REVIEW: STAR TREK: ENTERPRISE – SEASON 1-4

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MAIN CAST

Scott Bakula (Chuck)
Jolene Blalock (Starship Troopers 3)
Connor Trinneer (Stargate: Atlantis)
Dominic Keating (Heroes)
Linda Park (Jurassic Park 3)
Anthony Montgomery (Leprechaun In The Hood)
John Billingsley (Cold Case)

RECURRING / NOTABLE GUEST CAST

Tommy Lister (The Dark Knight)
Vaughn Armstrong (Power Rangers Lightspeed Rescue)
Jim Beaver (3rd Rock From The Sun)
Gary Graham (Alien Nation)
Thomas Kopache (Catch me If You Can)
Melinda Clarke (Spawn)
James Cromwell (Species II)
Henri Lubatti (Angel)
Erick Avari (Stargate)
Jeffrey Combs (The Frighteners)
Jane Carr (Treasure Planet)
Paula Malcomson (The Hunger Games)
Gregory Itzin (Firefly)
Jeff Kober (New Girl)
Eric Pierpoint (Alien Nation)
Keith Szarabjka (Angel)
Conor O’Farrell (Lie To Me)
Clint Howard (Apollo 13)
Ethan Phillips (Bad Santa)
Annie Wersching (The Vampire Diaries)
Rene Auberjonois (Boston Legal)
Dennis Christopher (Angel)
John Rubinstein (Legends of Tomorrow)
Fionnula Flanagan (Yes Man)
Clancy Brown (Highlander)
Rudolf Martin (buffy: The Vampire Slayer)
Keone Young (Alias)
Brad Greenquist (Heroes)
Holmes Osborne (Donnie Darko)
Sean Whalen (Twister)
J.G. Herztler (Roswell)
Larissa Laskin (Earth: Final Conflict)
Bonita Friedericy (Chuck)
Brigid Brannagh (Angel)
Keith Carradine (The Big Bang Theory)
Robert O’Reilly (The Mask)
Stephen McHattie (300)
Rick Worthy (The Vampire Diaries)
Daniel Dae Kim (Lost)
Stephen Culp (Scream Queens)
Tucker Smallwood (Traffic)
Maury Sterling (The A-Team)
Sam Witwer (Smallville)
James Parks (Kill Bill)
Emily Bergl (Carrie 2)
Leland Orser (Seven)
Jeffrey Dean Morgan (The Walking Dead)
Erin Cummings (Spartacus)
Casey Biggs (Broken Arrow)
Seth MacFarlane (Family Guy)
Bruce Thomas (Army of Darkness)
Joanna Cassidy (Blade Runner)
Alec Newman (Dune)
Richard Riehle (Texas Chainsaw 3D)
Brent Spiner (Dude, Where’s My Car?)
Robert Foxworth (Beneath Loch Ness)
Todd Stashwick (The Originals)
Lee Arenberg (Once Upon A Time)
Brian Thompson (Hired To Hill)
James Avery (That 70s Show)
Harry Groener (Buffy: The Vampire Slayer)
Peter Mensah (Sleepy Hollow)
Marina Sirtis (The Grudge 3)
Jonathan Frakes (Roswell)

Out of all the Star Trek series and films, Enterprise is easily the most overlooked, and was the only one since the original to be canceled. This isn’t because it wasn’t as good as the rest, but simply the way it was marketed. The show is in fact a prequel to Kirk’s Enterprise, and does take place before the Federation, but what the show lacks in technology, is more than made up for with realism and some of the best character development in the Star Trek franchise.

