REVIEW: BEAUTY AND THE BEAST (1987) – SEASON 3

MAIN CAST

Ron Perlman (Hellboy)
Linda Hamilton (The Terminator)
Roy Dotrice (Game of Thrones)
Jay Acovone (Stargate SG.1)
Stephen McHattie (300)
Edward Albert (Power Rangers Time Force)
Jo Anderson (Roswell)

2

RECURRING / NOTABLE GUEST CAST

Mitchell Laurance (Cop Rock)
Kenneth Kimmins (Lois & Clark)
Richard Roundtree (Shaft)
Bill Calvert (Spider-Man)
David Greenlee (Fame)
Stanley Kamel (Domino)
Patrick St. Esprit (Green Zone)
Lance Henriksen (The Terminator)
Armin Shimerman (Buffy: TVS)
Suzie Plakson (Disclosure)
Tony Plana (Ugly Betty)
Miguel Sandoval (Medium)
Fionnula Flanagan (Lost)
Jeff Corey (Little Big man)
John Pleshette (Rocky II)

26aefdfe75e396171a91adf55d86b177The 3rd season of Beauty and the Beast definitely takes the series in a very different direction. As the new opening reveals, once Vincent gets past Catherine’s murder he will dedicate his life to avenging injustice – in other words, he has been recast here as a sort of beastly Batman, searching the skies for the Beast Signal which will let him know that his services are needed. Much of the first five or six episodes are focused more on the gritty world Above than on Vincent’s world in the tunnels – the photography is very different, with a sharper, darker overcast (much of the warmth associated with the tunnel worlds is lost). Additionally, character inconsistencies (especially with Roy Dotrice’s “Father”) undermine the overall fabric of the story for those of us who followed it closely the first two seasons. This is a much more violent show now, and it’s much more “black and white.” The new villain, Gabriel, who dominates many of the episodes, is simply evil personified – there is no development of his character, no understanding of his motivations. He is simply evil, and Vincent becomes the force of good which will win in the end. Gabriel is Paracelsus without the poetry, without the history that made his demonic persona work. There was always a hint with Paracelsus that what he really wanted was to be part of the tunnel community again, but he just couldn’t figure out a way to do it. The only thing we know about Gabriel is that he’s a monster.screen-shot-2011-12-30-at-7-38-41-pm.pngCatherine’s death itself is not what changed this series – actually, Diana’s character could very easily have become a new “Beauty” for Vincent, had the relationship been given a chance to develop. The problem is the new tone, the darker perspective, the shift away from the tunnel community that had dominated the second season, and the fans’ resistance to anything that even suggested that Vincent could move beyond his bond with Catherine and love another woman. The message of the first two seasons is clearly the power of love to conquer hate and fear; this would imply that Catherine’s love for Vincent should enable him to love again – after all, that’s what he always told her about the nature of love. Here, in Season Three, Vincent’s grief is palpable, and Ron Perlman does an amazing job demonstrating what it is to feel loss. But there are subtle moments between him and Diana that are hopeful and beautiful – and I, as a fan of the series, find solace in such hope.1202175761_1While watching the first episode (Though Lovers be Lost) is not easy, know that there are things beyond it of great value. Elliot Burch’s character, especially, is given both a chance to redeem himself and chance to give Catherine a beautiful gift. Diana becomes a fascinating and original character whose own connection to Vincent is believable and real – she is not Catherine, but rather an independent and introspective woman who may have much more in common with Vincent spiritually than Catherine ever did. It would be so easy to see Diana becoming a part of Vincent’s world. So, suffer through the difficult death and grieving scenes, be prepared for the shift in focus, but enjoy the new stories being told here about Vincent and the two worlds in which he lives. Yes, it’s flawed – but there is still enough beauty to justify a return visit.

REVIEW: BEAUTY AND THE BEAST (1987) – SEASON 2

MAIN CAST

Ron Perlman (Hellboy)
Linda Hamilton (The Terminator)
Roy Dotrice (Game of Thrones)
Jay Acovone (Stargate SG.1)

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RECURRING / NOTABLE GUEST CAST

David Greenlee (Fame)
Armin Shimerman (Buffy: TVS)
Tony Jay (Lois & Clark)
Joseph Campanella (Hangar 18)
Adrian Paul (Highlander: The Series)
Katy Boyer (The Island)
Tim Russ (Star Trek: Voyager)
Bill Calvert (Spider-Man)
Cyd Strittmatter (Gone Girl)
Bruce Abbott (The Net)
Remy Ryan (Robocop 3)
Don Stark (That 70s Show)
Piper Laurie (Carrie)
John McMartin (No Reservations)
Elyssa Davalos (MacGyver)
Kelli Williams (Lie To Me)
Rosemary Dunsmore (Orphan Black)
Edward Albert (Power Rangers Time Force)
Dean Norris (Breaking Bad)
Gary Hudson (Road House)
Richard Roundtree (Shaft)

26aefdfe75e396171a91adf55d86b177Though set in the late-1980s, Beauty and the Beast plays like something from another era. There’s no irony, cynicism, or hip quips to break the spell of the fantasy (though a little humor would’ve been nice). Catherine (Linda Hamilton) loves the beastly, if beneficent Vincent (Ron Perlman) with all her heart–and vice versa. Together, they’re TV’s most soft-hearted crime fighters. To the show’s credit, however, they aren’t infallible, and there are a few problems they’re unable to solve, whether the issue is drug addiction (“Chamber Music”), infectious disease (“Ashes, Ashes” with Highlander‘s Adrian Paul), or murder (“The Hollow Men”).

