REVIEW: HIGHLANDER: THE SERIES – SEASON 1-6

Image result for highlander the series logo

MAIN CAST

Adrian Paul (Eyeborgs)
Alexander Vandernoot (Pret-A-Porter)
Stan Kirsch (Shallow Ground)
Amanda Wyss (A Nightmare On Elm Street)
Elizabeth Gracen (Death of The Incredible Hulk)
Jim Byrnes (Sanctuary)
Philip Akin (Robocop 2014)
Michel Modo (My Father’s Glory)
Lisa Howard (Earth: Final Conflict)
Peter Wingfield (Caprica)

RECURRRING / NOTABLE GUEST CAST

Christopher Lambert (Fortress)
Richard Moll (Scary Movie 2)
Wendell Wright (Power Rangers Wild Force)
Peter Deluise (21 Jump Street)
Matthew Walker (Andromeda)
Soon-Tek Oh (Mulan)
Vincent Schiavelli (Buffy)
John Novak (Wishmaster 3 & 4)
Garry Chalk (Dark Angel)
Joan Jett (The Sweet Life)
Gary Jones (Stargate SG.1)
Wes Studi (Mystery Men)
Marc Singer (V)
Brent Stait (Andromeda)
Joe Pantoliano (The Matrix)
Stephen Macht (Galaxina)
Scott McNeil (Beast Wars)
Vanity (52 Pick-Up)
J.G. Hertzler (Star Trek: DS9)
Tom Butler (Freddy vs Jason)
Werner Stocker (The White Rose)
Peter Howitt (Defying Gravity)
Roland Gift (Brakes)
Dee Dee Bridgewater (Another Life)
Jason Isaacs (Peter Pan)
Nigel Terry (Troy)
Anthoyn Head (Buffy)
Marion Cotillard (Contagion)
Peter Guinness (Alien 3)
Roger Daltrey (Tommy)
Peter Hudson (Hitman)
Michael Shanks (Stargate SG.1)
Cameron Bancroft (Legends of Tomorrow)
Douglas Arthurs (Stargate SG.1)
J.H. Wyman (Sirens)
Geraint Wyn Davies (Cube 2)
Traci Lords (Zack & Miri Make a Porno)
Andrew Jackson (Earth: Final Conflict)
Kendall Cross (Caprica)
Sheena Easton (Young Blades)
Don S. Davis (Stargate SG.1)
Robert Wisden (Watchmen)
Mitchell Kosterman (Smallville)
Dan Castellaneta (The Simpsons)
Robert Ito (Quincy M.E.)
Dustin Nguyen (21 Jump Street)
Bruce A. Young (Jurassic PArk III)
Andrea Roth (Ringer)
Roddy Piper (They Live)
Bill Dow (Stargate Atlantis)
Gabrielle Miller (Down River)
Bruce Weitz (Hill Street Blues)
Nicholas Lea (V)
Lochlyn Munro (Little Man)
Jonathan Banks (The Lizzie Borden Chronicles)
Ed Lauter (The Number 23)
Roark Critchlow (V)
Jeremy Brudenell (Wish Me Luck)
Peter Firth (Victoria)
Angeline Ball (My Girl 2)
Nia Peeples (Pretty Little Liars)
James Faulkner (X-Men: First Class)
Nadia Cameron-Blakey (Batman Begins)
Emile Abossolo M’bo (Hitman)
Martin Cummins (Bates Motel)
Stephen McHattie (300)
Tamlyn Tomita (Heroes)
Hiro Kanagawa (Heroes Reborn)
Randall Cobb (Liar Liar)
Chandra West (White Noise)
Brion James (Blade Runner)
Jason Gray-Stanford (Bones)
Alan Scarfe (Andromeda)
John Pyper-Ferguson (Caprica)
Myles Ferguson (Little Criminals)
Jesse Moss (Ginger Snaps)
Sherry Miller (Bitten)
Laura Harris (Dead Like me)
Garwin Sanford (Stargate SG.1)
Anthony De Longis (Masters of The Universe)
Vincent Gale (Van Helsing)
Tamara Gorski (Hercules: TLJ)
Stella Stevens (General Hospital)
Barry Pepper (The Green Mile)
Vivan Wu (Teenage Mutant Ninja Turtles III)
Richard Lynch (Puppet Master III)
Eugene Lipinski (Arrow)
David Robb (Downtown Abbey)
Lynda Boyd (Sanctuary)
Kim Johnston Ulrich (3rd Rock From The Sun)
Ben Pullen (Elizabeth I)
Paudge Behan (Veronica Guerin)
Carsten Norgaard (Alien vs Predator)
Anna Hagen (The Messengers)
Laurie Holden (the Walking Dead)
Gerard Plunkett (Sucker Punch)
Kristin Minter (Home Alone)
Wolfgang Bodison (A Few Good Men)
Pruitt Taylor Vince (Heroes Reborn)
Callum Keith Rennie (Flashforward)
Louis Ferreira (Stargate Universe)
Travis MacDonald (Warcraft)
Venus Terzo (Arrow)
Rachel Hayward (Jingle All The Way 2)
Nicholas Campbell (Da Vinci’s Inquest)
Peter Outerbridge (Beauty and the Beast)
Jill Teed (Battlestar Galactica)
Molly Parker (Deadwood)
Emmanuelle Vaugier (Two and a Half men )
Ann Turkel (The Fear)
Ron Halder (Stargate Sg.1)
Ocean Hellman (Voyage of The Unicorn)
Rae Dawn Chong (Commando)
Carl Chase (Batman)
Michael J. Jackson (Coronation Street)
Ricco Ross (Wishmaster)
Peta Wilson (La Femme Nikita)
Jamie Harris (Agents of Shield)
Crispin Bonham-Carter (Basil)
Stephen Tremblay (Unnatural Pursuits)
Jesse Joe Walsh (JCVD)
Tracy Scoggins (Lois & Clark)
Real Andrews (Born on The 4th of July)
Eric McCormack (Will & Grace)
Ian Tracey (Bates Motel)
Michael Kopsa (Dark Angel)
Alastair Duncan (The Batman)
Sandra Bernhard (2 Broke Girls)
April Telek (Walking Tall)
Andrew Divoff (Wishmaster)
Steve Bacic (Andromeda)
Kira Clavell (Ninja Turtles: Next Mutation)
Ron Perlman (Hellboy)
Peter Hanlon (Scary Movie)
Musetta Vander (Stargate SG.1)
Valetnine Pelka (8mm 2)
Sonja Codhant (Navarro)
Jonathan Firth (Withering Heights)
Danny Dyer (Severance)
Rachel Shelley (The L Word)
Alexis Denisof (Angel)
Anita Dobson (Eastenders)
Jasper Britton (The New World)
Alice Evans (The Originals)
Andrew Bricknell (Victoria)
Justina Vail (Seven Days)
Sandra Hess (Encino Man)
Claudia Christian (Babylon 5)
Jack Ellis (Bad Girls)
Paris Jefferson (Xena)_
Martin McDougall (Batman Begins)

Few television series’ that are based on movies live up to the original version, either because they simply don’t have right qualities that made the movie great or they the people making the show just don’t give a damn. “Highlander: The Series”, however, is one of those rare exceptions.

Image result for highlander the seriesBased off of the original 1986 fan favorite and produced by same the executive producers William Panzer and Peter Davis, it continued the saga of the immortals, a race of beings destined to fight one another in sword fights in a centuries long event called the game and who can only be killed by decapitation, with the opponent taking their head and their power. In particular, the show centers around one such immortal named Duncan Macleod (Adrian Paul in his best role) of the Clan Macleod, a descendant of Connor Macleod (Christopher Lambert who reprises his role for the pilot) from the first film.Image result for highlander the seriesBorn in the highlands of Scotland in 1592, Duncan has roamed the world for 400 years, seen many different events, and has fought in many different wars and many battles with other immortals. And that last part is one of the things that made the show great. You could count on almost every episode to feature a spectacular sword fight with the villain of the week, a battle of life and death, with Duncan Macleod emerging victorious from yet another trying ordeal and even more spectacular quickening.