100 years after Zefren Cochrane’s warp flight, the human race has had enough of Vulcans holding them back, and have created the first warp five star ship in human history. Over the Vulcan’s objections, Jonathan Archer (Scott Bakula), the son of the engines designer, has been selected to Captain the ship and explore a galaxy that humans know very little about.
This show is extremely important to the franchise and all Trekkies, as it not only shows humanities first trip out of our solar system and first contact with all the races we’ve come to know over the years, but the show fills in a lot of the gaps from all the other series and films! Enterprise explores the origins of Data’s creator, the Eugenic Wars (which created Khan), the development of many protocols and much of the tech we see on future ships, but most important of all the series shows how the foundation for the Federation and the creation of star fleet all came together.
Enterprise was also unique for it’s character development and realism, in that it takes place in the not to distant future. We get to know the crew intimately, from their fears to their families, and we see them doing and discussing things never before seen in Star Trek. The Enterprise crew has a classic movie night, watches sports on TV, has pets, and they even talk about sex. The cast is lead by Scott Bakula, which was another great move by producers. Casting a veteran science fiction actor, whose been in long running series, automatically gives him that air of experience and authority that Picard had. He’s also a younger man, so with no federation policies in place yet, Archer can be just as much of a risk taker as Kirk was, even more so.
Star Trek Enterprise was extremely enjoyable, and a series people could relate to more than any other in the Star Trek franchise. The show isn’t simply about the future and the Federation, it’s about what it means to be human and how that compares to other species. It shows what we need to do in order to get along with and understand other cultures, but most of all it fills in so many holes from previous films and episodes, that it truly was the missing link.

Unfortunately for Star Trek fans, the show barely made a hundred episodes, because it was on a dying network, that folded shortly after the show was canceled, screwing us Trekkie’s out of three more seasons. As with all the previous series, the story has been continued in books, but in this case, the books were written by the main writers of the series, and do encompass everything that would have happened in seasons five, six, and seven.

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REVIEW: NO ORDINARY FAMILY

MAIN CAST
Michael Chikilis (Gotham)
Julie Benz (Angel)
Kay Panabaker (Two and a Half Men)
Jimmy Bennett (The Amityville Horror)
Autumn Reeser (Human Target)
Romany Malco (Blades of Glary)
Stephen Collins (Star Trek: The Motion Picture)
RECURRING / NOTABLE GUEST CAST
Christina Chang (28 Days)
Tate Donovan (Argo)
Jamie Harris (Agents of S.H.I.E.L.D.)
Josh Stewart (The Dark Knight Rises)
Jason Antoon (Minority Report)
Reggie Lee (Drag Me To Hell)
Joanna Walsh (Faster)
Guillermo Diaz (The Terminal)
Jonathan Adams (Bones)
Rahcel Miner (The Butterfly Effect 3)
Max Greenfield (New Girls)
Amy Gumenick (Arrow)
Jackson Rathbone (Twilight)
Cybill Shepherd (Moonlighting)
Bruce McGill (Collateral)
Amy Acker (Dollhouse)
Mimi Kennedy (Mom)
Katelyn Tarver (Dead on Campus)
Annie Wersching (The Vampire Diaries)
Jason Wiles (Zodiac)
Luke Kleintank (Bones)
Rebecca Mader (Lost)
Joanne Kelly (Mutant X)
Katrina begin (Zookeeper)
Betsy Brandt (Breaking Bad)
Ethan Suplee (My Name Is Earl)
Anthony Michael Hall (The Dead Zone)
Tricia Helfer (Battlestar Galactica)
Eric Balfour (Skyline)
Lucy Lawless (Ash vs Evil Dead)
Robert Picardo (Star Trek: Voyager)
Michael Maize (Eagle Eye)

The Powells are a typical American family living in fictional Pacific Bay, California, whose members gain special powers after their plane crashes in the Amazon. The show is very light hearted and manages to mix comedy with action and drama extremely well. The family are quite cliché and the powers aren’t exactly ‘original’ but they make it work.The cast do a great job portraying their characters, Michael Chiklis (Star of The Shield and Fantastic Four) does a brilliant job as the father while Julie Benz (formerly Rita Morgan in Dexter) puts on a strong performance as the mother of the family. You also have Kay Panabaker and Jimmy Bennett as the kids.