2In retrospect, it’s clear that Beauty and the Beast was a reaction to the “greed is good” era. Vincent and his cave-dwelling compatriots represent a more compassionate alternative to “topsider” corruption. Yet all is not harmonious below either. Seriously injured the previous year, Paracelsus (Tony Jay) becomes a Phantom of the Opera-type figure, who aims to destroy Vincent’s candle-lit utopia. In addition, a less civilized group of outcasts arrives in “The Outsiders.” Fortunately, Vincent has Father (Roy Dotrice), Mary (Ellen Geer), Mouse (David Greenlee), and Pascal (Star Trek: Deep Space Nine‘s Armin Shimerman) on his side.maxresdefaultUnfortunately, they won’t be able to prevent the tragedy that occurs in “The Rest Is Silence.” Suffice to say, the season finale sets the scene for a new direction (more is revealed in the third-season opener). Consequently, Beauty and the Beast was canceled the following year, but still managed to rack up 18 Emmy nominations (winning six), spawning a soundtrack, and even inspiring some Saturday Night Live spoofing–a sure sign it had struck a chord. While the first season was devoid of extras, Perlman and Hamilton introduce six key episodes on this set..2Being a big B&B fan, I can find no wrong with this Season 2. Loved every episode. This entire series has so much soul, that you will dwell on each episode long after they are over. Can’t go wrong with this one.

 

REVIEW: BEAUTY AND THE BEAST (1987) – SEASON 1

MAIN CAST

Ron Perlman (Hellboy)
Linda Hamilton (The Terminator)
Roy Dotrice (Game of Thrones)
Jay Acovone (Stargate SG.1)
Renn Woods (Church)

Ron Perlman and Roy Dotrice in Beauty and the Beast (1987)

RECURRING / NOTABLE GUEST CAST

John McMartin (No Reservations)
Don Stark (That 70s Show)
Ray Wise (Robocop)
Michael Bacall (Gangster Squad)
Dorian Harewood (Earth: Final Conflict)
Delroy Lindo (Get Shorty)
Edward Albert (Elliot Burch)
Richard Biggs (Babylon 5)
Mayim Balik (The Big Bang Theory)
Jeffrey Combs (The Frighteners)
Nancy Lenehan (Catch Me If You Can)
Ellen Albertini Dow (Wedding Crashers)
Christian Clemenson (Apollo 13)
Paul Gleason (Die Hard)
Cliff De Young (The Craft)
Vito D’Ambrosio (The Flash)
Richard Herd (V)
Jason Bernard (Liar Liar)
John M. Jackson (Bones)
John Franklin (Children of The Corn)
Rutanya Alda (The Deer Hunter)
James Avery (The Fresh Prince of Bel-Air)
Rosalind Chao (Star Trek: DS9)
James Hong (Blade Runner)
Tony Jay (Lois & Clark)
Jeffrey Nordling (Flight 93)
Bruce Abbott (The Net)
Raymond Cruz (Breaking Bad)
Alan Blumenfeld (Heroes)
Armin Shimerman (Buffy: TVS)
David Greenlee (Fame)
Mimi Craven (Vampire Clan)
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Back during Beauty and the Beast’s brief three season run, there were numerous letter writing and phone call campaigns by rabid fans who tried desperately to keep the show from getting the axe. Never a top ratings winner, its fate on the network schedule was always at risk, and yet, the fans made it known how they felt, and they may have indeed saved the show on more than one occasion.batman-ninjaBeautiful corporate lawyer Catherine Chandler (Linda Hamilton) chafes at the restrictions imposed on her life. She works for her father Charles (John McMartin), a highly successful New York City lawyer, but doesn’t feel what she does is necessary or that she’s achieving anything independent of his influence. In a relationship with ambitious, self-centered Tom (Ray Wise), Catherine balks at the insensitive demands of her boyfriend during a dinner party, and leaves to go home. Outside, a couple of thugs kidnap her in a van, and horribly disfigure her face; we later learn that she was a victim of mistaken identity, and that the criminals thought she was someone else. Left for dead in Central Park, Cathy is rescued by a mysterious, hulking figure who carries her below the streets of New York City to a fabulously appointed underground lair. Her eyes and face bandaged, she can’t see the person who is caring for her, but — rather rapidly and with almost no set-up — she comes to love her care giver, Vincent (Ron Perlman).26aefdfe75e396171a91adf55d86b177Vincent resides below the city for what he believes is a very good reason: he apparently is half-lion  and doesn’t want to be the object of pity and terror because of the way he looks. Hiding a beautiful, tortured soul behind his mutation, Vincent strides among the many other residents of the “Tunnel World” as their unofficial leader and protector. Naturally, Cathy is taken aback when she sees Vincent for the first time, but she longs to stay his friend. Vincent, tortured by his impossible love for Cathy, tells her that he has developed a psychic bond with her: her pain is his pain. Taking her back to the “real” world, he tells her he will always be there for her, if she needs him.26aefdfe75e396171a91adf55d86b177After perfect plastic surgery, Catherine decides that she must do something worthwhile with her life, and takes a job as an assistant D.A. with the city. Tracking down the thugs who assaulted her, she finds outs they’re part of a bigger corruption scandal involving prostitution, and decides to go after them. Catherine, hearing Vincent outside on her terrace, goes to him and shares one momentof impossible love with him. Cornered in a house with her attackers ready to kill her, Cathy’s psychic pain reaches Vincent, who immediately hops on top of a speeding subway car, and, bursting through the house’s door like either the Incredible Hulk or the Kool-Aid pitcher, literally rips apart her assailants with his razor-sharp claws, and saves her life.BEAUTYBEAST-0004It was a new take on the old classic. Hamilton is a compelling heroine. She has enough femininity to be romantic but also enough power to fight. Ron Perlam as the Beast was on his most famouse roles before Hellboy and he showed even back then just how good an actor he was. The show is a must see for fans of the 2012 series and fans of  Ron Perlman.