Image result for highlander the seriesBased on that, you might expect a show centering on such a plot to become boring or same old, same old, and the show might very well have become so. But, the truth is the show managed to constantly entertain and thrill for most of its run in large part because of the talent the show had. Adrian Paul was more than capable of carrying a show, bringing not only charm and charisma to the role of Duncan but also a strong sense of honor and chivalry, thus making Duncan Macleod one of the great television heroes.Image result for highlander the seriesBut it wasn’t just Adrian’s acting that made the show great; it was also due to the well blending of strong supporting actors, guest stars and villains, writers, and set designers and directors. You had Richie Ryan (Stan Kirsch), a young man who becomes a part of Duncan’s world in a way he never imagined. Joe Dawson (Jim Byrnes) a member of a secret society of mortals called the Watchers who dedicate themselves to watching and recording the deeds and actions of the immortals; the always enjoyable Methos (the wonderfully charismatic Peter Wingfield), a 5,000 year old immortal and the oldest living of his kind; Amanda (Elizabeth Grace), an immortal who’s had an on again, off again relationship with Duncan throughout the ages and who’s not put off by an occasional high-value heist or two to make a living, and a slew of guest stars, villains and other supporting actors that added to the show every week.Image result for highlander the seriesPlus, one must also give credit to behind the scenes people, who not only managed to make things interesting in the present, but the past as well. Every episode featured dazzling historical flashbacks, flashbacks that were so good there isn’t one where you didn’t believe the characters weren’t where the show said they were, be it World War I France or British Colonial India (these flashbacks are even more remarkable when you consider the fact that the show, because it was syndicated, had a much smaller budget than shows tied directly to a network). It was also a show that, like the original film, caused the viewer to wonder what would it be like to live indefinitely and witness the changing of the times? What kind of person would you become if you witnessed your time, your religion, possibly even your entire culture disappear into the mists of time?Image result for highlander the seriesAll this must be credited to the writers, led by creative consultant David Abramowitz, who had a lot to do with the magic of the show. Not to say, of course, that weren’t imperfections; some episodes dragged, and one or two of them were pretty bad (the episode “The Zone” is a good example of this), not to mention the fact that the show badly lost steam in the last season, a thing that tends to happen to most shows in the end. However, that being said, the show did far more for the Highlander franchise than any of the sequels ever did. For that reason, it’s a show that all fans of action and fantasy should check out.

REVIEW: GHOST RIDER: SPIRIT OF VENGEANCE

CAST

Nicolas Cage (8mm)
Johnny Whitworth (The 100)
Fergusd Riordan (Fragile)
Ciarán Hinds (Game of Thrones)
Violante Placido (The Lookout)
Idris Elba (Thor)
Christopher Lambert (Highlander)
Anthony Head (Buffy)
Vincent Regan (Camelot)
Spencer Wilding (The Legend of Hercules)

In Eastern Europe, a French priest named Moreau warns the monks of a monastery about an impending attack by the devil’s forces to obtain a boy named Danny. The monastery falls under attack; Moreau tries to help the boy and his mother Nadya escape, but the distrusting mother shoots at Moreau and flees with her son. Moreau manages to distract the men chasing Danny and Nadya, but nearly dies in the process and loses them. He believes that only the Ghost Rider is capable of protecting the boy. He finds the Rider and seeks his help.

Five years have passed since the events of the first film, which dealt with Johnny Blaze making a deal with the demon Roarke (Mephistopheles), and becoming the Ghost Rider — a vengeful, fiery spirit who feeds on the evil of his victims and consumes the souls of sinners. No matter how small the infraction — anything from genocide to a white lie — the Rider does not differentiate. This drives Blaze into hiding, fighting the evil spirit within him. Moreau finds him with some ease and convinces him to save the boy in exchange for his priesthood’s ability to restore Johnny’s soul and remove the Ghost Rider’s curse forever. Meanwhile, pursuers force Nadya and Danny from the road and bring them to their leader: her former boyfriend Ray Carrigan. Carrigan has Danny tied up and is about to execute Nadya when the Ghost Rider appears; the Ghost Rider kills several of Carrigan’s men and then moves in on Danny. Nadya distracts the Ghost Rider, who then is shot with grenades into submission. Carrigan leaves with Danny in tow.

Johnny awakens the next morning in a hospital. On the way out, he convinces Nadya not to trust him, but to accept his help to find Danny. However, Carrigan tells Roarke about the Rider, and Roarke speaks an incantation to Danny via phone; this, in effect, puts up a “firewall” preventing the Rider from sensing his whereabouts. He warns Carrigan it will not shield him from being sensed and gives him instructions to deliver Danny. Nadya later tells Blaze that as she lay dying, she made a deal with Roarke: her life in return for him impregnating her with Danny, making Danny a direct vessel for Roarke and the potential for him to have unlimited power on the surface world. Roarke lacks this power so far from Hell. Danny nearly escapes, but breaks his ankle and is recaptured. That night, Nadya and Johnny interrogate a known contact of Carrigan’s. Johnny takes off ahead of Nadya to deal with Carrigan. Nadya saves Danny as the Rider converts a mining machine into a massive fiery machine, destroying their hideout complex and mortally wounding Carrigan. When Ghost Rider catches up to Nadya and starts to use his Penance Stare on her, Danny is able to stop the rider with a word, exercising his hidden power.

Moreau catches up with the group as they ride off. Roarke is not done with Carrigan; using his power, he turns Carrigan into a demon called Blackout capable of instantly decaying anything he touches while shrouded in darkness. Johnny and Nadya bring Danny to Moreau’s monastery with warm reception. Moreau delivers on his end of the bargain and, after explaining that the Ghost Rider is the twisted incarnation of the Spirit of Justice, Zarathos, after being captured and tortured to madness while in Hell, he exorcises Johnny of the spirit and Johnny becomes human again. The head monk Methodius (Christopher Lambert) proclaims that Danny will never be safe from the influence of evil and says he must die, taking Johnny, Moreau, and Nadya captive in order to execute the boy. Carrigan intervenes, however, killing the monks and taking Danny captive again to deliver to Roarke. The others follow, with Johnny not wanting to desert Danny after having promised to protect him. With the ritual to transfer Roarke’s spirit and power into Danny underway, the three infiltrate the compound to save him. Carrigan kills Moreau, but Danny (who Roarke states has the same powers as he does) gives Johnny back the power of the Ghost Rider. Roarke manages to escape with Danny, and the Ghost Rider and Nadya give pursuit. After a vehicular struggle, Ghost Rider manages to defeat Carrigan and causes the SUV carrying Roarke and Danny to crash. The Ghost Rider literally sends Roarke back into hell while Danny, who had died in the accident, is returned to his mother. Channeling the blue flame of Zarathos, Johnny manages to revive Danny and assures him of his safety.

As the film closes, the Rider, now covered in angelic blue flames, rides off on his motorcycle, saying “My name is Johnny Blaze. I’m the Ghost Rider”.The effects are fun, the story is weak, the acting is patchy, the violence and threat could be better, and it’s still not the film we all hoped. Is it a disappointment? (Even to someone like me who’s not a die-hard comic book fan)? Yes. Is it still quite a lot of fun? Yes. Does it expand and improve on the original like a sequel should? Again, yes. Don’t write it off. If you’re looking for some decent entertainment, this Rider’s still got a few miles left in the tank.

REVIEW: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET

CAST

Johnny Depp (Into The Woods)
Helena Bonham Carter (Fight Club)
Alan Rickman (Harry Potter)
Timothy Spall (Rock Star)
Sascha Baron Cohen (Grimsby)
Jamie Campbell Bower (The Prisoner)
Lucy Michelle Kelly (Goddess)
Jayne Wisener (Boogeyman 3)
Anthony Head (Buffy)

In 1846, Benjamin Barker, a barber, arrives in London, accompanied by sailor Anthony Hope. Fifteen years earlier, he was falsely convicted and sentenced to penal transportation by the corrupt Judge Turpin, who lusted after Barker’s wife Lucy. Barker adopts the alias “Sweeney Todd” and returns to his old Fleet Street shop, situated above Mrs. Nellie Lovett’s meat pie shop. He learns that Turpin raped Lucy, who then poisoned herself with arsenic. The couple’s daughter, Johanna, is now Turpin’s ward, and is the object of Turpin’s lust. Todd vows revenge, and re-opens his barber shop after Mrs. Lovett returns his straight razors to him. Anthony becomes enamored with Johanna, but is caught by Turpin and driven away by his corrupt associate, Beadle Bamford.