The character development in this series is great and the story is  highly entertaining. The characters relationships are believable and very engrossing. I think the pairing of Jim Powell (Michael Chiklis) and George St. Cloud (Romany Malco) is brilliant. The second prize for most hilarious character in this show has to go to Stephanie Powells best friend and work colleague Katie Andrews (Played by Autumn Reeser), she is incredibly geeky and so socially awkward, hilarious to watch.

It’s light hearted, fun and easy to watch. Yes it has the sci-fi/fantasy element to it which is akin to shows like Chuck, Heroes, Supernatural, Buffy, Smallville etc. But it also has a more family oriented feel to it at times and what this show does brilliantly is applying super powers to every day events. A lot of people have been comparing it heroes but I find it far to light hearted to be compared to heroes. It’s nowhere near as dark and serious and has far more comedy integrated throughout. I’d say it’s more like Chuck than Heroes. It was cancelled after only 1 season but still its very much worth a watch.

12 DAYS OF CHRISTMAS REVIEW: THE VAMPIRE DIARIES – THE CHRISTMAS EPISODES – PART 1

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MAIN CAST

Nina Dobrev (Arena)
Paul Wesley (Killer Movie)
Ian Sommerhalder (Pulse)
Steven R. McQueen (Piranha 3D)
Kat Graham (Honey 2)
Zach Roerig (As The World Turns)
Candice King (Juno)
Michael Trevino (Cane)
Joseph Morgan (The Originals)
Matthew Davis (Bloodrayne)
Michael Malarkey (The Selection)
O COME ALL YE FAITHFUL
GUEST CAST
Claire Holt (Mean Girls 2)
Susan Walters (Kill The Messenger)
Grace Phipps (Scream Queens)
Phoebe Tonkin (Bait)
David Alpay (Flashpoint)
Alyssa Diaz (Lie To Me)

The Season 4 winter finale was the first step in bringing everything together in there season arc , bringing Tyler’s quest to use his unsired hybrids to defeat Klaus into the fold as well. What we know about Professor Shane’s ultimate plan is that it involves “expression” magic, a magic so evil it only works with human sacrifice, and Pastor Young blowing up the 12 members of the council in the season premiere was just the beginning. Whatever Shane is up to, it requires at least 12 more sacrifices of the hybrid variety, and Hayley’s job was to deliver them on a silver platter. So while Tyler believed he was unsiring hybrids to ultimately have them rise up against Klaus and defeat him for good, Hayley was working an entirely different agenda, one that ended with her offering up all of the hybrids to Klaus for him to slaughter in a murder montage so incredible. The Klaus presented here , the one who has absolute power but whose soul suffers because of it, the one who kills Tyler’s mother because he knows that’s a much more evil punishment than killing Tyler himself, that’s the Klaus the show needs.

such a wonderful episode set around and an all around classic episode.