 

REVIEW: WHAT WE LEFT BEHIND: LOOKING BACK AT DEEP SPACE NINE

What We Left Behind: Looking Back at Deep Space Nine (2018)

Starring

Max Grodénchik (Rocketeer)
Andrew Robinson (Hellraiser)
Armin Shimerman (Buffy: TVS)
Nana Visitor (Dark Angel)
Colm Meaney (Layer Cake)
Jeffrey Combs (Re-Animator)
Aron Eisenberg (Puppet Master III)
Rene Auberjonois (Boston Legal)
Alexander Siddig (Gotham)
Casey Biggs (Broken Arrow)
Terry Farrell (Hellraiser III)
Penny Johnson Jerald (The Orville)
Avery Brooks (American Hsitory X)
Chase Masterson (Yesterday Was a Lie)
Michael Dorn (Arrow)
Wallace Shawn (Young Sheldon)
Marc Alaimo (Total Recall)
Bill Mumy (Lost In Space)
J.G. Hertzler (Zorro)
Robert O’Reilly (The Mask)
Cirroc Lofton (Beethoven)
Nicole de Boer (Cube)

What We Left Behind: Looking Back at Deep Space Nine (2018)Star Trek: Deep Space Nine was the fourth television series in the Star Trek franchise. It ran for seven seasons and a hundred and seventy-six episodes in syndication. The finale, “What You Leave Behind”, aired on June 2nd, 1999. DS9 was markedly different from Star Trek and Star Trek: The Next Generation. The show setting was a recovered enemy space station near the planet Bajor. A grieving Starfleet commander, Benjamin Sisko (Avery Brooks), assigned to help the Bajorans recover from a devastating occupation; discovers a wormhole to a distant region of the galaxy, the Gamma Quadrant. What followed was a thrilling, slow-burn escalation to the epic, Dominion War; a conflict against powerful Gamma Quadrant adversaries that threatened the United Federation of Planets.What We Left Behind: Looking Back at Deep Space Nine is a wonderful retrospective and coda to the beloved series. The documentary is produced and directed by Ira Steven Behr, DS9’s showrunner/executive producer, and filmmaker/Star Trek enthusiast David Zappone; who produced The Captains and For the Love of Spock. Originally crowdfunded to celebrate DS9’s twenty-fifth anniversary, Behr was astonished by the legions of fans that contributed money. It changed the scale of the documentary, and provided an opportunity to pursue fandom’s dream scenario; a look at the story for a possible season eight of Star Trek: Deep Space Nine.ds9-cast-1200x786What We Left Behind reunites the original cast, writers, filmmakers, and studio executives for interviews. DS9, though it ran for seven seasons, was pilloried by critics at the time. The show was too dark, political, and not adventurous enough. The sci-fi mainstream decried a Star Trek series that was serialized, not episodic. They wanted each week to be a new adventure on a different planet, mimicking the format of the incredibly popular Star Trek: The Next Generation. DS9 had elaborate storylines that stretched over multiple seasons and embraced controversy. From racial and ethnic issues, religious strife, to television’s first lesbian kiss, it was a Star Trek series that obliterated boundaries. Ira Steven Behr has frank discussions with the Paramount studio executive who didn’t understand his vision for the show. Luckily, his persistence and a cult following allowed DS9 to continue its risque path; albeit with some major changes forced by the suits.what-we-left-behind-looking-back-at-star-trek-deep-space-nine-still-1-1160x480Without delving too deep into the details of the interviews, two pivotal events are explored. The first was the addition of Star Trek: The Next Generation’s bad-ass Klingon, Lt. Commander Worf (Michael Dorn), in season four. The cast, Behr, Rick Berman (overall Star Trek TV producer), and several Paramount execs discuss bringing the popular character to the struggling show. What was already a tight-knit crew had doubts, but welcomed Dorn into the fold. The decision turned out to be exactly as hoped; a shot in the arm that revitalized DS9. The same cannot be said for the killing of Worf’s wife and series regular from the start, Lt. Commander Jadzia Dax (Terry Farrell). What We