HALLOWEEN OF HORROR REVIEW: BUFFY: THE VAMPIRE SLAYER – THE HALLOWEEN EPISODES

Buffy_The-Vampire-Slayer_logo

MAIN CAST

Sarah Michelle Gellar (Ringer)
Nicholas Brandon (Children of The Corn 3)
Alyson Hannigan (How I Met Your Mother)
Charisma Carpenter (Scream Queens)
David Boreanaz (Bones)
Anthony Stewart Head (Ghost Rider 2)
Seth Green (Family Guy)
James Marster (Smallville)
Marc Blucas (Red State)
Emma Caulfield (Darkness Falls)
Michelle Tractenberg (Black Xmas)
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GUEST CAST

Robin Sachs (Jurassic Park 2)
Juliet Landau (Ed Wood)
Armin Shimerman (Star Trek DS9)
Larry Bagby (Hocus Pocus)
Kristine Sutherland (Legal Eagles)
Adam Kaufman (Taken)
Lindsay Crouse (Alias)
Walter Jones (Mighty Morphin Power Rangers)
Amber Benson (Ringer)
Amber Tamblyn (Two and a Half Men)

HALLOWEEN

Buffy and Angel finally agree to a date, but Buffy is delayed at Pop’s Pumpkin Patch by a vampire. Another vampire films the fight from hiding. As Angel waits at The Bronze, Cordelia shows up and starts flirting with him. When Buffy finally arrives, she is turned away by Cordelia’s sharp tongue. Cordelia continues to hit on Angel, unaware of his history.The next day, Principal Snyder forces Buffy and her friends to chaperone small children while they trick-or-treat. Buffy would rather take a break during the only slow night for vampires. Later, Larry, the school bully, threatens Xander while asking him about Buffy, who smashes Larry into a soda machine. Xander is angered by the damage that does to his reputation. After Xander leaves, Buffy and Willow’s conversation eventually turns to speculation about Angel’s past. The two decide to sneak into Giles’ office and borrow the passed-down Watchers’ Diary. From this, they hope to learn more about what type of women Angel used to be attracted to as a human. Buffy is slightly mopey after her date with Angel didn’t fly, and is eager for information on how to win him over.  The gang has to dress up for Halloween. They head to Ethan’s Costume Shoppe, where Willow gets a ghost costume and Xander buys a toy gun to go with his army fatigues from home. Buffy and Xander make up, but then she spies the most beautiful pink 18th-century gown—one that matches what she has spied from Giles’ Watcher files on Angel. Ethan Rayne, the proprietor, appears and gives it to Buffy.Spike is reviewing Buffy’s fight. Drusilla comes to tell him that someone will make Buffy weak on Halloween night. Meanwhile, Ethan is chanting to a statue of Janus in the back room of his shop. On Halloween night, Buffy persuades Willow to wear a black miniskirt and a long-sleeved crop top, but Willow’s shyness returns; when Buffy goes to answer the doorbell, she covers up with her ghost costume. Later that night, Ethan’s spell takes effect and everyone wearing a costume from his store turns into the respective persona. Willow becomes a real ghost, able to walk through walls; Xander a soldier; and Buffy an 18th-century noble woman.buffy-the-vampire-slayer-halloween-clip-1With Buffy incapable of leading and fighting the threats around them, and Xander armed and skilled in combat because of the spell, Willow is forced to take the lead. She persuades Xander not to shoot the monsters now roaming the streets (as most of them are the trick-or-treaters), and to obey her. They find Buffy disoriented, frightened, and confused by the modern world. Willow rushes them to Buffy’s house, where her mother is conveniently not home. Outside, Cordelia screams and Xander rushes out to save her. They find that Cordelia has not changed into what she is wearing—a cat—because she bought her costume from another store. Willow goes to Giles for help. While Cordelia searches the house, Angel shows up and takes Buffy into the kitchen. As Angel tries to kill a vampire that has sneaked into the house, he reveals his vampire face. Buffy is horrified and runs from the house. Arriving at the library by walking through walls, Willow, after scaring Giles by just showing up where there isn’t a door, tells him about Ethan’s costumes.2x06_002They head to the shop, where Giles reveals that he knows Ethan. He orders Willow to leave and forces Ethan to tell him how to reverse the spell.Spike is looking for Buffy, who enters an alley and meets Larry, now a pirate. Xander arrives to beat up Larry while Willow shows up to warn them of Spike. The gang tries to barricade themselves inside a warehouse, but Spike’s gang breaks in. Spike is trying to kill Buffy; Willow orders Xander to shoot the vampires with his now-real M16, but just then, Ethan reveals the secret to ending the spell and Giles smashes the statue, breaking the spell. Buffy recovers to defeat Spike and he flees. After being corporeal again, Willow, despite the ordeals, also feels confident, discarding her ghost costume and heading home. Oz sees Willow around town again, asking himself “Who is that girl?” Buffy admits to Angel that she was trying to impress him. He tells her that he hated those people back then. The women were dull; he wanted someone exciting. They kiss. The next day, Giles returns to the store to find a note. Ethan has promised to return soon.