Todd denounces faux-Italian barber Adolfo Pirelli’s hair tonic as a fraudulent mix and humiliates him in a public shaving contest. A few days later, Pirelli arrives at Todd’s shop, with his boy assistant Tobias Ragg. Mrs. Lovett keeps Toby occupied while Pirelli identifies himself as Todd’s former assistant, Davy Collins, and threatens to reveal Todd’s secret unless Todd gives him half his earnings. Todd kills Collins to protect his secret, and hides his body in a trunk.

After receiving advice from Bamford, Turpin, intending marriage to Johanna, visits Todd’s shop for grooming. Todd shaves Turpin, preparing to slit his throat; they are interrupted by Anthony, who reveals his plan to elope with Johanna before noticing Turpin. Turpin leaves enraged and Todd vents his rage by killing customers while waiting for another chance to kill Turpin, and Mrs. Lovett bakes the victims into pies. Todd rigs his barber’s chair with a pedal-operated mechanism that deposits his victims through a trap door into Mrs. Lovett’s basement bake-house. Anthony searches for Johanna, whom Turpin has sent to an insane asylum upon discovering her plans to elope with Anthony.

The barbering and pie-making businesses prosper, and Mrs. Lovett takes Toby as her assistant. Mrs. Lovett tells an uninterested Todd of her plans to marry him and move to the seaside. Anthony discovers Johanna’s whereabouts and poses as a wig-maker’s apprentice to rescue her. Todd has Toby deliver a letter to Turpin, telling him where Johanna will be brought when Anthony frees her. Toby has become wary of Todd and tells Mrs. Lovett of his suspicion.

Bamford arrives at the pie shop, informing Mrs. Lovett that neighbors have been complaining of the stink from her chimney. He is distracted by Todd’s offer of a free grooming and is murdered by Todd. Mrs. Lovett informs Todd of Toby’s suspicions, and the pair search for Toby, whom Mrs. Lovett has locked in the bake-house. He has hidden himself in the sewers after seeing Bamford’s body drop into the room from the trap door above, as well as finding a human toe in a pie. Anthony brings Johanna, disguised as a sailor, to the shop, and has her wait there while he leaves to find a coach.
A beggar woman enters the shop in search of Bamford. She recognizes Todd, but upon hearing Turpin’s voice, Todd kills her and sends her through the trap door. As Turpin enters, Todd explains that Johanna had repented and offers a free shave; when Turpin finally recognizes Todd as Benjamin Barker, Todd stabs him several times before cutting his throat. Upon seeing Johanna, Todd prepares to slit her throat as well, not recognizing her as his daughter. Hearing Mrs. Lovett scream in horror as a dying Turpin grabs her dress, Todd instead spares Johanna’s life.
Todd discovers that the beggar woman was his wife Lucy, whom he believed to be dead, and that Mrs. Lovett misled him about her death. Todd pretends to forgive her and dances with her before hurling her into the bake-house oven, then cradles his wife’s dead body in his arms. Toby climbs from the sewers and Todd allows Toby to slit his throat with his own razor. He leaves the basement as Todd bleeds to death all over his dead wife.Depp and Bonham Carter are both excellent and it’s down to their performances that I never quite lost sympathy with them in their descent into madness, blood lust and cannibalism.

REVIEW: TWO GUYS, A GIRL AND A PIZZA PLACE – SEASON 1-4

 

MAIN CAST
Ryan Reynolds (The Voice)
Richard Ruccolo (Desperate Housewives)
Traylor Howard (Son of The Mask)
Julius Carry (The New Guy)
Jennifer Westfeldt (Kissing Jessica Stein)
David Ogden Stiers (Stargate: Atlantis)
Suzanne Cryer (Bones)
Jillian Bach (American Pie)
Nathan Fillion (Firefly)
just-look-at-ryan-s-hair
RECURRING / NOTABLE GUEST CAST
Sean O’Bryan (Yes Man)
Matt Landers (Commando)
Jean Speegle Howard (Apollo 13)
Rena Sofer (Traffic)
Jason Clarke (Rise of The Planet of The Apes)
Amy Van Horne (The Amityville Haunting)
Carmen Electra (Scary Movie)
Howard Hesseman (Flight of The Navigator)
Harve Presnell (Fargo)
Maury Ginsberg (Voodoo)
Sarah Thompson (Cruel Intentions 2)
Fred Willard (Anchorman)
Kenneth Kimmins (Lois & Clark)
Kathy Kinney (Scrooged)
Brigitta Dau (Retro Puppet Master)
Jane Carr (The Five Year Engagement)
Suzy Nakamura (Dodgeball)
Jon Cryer (Two and A Half Men)
Dick Martin (3rd Rock From The Sun)
Adam Carolla (Family Guy)
Bobbie Phillips (Showgirls)
Marguerite MacIntyre (The Vampire Diaries)
Michael Welch (All The Boys Love Mandy Lane)
Beth Grant (Wonderfalls)
Conchata Ferrell (Mr Deeds)
Anthony Head (Buffy)
John Ducey (Sabrina)
Suzanne Krull (Go)
Giuseppe Andrews (American History X)
Stephen Tobolowsky (Heroes)
Cheryl Ladd (Charlies Angels)
Terry Kiser (Lois & Clark)
James Denton (Desperate Housewives)
Tiffani Thiessen (Saved By The Bell)
Sam Anderson (Angel)
Christie Lynn Smith (Swamp Thing)
James Avery (That 70s Show)
Bo Derek (Tommy Boy)
Alanna Ubach (Meet The Fockers)
Lacey Kohl (Secretary)
Robin Riker (The Glades)
The series premiered on March 10, 1998, as Two Guys, a Girl and a Pizza Place. The episode entitled “The Pilot” was watched by almost 18 million viewers. The story of season 1 centers around the pizza place. Actors such as Jennifer Westfeldt (Melissa), and Julius Carry (Bill) were credited as secondary cast members to principals Ryan Reynolds, Richard Ruccolo and Traylor Howard. Mr. Bauer, played by David Ogden Stiers, frequently appeared around the pizza place, telling stories of life events which actually occurred in movies. Pete and Berg share an apartment, on which Peter pays the rent every month, with Berg testing experimental drugs to supplement their income. Pete structures his life around architecture and grad school, while Sharon, their friend upstairs, works for an evil corporation who exploit the Earth’s natural resources, much to her dislike.
The episodes contained storylines including: Pete preparing for a presentation which Berg ruins; Berg stealing the Celtics’ ’81 championship banner; Sharon joining the softball team; and the story of how they all met. Because the episodes aired out of order, the season seems very disjointed. This is demonstrated by the status of Pete’s relationship with Melissa: in episode 8 – “Party” Melissa and Pete are still together despite having previously broken up in episode 5 – “Apartment”.
Season 2 had a more structured basis for each episode. Two additional primary characters arrived, Ashley Walker (Suzanne Cryer) and Johnny Donnelly (Nathan Fillion), as well as the dismissal of characters Bill, Mr. Bauer and Pete’s long-time girlfriend Melissa.
The season starts with Berg’s realization that someone in his class, Walker, is cleverer than he is. This leads to an anticipated romance between Berg and Ashley as they both head down the path of becoming physicians. Jukebox repairman Johnny Donnelly begins a relationship with Sharon. Other secondary characters (Irene, Kamen, Shaun) are introduced throughout the season. Episodes of season 2 include: “Two Guys, a Girl and an Engagement”, “Two Guys, a Girl and a Valentine’s Day” and “Two Guys, a Girl and Ashley’s Return,” all of which mark turning points in the story of the show. Johnny and Sharon break up on Valentine’s Day due to Sharon’s jealousy of Shaun, Johnny’s best friend. Berg and Ashley finally get together in “…And Ashley’s Return,” Pete confesses his feelings towards Sharon, and Johnny proposes in “…And an Engagement”. The season ends with Sharon not giving Johnny an answer as well as her realizing she may have feelings for Pete.
The pizza place is completely abandoned in the third season so that the characters can pursue different dreams. The premiere resolves the season two cliffhanger, with Sharon answering Johnny’s proposal with ‘Yes, in theory’, although she is still holding out on her feelings for Pete. Evidently, Pete flew to Paris after the night’s events and returns completely over Sharon, with a new girlfriend who speaks only French and is revealed to be extremely racist. Berg and Ashley continue to build on their relationship and finally become doctors involved in Psych rotations. The season portrays their relationship as unsteady and completely built on hate of one another. This leads to Berg breaking up with Ashley during the middle of the season.
Ashley lives with Pete and Berg before moving into her own apartment, which was originally Sharon and Johnny’s, who move to the basement to become the new supers. She starts dating Boston Red Sox baseball star Nomar Garciaparra, who appears as himself. Pete finds his true calling by becoming a firefighter. He enjoys the experiences of being an honorary firefighter until the feisty Marti, played by Tiffani Thiessen, comes along to thwart him at every turn. The two continue to take shots at each other until she starts dating Berg, to Pete’s dislike. Pete and Berg get into a huge fight concerning Marti and consider not being roommates anymore.
3162030205001_4770471577001_twoguys-2
When Pete gets his acceptance letter to Fireman Boot Camp, he goes to Marti with open arms and they become an item. Pete continues to hate Berg throughout the final episodes of the season. Sharon and Johnny bicker at one another until Johnny calls off the wedding. When they get back together, they decide that a quickie wedding is the best idea. Irene, Pete’s alleged stalker, agrees to throw Sharon and Johnny a wedding on the roof of the building. This results in her inviting Robert Goulet, who conducts the ceremony and brings Pete and Berg back together as friends during the wedding. At the end of the two part season finale, Pete and Marti leave to go to Fireman Boot Camp, Sharon and Johnny go on their honeymoon, and Ashley leaves to sort out a joke that Pete told Nomar, causing him and Ashley to break up. Berg and Irene are left alone at the wedding and start to dance. The series ends with another cliffhanger as the audience is led to believe something will happen between Berg and Irene.
FWRO
 Season 4 continues the story arc from the end of Season 3. Johnny and Sharon are married, Pete and Marti are now firefighters and Berg and Irene are sleeping together. After Berg gets over being on academic probation, he continues to be Irene’s “sex buddy”. The two start sleeping together secretly, hoping that Pete won’t find out. Johnny continues to be the superintendent until Sharon makes him an honorary fireman for the day on his birthday. Johnny decides that he wants to be a fireman, much to Sharon’s dislike. Meanwhile, Berg and Irene become a couple and Pete and Marti break up. Marti leaves Pete for Ashley’s ex, Nomar. Sharon feels unfulfilled after leaving her evil corporate job and decides that she wants to be a lawyer.
When Berg tells Irene that he loves her and she has no reply, Berg goes out and meets someone else. Katie, the girl he meets, admits that she’s been following him for 8 years. However, the two of them kiss and Berg tells Irene. Berg apologizes and Irene breaks up with him for the mailman Roger. In the final episode, Berg assumes that Irene may be pregnant and decides that he must win her back.
Hilarious and just as fun to watch as it was when it was originally aired. Even though it ends as though it could have been carried to another series the questions were answered. Some episodes are not in the correct order so it can be a little frustrating, but this due to the airdate order and not production order, still it’s a great show which introduced us to Ryan Reynolds and Nathan Fillion.