Left Behind takes a frank look at the turmoil caused by firing her. Terry Farrell’s treatment and decision to leave was a blow to all. Behr also shows the professionalism and resilience of the core players. Nicole de Boer’s Lt. Ezri Dax, who replaced Terry Farrell, was a key character during the final season. Seeing the players and producers discuss this tumultuous time is riveting. They developed lifelong bonds from their time on DS9. The show profoundly impacted them on a personal level. Defining the acting careers for many of the cast members.1266412299-What-We-Left-Behind-Looking-Back-At-StarIn true DS9 fashion, What We Left Behind gets political. The doc explores the casting of Avery Brooks as Star Trek’s first black captain and series lead. We see how Brooks, who unfortunately is only interviewed through archival footage, steered the path of DS9. Captain Sisko was a father foremost. DS9 had an incredible story arc with his son, Jake Sisko (Cirroc Lofton), growing up on the space station. Brooks wanted the show to portray a positive black male role model as a parent and leader. DS9 was filmed during the LA riots of 1992. Anyone who watched DS9 knows how thoughtfully the series tackled such heady issues. Fandom will also be quite surprised what Behr has to say about the relationship between Garak (Andrew J. Robinson) and Dr. Bashir (Alexander Siddig).what-we-left-behind-terry-farrell-nana-visitorWhat We Left Behind does not forget the talented production designers, effects teams, and make-up artists that made DS9 so realistic. Some of the funnier scenes have Armin Shimerman, who played Quark the Ferengi bartender, and René Auberjonois, who played the shape-shifting security chief Odo, cursing the other cast members, particularly Colm Meaney (Chief O’Brien). They had to sit for hours in make-up, and then work in the uncomfortable prosthetics; while the “human” actors had mere touch-ups. It’s all in good humor, but illustrates the physical toll of playing DS9’s alien characters.armin-shimmerman-what-we-left-behind-star-trek-deep-space-nine-1170189-1280x0The most thrilling aspect of What We Left Behind is the plotting for a potential season eight. Behr gathered the original writers, including Robert Hewitt Wolfe, for a storyboard session. The breakdown is accompanied by CGI animation and pre-vis sketches. Prepare to be blown off your couches. Set twenty years after Captain Sisko defeated the Dominion and vanished into the wormhole, the season eight storyline is jaw-dropping. It’s loaded with surprises that will melt the minds of every DS9 fan. Behr and the writers acknowledge this is pure fantasy, but does it have to be? CBS and Paramount allows fan made Star Trek, as long as it’s not for profit. I would shell out in a heartbeat to have a crowdfunded, CGI adaptation of DS9 season eight. Voiced by the original cast of course. Behr raised the money for What We Left Behind in a weekend. I’m pretty sure fandom can make that happen… What We Left Behind: Looking Back at Deep Space Nine is a must see for fans, and anyone who appreciates great science fiction. DS9 is the perfect series for the binge-watching, streaming audiences of today. It’s remarkable that a show which ended two decades ago, and was misunderstood by the masses, has found a new generation of ardent supporters. I think Star Trek: Deep Space Nine is not only the best Star Trek series, but arguably, the best sci-fi series. Seasons five through seven were masterful, exhilarating and engrossing television. We need to see season eight. What We Left Behind: Looking Back at Star Trek: Deep Space Nine is available now on DVD/Blu-Ray from Shout! Factory.

REVIEW: STARGATE SG.1 – SEASON 1

Starring

Richard Dean Anderson (MacGyver)
Michael Shanks (Smallville)
Amanda Tapping (Sanctuary)
Christopher Judge (The Dark Knight Rises)
Don S. Davis (Twin Peaks)

Richard Dean Anderson, Jay Acovone, Michael Shanks, and Amanda Tapping in Stargate SG-1 (1997)