Halloween was a superb episode of Buffy The Vampire Slayer’s Second Season. This episode introduced us to a new villian from Giles’s past, and I have a feeling we will be seeing him in the future as well. Chaos was the order of the night, on All Hallows Eve in Sunnydale as people started turning into their costumes. It was fun to watch this episode seeing what people were and how they changed. It was also interesting to note that Oz keeps seeing Willow in different aspects, which is a neat way to build their story line. I think that this was another Classic Episode of Buffy Image result for buffy the vampire slayer fear, itself

FEAR, ITSELF

While carving jack-o’-lanterns in Xander’s basement, the gang discusses plans for Halloween; Buffy continues to mope over her situation with Parker. They decide to go to the Alpha-Delta house for a party. The next day at school, Buffy and Oz both express their concerns for Willow and her use of magic. Buffy spots Parker and immediately runs away. Willow follows her, explaining that she should get over it and have fun at the party that night, but Buffy thinks that Giles will want her to patrol. When Buffy goes to visit Giles, she’s surprised to find him embracing the Halloween spirit. He discourages her from patrolling and encourages her to go party. At the Alpha-Delta house, the members are getting ready for the party. One finds a symbol in an old book to paint on the floor. Anya goes to see Xander, wanting to know where their relationship is heading. He agrees that they’re somewhat dating, inviting her to the party. Buffy, who skipped her psych class, visits the professor and asks for her assignment, but she receives a cold response. Riley, however, gives her the assignment, telling her to have fun on Halloween. Oz and Xander carry a sound system to the Alpha-Delta house, and Oz installs it while one guy paints the symbol from the book. Oz cuts his hand, spilling drops of his blood, which activates the ritual to summon Gachnar. Joyce alters one of Buffy’s old costumes, Little Red Riding Hood, and talks with her about how things used to be. Buffy waits outside the house for her friends, and Xander shows up dressed as James Bond. They run into Willow, dressed as Joan of Arc, and Oz, going as God. Everything at the party starts to go awry as fears begin to become real, and the fake scary objects like plastic spiders and skeletons, become alive. The gang enters the house, but they encounter several obstacles. Later, Anya arrives at the party, dressed as a bunny, but she is unable to get inside because the entrances to the house have become sealed up. She sees a girl screaming at a window, and the window then disappears from the house. Inside, Buffy tells the gang to find a way out and get help. A skeleton attacks her from behind, but after she attacks, it becomes fake again. Buffy and Willow fight over Buffy rejecting help from her friends and pushing them away, as well as Buffy and Oz arguing with Willow about her use of witchcraft. Willow insists she can safely do a guidance spell. Meanwhile, Anya goes to Giles for help.
Xander tries to talk to the gang but finds that he’s become invisible to them. Willow and Oz find a staircase and head up. As they’re walking, Oz begins to change into a werewolf and scratches Willow before running away from her. Xander approaches a mirror, and a head on the table behind him says that he can see him. Oz sits in a bathtub, chanting to himself that he isn’t going to change. Willow conjures her spell. However, it quickly spins out of control, and she screams for help as it attacks her. Buffy, hearing Willow’s cries, tries to get to her, but she falls into the basement where bodies come up from the ground and grab at her. Giles and Anya are unable to find a way inside, so Giles cuts a door using a chainsaw. While fleeing through the house, the gang ends up in the room where the mystical symbol is painted. Giles and Anya break into the room. They determine the sign on the floor to be the Mark of Gachnar, and Buffy and Giles express fear about how scary the demon looks in the illustration. Buffy destroys the symbol before Giles can tell her that destroying the symbol will bring Gachnar forth. But when the demon has manifested, it turns out to be merely a few inches in height. After a laugh at absurdity of giving in to one’s fears, Buffy squashes Gachnar with her shoe. At Giles’ place, the gang eats candy while Giles makes a discovery: the arcane footnote below the illustration of Gachnar in his book reads “Actual Size” .
This is one of the best of season 4. We get a thoroughly entertaining plot, the usual wittiness, useful character insight, and a whole lot of fun. This is a modern version of “Nightmares” (1×10), and the fear demon plot works because the characters have changed and new ground is being covered.  Much of what happens here is further setup for the internal conflicts of the season: Willow’s use of magic and growing power, Oz’s beast coming out and having serious repercussions, Xander feeling that he’s not important in the group, Giles’ aimlessness, and Buffy’s relationship issues.

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ALL THE WAY

It is Halloween and Anya has set the gang to work in the magic shop. She sends Buffy to the basement, where she runs into Spike. At his suggestion, Buffy attempts to leave to go patrol with Spike, but Giles points out that Halloween is an inactive day for most evil creatures, and engages Buffy in helping with bagging products.
An elderly man, Kaltenbach, is seen walking down the street humming “Pop Goes the Weasel” while carrying a bag of what appears to be groceries. He enters his home, peers out of a window at the children in costumes walking by, and says he’s going to give them something “special” this year. He then pulls a large knife out of his kitchen drawer.
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The Magic Box has enjoyed its busiest day ever, to Anya’s delight. Xander decides that the time is right to announce his engagement to Anya, and the group makes its way back to Buffy’s house to celebrate. Back at the Summers home, Willow conjures up decorations for the party, but Tara now shares Giles’s concerns about Willow’s frivolous use of magic. Willow brushes off these concerns. Dawn tells Buffy that she is going to her friend Janice Penshaw’s house, but really meets Janice and two older boys: Justin and Zack. Dawn becomes attracted to Justin. When the foursome stops in front of “old man” Kaltenbach’s house, Dawn, on a dare, walks up to the porch to smash a pumpkin. She is caught by Kaltenbach, who warns her not to mess with them, then laughs and invites them all inside for a “special treat”. Inside, Justin volunteers to help Kaltenbach with his preparations in the kitchen. The old man is about to cut into a baked dish when Justin, now revealed as a vampire, bites and drains him. Justin then returns to the others and announces that they need to flee because he stole the man’s wallet.
Meanwhile, at the Summers home, Xander, who was already nervous in response to Giles’s serious talk with him about his and Anya’s future plans, becomes even more nervous when Anya chatters with Giles, Buffy and Xander about the wedding and plans for children. On patrol, Buffy runs across an accident scene with a corpse that was left behind by Zack while he was stealing a car. While she is tracking the culprit, she encounters Spike, who passes on a message from Giles: Dawn has misled the adults regarding her plans for the night. Now the whole gang is on the case. At The Bronze, Willow wants to use an extremely risky spell to locate Dawn, but Tara stops her, and an angry argument ensues. In the stolen car, Justin drives Dawn and the others out into the forest and stops. Zack and Janice depart, leaving Justin and Dawn alone in the car. Justin kisses Dawn – her first kiss – and then reveals his vampire face. Dawn attempts to escape from Justin, but he catches her. Giles is quickly on the scene to help, but vampires emerge from several cars, ready to fight. As they close in, Spike and Buffy show up to assist. Dawn runs away from the fight, but Justin finds her. He attempts to change her, but as he is leaning in to bite her neck, Dawn stakes him with a crossbow bolt, fired earlier in the melee. The gang returns home, where Buffy is quick to leave the job of chastising Dawn to Giles, who is unhappy about how Buffy is relying on him so much. Meanwhile, Willow casts a spell on Tara to make her forget their quarrel.