CHRISTMAS THROUGH YOUR EYES
GUEST CAST
Penelope Mitchell (Hemlock Grove)
Marguerite MacIntyre (Red Dragon)
Chris Brochu (Soul Surfer)
Jodi Lyn O’Keefe (Halloween: H20)
Chris Wood (Browsers)
With the holidays approaching, Bonnie attempts to replicate her favorite traditions, while reminiscing about happier times with her friends. Not able to return home to Mystic Falls for her favorite time of the year, Caroline is surprised when Sheriff Forbes brings the holidays to her at Whitmore College. Meanwhile, after discovering that Jo has gone missing, Alaric turns to Damon and Elena for help of trying to find her, while Liv and Luke find themselves at odds when Tyler approaches them with a risky plan. Elsewhere, Jeremy helps Matt carry out a plan to take down Enzo but grows concerned when Matt takes things too far. Lastly, Stefan is forced to break some devastating news to Caroline. Alaric and Damon Capture Kai but he absorbs the Travellers spell and escapes, the episode ends with Elena outside the Salvatore Mansion, Kai cloaks her and himself and Damon does not hear or see her as she talks to him, revealing that he has used a clocking spell on them. He then knocks Elena out and abducts her .
Another classic Vampire Diaries Christmas, this episode throws so much stuff at us, The Sheriff having cancer, Kai abducting Elena, its a great episode but with the cliffhanger makes you wait for the next episode to see how it turns out.
COLD AS ICE
GUEST CAST
Annie Wersching (Birds of Prey)
Elizabeth Blackmore (The Road Home)
Scarlett Byrne (Harry Potter and The Deathly Hallows)
Teressa Liane (Neighbours)
Todd Lasance (Spartacus)
Damon, Stefan, Nora and Valerie put Lily to rest. Later, as Christmas rings in the air, Stefan and Damon’s search for Julian leads them to a town outside Mystic Falls. While they search based on Bonnie’s locator spell-given address, they end their search at a bar filled with dead Santa’s. After a while, Julian appears and there is a tiff between the brothers and him which later aggravates back home. Meanwhile, Nora becomes friendly with Bonnie during a toy drive. Alaric fears that Caroline is struggling with her pregnancy as her blood feeding urges keep her on the edge. Caroline shares a heart-to-heart talk with Sheriff Forbes’s gravestone. Valarie teams with Stefan to abduct Mary Louise in order to force Julian to come out in the open and fight. Later, an unseen being whisks the unconsious Mary Louise away. The Salvatore brothers-Julian fight finally leads to Damon being staked by the Phoenix stone-dagger and getting trapped inside his hell. The same happens for Stefan as a revenge-seeking Nora pushes the dagger inside him, after siphoning out Bonnie’s magic. It is shown that Damon is reliving his Civil War days while being trapped in the Phoenix stone – where he is gravely injured and scared.
WOW!! a great way to end on a mid season making us all wait till January 2016, just like The Originals 2015 Christmas this one leaves you on a gut wrenching moment not knowing what will happen next.

31 DAYS OF HORROR REVIEW: THE VAMPIRE DIARIES: THE HALLOWEEN EPISODES

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MAIN CAST

Nina Dobrev (Never Cry Werewolf)
Paul Wesley (8 Simple Rules)
Ian Somerhalder (Smallville)
Steven R. McQueen (Piranha 3D)
Kat Graham (Honey 2)
Candice King (Juno)
Zach Roerig (As The World Turns)
Kayla Ewell (Lucifer)
Michael Trevino (The Factory)
Sara Canning (Smallville)
Matthew Davis (Cult)
Michael Malarkey (The Selection)
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GUEST CAST

Jasmine Guy (Dead Like Me)
Robert Pralgo (Fast & Furious 7)
Susan Walters (The Flash)
Natashia Williams (She Spies)
Tiya Sircar (The Internship)
Maiara Walsh (The Starving Games)
Malese Jow (The Flash)
Taylor Kinney (Zero Dark Thirty)
Arielle Kebbel (The Uninvited)
Kelly Hu (X-Men 2)
Olga Fonda (Real Steel)
Janina Gavankar (True Blood)
Rick Cosnett (The Flash)
Shaun Sipos (Final Destination 2)
Colin Ferguson (A Town Eureka)
Penelope Mitchell (Hemlock Grove)
Jodi Lyn O’Keefe (Halloween: H20)
Emily Chang (Total Recall)
Chris Wood (Supergirl)
Annie Wersching (24)
Elizabeth Blackmore (Evil Dead 2013)
Scarlett Byrne (Harry Potter)
Teressa Liane (Neighbours)