RECURRING / NOTABLE GUEST CAST

Jay Acovone (Beauty and The Beast)
Vaitiare Hirshon (Far Away Places)
Robert Wisden (Watchmen)
Peter Williams (Catwoman)
Brent Stait (Blade: The Series)
Gary Jones (Chilling Adventures of Sabrina)
Alexis Cruz (Drag Me To hell)
Rachel Hayward (Wonder)
Adam Harrington (The Secret Circle)
Colin Lawrence (The 6th Day)
Kevin McNulty (Timecop)
Alan Rachins (Showgirls)
Cary-Hiroyuki Tagawa (Mortal Kombat)
Jorge Vargas (POwer Rangers Ninja Storm)
Soon-Tek Oh (Mulan)
Crystal Lowe (Final Destination 3)
Teryl Rothery (Arrow)
Steve Makaj (The X-Files)
Gerard Plunkett (Sucker Punch)
Danny Wattley (Bird ona Wire)
William Russ (The Right Stuff)
Roger Cross (First Wave)
Harley Jane Kozak (Arachnophobia)
Carmen Moore (Arrow)
Armin Shimerman (Star Trek: DS9)
Ray Xifo (Ocean’s Thirteen)
Frida Betrani (The Deal)
Bobbie Phillips (Murder One)
Gabrielle Miller (Robson Arms)
Tamsin Kelsey (Needful Things)
James Earl Jones (Star Wars)
Mark Gibbon (Man of Steel)
Elizabeth Hoffman (Dante’s Peak)
Keene Curtis (Sliver)
Paul McGillion (The Flash)
Tony Amendola (Annabelle)
Salli Richardson-Whitfield (Eureka)
Suanne Braun (Summer of Rockets)
Katie Stuart (Inconceivable)
Tobin Bell (Saw)
Garwin Sanford (Get Carter)
Tom McBeath (Riverdale)
Jay Brazeau (Bates Motel)
Michael Kopsa (Dark Angel)
Laara Sadiq (Arrow)
Ronny Cox (Robocop)

Most TV shows spun off from movies are uninvolving and uninteresting, and hopefully die and are forgotten. That wasn’t the case with the spinoff of the 1995 movie “Stargate,” a science fiction movie that spawned an excellent television series, “Stargate SG-1.” The first season is not nearly as brilliant as the ones that followed it, but it’s a welcome change from distant space operas — excellent writing, acting, and a sense of humor about itself and its characters.Christopher Judge in Stargate SG-1 (1997)The Stargate has been inactive for a year — until it is activated, and a bunch of Egyptian-styled warriors come through and kidnap a young officer. General Hammond (Don S. Davis) pulls Jack O’Neill (Richard Dean Anderson) out of retirement to learn what really happened on the planet of Abydos, and where these mysterious aliens have come from. O’Neill and a small team go to Abydos and find Daniel Jackson (Michael Shanks) who has been learning about a vast network of Stargates over the past year. But when Daniel’s wife Sha’re and brother-in-law Skaara are abducted by the same warriors, O’Neill, Jackson and Air Force scientist Sam Carter (Amanda Tapping) use the Stargate to venture to where they’re being kept. What they find is an alien race who inhabits human hosts, the Goa’uld, and their ruthless slave warriors, the Jaffa. Carter, O’Neill and Jackson are captured by the powerful Apophis — but to escape, they must have the help of an unlikely ally: Teal’c (Christopher Judge), Apophis’ First Prime. Since Earth has now annoyed the Goa’uld, several exploration teams are formed to go through the Stargate and find weapons and allies.Richard Dean Anderson in Stargate SG-1 (1997)And SG-1 — Carter, O’Neill, Jackson and Teal’c — encounters some very strange problems: a plague that turns people into savages, a people who live only a hundred days, a Viking planet, a Stargate explorer stranded since 1945, a little girl turned into a bomb, the seductive Goa’uld queen Hathor, and coming back as robots. And when the military shuts down the SG program, Daniel reveals that the Earth is about to be destroyed by Apophis’ armies.Christopher Judge in Stargate SG-1 (1997)The first season of “Stargate SG-1” isn’t the most impressive, though the last three episodes hint at the series’ future greatness. And thankfully, it drops the usual space opera stuff — instead we get Stargates, real military, and a very plausible reason why everybody in the galaxy (more or less) looks just like us. It’s graced with kitschy Egyptian-styled sets, lots of shoot-em-up action from Marines and Air Force, and plenty of planets influenced by Earth cultures, like the Minoans and the Vikings. Best of all is the snappy dialogue, mostly from the tart-tongued O’Neill.

 

REVIEW: JUSTICE LEAGUE UNLIMITED – SEASON 1

Main Cast

Kevin Conroy (Justice League Doom)
George Newbern (Law & Order: SVU)
Susan Eisenberg (Lego aquaman)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals (Batman: The Dark Knight Returns)