12 DAYS OF CHRISTMAS REVIEW: BUFFY: THE VAMPIRE SLAYER – AMENDS

AMENDS
CAST
Sarah Michelle Gellar (The Crazy Ones)
Nicholas Brendon (Children of the Corn 3)
Alyson Hannigan (Date Movie)
Charisma Carpenter (Scream Queens)
David Boreanaz (Bones)
Seth Green (Austin Powers)
Anthony Stewart Head (Ghost Rider 2)
GUEST CAST
Kristine Sutherland (The Following)
Saverio Guerra (Bad Boys)
Edward Edwards (Robocop)
Corneila Hayes O’Herlihy (Tears of The Sun)
Robia LaMorte (Spawn)
Eliza Dushku (Tru Calling)
It is Christmas in Sunnydale and Angel is haunted with dreams of the people he murdered over the years as Angelus. When Buffy starts getting dragged into his memory-nightmares, experiencing Angel’s dreams also, they realize something unnatural is happening. Visions of his past victims, including Jenny Calendar, appear to him and try to get him to kill Buffy, saying that he will be released from the pain if he does so. Angel cannot bring himself to do this, so instead he opts to kill himself by standing on a hill and waiting for the sun to come up. Meanwhile Oz tells Willow that he is willing to give their relationship another chance while Cordelia is not as forgiving and resumes her previously hostile ways towards the Scooby gang.
Buffy and Giles figure out that the First Evil has been driving Angel insane. Buffy finds the Bringers and pummels them. After the First appears to her, informing her that she cannot possibly fight it, and that Angel is about to be destroyed by the dawn’s light, she runs to his mansion to stop him. Oz goes to Willow’s house to watch videos only to find her dressed up and playing Barry White’s music, intending to sleep with him. Oz appreciates the gesture, but explains to Willow that he wants their first time to be special rather than just a way for her to try to make things up to him.
Buffy finds Angel atop the hill behind the mansion, awaiting sunrise. However, the heatwave from which Sunnydale has been suffering abruptly ends and the first flakes of snow start to fall. With the weather report saying the sun should not be expected to be seen at all that day, Buffy and Angel take a walk through the town.
A lovely Christmas episode for Buffy and the only one they made. It also introduced us to the First Evil which would show up 3 years later In Season 7. This episode shows just how much Buffy still cares for Angel and what better to show it than to do it in a Christmas Episode.

REVIEW: BUFFY: THE VAMPIRE SLAYER – THE HALLOWEEN EPISODES

Image result for buffy the vampire slayer logo

MAIN CAST

Sarah Michelle Gellar (Ringer)
Nicholas Brandon (Children of The Corn 3)
Alyson Hannigan (How I Met Your Mother)
Charisma Carpenter (Scream Queens)
David Boreanaz (Bones)
Anthony Stewart Head (Ghost Rider 2)
Seth Green (Family Guy)
James Marster (Smallville)
Marc Blucas (Red State)
Emma Caulfield (Darkness Falls)
Michelle Tractenberg (Black Xmas)
Image result for buffy the vampire slayer halloween
GUEST CAST

Robin Sachs (Jurassic Park 2)
Juliet Landau (Ed Wood)
Armin Shimerman (Star Trek DS9)
Larry Bagby (Hocus Pocus)
Kristine Sutherland (Legal Eagles)
Adam Kaufman (Taken)
Lindsay Crouse (Alias)
Walter Jones (Mighty Morphin Power Rangers)
Amber Benson (Ringer)
Amber Tamblyn (Two and a Half Men)