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HAUNTED

Vicki attacks Tyler but Damon and Stefan stop her, and Damon compels Tyler to forget it all. Jeremy tells Elena that he will be joining the search party for Vicki. Vicki calls Matt and tells him she’s okay. Stefan tries to get Vicki to drink animal blood, but Damon convinces her that she needs human blood instead. Elena arrives and Stefan promises her that he will get through to Vicki.  Bonnie talks to her Grams about witchcraft before she leaves for school. Damon overhears Richard and Carol discussing the vampire in town. Caroline gives Bonnie Damon’s crystal and tells her she doesn’t care what she does with it, as long as its gone.
Image result for THE VAMPIRE DIARIES hauntedStefan gets Vicki drinking coffee and leaves briefly. Vicki tries to call Jeremy, but Elena refuses to let her, so Vicki pushes her against the wall and threatens to kill her unless she lets her see Jeremy. Stefan assures Elena that Vicki will calm down eventually. Damon tells Vicki that he only turned her because he was bored. Damon and Stefan take Vicki outside and Damon teaches her how to use her super speed. Vicki uses it to escape. She goes home where Matt’s happy to see her. Stefan shows up, looking for Vicki, but she doesn’t want to see him so Matt sends him away. Elena convinces Jeremy to attend the Halloween Party with her and tries to convince Jeremy to let go of Vicki. He and Vicki text each other and plan to meet up at the party.
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Damon flirts with Carol to get information. He tries to compel her, but she’s wearing vervain. She tells him about the Founder’s Council and he offers to get vervain for her when he explains that Zach is out of town. She tells him that anybody who showed up during the day to the Founder’s Party and Heritage Display was eliminated as a suspect of being a vampire. At the party, Matt tells Elena that Vicki’s with him and she realizes that Jeremy’s gone. Stefan finds Vicki and confronts her. Elena and Matt find them and Vicki tells Matt that Stefan won’t leave her alone. Vicki escapes, and Stefan tells Matt that he’s trying to help Vicki. Vicki finds Jeremy and they kiss. Damon discovers Bonnie has his crystal, but when he tries to take it from her, it burns him. Elena finds Vicki and Jeremy kissing outside just as she loses control. Annoyed by Elena, Vicki bites her, and Stefan arrives and stakes her.  Grams tells Bonnie that the crystal belonged to her ancestor and a very powerful witch, Emily Bennett. Grams tells Bonnie that it is now hers and she has to protect it. Elena, blaming Damon, slaps him. Matt asks Elena if she’s seen Vicki, but she says she hasn’t, calls him a good brother, and then cries in her car.
Wen Elena gets home, she comforts Jeremy over Vicki’s death and he begs her to “make it stop”. Stefan arrives and Elena asks him if he can compel Jeremy to forget that Vicki died, but he says he isn’t strong enough. Damon then appears and volunteers to do it, asking Elena what she wants Jeremy to remember. She tells him to make Jeremy believe that Vicki left town, he’ll miss her, but knows its for the best. As Damon compels Jeremy, Elena explains her existing feelings for Stefan to him, but when Damon exits the house, she walks back inside alone.
In the earlier episodes, I wasn’t that into Vicki as a person, but when she became a vampire, I was looking forward to seeing her evolve, so to speak. Now I’m sad that they’ve killed her off. Not only that, but it was fun watching Stefan and Damon coach her on what it means to be a vampire, each in their own unique way.