All The Way was a great episode of Buffy the Vampire Slayer. This was a great Halloween episode. Zander finally announces that he and Anya are going to get married, much to every ones surprise! I thought Dawns little adventure was fun, and had some mystery and suspense. This episode definitely had the Classic Buffy feel to it. I think there was some character development here for a few characters like Dawn, Willow, and Tara. Willow has been using magic for every little thing and Tara is getting worried.

REVIEW: BEAUTY AND THE BEAST (1987) – SEASON 3

MAIN CAST

Ron Perlman (Hellboy)
Linda Hamilton (The Terminator)
Roy Dotrice (Game of Thrones)
Jay Acovone (Stargate SG.1)
Stephen McHattie (300)
Edward Albert (Power Rangers Time Force)
Jo Anderson (Roswell)

2

RECURRING / NOTABLE GUEST CAST

Mitchell Laurance (Cop Rock)
Kenneth Kimmins (Lois & Clark)
Richard Roundtree (Shaft)
Bill Calvert (Spider-Man)
David Greenlee (Fame)
Stanley Kamel (Domino)
Patrick St. Esprit (Green Zone)
Lance Henriksen (The Terminator)
Armin Shimerman (Buffy: TVS)
Suzie Plakson (Disclosure)
Tony Plana (Ugly Betty)
Miguel Sandoval (Medium)
Fionnula Flanagan (Lost)
Jeff Corey (Little Big man)
John Pleshette (Rocky II)

26aefdfe75e396171a91adf55d86b177The 3rd season of Beauty and the Beast definitely takes the series in a very different direction. As the new opening reveals, once Vincent gets past Catherine’s murder he will dedicate his life to avenging injustice – in other words, he has been recast here as a sort of beastly Batman, searching the skies for the Beast Signal which will let him know that his services are needed. Much of the first five or six episodes are focused more on the gritty world Above than on Vincent’s world in the tunnels – the photography is very different, with a sharper, darker overcast (much of the warmth associated with the tunnel worlds is lost). Additionally, character inconsistencies (especially with Roy Dotrice’s “Father”) undermine the overall fabric of the story for those of us who followed it closely the first two seasons. This is a much more violent show now, and it’s much more “black and white.” The new villain, Gabriel, who dominates many of the episodes, is simply evil personified – there is no development of his character, no understanding of his motivations. He is simply evil, and Vincent becomes the force of good which will win in the end. Gabriel is Paracelsus without the poetry, without the history that made his demonic persona work. There was always a hint with Paracelsus that what he really wanted was to be part of the tunnel community again, but he just couldn’t figure out a way to do it. The only thing we know about Gabriel is that he’s a monster.screen-shot-2011-12-30-at-7-38-41-pm.pngCatherine’s death itself is not what changed this series – actually, Diana’s character could very easily have become a new “Beauty” for Vincent, had the relationship been given a chance to develop. The problem is the new tone, the darker perspective, the shift away from the tunnel community that had dominated the second season, and the fans’ resistance to anything that even suggested that Vincent could move beyond his bond with Catherine and love another woman. The message of the first two seasons is clearly the power of love to conquer hate and fear; this would imply that Catherine’s love for Vincent should enable him to love again – after all, that’s what he always told her about the nature of love. Here, in Season Three, Vincent’s grief is palpable, and Ron Perlman does an amazing job demonstrating what it is to feel loss. But there are subtle moments between him and Diana that are hopeful and beautiful – and I, as a fan of the series, find solace in such hope.1202175761_1While watching the first episode (Though Lovers be Lost) is not easy, know that there are things beyond it of great value. Elliot Burch’s character, especially, is given both a chance to redeem himself and chance to give Catherine a beautiful gift. Diana becomes a fascinating and original character whose own connection to Vincent is believable and real – she is not Catherine, but rather an independent and introspective woman who may have much more in common with Vincent spiritually than Catherine ever did. It would be so easy to see Diana becoming a part of Vincent’s world. So, suffer through the difficult death and grieving scenes, be prepared for the shift in focus, but enjoy the new stories being told here about Vincent and the two worlds in which he lives. Yes, it’s flawed – but there is still enough beauty to justify a return visit.