HALLOWEEN

Buffy and Angel finally agree to a date, but Buffy is delayed at Pop’s Pumpkin Patch by a vampire. Another vampire films the fight from hiding. As Angel waits at The Bronze, Cordelia shows up and starts flirting with him. When Buffy finally arrives, she is turned away by Cordelia’s sharp tongue. Cordelia continues to hit on Angel, unaware of his history.The next day, Principal Snyder forces Buffy and her friends to chaperone small children while they trick-or-treat. Buffy would rather take a break during the only slow night for vampires. Later, Larry, the school bully, threatens Xander while asking him about Buffy, who smashes Larry into a soda machine. Xander is angered by the damage that does to his reputation. After Xander leaves, Buffy and Willow’s conversation eventually turns to speculation about Angel’s past. The two decide to sneak into Giles’ office and borrow the passed-down Watchers’ Diary. From this, they hope to learn more about what type of women Angel used to be attracted to as a human. Buffy is slightly mopey after her date with Angel didn’t fly, and is eager for information on how to win him over.  The gang has to dress up for Halloween. They head to Ethan’s Costume Shoppe, where Willow gets a ghost costume and Xander buys a toy gun to go with his army fatigues from home. Buffy and Xander make up, but then she spies the most beautiful pink 18th-century gown—one that matches what she has spied from Giles’ Watcher files on Angel. Ethan Rayne, the proprietor, appears and gives it to Buffy.Spike is reviewing Buffy’s fight. Drusilla comes to tell him that someone will make Buffy weak on Halloween night. Meanwhile, Ethan is chanting to a statue of Janus in the back room of his shop. On Halloween night, Buffy persuades Willow to wear a black miniskirt and a long-sleeved crop top, but Willow’s shyness returns; when Buffy goes to answer the doorbell, she covers up with her ghost costume. Later that night, Ethan’s spell takes effect and everyone wearing a costume from his store turns into the respective persona. Willow becomes a real ghost, able to walk through walls; Xander a soldier; and Buffy an 18th-century noble woman.With Buffy incapable of leading and fighting the threats around them, and Xander armed and skilled in combat because of the spell, Willow is forced to take the lead. She persuades Xander not to shoot the monsters now roaming the streets (as most of them are the trick-or-treaters), and to obey her. They find Buffy disoriented, frightened, and confused by the modern world. Willow rushes them to Buffy’s house, where her mother is conveniently not home. Outside, Cordelia screams and Xander rushes out to save her. They find that Cordelia has not changed into what she is wearing—a cat—because she bought her costume from another store. Willow goes to Giles for help. While Cordelia searches the house, Angel shows up and takes Buffy into the kitchen. As Angel tries to kill a vampire that has sneaked into the house, he reveals his vampire face. Buffy is horrified and runs from the house. Arriving at the library by walking through walls, Willow, after scaring Giles by just showing up where there isn’t a door, tells him about Ethan’s costumes. They head to the shop, where Giles reveals that he knows Ethan. He orders Willow to leave and forces Ethan to tell him how to reverse the spell.Spike is looking for Buffy, who enters an alley and meets Larry, now a pirate. Xander arrives to beat up Larry while Willow shows up to warn them of Spike. The gang tries to barricade themselves inside a warehouse, but Spike’s gang breaks in. Spike is trying to kill Buffy; Willow orders Xander to shoot the vampires with his now-real M16, but just then, Ethan reveals the secret to ending the spell and Giles smashes the statue, breaking the spell. Buffy recovers to defeat Spike and he flees. After being corporeal again, Willow, despite the ordeals, also feels confident, discarding her ghost costume and heading home. Oz sees Willow around town again, asking himself “Who is that girl?” Buffy admits to Angel that she was trying to impress him. He tells her that he hated those people back then. The women were dull; he wanted someone exciting. They kiss. The next day, Giles returns to the store to find a note. Ethan has promised to return soon.Halloween was a superb episode of Buffy The Vampire Slayer’s Second Season. This episode introduced us to a new villian from Giles’s past, and I have a feeling we will be seeing him in the future as well. Chaos was the order of the night, on All Hallows Eve in Sunnydale as people started turning into their costumes. It was fun to watch this episode seeing what people were and how they changed. It was also interesting to note that Oz keeps seeing Willow in different aspects, which is a neat way to build their story line. I think that this was another Classic Episode of Buffy Image result for buffy the vampire slayer fear, itself

FEAR, ITSELF
While carving jack-o’-lanterns in Xander’s basement, the gang discusses plans for Halloween; Buffy continues to mope over her situation with Parker. They decide to go to the Alpha-Delta house for a party. The next day at school, Buffy and Oz both express their concerns for Willow and her use of magic. Buffy spots Parker and immediately runs away. Willow follows her, explaining that she should get over it and have fun at the party that night, but Buffy thinks that Giles will want her to patrol. When Buffy goes to visit Giles, she’s surprised to find him embracing the Halloween spirit. He discourages her from patrolling and encourages her to go party. At the Alpha-Delta house, the members are getting ready for the party. One finds a symbol in an old book to paint on the floor. Anya goes to see Xander, wanting to know where their relationship is heading. He agrees that they’re somewhat dating, inviting her to the party. Buffy, who skipped her psych class, visits the professor and asks for her assignment, but she receives a cold response. Riley, however, gives her the assignment, telling her to have fun on Halloween. Oz and Xander carry a sound system to the Alpha-Delta house, and Oz installs it while one guy paints the symbol from the book. Oz cuts his hand, spilling drops of his blood, which activates the ritual to summon Gachnar. Joyce alters one of Buffy’s old costumes, Little Red Riding Hood, and talks with her about how things used to be. Buffy waits outside the house for her friends, and Xander shows up dressed as James Bond. They run into Willow, dressed as Joan of Arc, and Oz, going as God. Everything at the party starts to go awry as fears begin to become real, and the fake scary objects like plastic spiders and skeletons, become alive. The gang enters the house, but they encounter several obstacles. Later, Anya arrives at the party, dressed as a bunny, but she is unable to get inside because the entrances to the house have become sealed up. She sees a girl screaming at a window, and the window then disappears from the house. Inside, Buffy tells the gang to find a way out and get help. A skeleton attacks her from behind, but after she attacks, it becomes fake again. Buffy and Willow fight over Buffy rejecting help from her friends and pushing them away, as well as Buffy and Oz arguing with Willow about her use of witchcraft. Willow insists she can safely do a guidance spell. Meanwhile, Anya goes to Giles for help.
Xander tries to talk to the gang but finds that he’s become invisible to them. Willow and Oz find a staircase and head up. As they’re walking, Oz begins to change into a werewolf and scratches Willow before running away from her. Xander approaches a mirror, and a head on the table behind him says that he can see him. Oz sits in a bathtub, chanting to himself that he isn’t going to change. Willow conjures her spell. However, it quickly spins out of control, and she screams for help as it attacks her. Buffy, hearing Willow’s cries, tries to get to her, but she falls into the basement where bodies come up from the ground and grab at her. Giles and Anya are unable to find a way inside, so Giles cuts a door using a chainsaw. While fleeing through the house, the gang ends up in the room where the mystical symbol is painted. Giles and Anya break into the room. They determine the sign on the floor to be the Mark of Gachnar, and Buffy and Giles express fear about how scary the demon looks in the illustration. Buffy destroys the symbol before Giles can tell her that destroying the symbol will bring Gachnar forth. But when the demon has manifested, it turns out to be merely a few inches in height. After a laugh at absurdity of giving in to one’s fears, Buffy squashes Gachnar with her shoe. At Giles’ place, the gang eats candy while Giles makes a discovery: the arcane footnote below the illustration of Gachnar in his book reads “Actual Size” .
This is one of the best of season 4. We get a thoroughly entertaining plot, the usual wittiness, useful character insight, and a whole lot of fun. This is a modern version of “Nightmares” (1×10), and the fear demon plot works because the characters have changed and new ground is being covered.  Much of what happens here is further setup for the internal conflicts of the season: Willow’s use of magic and growing power, Oz’s beast coming out and having serious repercussions, Xander feeling that he’s not important in the group, Giles’ aimlessness, and Buffy’s relationship issues.

