in pursuit. The next day, the now-human Lawrence goes to Gwen’s antique shop for help. They realize they are falling in love and share a passionate kiss. Aberline arrives and searches the shop, but Lawrence has already escaped to Blackmoor.

Lawrence arrives at Talbot Hall and finds Singh’s mutilated body. He loads a gun with Singh’s silver bullets, but when he attempts to shoot his father, he learns that Sir John had removed the powder from the cartridges years ago. The Talbots fight, transforming into werewolves when the full moon rises and setting Talbot Hall on fire. Lawrence kills his father as Gwen and Aberline arrive. Aberline attempts to shoot the Wolfman, but is bitten instead. Gwen disrupts the shot and flees with Aberline’s revolver.

The Wolfman pursues Gwen and traps her above a gorge. She pleads with Lawrence, whose consciousness recognizes her. As he hesitates, the hunters approach, distracting the Wolfman long enough for Gwen to shoot him. Lawrence reverts to human form, thanks Gwen for setting him free and dies in her arms. Aberline arrives with the hunters, but as he looks at the moon, he realizes his inevitable fate. As Talbot Hall burns in the distance, a wolfman’s howl is heard.
It is sad that this film suffered from a lack of unified artistic direction (many directors hot-seated this production after a spat between the original director and the studio) as it starts so well, the first 40 minutes really drawing you in but by the end you end up rueing what it has become – a gory, gruesome creature-feature with little imagination and too few scary moments. In conclusion, I would recommend this film for a decent period romp, but don’t expect to be frightened by it as you will probably laugh at the Wolfman! The alternative ending in this version is a real eyebrow raiser!!

REVIEW: SON OF RAMBOW

CAST

Bill Milner (X-Men: First Class)
Will Poulter (The Maze Runner)
Neil Dudgeon (Bridget Jones: The Edge of Reason)
Adam Godley (Powers)
Jessica Hynes (Spaced)
Annie Wing (The Calcium Kid)
Asa Butterfield (Ender’s Game)

Will (Bill Milner) is quiet and shy, and comes from a family that belongs to the strict Plymouth Brethren church. Will is forbidden to watch films or television and is made to leave his classroom when the teacher puts on a documentary. In the corridor, he meets Lee Carter (Will Poulter), the worst-behaved boy in school, thrown out of another class for bad behaviour. They accidentally break a fish bowl in the corridor; Lee volunteers to take the blame, pretending that the punishment is torture, in exchange for Will’s watch, which belonged to his dead father. Moreover, Lee demands that Will performs the stunts in a film Lee is making with home video equipment owned by his bullying older brother, Lawrence (Ed Westwick), which Lawrence uses in his video pirating enterprise. He intends to enter the Screen Test Young Film-Makers’ Competition.

Will accepts, after accidentally seeing the film First Blood at Lee’s house while hiding from Lawrence. He becomes very enthusiastic, and plays several dangerous action scenes, culminating in the two boys becoming ‘blood brothers’ after Lee saves Will from drowning. Lee finds Will’s sketch book, full of colourful and glorious ideas, and starts to incorporate some of them into his film script. The two become best friends, but Will has to keep it secret from his family and the increasingly interfering Brother Joshua of the Brethren, who clearly has designs on his mother.

French exchange students arrive, of whom the suave Didier Revol (Jules Sitruk) becomes very popular. After finding Will’s sketch book, he asks Will if he and his acolytes can play in the film, and Will agrees. Didier reveals that he has always wanted to be an actor. This mushrooms into the whole school being part of the production, and Will being included with the cool sixth-formers. Lee does not like this, as he is no longer in control, and finally quits after a fight with Will during filming of the last sequence, which takes place at a disused power station. After Will becomes trapped when part of the unstable structure collapses due to Didier’s carelessness, and the entire school/crew run away, Lee returns to rescue his friend, but uses the excuse that he has come to collect his brother’s camera. He too gets hurt, and has to go to hospital. Lawrence visits him, but is angry about the fact that the camera is broken.

Will’s mother (Jessica Hynes), from whom he has struggled to hide his activities, finally realises that her son must be allowed to be himself and her family leaves the Brethren. The film is never submitted to the competition as they miss the deadline. The French students leave, and while Didier was popular and worshiped in England, his own school-mates mock him, and he is actually lonely and isolated. When Lawrence looks at Lee’s footage he is impressed, and he sees Lee’s rant at Will defending Lawrence’s neglect and bullying, which was accidentally filmed. With Will’s help, he adds a part in which he acts himself — including a reply message for his brother. When Lee leaves the hospital, he is brought to a cinema by surprise. His film is shown before the main feature (much to the enjoyment of the audience) and the two boys reunite.

The idea doesnt seem interesting and could be forgettable but the cast of kids and the touching premise of unlikely friendship works so well and also being set in the early 80’s captures the time period perfectly. Will Poulter has gone on to bigger things now but this shows how good he is being a problem child but having charm as well and im sure many can relate to knowing someone like him when we were kids.