REVIEW: BEAUTY AND THE BEAST (1987) – SEASON 2

MAIN CAST

Ron Perlman (Hellboy)
Linda Hamilton (The Terminator)
Roy Dotrice (Game of Thrones)
Jay Acovone (Stargate SG.1)

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RECURRING / NOTABLE GUEST CAST

David Greenlee (Fame)
Armin Shimerman (Buffy: TVS)
Tony Jay (Lois & Clark)
Joseph Campanella (Hangar 18)
Adrian Paul (Highlander: The Series)
Katy Boyer (The Island)
Tim Russ (Star Trek: Voyager)
Bill Calvert (Spider-Man)
Cyd Strittmatter (Gone Girl)
Bruce Abbott (The Net)
Remy Ryan (Robocop 3)
Don Stark (That 70s Show)
Piper Laurie (Carrie)
John McMartin (No Reservations)
Elyssa Davalos (MacGyver)
Kelli Williams (Lie To Me)
Rosemary Dunsmore (Orphan Black)
Edward Albert (Power Rangers Time Force)
Dean Norris (Breaking Bad)
Gary Hudson (Road House)
Richard Roundtree (Shaft)

26aefdfe75e396171a91adf55d86b177Though set in the late-1980s, Beauty and the Beast plays like something from another era. There’s no irony, cynicism, or hip quips to break the spell of the fantasy (though a little humor would’ve been nice). Catherine (Linda Hamilton) loves the beastly, if beneficent Vincent (Ron Perlman) with all her heart–and vice versa. Together, they’re TV’s most soft-hearted crime fighters. To the show’s credit, however, they aren’t infallible, and there are a few problems they’re unable to solve, whether the issue is drug addiction (“Chamber Music”), infectious disease (“Ashes, Ashes” with Highlander‘s Adrian Paul), or murder (“The Hollow Men”).

2In retrospect, it’s clear that Beauty and the Beast was a reaction to the “greed is good” era. Vincent and his cave-dwelling compatriots represent a more compassionate alternative to “topsider” corruption. Yet all is not harmonious below either. Seriously injured the previous year, Paracelsus (Tony Jay) becomes a Phantom of the Opera-type figure, who aims to destroy Vincent’s candle-lit utopia. In addition, a less civilized group of outcasts arrives in “The Outsiders.” Fortunately, Vincent has Father (Roy Dotrice), Mary (Ellen Geer), Mouse (David Greenlee), and Pascal (Star Trek: Deep Space Nine‘s Armin Shimerman) on his side.maxresdefaultUnfortunately, they won’t be able to prevent the tragedy that occurs in “The Rest Is Silence.” Suffice to say, the season finale sets the scene for a new direction (more is revealed in the third-season opener). Consequently, Beauty and the Beast was canceled the following year, but still managed to rack up 18 Emmy nominations (winning six), spawning a soundtrack, and even inspiring some Saturday Night Live spoofing–a sure sign it had struck a chord. While the first season was devoid of extras, Perlman and Hamilton introduce six key episodes on this set..2Being a big B&B fan, I can find no wrong with this Season 2. Loved every episode. This entire series has so much soul, that you will dwell on each episode long after they are over. Can’t go wrong with this one.

 

REVIEW: BEAUTY AND THE BEAST (1987) – SEASON 1

MAIN CAST

Ron Perlman (Hellboy)
Linda Hamilton (The Terminator)
Roy Dotrice (Game of Thrones)
Jay Acovone (Stargate SG.1)
Renn Woods (Church)

Ron Perlman and Roy Dotrice in Beauty and the Beast (1987)

RECURRING / NOTABLE GUEST CAST

John McMartin (No Reservations)
Don Stark (That 70s Show)
Ray Wise (Robocop)
Michael Bacall (Gangster Squad)
Dorian Harewood (Earth: Final Conflict)
Delroy Lindo (Get Shorty)
Edward Albert (Elliot Burch)
Richard Biggs (Babylon 5)
Mayim Balik (The Big Bang Theory)
Jeffrey Combs (The Frighteners)
Nancy Lenehan (Catch Me If You Can)
Ellen Albertini Dow (Wedding Crashers)
Christian Clemenson (Apollo 13)
Paul Gleason (Die Hard)
Cliff De Young (The Craft)
Vito D’Ambrosio (The Flash)
Richard Herd (V)
Jason Bernard (Liar Liar)
John M. Jackson (Bones)
John Franklin (Children of The Corn)
Rutanya Alda (The Deer Hunter)
James Avery (The Fresh Prince of Bel-Air)
Rosalind Chao (Star Trek: DS9)
James Hong (Blade Runner)
Tony Jay (Lois & Clark)
Jeffrey Nordling (Flight 93)
Bruce Abbott (The Net)
Raymond Cruz (Breaking Bad)
Alan Blumenfeld (Heroes)
Armin Shimerman (Buffy: TVS)
David Greenlee (Fame)
Mimi Craven (Vampire Clan)
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Back during Beauty and the Beast’s brief three season run, there were numerous letter writing and phone call campaigns by rabid fans who tried desperately to keep the show from getting the axe. Never a top ratings winner, its fate on the network schedule was always at risk, and yet, the fans made it known how they felt, and they may have indeed saved the show on more than one occasion.batman-ninjaBeautiful corporate lawyer Catherine Chandler (Linda Hamilton) chafes at the restrictions imposed on her life. She works for her father Charles (John McMartin), a highly successful New York City lawyer, but doesn’t feel what she does is necessary or that she’s achieving anything independent of his influence. In a relationship with ambitious, self-centered Tom (Ray Wise), Catherine balks at the insensitive demands of her boyfriend during a dinner party, and leaves to go home. Outside, a couple of thugs kidnap her in a van, and horribly disfigure her face; we later learn that she was a victim of mistaken identity, and that the criminals thought she was someone else. Left for dead in Central Park, Cathy is rescued by a mysterious, hulking figure who carries her below the streets of New York City to a fabulously appointed underground lair. Her eyes and face bandaged, she can’t see the person who is caring for her, but — rather rapidly and with almost no set-up — she comes to love her care giver, Vincent (Ron Perlman).26aefdfe75e396171a91adf55d86b177Vincent resides below the city for what he believes is a very good reason: he apparently is half-lion  and doesn’t want to be the object of pity and terror because of the way he looks. Hiding a beautiful, tortured soul behind his mutation, Vincent strides among the many other residents of the “Tunnel World” as their unofficial leader and protector. Naturally, Cathy is taken aback when she sees Vincent for the first time, but she longs to stay his friend. Vincent, tortured by his impossible love for Cathy, tells her that he has developed a psychic bond with her: her pain is his pain. Taking her back to the “real” world, he tells her he will always be there for her, if she needs him.26aefdfe75e396171a91adf55d86b177After perfect plastic surgery, Catherine decides that she must do something worthwhile with her life, and takes a job as an assistant D.A. with the city. Tracking down the thugs who assaulted her, she finds outs they’re part of a bigger corruption scandal involving prostitution, and decides to go after them. Catherine, hearing Vincent outside on her terrace, goes to him and shares one momentof impossible love with him. Cornered in a house with her attackers ready to kill her, Cathy’s psychic pain reaches Vincent, who immediately hops on top of a speeding subway car, and, bursting through the house’s door like either the Incredible Hulk or the Kool-Aid pitcher, literally rips apart her assailants with his razor-sharp claws, and saves her life.BEAUTYBEAST-0004It was a new take on the old classic. Hamilton is a compelling heroine. She has enough femininity to be romantic but also enough power to fight. Ron Perlam as the Beast was on his most famouse roles before Hellboy and he showed even back then just how good an actor he was. The show is a must see for fans of the 2012 series and fans of  Ron Perlman.