MV5BMTk2NzY1NTU5OF5BMl5BanBnXkFtZTgwMjIwOTM2MjE@._V1_

Recurring / Notable Guest Cast

Kin Shriner (Manhunter)
George Eads (CSI)
Eric Robert (The Finder)
Dana Delany (Tombstone)
Mike Farrell (Patch Adams)
Shelley Fabares (Coach)
Josh Hutcherson (The Hunger Games)
Christopher McDonald (Happy Gilmore)
Dakota Fanning (War of The Worlds)
Olivia d’Abo (Conan The Destroyer)
Dee Bradley Baker (American Dad)
Sheryl Lee Ralph (Fam)
Fred Savage (The Princess Diaries)
Jason Hervey (Back To The Future)
Edward Asner (Elf)
Michael York (Logan’s Run)
Patrick Bauchau (Panic Room)
Rachel York (One Fine Day)
Jack Carter (McCloud)
Jeffrey Combs (Re-Annimator)
Robert Foxworth (Transformers)
Charles Napier (The Silence of The Lambs)
Sam McMurray (Raising Arizona)
Cree Summer (Voltron)
Tom Everett Scott (Because I Said So)
Billy West (Futurama)
Lori Loughlin (Full House)
Jeremy Piven (Old School)
Robert Picardo (Star Trek: Voyager)
Clancy Brown (Highlander)
Will Friedle (Batman Beyond)
John C. McGinley (Scrubs)
Oded Fehr (V)
Scott Rummell (Six)
Tim Matheson (The West Wing)
Grey Griffin (The Book of Life)
CCH Pounder (Avatar)
J.K. Simmons (Whiplash)
Michael Beach (Aquaman)
Gina Torres (Firefly)
Peter MacNicol (Veep)
Adam Baldwin (Chuck)
Nestor Carbonell (Bates Motel)
Mindy Sterling (Austin Powers)
Melissa Joan Hart (Sabrina: TTW)
Dennis Farina (Get Shorty)
Morena Baccarin (Gotham)
Virginia Madsen (Better Watch Out)
Ioan Gruffudd (Ringer)
Farrah Forke (Lois & Clark)
Michael Dorn (Star Trek: TNG)
Dick Miller (Gremlins)
Michael Jai White (Arrow)
Armin Shimerman (Buffy: TVS)
Juliet Landau (Ed Wood)
Alan Rachins (Showgirls)
Robert Englund (2001 Maniacs)
Wayne Knight (3rd Rock From The Sun)
Jason Bateman (Office Christmas Party)
Susan Sullivan (Castle)
Michael T. Weiss (The Pretender)
Amy Acker (Angel)
Glenn Shadix (Beetlejuice)
Steve Schirripa (Must Love Dogs)
Jerry O’Connell (Sliders)
Lisa Edelstein (House)
Nathan Fillion (Serenity)
Elizabeth Peña (The Incredibles)
Hector Elizondo (The Princess Diaries)
Robert Forster (Jackie Brown)
Corey Burton (Critters)
Hynden Walch (The Batman)
Lauren Tom (Bad Santa)

MV5BMTk4NTc5Mzg3Nl5BMl5BanBnXkFtZTgwMTc5ODM2MjE@._V1_Fantasy now runs your life? Comic books become your vice? And your best friends still have their virginities? Then look no farther, friends, because this collection of episodes is so good you don’t need friends, significant others, or a single reason to emerge from your Geekdrome. But you know what the best part is? It’s not just for geeks – Justice League Unlimited stands tall as the best collection of American action/adventure animation you’re likely to find. While there is, of course, a certain geek charge some may get out of seeing characters like Powergirl and Green Arrow in action (not to mention an episode featuring Nathan Fillion voicing Vigilante and Gina Torres voicing Vixen – come on, how cool is that?), these episodes will entertain because of good characters, good humor, and good storytelling, even if you don’t know your Booster Golds from your Blue Beetles.MV5BMTA3OTAzMDYwMjdeQTJeQWpwZ15BbWU4MDMzMDkzNjIx._V1_While the first two seasons of Justice League nicely expanded upon the world first established in the early ’90s with Batman: The Animated Series, it wasn’t until this, the show’s third season (or first, depending on how you look at it) that the format and structure was perfected for the genre. It was an interesting experiment having the previous seasons’ episodes run for one-hour, but with JLU the format is scaled back to stand-alone half-hour stories and, ironically, it fits like a bat-glove. It’s strange, but these shorter episodes actually manage to pack in more than the double-length ones. A lot more. And what a roster of characters to fill a show with! You’ll see everyone from The Atom to Elongated Man. Because this is a full-blown, all-star take on these characters, each character can shine their brightest. When you get Superman, you get the best of Superman. Wonder Woman? The best of Wonder Woman. B’wana Beast? Uh… well, I guess this is the best he’s ever been.MV5BMjIwOTMxMzk2MF5BMl5BanBnXkFtZTgwOTU5ODM2MjE@._V1_The surplus of great characters is fun, but what really sells the show are the stories. Or, more specifically, story. No doubt borrowing a page from the work of Joss Whedon – showrunner Bruce Timm admits in a commentary that Whedon was a big influence – these episodes highlight a large and complex season-spanning plot that actually has meaning in today’s world. This is certainly the most mature and thoughtful storytelling you’re likely to get from a cartoon of this type. What elevates the show from great to brilliant is its ability to tell stories that are exciting and also manage to propel the larger narrative forward. For example, Dark Heart – penned by famous comic book scribe Warren Ellis – manages to mix a great science fiction plot (a self-replicating AI) with humor (Wonder Woman, needing both hands to fight, rests The Atom in a very interesting holding place) and its plot still manages to play a part later on down the road in the season’s climax.MV5BMjAwMTU4NDI0NV5BMl5BanBnXkFtZTgwNzIwOTM2MjE@._V1_The writing is the best the show has ever seen, no doubt a result of staff writer Dwayne McDuffie coming into his own; his versatility with the characters is fantastic. Comic book writers Warren Ellis and J.M. DeMatteis join in on the fun, and new series director Joaquim Dos Santos infuses the episodes with a dynamic energy that allows the show to compete with the best of today’s cutting-edge, anime-inspired programming. It’s like the entire DC animated universe has been supercharged in the best way possible.MV5BMTk3NjM3NzI3Ml5BMl5BanBnXkFtZTgwNjQwOTM2MjE@._V1_This collection contains two seasons, and both season finales are just fantastic. The Once and Future Thing is an exciting time romp (with a great Western segment) and Divided We Fall is a showstopper of epic proportions. Either finale would make for a better DVD movie than any of what has been released thus far. Then there’s Epilogue – just brilliant. It manages to tie in the entire DC animated universe – including films Mask of the Phantasm and Return of the Joker! – and still say something meaningful about a very important character. The episode isn’t just great animation, it’s great television.MV5BMTk1MDgzMTYzN15BMl5BanBnXkFtZTgwMTUwOTM2MjE@._V1_There really is nothing bad to say about these episodes. The new rock-inspired opening credits do ring a bit too much of cheesy ’80s electronica, but you get used to it, and, after a while, it fits. Of course, the fact remains that if you aren’t into cartoons in the first place you probably won’t be willing to hop on the bandwagon no matter how cool a series is. But if you consider animation to be a legitimate and respectable medium, then this is the pinnacle of the form.  While there are bigger and more influential cartoon shows out there – namely, comedies like The Simpsons – Justice League Unlimited is still one of the best American animated programs you’ll find. With this show the genre has been perfected – it’s fun, exciting, and thoughtful. In other words, this is exactly what superheroes should be.