 Image result for buffy the vampire slayer all the way

ALL THE WAY

It is Halloween and Anya has set the gang to work in the magic shop. She sends Buffy to the basement, where she runs into Spike. At his suggestion, Buffy attempts to leave to go patrol with Spike, but Giles points out that Halloween is an inactive day for most evil creatures, and engages Buffy in helping with bagging products.
An elderly man, Kaltenbach, is seen walking down the street humming “Pop Goes the Weasel” while carrying a bag of what appears to be groceries. He enters his home, peers out of a window at the children in costumes walking by, and says he’s going to give them something “special” this year. He then pulls a large knife out of his kitchen drawer.
Image result for buffy the vampire slayer all the way
The Magic Box has enjoyed its busiest day ever, to Anya’s delight. Xander decides that the time is right to announce his engagement to Anya, and the group makes its way back to Buffy’s house to celebrate. Back at the Summers home, Willow conjures up decorations for the party, but Tara now shares Giles’s concerns about Willow’s frivolous use of magic. Willow brushes off these concerns. Dawn tells Buffy that she is going to her friend Janice Penshaw’s house, but really meets Janice and two older boys: Justin and Zack. Dawn becomes attracted to Justin. When the foursome stops in front of “old man” Kaltenbach’s house, Dawn, on a dare, walks up to the porch to smash a pumpkin. She is caught by Kaltenbach, who warns her not to mess with them, then laughs and invites them all inside for a “special treat”. Inside, Justin volunteers to help Kaltenbach with his preparations in the kitchen. The old man is about to cut into a baked dish when Justin, now revealed as a vampire, bites and drains him. Justin then returns to the others and announces that they need to flee because he stole the man’s wallet.
Meanwhile, at the Summers home, Xander, who was already nervous in response to Giles’s serious talk with him about his and Anya’s future plans, becomes even more nervous when Anya chatters with Giles, Buffy and Xander about the wedding and plans for children. On patrol, Buffy runs across an accident scene with a corpse that was left behind by Zack while he was stealing a car. While she is tracking the culprit, she encounters Spike, who passes on a message from Giles: Dawn has misled the adults regarding her plans for the night. Now the whole gang is on the case. At The Bronze, Willow wants to use an extremely risky spell to locate Dawn, but Tara stops her, and an angry argument ensues. In the stolen car, Justin drives Dawn and the others out into the forest and stops. Zack and Janice depart, leaving Justin and Dawn alone in the car. Justin kisses Dawn – her first kiss – and then reveals his vampire face. Dawn attempts to escape from Justin, but he catches her. Giles is quickly on the scene to help, but vampires emerge from several cars, ready to fight. As they close in, Spike and Buffy show up to assist. Dawn runs away from the fight, but Justin finds her. He attempts to change her, but as he is leaning in to bite her neck, Dawn stakes him with a crossbow bolt, fired earlier in the melee.
The gang returns home, where Buffy is quick to leave the job of chastising Dawn to Giles, who is unhappy about how Buffy is relying on him so much. Meanwhile, Willow casts a spell on Tara to make her forget their quarrel.

All The Way was a great episode of Buffy the Vampire Slayer. This was a great Halloween episode. Zander finally announces that he and Anya are going to get married, much to every ones surprise! I thought Dawns little adventure was fun, and had some mystery and suspense. This episode definitely had the Classic Buffy feel to it. I think there was some character development here for a few characters like Dawn, Willow, and Tara. Willow has been using magic for every little thing and Tara is getting worried.

REVIEW: BUFFY: THE VAMPIRE SLAYER – SEASON 1-7

Buffy the Vampire Slayer Logo 3840x2160 wallpaper

CAST

Sarah Michelle Gellar (Ringer)
Nicholas Brendon (Children of The Corn III)
Alyson Hannigan (How I Met Your Mother)
Charisma Carpenter (Scream Queens)
Anthony Stewart Head (The Iron Lady)
Davis Boreanaz (Bones)
Seth Green (Austin Powers)
James Marsters (Caprica)
Marc Blucas (Red State)
Emma Caulfield (Supergirl)
Michelle Tractenberg (17 Again)
Amber Benson (The Killing Jar)

RECURRING / NOTABLE GUEST STARS

Mark Metcalf (Drive me Crazy)
Brian Thompson (Hired To Kill)
Ken Lerner (The Running Man)
Kristine Sutherland (One Life To Live)
Julie Benz (No Ordinary Family)
Eric Balfour (Skylive)
Persia White (The Vampire Diaries)
Mercedes McNab (The Addams Family)
Elizabeth Anne Allen (Bull)
Robin Riker (The Bold and The Beautiful)
Musetta Vander (Stargate SG.1)
Christopher Wiehl (Cold Hearts)
Geoff Meed (Little Miss Sunshine)
Andrew J. Ferchland (The Last Leprechaun)
Jennifer Sky (Cleopatra 2525)
Chad Lindberg (The Fast and The Furious)
Armin Shimerman (Star Trek: DS9)
Dean Butler (Little House on The Prairie)
Clea DuVall (The Lizzie Borden Chronicles)
Robia LaMorte (Spawn)
Michael Bacall (Django Unchained)
Juliet Landau (Ed Wood)
Ara Celi (American Beauty)
Clayne Crawford (Roswell)
Danny Strong (The Prophecy II)
Kavan Smith (Stargate SG.1)
Robin Sachs (Jurassic Park 2)
Larry Bagby (Walk The Line)
Jason Behr (Roswell)
Will Rothhaar (Kingpin)
Julia Lee (A Man Apart)
Bianca Lawson (The Vampire Diaries)
Saverio Guerra (Becker)
John Ritter (8 Simple Rules)
Jeremy Ratchford (Cold Case)
James Parks (Kill Bill)
Vincent Schiavelli (Batman Returns)
Jack Conley (Fast & Furious)
Willie Garson (Stargate SG.1)
Christopher Gorham (Ugly Betty)
John Hawkes (Winter’s Bone)
Meredith Salenger (Lake Placid)
Charles Cyphers (Halloween)
Wentworth Miller (Legends of Tomorrow)
Shane West (Nikita)
Max Perlich (Blow)
Richard Riehle (Office Space)
Carlos Jacott (3rd Rock From The Sun)
Nancy Lenehan (Two Guys and a Girl)
Jason Hall (American Sniper)
K. todd Freeman (The Dark Knight)
Fab Filippo (Guidestones)
Jeremy Roberts (The Mask)
Eliza Dushku (Tru Calling)
Ian Abercrombie (Army of Darkness)
Harry Groener (About Schmidt)
Jack Plotnick (Rubber)
Nicole Bilderback (Dark Angel)
Jeff Kober (New Girl)
Harris Yulin (Training Day)
Dominic Keating (Star Trek: Enterprise)
Michael Cudlitz (The Walking Dead)
Alexis Denisof (Dollhouse)
Christian Clemenson (Lois & Clark)
Ron Rogge (Power Rangers Lightspeed Rescue)
Ethan Erickson (Jawbreaker)
Andy Umberger (Deja Vu)
Katharine Towne (Evolution)
Lindsay Crouse (The Insider)
Phina Oruche (The Forsaken)
Adam Kaufman (Taken)
Walter Jones (Mighty Morphin Power Rangers)
Kal Penn (Van Wilder)
Bailey Chase (Longmire)
Leonard Roberts (Heroes)
Andy Hallett (Chance)
Doug Jones (Hellboy)
George Hertzberg (Too Much Magic)
Alastair Duncan (The Batman)
Rob Benedict (Birds of Prey)
Erica Luttrell (Lost Girl)
Kathryn Joosten (desperate Housewives)
Connor O’Farrell (Lie To Me)
Rudolf Martin (Swordfish)
Tom Lenk (The Cabin In The Woods)
Charlie Weber (Gacy)
Clare Kramer (Bring it On)
Ravil Isyanov (Alias)
Amy Adams (Man of Steel)
Brian Tee (Jurassic World)
Kali Rocha (Buried)
Kevin Weisman (Alias)
Abraham Benrubi (Open Range)
Cynthia LaMontagne (That 70s Show)
Oliver Muirhead (The Social Network)
Shonda Farr (Crossroads)
Adam Busch (Sugar & Spice)
Joel Grey (Cabaret)
Karim Prince (Mighty Morphin Alien Rangers)
Wade Williams (Gangster Squad)
Todd Stashwick (The Originals)
Amber Tamblyn (Two and a Half Men)
Jordan Belfi (Surrogates)
Mageina Tovah (Spider-Man 2 & 3)
Ivana Milicevic (Casino Royale)
Lee Garlington (Flashforward)
Jan Hoag (Scream Queens)
Nicole hiltz (Smallville)
Alexandra Breckenridge (The Walking Dead)
D.B. Woodside (24)
Zachery Ty Bryan (The Fast and the Furious 3)
Sarah Hagan (Freaks and Geeks)
Jonathan M. Woodward (Firefly)
Stacey Scowley (The Brotherhood 2)
Felicia Day (The Guild)
Megalyn Echikunwoke (Arrow)
Ashanti (Resident Evil: Extinction)
Indigo (Broken City)
Nathan Fillion (Firefly)
Dania Ramirez (Heroes)
Julia Ling (Chuck)

Buffy The Vampire Slayer is one of the wittiest, most well developed, and consistent cult fantasy shows on television. Unlike other shows in the genre, it has been able to showcase a wide balance between fantastic character development, humor, topical plotlines, heart wrenching drama, science fiction, and horror- a horn a plenty of styles all in one 44 min episode. While entertaining, everyone probably can’t relate to the technobabble machinations of a Star Trek episode, or the convoluted paranoia of and X-Files episode, but we all went through high school and whether you were average, popular, or an outcast, we know, we remember, all too well, the emotional highs and lows of growing up. Its something everyone can relate to, and its the central fire that keeps Buffy grounded.