 

REVIEW: WHAT WE LEFT BEHIND: LOOKING BACK AT DEEP SPACE NINE

What We Left Behind: Looking Back at Deep Space Nine (2018)

Starring

Max Grodénchik (Rocketeer)
Andrew Robinson (Hellraiser)
Armin Shimerman (Buffy: TVS)
Nana Visitor (Dark Angel)
Colm Meaney (Layer Cake)
Jeffrey Combs (Re-Animator)
Aron Eisenberg (Puppet Master III)
Rene Auberjonois (Boston Legal)
Alexander Siddig (Gotham)
Casey Biggs (Broken Arrow)
Terry Farrell (Hellraiser III)
Penny Johnson Jerald (The Orville)
Avery Brooks (American Hsitory X)
Chase Masterson (Yesterday Was a Lie)
Michael Dorn (Arrow)
Wallace Shawn (Young Sheldon)
Marc Alaimo (Total Recall)
Bill Mumy (Lost In Space)
J.G. Hertzler (Zorro)
Robert O’Reilly (The Mask)
Cirroc Lofton (Beethoven)
Nicole de Boer (Cube)

What We Left Behind: Looking Back at Deep Space Nine (2018)Star Trek: Deep Space Nine was the fourth television series in the Star Trek franchise. It ran for seven seasons and a hundred and seventy-six episodes in syndication. The finale, “What You Leave Behind”, aired on June 2nd, 1999. DS9 was markedly different from Star Trek and Star Trek: The Next Generation. The show setting was a recovered enemy space station near the planet Bajor. A grieving Starfleet commander, Benjamin Sisko (Avery Brooks), assigned to help the Bajorans recover from a devastating occupation; discovers a wormhole to a distant region of the galaxy, the Gamma Quadrant. What followed was a thrilling, slow-burn escalation to the epic, Dominion War; a conflict against powerful Gamma Quadrant adversaries that threatened the United Federation of Planets.What We Left Behind: Looking Back at Deep Space Nine is a wonderful retrospective and coda to the beloved series. The documentary is produced and directed by Ira Steven Behr, DS9’s showrunner/executive producer, and filmmaker/Star Trek enthusiast David Zappone; who produced The Captains and For the Love of Spock. Originally crowdfunded to celebrate DS9’s twenty-fifth anniversary, Behr was astonished by the legions of fans that contributed money. It changed the scale of the documentary, and provided an opportunity to pursue fandom’s dream scenario; a look at the story for a possible season eight of Star Trek: Deep Space Nine.ds9-cast-1200x786What We Left Behind reunites the original cast, writers, filmmakers, and studio executives for interviews. DS9, though it ran for seven seasons, was pilloried by critics at the time. The show was too dark, political, and not adventurous enough. The sci-fi mainstream decried a Star Trek series that was serialized, not episodic. They wanted each week to be a new adventure on a different planet, mimicking the format of the incredibly popular Star Trek: The Next Generation. DS9 had elaborate storylines that stretched over multiple seasons and embraced controversy. From racial and ethnic issues, religious strife, to television’s first lesbian kiss, it was a Star Trek series that obliterated boundaries. Ira Steven Behr has frank discussions with the Paramount studio executive who didn’t understand his vision for the show. Luckily, his persistence and a cult following allowed DS9 to continue its risque path; albeit with some major changes forced by the suits.what-we-left-behind-looking-back-at-star-trek-deep-space-nine-still-1-1160x480Without delving too deep into the details of the interviews, two pivotal events are explored. The first was the addition of Star Trek: The Next Generation’s bad-ass Klingon, Lt. Commander Worf (Michael Dorn), in season four. The cast, Behr, Rick Berman (overall Star Trek TV producer), and several Paramount execs discuss bringing the popular character to the struggling show. What was already a tight-knit crew had doubts, but welcomed Dorn into the fold. The decision turned out to be exactly as hoped; a shot in the arm that revitalized DS9. The same cannot be said for the killing of Worf’s wife and series regular from the start, Lt. Commander Jadzia Dax (Terry Farrell). What We Left Behind takes a frank look at the turmoil caused by firing her. Terry Farrell’s treatment and decision to leave was a blow to all. Behr also shows the professionalism and resilience of the core players. Nicole de Boer’s Lt. Ezri Dax, who replaced Terry Farrell, was a key character during the final season. Seeing the players and producers discuss this tumultuous time is riveting. They developed lifelong bonds from their time on DS9. The show profoundly impacted them on a personal level. Defining the acting careers for many of the cast members.1266412299-What-We-Left-Behind-Looking-Back-At-StarIn true DS9 fashion, What We Left Behind gets political. The doc explores