MASQUERADE

The episode starts with Damon handing a stressed-looking Caroline a glass of blood to comfort her. Stefan arrives and asks them what happened. Caroline tells the Salvatore brothers that she was confronted by Katherine at the Mystic Grill. There is a flashback to when Caroline got to the Grill. She runs into the bathroom after an embarrassing encounter with Matt. In the bathroom, Katherine suddenly appears behind her. Caroline pretends to think it’s Elena, and Katherine pretends to be her at first and asks her if she is okay. Caroline plays along for a bit, until she runs to the door in vampire speed to escape, but Katherine anticipated it and is able to block her. She asks her to deliver a message to them and says: “Tell Damon and Stefan that I want the moonstone, or I will rip this town apart until it rains blood.” She then instructs her that the deal is to go down that evening at the Masquerade Ball. Damon assumes that she got scared, noting that what she did to Jenna in the previous episode was desperate. Stefan states that they can’t underestimate her. Caroline suggests giving Katherine the moonstone, but Damon says “No, Katherine isn’t getting dick!” and explains that he’s going to kill Katherine at the ball. Stefan interrupts, saying that Damon wouldn’t be killing Katherine because he is going to do it himself. Meanwhile, Matt, Elena and Jeremy are bringing Jenna home from the hospital. It is revealed that Jenna was told that she ran into a knife while making dinner, even though in reality, Katherine had compelled her to stab herself earlier. Jenna  is embarrassed about it, but they all soothe her by telling her it was a freaky accident. While Jenna is resting, Jeremy and Elena are alone together and he asks his sister what they are going to do about Katherine. Elena says they’re not going to do anything. She believes that Katherine hurt Jenna because she was still with Stefan and now that they’re broken up, they’re safe. Jeremy tells Elena she is being naive and walks away.
Katherine returns to her room at Mrs Flowers’ Bed and Breakfast, and she helps her get comfortable by bringing her shopping bags. When she leaves, Katherine starts to take a dress out of one of the bags when suddenly, a woman (a witch named Lucy) slinks into the room. Katherine hears her and runs to her in super speed and presses her against the wall, scolding her to not to sneak up on a vampire. Lucy replies: “Don’t attack a witch! .. It’s good to see you, girl.” They hug. Lucy says that she came because she asked her. “Like you had a choice,” says Katherine. She tells Lucy about the Masquerade Ball and asks her to come with her and she smiles. Caroline opens the door of the Salvatores’ house and Bonnie comes inside, holding the Grimoire in her hands. Alaric and Damon are seen in the background looking at weapons. Jeremy is also there and tells Bonnie: “We’re gonna kill Katherine”, when she asks what everyone is doing. Bonnie gives them a puzzled look, to which Stefan says “Let me explain…okay, we’re going to kill Katherine.”. Bonnie looks shocked. Stefan walks over to Damon and Alaric, the latter of whom is explaining how to use each weapon. Cut to Katherine straightening her hair and talking to Lucy in a snide tone: “I’m impersonating my dull-as-dishwater doppelgänger, Elena. She has the worst taste.” Katherine says she became quite good at pretending to be Elena. She says she wants the moonstone and that she wants Lucy to help her. When she asks her what she wants to do with it, Katherine doesn’t answer. “You want me to break the curse,” assumes Lucy. “Let’s just get it first,” Katherine says, “What I really need is backup. I can’t imagine that Damon and Stefan are just gonna hand it over without putting up a fight.”
Bonnie tells Stefan that their plan is risky. Stefan clarifies that it’s about more than wanting Elena back, that what Katherine did to Jenna crossed the line and that she needs to be stopped before it happens again. Bonnie is still not quite convinced, but reluctantly says she could do a spell to trap Katherine, similar to the tomb spell. Meanwhile, Elena is at her house with Matt. She tells him that Alaric will be coming over to spend time with Jenna. She invites Matt to join them, but he tells her that he’s going to the Masquerade Ball. Elena responds that she’s not going because of what’s going on between her and Stefan. Matt tells her that he’s going because there’s something he has to do, but won’t go into detail. She looks suspicious, but tells him to go and have fun. When Matt brings up Stefan, Elena says she doesn’t think they’re going to get back together: “There is so much about me and Stefan that will never work.” Matt says that he’s always there for her and they hug. At the Salvatores’ house, Alaric, Stefan, Damon, Jeremy, Caroline and Bonnie, get ready to go through with their plan. Alaric asks if they’re sure that they don’t need his help at the ball, but Stefan says: “No. I need you to stay with Elena, I don’t want her to know about this.” Alaric promises that he’ll look after her. When Stefan asks if anyone wants to back out, no one wants to. Caroline states that Katherine killed her and that fair is fair, but it takes Bonnie longer to reply; in the end, she says she is in as long as nobody gets hurt (except Katherine, anyway). At the Masquerade Ball at the Lockwood Mansion, artists are seen doing tricks with fire and people in masks are watching. Inside in the office, Tyler is getting ready. His mother, Carol, tells him it’s already packed outside. Mother and son compliment each other on their looks. Tyler apologizes for his past behavior and asks his mother about Mason. She says she hasn’t heard from him and doesn’t think she will. Carol mentions that the Masquerade theme was her late husband’s idea. She says that they both loved him and that “it’s natural to feel abandoned. I just don’t want you to feel alone.” They decide to go outside and pretend to have some fun.