But, Buffy began as a humble mid season replacement on a non entity network, and its early days when it was gaining its footing, starting its mythology, seeing how far they could tweek the drama and the horror with a minuscule budget… well, its not nearly the powerhouse it would quickly become in its second season. There are of course, subtle signs of the drama and humor to come, little hints that it was more than a teen show with vampires. And, honestly, if you were going to try and impress someone who had never seen The X-Flies, you certainly wouldn’t show them the first season without saying, “It gets much better.”

KEY EPISODES ARE –


Episode 1: Welcome to the Hellmouth- Buffy Summers, a high school sophomore, transfers to Sunnydale High. There she meets her “Watcher” and learns she cannot escape her true destiny.— Like most pilots, its all about introductions- Buffy the reluctant Slayer, her pals and soon to be Scoobies, spazz with a heart of gold Xander, shy brain Willow, her stuffy Watcher Giles, the mysterious Angel, and the snobbish beauty queen Cordelia. Also, of course, establishes the first main villain, The Master, and the Hellmouth, the demonic portal that would provide the show with its main mythological device keeping the town of Sunnydale infested with all manner of creatures for Buffy to slay

Episode 2: The Harvest:- A Stranger named Angel tells Buffy that if she does not stop the Harvest, the Hellmouth will open and the Master roam free.— Whereas the first episode was focused on introducing the characters and didn’t have much room for tension or action, The Harvest provides a look at Buffy having to accept her role as Slayer as she realizes the deadly consequences if she abandons her destiny.

Episode 5 : Never Kill a Boy on the First Date:

While awaiting the arrival of a warrior vampire called the Anointed One, Buffy’s big date at the Bronze ends with an assault on a funeral home. — Once again, showing Buffy’s attempts to balance a normal life with her secret life as the Slayer. While a little weak and cornball, it also manages to show the villain thread well, how most main Buffy villains will have some sort of evolution, twists and turns to keep the viewer guessing.

Episode 7: Angel: A moment of passion turns to terror as Buffy discovers Angel’s true identity and learns about the Gypsy curse that has haunted him for almost 100 years.— Probably the most weak, ill-defined character early on, this episode finally showcased more about Angel and gave his character some considerable fleshing out. Taking into account the large part his character would play in the Buffyverse, and the leaps and bounds of change he would undergo, his affect on all the characters, particularly Buffy, in one way or another, it makes this one of the seasons better episodes.

Episode 11: Out of Mind, Out of Sight: As Cordelia prepares for Sunnydale High’s May Queen competition, an invisible force starts attacking her closest friends.— Another of the seasons better episodes, and a clever look an always pertinent issue, showing yet another sympathetic foe, those fringe kids who are always ignored, sometimes until it is too late.

Episode 12: Prophecy Girl:

As the Spring Fling dance approaches, Giles discovers an ancient book foretelling the Slayers death at the hands of The Master.— While a tad abrupt, this finale serves up everything one wants, tension, conflict, and turns you don’t quite see coming. Pivotal in the series for all players, but mainly Buffy, showing that she isn’t just an invulnerable buttkicker able to save the day alone, but through banding together her and the Scoobies will take on many a Big Bad to come.

Season 2 of Buffy the Vampire Slayer is quite possibly the best season of the bunch. Season 2 is by definition, where things get darker and more complex, this was the season that really made Buffy an unpredictably smart series.

The season opens with ‘When She Was Bad’ which deals with the fallout of Buffy’s momentary death in the previous year one finale; this episode is appropriately handled and sees Buffy acting rather out of character after returning from her summer away from Sunnydale. The preceding episodes are a fun affair and help the viewer to settle back into the rhythm of the series with various episodes focusing upon certain characters.

The ‘Big Bads’ of the season appear early on and come in the form of Drusilla and Spike, the former being a rather off-her-rocker vampire and the latter a bleached, leather wearing, cocky undead Englishman! As villains they are a lot of fun and help to shape season 2 as something unique and well constructed. However, come the end of the year things are considerably shaken up in terms of ‘the Big Bads’, with the appearance of Angelus.

Willow, Xander and Giles all find themselves venturing into new territory: dating! Cordelia continues to redeem herself and becomes a fully fledged scoobygang member, whilst Buffy and Angel undergo many changes to their relationship which is mostly the driving force of the season. By the middle of the season the episodes gradually become darker and a more coherent storyarc begins to emerge, starting with the events of ‘Surprise (Part 1)’ which culminate in the emotional and incredibly shocking ‘Innocence’ (Part 2). Said episodes are some of the best in the history of the series and set in motion events that help to lead to the end of the season. The circumstances surrounding this two parter does literally change everything once established between Buffy and Angel; and brings into question their future. The continuity, witty one liners, oblique use of language does continue into this season and helps to boost the chemistry between the actors as they discuss, for example the oddness of some TV movies and sore thumbs. These subtle touches give the season a vibrancy and kooky edge; what makes Buffy such an enjoyable show is the warmth and heart it retains, mostly provided by the actors but also by the wonderfully consistent writing.

The two part finale ‘Becoming’ is well set up as a consequence of the episode ‘I Only Have Eyes For You’, which happens to be beautifully moving and tragic respectively. The complexity of the Angelus arc presented here really sets up and supports the actions that lead to the occurrences of the finale. ‘Becoming’ part 1 & 2 with all it’s flashback goodness brings about tumultuous change and throws one through the emotional wringer all the while its still surprising, sad and gut wrenching upon each rewatch. The issues dealt with this season are far more adult and dark than is the usual, and in turn it delivers a wonderfully realized arc which never fails to amaze.


This third season of Buffy the Vampire Slayer contains some of my favourite episodes from the entire run of the show and also has the fewest offbeat episodes. This year Buffy and the gang are in their final year of high school but living on the Hellmouth is never easy and in addition to the usual demons and vampires they must deal with the schemes of the Watchers Council, a new slayer and a politician after even more power.

Buffy has really found its feet with this season and I would say that it is this year that the show reaches its peak. All the regular cast members give their usual brilliant performances but the season is really stolen by the new cast members, specifically Eliza Dushku as Faith the new Slayer and Harry Groener as the eccentrically evil Mayor Wilkins, who is probably my favourite of all the Buffy villains.

It is difficult to choose favorite episodes from this season as it includes so many great ones. `Bad Candy’, `Amends’, `Earshot’ and the two part season finally `Graduation’ are all excellent episodes being both funny and enthralling but my favorite episode has to be `Lover’s Walk’ where a lovesick Spike returns to Sunnydale after breaking up with Drusilla in order to find a way to get her back. James Marsters is truly excellent in this episode and livens up the series brilliantly. Another couple of episodes of note are `The Wish’ and `Doppelgangland’ both of which involve a parallel universe where vampires have taken over and feature a vamped up Willow, brilliantly portrayed by Alyson Hannigan who seems to enjoy the role immensely. Although none of the episodes could truly be considered awful, `Gingerbread’ and `The Zeppo’ are the weakest episodes of this season and are slightly painful to watch in places.

Overall this season is truly great, with brilliant writing and a plot that never ceases to be in turns exciting, funny and touching.

With the loss of David Boreanaz and Charisma Carpenter to the spin-off show, “Angel”, there were voids to be filled in this, the first season out of high school, and Marc Blucas and Emma Caulfield suitably obliged. The fragmentation of the Scooby Gang was for many the core reason why Season Four didn’t match the heights of the previous three: nobody seemed to care enough about each other any more. With Giles out of work, Xander flitting from one deadbeat job to another, and Buffy and Willow settling in to life on campus, there was concern that the old gang would never get back together.