the casting of Avery Brooks as Star Trek’s first black captain and series lead. We see how Brooks, who unfortunately is only interviewed through archival footage, steered the path of DS9. Captain Sisko was a father foremost. DS9 had an incredible story arc with his son, Jake Sisko (Cirroc Lofton), growing up on the space station. Brooks wanted the show to portray a positive black male role model as a parent and leader. DS9 was filmed during the LA riots of 1992. Anyone who watched DS9 knows how thoughtfully the series tackled such heady issues. Fandom will also be quite surprised what Behr has to say about the relationship between Garak (Andrew J. Robinson) and Dr. Bashir (Alexander Siddig).what-we-left-behind-terry-farrell-nana-visitorWhat We Left Behind does not forget the talented production designers, effects teams, and make-up artists that made DS9 so realistic. Some of the funnier scenes have Armin Shimerman, who played Quark the Ferengi bartender, and René Auberjonois, who played the shape-shifting security chief Odo, cursing the other cast members, particularly Colm Meaney (Chief O’Brien). They had to sit for hours in make-up, and then work in the uncomfortable prosthetics; while the “human” actors had mere touch-ups. It’s all in good humor, but illustrates the physical toll of playing DS9’s alien characters.armin-shimmerman-what-we-left-behind-star-trek-deep-space-nine-1170189-1280x0The most thrilling aspect of What We Left Behind is the plotting for a potential season eight. Behr gathered the original writers, including Robert Hewitt Wolfe, for a storyboard session. The breakdown is accompanied by CGI animation and pre-vis sketches. Prepare to be blown off your couches. Set twenty years after Captain Sisko defeated the Dominion and vanished into the wormhole, the season eight storyline is jaw-dropping. It’s loaded with surprises that will melt the minds of every DS9 fan. Behr and the writers acknowledge this is pure fantasy, but does it have to be? CBS and Paramount allows fan made Star Trek, as long as it’s not for profit. I would shell out in a heartbeat to have a crowdfunded, CGI adaptation of DS9 season eight. Voiced by the original cast of course. Behr raised the money for What We Left Behind in a weekend. I’m pretty sure fandom can make that happen… What We Left Behind: Looking Back at Deep Space Nine is a must see for fans, and anyone who appreciates great science fiction. DS9 is the perfect series for the binge-watching, streaming audiences of today. It’s remarkable that a show which ended two decades ago, and was misunderstood by the masses, has found a new generation of ardent supporters. I think Star Trek: Deep Space Nine is not only the best Star Trek series, but arguably, the best sci-fi series. Seasons five through seven were masterful, exhilarating and engrossing television. We need to see season eight. What We Left Behind: Looking Back at Star Trek: Deep Space Nine is available now on DVD/Blu-Ray from Shout! Factory.

REVIEW: STARGATE SG.1 – SEASON 1

Starring

Richard Dean Anderson (MacGyver)
Michael Shanks (Smallville)
Amanda Tapping (Sanctuary)
Christopher Judge (The Dark Knight Rises)
Don S. Davis (Twin Peaks)

Richard Dean Anderson, Jay Acovone, Michael Shanks, and Amanda Tapping in Stargate SG-1 (1997)

RECURRING / NOTABLE GUEST CAST

Jay Acovone (Beauty and The Beast)
Vaitiare Hirshon (Far Away Places)
Robert Wisden (Watchmen)
Peter Williams (Catwoman)
Brent Stait (Blade: The Series)
Gary Jones (Chilling Adventures of Sabrina)
Alexis Cruz (Drag Me To hell)
Rachel Hayward (Wonder)
Adam Harrington (The Secret Circle)
Colin Lawrence (The 6th Day)
Kevin McNulty (Timecop)
Alan Rachins (Showgirls)
Cary-Hiroyuki Tagawa (Mortal Kombat)
Jorge Vargas (POwer Rangers Ninja Storm)
Soon-Tek Oh (Mulan)
Crystal Lowe (Final Destination 3)
Teryl Rothery (Arrow)
Steve Makaj (The X-Files)
Gerard Plunkett (Sucker Punch)
Danny Wattley (Bird ona Wire)
William Russ (The Right Stuff)
Roger Cross (First Wave)
Harley Jane Kozak (Arachnophobia)
Carmen Moore (Arrow)
Armin Shimerman (Star Trek: DS9)
Ray Xifo (Ocean’s Thirteen)
Frida Betrani (The Deal)
Bobbie Phillips (Murder One)
Gabrielle Miller (Robson Arms)
Tamsin Kelsey (Needful Things)
James Earl Jones (Star Wars)
Mark Gibbon (Man of Steel)
Elizabeth Hoffman (Dante’s Peak)
Keene Curtis (Sliver)
Paul McGillion (The Flash)
Tony Amendola (Annabelle)
Salli Richardson-Whitfield (Eureka)
Suanne Braun (Summer of Rockets)
Katie Stuart (Inconceivable)
Tobin Bell (Saw)
Garwin Sanford (Get Carter)
Tom McBeath (Riverdale)
Jay Brazeau (Bates Motel)
Michael Kopsa (Dark Angel)
Laara Sadiq (Arrow)
Ronny Cox (Robocop)