REVIEW: BATMAN: THE BRAVE AND THE BOLD – SEASON 1-3

Image result for batman the brave and the bold logo

MAIN CAST

Diedrich Bader (Vampires Suck)

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RECURRING / NOTABLE GUEST STARS

Dee Bradley Baker (American Dad)
Will Friedle (Batman Beyond)
Jason Marsden (Full House)
James Arnold Taylor (Star Wars: The Clone Wars)
Marc Worden (Ultimate Avengers)
Grey DeLisle (The Replacements)
John Dimaggio (Futurama)
Tom Kenny (Super hero Squad)
Kevin Michael Richardson (The Cleveland Show)
Corey Burton (Critters)
R. Lee Ermey (Full Metal Jacket)
Scott Menville (Teen Titans)
Vyvan Pham (Generator Rex)
Bumper Robinson (Sabrina: TTW)
Mikey Kelley (TMNT)
Michael Rosenbaum (Smallville)
Will Wheaton (Powers)
Xander Berkeley (Kick-Ass)
Loren Lester (Batman: TAS)
Phil Morris (Smallville)
Jeff Bennett (James Bond Jr.)
Oded Fehr (The Mummy)
Ellen Greene (Pushing Daisies)
Armin Shimmerman (Star Trek: DS9)
Tara Strong (Batman: The Killing Joke)
Tom Everett Scott (Scream: The Series)
Billy West (Futurama)
Jeffrey Tambor (The Hangover)
Paul Reubens (Gotham)
Diane Delano (Jeepers Creepers II)
Peter Woodward (Crusade)
Neil Patrick Harris (How I Met Your Mother)
James Remar (Flashforward)
Jeffrey Combs (Gothman)
Ioan Grufford (Ringer)
J.K. Simmons (Whiplash)
William Katt (Carrie)
Clancy Brown (Highlander)
Tress MacNeille (Futurama)
Hynden Walch (The Batman)
Kevin Conroy (Batman: TAS)
Mark Hamill (Batman: The Killing Joke)
Adam West (BAtman 60s)
Julie Newmar (Batman 60s)
Dana Delany (Body of Proof)
Tony Todd (Chuck)
Peter Scolari (Gotham)
Cree Summer (Batman Beyond)
Steve Blum (Wolverine and Thje X-Men)
John Wesley Shipp (The Flash)
Alan Tudyk (Firefly)
Olivia D’Abo (Conan The Destroyer)
Mae Whitman (Independence Day)
Fred Tatasciore (Hulk Vs)
Vanessa Marshall (Star Wars: Revels)
John Michael Higgins (Still Waiting)
Michael Jai White (Arrow)
Morena Baccarin (Gotham)
Tippi Hedren (The Birds)
Gary Owens (That 70s Show)
Ted McGinley (Highlander 2)
Henry Winkler (Happy Days)

There’s a gloriously meta moment in the back half of this season of Batman: The Brave and the Bold where the show’s producers are raked over the coals at Comic-Con. One of the twentysomethings in the crowd grouses and groans about how the Caped Crusader in the cartoon isn’t his Batman, and…well, he’s not wrong. DC’s comics anymore are joylessly grim and gritty…22 monthly pages of misery and scowling and torture and dismemberment and death and high collars and way too much crosshatching. Batman: The Brave and the Bold, meanwhile, is defined by its vivid colors and clean, thick linework. It’s a series whose boundless imagination and thirst for high adventure make you feel like a six year old again, all wide-eyed and grinning ear to ear.