A big risk was taken in introducing a more sci-fi element with the arrival of a secret government demon-hunting operation. But there’s a big difference from other genre shows: the Initiative was never in control of its actions. And that’s the gist of the season: that Buffy and her traditional methods will always be superior, and that it’s through her skills and her friends that evil is defeated, not bureaucracy. Which is why there’s no big finish in episode 22 (the grand climax happens in episode 21), because the most important storyline is about the reaffirmation of friendships, demonstrated in the most bizarre way imaginable in an episode composed almost entirely of dream sequences.


There are some classics (the Emmy-nominated “Hush” was possibly the boldest piece of television attempted before “The Body” the following year). And in the final scene of the season, we get a great setting-up of what’s to come, without knowing any specific details. All in all, a season that left a few minor gripes, but which in the overall scheme of things, has continued the journey of life into adulthood. Now they’re all supposed to be grown up, but the future still holds a great deal of uncertainty, and that can only be good for the show.

Although Season 5  still has comedic moments, it also has many more serious moments. Not to spoil it for those who have not seen the series yet, two major deaths rock the Sunnydale Slayage Crew. These are excellently handled, and in no way seem like they are tying off loose ends.

The episodes are excellent. From fighting Dracula, to multiple Xanders. From a new sister, to an old foe swapping sides. This season is excellent. the first disc houses such gems as the introduction of Dawn, without any back story or any clues into why she is there. These facts are revealed slowly through the next disc, with amusing storylines for Spike, clearly an excellent addition to the principal cast. Anya also comes into her own, and becomes revels in the joys of capitalism.

Through the next disc a departure of a relatively new character, Riley, hurts Buffy tremendously, whilst the appearance of a troll lightens the mood considerably. The fourth disc includes the fun episode where the Watcher’s Council return to Sunnydale, and reveal a shocking secret about the main enemy of this series. Spike also has a choice to make, whether to fall back into the arms of his old flame, Drusilla, or to move on and persue his newest conquest, a source of exasperation for Buffy.

The fifth disc is a solemn affair, with the death of a principal cast member, who had been with Buffy from the beginning. As Buffy and her ‘Scoobies’ attempt to cope, the attacks on them by the villain of the series grow more violent and frequent, leaving a dissuaded Buffy sure that she cannot beat the villain. When his new enemy learns of an importance in the Scooby gang, and this member of the gang get captured, Buffy goes into meltdown. With the help of Willow, Buffy recovers and faces the most terrifying villain ever in the history of Buffy The Vampire Slayer, with a conclusion that is heart wrenching.


“The Gift”, the season five finale, ended with Buffy dead and buried after battling deranged fallen goddess Glory. Dying is kind of old hat for Buffy, and I don’t think I’m giving too much away by revealing that the show’s title character quickly gets over the whole death thing. Although the ensuing gang of biker demons is corny, I thought her return from the grave in the feature-length “Bargaining” hit all the right notes. Her reappearance is heartbreaking and almost horrifying, and it avoids undermining the events that concluded the previous season.

Rather than just toss her back in this mortal coil as if she’d never left, Buffy is distant and depressed, not quite the elated response her friends were expecting to see. The opening of the season offers an evenhanded blend of humor and drama, particularly the early escapades of the Troika. The all-nerd supersquad — robotics whiz Warren (Adam Busch), clumsy sorceror-lite Jonathan (Danny Strong), and summoner Andrew (Tom Lenk). They added a well-needed dose of geeky comedy to the season, which made the bitter pill of the agony Buffy and friends endure later on easier to swallow.

The darker spin the three of them eventually take also resonates more having seen several episodes worth of their giddiness at being supervillains. I also thought the aftermath of Buffy’s return, seen in “After Life”, “Flooded”, and “Life Serial”, worked well as she tried to find her place in the world (and her friend’s worlds) after being plucked from the afterlife. These episodes also manage to strike that perfect balance between humor and drama.

Another early highlight is “Tabula Rasa”, where a spell gone awry robs the Scoobies of their memories.  Of special mention from this chunk of the season, of course, is the musical episode “Once More with Feeling”. The version presented here is the original broadcast, a few minutes lengthier than your average Buffy installment. Although the concept of characters in an established drama singing and dancing for an hour screams ‘gimmick’, it’s not a standalone episode, tying in heavily to the previous episodes of the season and setting up some of what would soon follow. The songs are surprisingly good, particularly impressive considering that they were written by someone without much of a musical background.Image result for buffy once more with feeling

The season closes out with a series of strong episodes. “Hell’s Bells” features the chaos of a wedding between a human raised in a dysfunctional family and his millennia-old former vengeance demon fiancee, the aftermath of which is explored in “Entropy”.

One of the season’s best is “Normal Again”, which questions the reality of what we’ve seen for the past six seasons, and Buffy’s assault on her possibly-delusional friends and family is as chilling as anything seen up to that point on the series. The darkness pervasive throughout much of the season culminates in “Seeing Red”, which has two monstrous turning points. Its fatal closing events lead into the three-episode arc that rounds out the season. Similar to Angelus’ appearances on both Buffy and Angel, the immeasurably powerful antagonist in these final episodes tear down the main characters.

In its final season, Buffy the Vampire Slayer issued a mission statement you might not expect from a series that’s been on the air for seven years: go back to the beginning. After a foray at college and a year spent toiling away in the working world, Buffy’s going back to high school. Several years after its destruction at the hands…or giant coiled tail, whatever…of the ascended Mayor Wilkins, Sunnydale High has been rebuilt from the ground up. The Hellmouth beneath the school happens to lurk directly below the office of Principal Robin Wood (D.B. Woodside), who’s harboring some sort of dark secret that may or may not work to Buffy’s favor. Anyway, Wood continually stumbles upon Buffy as she spirits Dawn off to her first day of school as a freshman and ensuring both Summers girls make the most of the lovingly-crafted Sunnydale High set, Wood offers Buffy a job as a part-time counselor. Holed up in the bowels of Sunnydale High is Spike, who’s been driven mad by a combination of his newly-acquired soul and an entity that’s been haunting him, one that’s soon going to expand its grasp to the rest of the Scooby Gang and the world at large.

These early episodes really do capture the feel of the first few seasons of the series, a very welcome change after the grim year that came before it. This is one of the stronger opening salvos of Buffy. “Him” is played pretty much for laughs, revolving around a football player whose letter jacket makes him irresistible to the fairer sex, compelling Dawn, Buffy, Willow, and Anya to take drastic and wholly over-the-top measures to win his complete adoration.

Three of the season’s best episodes run back-to-back. “Same Time, Same Place” follows Willow’s return to the group, still reeling from the near-apocalyptic events of the previous year and further disheartened when she’s apparently abandoned by her friends. Buffy and company really are there for Willow, but the problem is that there are kind of two separate and distinct “there”s. The cannibalistic Gnarl is one of the most effectively creepy creatures of the show’s entire run, and his confrontation with Willow is unsettling and horrifying…and I mean that in the best possible way. “Help” quickly follows, chronicling Buffy’s quest to save the life of an awkward, introverted poet who foretells her own death.

Although I really like all of the first batch of episodes, this season has two particularly strong stand-outs. Following the excellent “Same Time, Same Place” and “Help” is “Selfless”, which features Anya returning to form as a mass-murdering vengeance demon, a decision that awes her demonic coworkers and conflicts her former friends as Buffy must make a difficult decision. The episode makes use of flashbacks from several vastly different time periods and juggles drastically different tones. We see what led young Aud to become the vengeful Anyanka in a hysterical glimpse back at her life with her wench-drenched, troll-hating brute of a husband, Olaf. There’s also a flashback to “Once More, With Feeling”, complete with a new musical number, followed by a brutal, brilliant cut to the present.

The other standout is “Conversations with Dead People”, an inventively structured episode penned by four different writers. The title is a decent enough synopsis, as a number of characters communicate in varying forms with the dearly departed. Buffy allows herself to be psychoanalyzed by a recently-risen Psych major, Dawn is haunted by a poltergeist that takes on a shockingly familiar image, Willow is delivered a message from a lost love one, Spike goes out on the town, and the remnants of last year’s nerdy Troika return to Sunnydale.

In general, season seven feels like Joss Whedon and company had a clear beginning and a clear ending. The Finale does give the show a nice ending, but is left open should the show ever return in any format.