Most TV shows spun off from movies are uninvolving and uninteresting, and hopefully die and are forgotten. That wasn’t the case with the spinoff of the 1995 movie “Stargate,” a science fiction movie that spawned an excellent television series, “Stargate SG-1.” The first season is not nearly as brilliant as the ones that followed it, but it’s a welcome change from distant space operas — excellent writing, acting, and a sense of humor about itself and its characters.Christopher Judge in Stargate SG-1 (1997)The Stargate has been inactive for a year — until it is activated, and a bunch of Egyptian-styled warriors come through and kidnap a young officer. General Hammond (Don S. Davis) pulls Jack O’Neill (Richard Dean Anderson) out of retirement to learn what really happened on the planet of Abydos, and where these mysterious aliens have come from. O’Neill and a small team go to Abydos and find Daniel Jackson (Michael Shanks) who has been learning about a vast network of Stargates over the past year. But when Daniel’s wife Sha’re and brother-in-law Skaara are abducted by the same warriors, O’Neill, Jackson and Air Force scientist Sam Carter (Amanda Tapping) use the Stargate to venture to where they’re being kept. What they find is an alien race who inhabits human hosts, the Goa’uld, and their ruthless slave warriors, the Jaffa. Carter, O’Neill and Jackson are captured by the powerful Apophis — but to escape, they must have the help of an unlikely ally: Teal’c (Christopher Judge), Apophis’ First Prime. Since Earth has now annoyed the Goa’uld, several exploration teams are formed to go through the Stargate and find weapons and allies.Richard Dean Anderson in Stargate SG-1 (1997)And SG-1 — Carter, O’Neill, Jackson and Teal’c — encounters some very strange problems: a plague that turns people into savages, a people who live only a hundred days, a Viking planet, a Stargate explorer stranded since 1945, a little girl turned into a bomb, the seductive Goa’uld queen Hathor, and coming back as robots. And when the military shuts down the SG program, Daniel reveals that the Earth is about to be destroyed by Apophis’ armies.Christopher Judge in Stargate SG-1 (1997)The first season of “Stargate SG-1” isn’t the most impressive, though the last three episodes hint at the series’ future greatness. And thankfully, it drops the usual space opera stuff — instead we get Stargates, real military, and a very plausible reason why everybody in the galaxy (more or less) looks just like us. It’s graced with kitschy Egyptian-styled sets, lots of shoot-em-up action from Marines and Air Force, and plenty of planets influenced by Earth cultures, like the Minoans and the Vikings. Best of all is the snappy dialogue, mostly from the tart-tongued O’Neill.

 

REVIEW: JUSTICE LEAGUE UNLIMITED – SEASON 1

Main Cast

Kevin Conroy (Justice League Doom)
George Newbern (Law & Order: SVU)
Susan Eisenberg (Lego aquaman)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals (Batman: The Dark Knight Returns)

MV5BMTk2NzY1NTU5OF5BMl5BanBnXkFtZTgwMjIwOTM2MjE@._V1_

Recurring / Notable Guest Cast

Kin Shriner (Manhunter)
George Eads (CSI)
Eric Robert (The Finder)
Dana Delany (Tombstone)
Mike Farrell (Patch Adams)
Shelley Fabares (Coach)
Josh Hutcherson (The Hunger Games)
Christopher McDonald (Happy Gilmore)
Dakota Fanning (War of The Worlds)
Olivia d’Abo (Conan The Destroyer)
Dee Bradley Baker (American Dad)
Sheryl Lee Ralph (Fam)
Fred Savage (The Princess Diaries)
Jason Hervey (Back To The Future)
Edward Asner (Elf)
Michael York (Logan’s Run)
Patrick Bauchau (Panic Room)
Rachel York (One Fine Day)
Jack Carter (McCloud)
Jeffrey Combs (Re-Annimator)
Robert Foxworth (Transformers)
Charles Napier (The Silence of The Lambs)
Sam McMurray (Raising Arizona)
Cree Summer (Voltron)
Tom Everett Scott (Because I Said So)
Billy West (Futurama)
Lori Loughlin (Full House)
Jeremy Piven (Old School)
Robert Picardo (Star Trek: Voyager)
Clancy Brown (Highlander)
Will Friedle (Batman Beyond)
John C. McGinley (Scrubs)
Oded Fehr (V)
Scott Rummell (Six)
Tim Matheson (The West Wing)
Grey Griffin (The Book of Life)
CCH Pounder (Avatar)
J.K. Simmons (Whiplash)
Michael Beach (Aquaman)
Gina Torres (Firefly)
Peter MacNicol (Veep)
Adam Baldwin (Chuck)
Nestor Carbonell (Bates Motel)
Mindy Sterling (Austin Powers)
Melissa Joan Hart (Sabrina: TTW)
Dennis Farina (Get Shorty)
Morena Baccarin (Gotham)
Virginia Madsen (Better Watch Out)
Ioan Gruffudd (Ringer)
Farrah Forke (Lois & Clark)
Michael Dorn (Star Trek: TNG)
Dick Miller (Gremlins)
Michael Jai White (Arrow)
Armin Shimerman (Buffy: TVS)
Juliet Landau (Ed Wood)
Alan Rachins (Showgirls)
Robert Englund (2001 Maniacs)
Wayne Knight (3rd Rock From The Sun)
Jason Bateman (Office Christmas Party)
Susan Sullivan (Castle)
Michael T. Weiss (The Pretender)
Amy Acker (Angel)
Glenn Shadix (Beetlejuice)
Steve Schirripa (Must Love Dogs)
Jerry O’Connell (Sliders)
Lisa Edelstein (House)
Nathan Fillion (Serenity)
Elizabeth Peña (The Incredibles)
Hector Elizondo (The Princess Diaries)
Robert Forster (Jackie Brown)
Corey Burton (Critters)
Hynden Walch (The Batman)
Lauren Tom (Bad Santa)