You know all about The Dark Knight’s war on crime, and in The Brave and the Bold , he’ll duke it out against any badnik, anywhere. He doesn’t go it alone, either, with every episode pairing Batman up with at least one other DC superhero. Heck, to keep it interesting, The Brave and the Bold shies away from the obvious choices like Superman and Wonder Woman. Instead, you get more interesting team-ups like Blue Beetle (more than one, even!), Elongated Man, Wildcat, Mister Miracle, Kamandi, and B’wana Beast.
Other animated incarnations of Batman have been rooted in something close enough to reality. Sure, you might have androids and the occasional Man-Bat, but they tried to veer away from anything too fantastic. The Brave and tbe Bold has free reign to do just about whatever it wants. One week, maybe you’ll get an adventure in the far-flung reaches of space with a bunch of blobby alien amoebas who mistake Batman for Blue Beetle’s sidekick. The next might offer up Tolkien-esque high fantasy with dragons and dark sorcery. Later on, Aquaman and The Atom could play Fantastic Voyage inside Batman’s bloodstream, all while the Caped Crusader is swimming around in a thirty-story walking pile of toxic waste. He could be in a Western or a post-apocalyptic wasteland or a capes-and-cowls musical or even investigate a series of grisly something-or-anothers alongside Sherlock Holmes in Victorian England.

Batman has markedly different relationships with every one of those masked heroes. There’s the gadget geekery with an earlier incarnation of the Blue Beetle. With the younger, greener-but-still-blue Beetle, Batman takes on more of a mentor role.

More of a stern paternal figure for Plastic Man, and a rival for Green Arrow. Sometime it might not even be the most pleasant dynamic, such as a decidedly adult Robin who doesn’t feel like he can fully step outside the long shadow that Batman casts.

There are some really unique takes on iconic (and not so iconic!) DC superheroes here, and far and away the standout is Aquaman. This barrel-chested, adventure-loving braggart is my favorite incarnation of the king of the seven seas, and if Aquaman ever scores a cartoon of his own, I hope he looks and acts a lot like this. Oh, and The Brave and the Bold does a spectacular job mining DC’s longboxes for villains too, and along with some of the familiar favorites, you get a chance to boo and hiss at the likes of Kanjar Ro, The Sportsmaster, Kite Man, Gentleman Ghost, Chemo, Calendar ManKing, Crazy Quilt, and Shrapnel. The Brave and the Bold delivers its own versions of Toyman, Vandal Savage, and Libra while it’s at it, the latter of whom has the closest thing to a season arc that the series inches towards.

Batman: The Brave and the Bold is every bit as fun and thrilling as you’d expect from a series where every episode’s title ends with an exclamation point. Each installment is fat-packed with action, and the series has a knack for piling it on in ways I never saw coming. Even with as imaginative and off-the-walls as The Brave and the Bold can get, it still sticks to its own internal logic, so the numerous twists, turns, and surprises are all very much earned.

The majority of the episodes have a cold open not related to the remainder of the episode. Despite its episodic nature, if you’re expecting a big storyline in these 26 episodes, you’re going to be pretty disappointed as the extent of an overarching story in the season is the occasional villain that appears more than once, like Starro, but that’s really the only connecting bridge between episodes.

Season 2 contains one of my favorite episodes of not only this particular season, but probably in the entire series, “Chill of the Night!”, which goes back to Batman’s origins as Bruce Wayne learns more about the man who murdered his parents, turning him into the crime-fighter he would become, it’s one of the most well known origin stories in media, ever, but it’s done so well here. Another reason I love this episode is my blinding nostalgia for the voice cast.

The original 1960’s Batman, Adam West, guest stars as Batman’s father, Thomas Wayne, while Julie Newmar, who starred opposite of West as Catwoman from the original Batman TV show, plays Batman’s mother, Martha Wayne. My favorite Batman of all time, theatrical or not, Kevin Conroy, the voice of Batman from Batman: The Animated Series and various other series/movies/games, voices the Phantom Stranger. Lastly, the baddie of the episode, The Spectre, is voiced by none other than Mark Hamill, the definitive voice of the Joker.

The Episodes in season 3 are wildly imaginative; so much so that purists will probably be put off, at least initially. They range from “Night of the Batmen”, where batman is incapacitated and it is up to Aquaman, Green Arrow, Captain Marvel, and Plastic Man to don the cowl, and keep gotham safe. As weird as that may sound, this episode is pure fun, and a joy to watch. Other stand outs are the never before seen in the states “The Mask of Matches Malone”, “Shadow of the Bat”, “Scorn of the Star Sapphire”, and “Powerless”.

Special mention has to be made of the final episode of the series however, “Mitefall”. In this meta episode, Batmite does a fantastic job breaking down why the series is ending, and the disconnect of the so-called “purists”, whose baseless, closed minded, ignorance eventually doomed this excellent series.

When all is said and done, we received three outstanding, and criminally underrated, seasons and it is a joy to see.