MV5BMTk4NTc5Mzg3Nl5BMl5BanBnXkFtZTgwMTc5ODM2MjE@._V1_Fantasy now runs your life? Comic books become your vice? And your best friends still have their virginities? Then look no farther, friends, because this collection of episodes is so good you don’t need friends, significant others, or a single reason to emerge from your Geekdrome. But you know what the best part is? It’s not just for geeks – Justice League Unlimited stands tall as the best collection of American action/adventure animation you’re likely to find. While there is, of course, a certain geek charge some may get out of seeing characters like Powergirl and Green Arrow in action (not to mention an episode featuring Nathan Fillion voicing Vigilante and Gina Torres voicing Vixen – come on, how cool is that?), these episodes will entertain because of good characters, good humor, and good storytelling, even if you don’t know your Booster Golds from your Blue Beetles.MV5BMTA3OTAzMDYwMjdeQTJeQWpwZ15BbWU4MDMzMDkzNjIx._V1_While the first two seasons of Justice League nicely expanded upon the world first established in the early ’90s with Batman: The Animated Series, it wasn’t until this, the show’s third season (or first, depending on how you look at it) that the format and structure was perfected for the genre. It was an interesting experiment having the previous seasons’ episodes run for one-hour, but with JLU the format is scaled back to stand-alone half-hour stories and, ironically, it fits like a bat-glove. It’s strange, but these shorter episodes actually manage to pack in more than the double-length ones. A lot more. And what a roster of characters to fill a show with! You’ll see everyone from The Atom to Elongated Man. Because this is a full-blown, all-star take on these characters, each character can shine their brightest. When you get Superman, you get the best of Superman. Wonder Woman? The best of Wonder Woman. B’wana Beast? Uh… well, I guess this is the best he’s ever been.MV5BMjIwOTMxMzk2MF5BMl5BanBnXkFtZTgwOTU5ODM2MjE@._V1_The surplus of great characters is fun, but what really sells the show are the stories. Or, more specifically, story. No doubt borrowing a page from the work of Joss Whedon – showrunner Bruce Timm admits in a commentary that Whedon was a big influence – these episodes highlight a large and complex season-spanning plot that actually has meaning in today’s world. This is certainly the most mature and thoughtful storytelling you’re likely to get from a cartoon of this type. What elevates the show from great to brilliant is its ability to tell stories that are exciting and also manage to propel the larger narrative forward. For example, Dark Heart – penned by famous comic book scribe Warren Ellis – manages to mix a great science fiction plot (a self-replicating AI) with humor (Wonder Woman, needing both hands to fight, rests The Atom in a very interesting holding place) and its plot still manages to play a part later on down the road in the season’s climax.MV5BMjAwMTU4NDI0NV5BMl5BanBnXkFtZTgwNzIwOTM2MjE@._V1_The writing is the best the show has ever seen, no doubt a result of staff writer Dwayne McDuffie coming into his own; his versatility with the characters is fantastic. Comic book writers Warren Ellis and J.M. DeMatteis join in on the fun, and new series director Joaquim Dos Santos infuses the episodes with a dynamic energy that allows the show to compete with the best of today’s cutting-edge, anime-inspired programming. It’s like the entire DC animated universe has been supercharged in the best way possible.MV5BMTk3NjM3NzI3Ml5BMl5BanBnXkFtZTgwNjQwOTM2MjE@._V1_This collection contains two seasons, and both season finales are just fantastic. The Once and Future Thing is an exciting time romp (with a great Western segment) and Divided We Fall is a showstopper of epic proportions. Either finale would make for a better DVD movie than any of what has been released thus far. Then there’s Epilogue – just brilliant. It manages to tie in the entire DC animated universe – including films Mask of the Phantasm and Return of the Joker! – and still say something meaningful about a very important character. The episode isn’t just great animation, it’s great television.MV5BMTk1MDgzMTYzN15BMl5BanBnXkFtZTgwMTUwOTM2MjE@._V1_There really is nothing bad to say about these episodes. The new rock-inspired opening credits do ring a bit too much of cheesy ’80s electronica, but you get used to it, and, after a while, it fits. Of course, the fact remains that if you aren’t into cartoons in the first place you probably won’t be willing to hop on the bandwagon no matter how cool a series is. But if you consider animation to be a legitimate and respectable medium, then this is the pinnacle of the form.  While there are bigger and more influential cartoon shows out there – namely, comedies like The Simpsons – Justice League Unlimited is still one of the best American animated programs you’ll find. With this show the genre has been perfected – it’s fun, exciting, and thoughtful. In other words, this is exactly what superheroes should be.