Katherine and Lucy arrive in masks. She runs into Matt and he thinks it’s Elena. Katherine compliments him in his suit. She compels him, saying: “Do you know what you have to do?” Matt answers: “I’m going to get Tyler Lockwood really drunk. I’m going to start a fight with him and beat him until he snaps.” “And then?”, asks Katherine. “I won’t stop until he kills me,” says Matt. Katherine then asks him to leave. Stefan is outside looking around when Damon comes to him from inside the mansion. Neither brother has seen Katherine yet. They play mind games on each other about loving Katherine and whether one of them will or will not hesitate to kill her. Sarah and Aimee are inside the office dancing with each other, and Matt and Tyler are there too, drinking and talking. Tyler says he likes that for once, it’s Matt corrupting him and not the other way around. “Okay, let’s go party,” says Aimee and Sarah and the guys follow her. Jeremy is seen going upstairs with a bag in his hand, followed by Bonnie. They enter a room, which Bonnie exclaims is perfect for what they need to do. Jeremy opens the bag and they take out weapons and Emily Bennett’s Grimoire. Bonnie explains the spell to Jeremy. When he asks her about her magic, she explains that she doesn’t want to know too much, and that she’s only practiced spells that do good. She then admits that she doesn’t really like any of this supernatural drama and doesn’t really want to be a part of all of this. When Jeremy says being a witch must be cool, Bonnie says it’s anything but that because of what she knows about what happened to her witch ancestors: “It never ends well for people like me.” She says she only helps because she doesn’t want anyone else to get hurt and that she doesn’t know how to stay out of it. Jenna and Elena are at home eating pizza. Jenna says she feels like an invalid. When Elena asks her aunt where Jeremy went, she says that he went to the Lockwood party, which surprises Elena. Jenna says that she’s glad he’s having some fun. Elena, suspicious, pretends to go get napkins, but actually goes into the kitchen to talk to Alaric. She tells him that she feels like everyone is avoiding her and wants to know what’s going on. Alaric says that he can’t tell her anything, but when Elena suggests that maybe she should go to the ball after all, he clearly has a problem with it. He tries to deflect by telling her that he’s supposed to keep an eye on her in case Katherine shows up and tries to hurt her while everyone else is at the party, but she just gets more confused and upset, saying that Stefan would never go to any of the Mystic Falls events by himself, because he only attended them for her. Alaric tells her to drop it, and she appears to go along with it.
Jeremy and Bonnie go to tell Stefan that the room is ready, but on their way, Bonnie gets a strange feeling and walks over to Lucy to ask if they know each other. Lucy deflects by saying that she’s a plus one and knows no one and quickly takes her leave. “Are you okay?” asks Jeremy and Bonnie answers: “Just got a weird vibe. Let’s find Damon.” Outside, Stefan is seen, still looking around, until he finally eyes Katherine and walks towards her a little. Suddenly, she shows up behind him and asks him to dance with her. When Stefan refuses, Katherine asks him to choose someone at the party for her to kill instead. Stefan finally agrees to dance with her. Katherine tells Stefan she didn’t expect Jenna to survive, acting innocent, asking: “How does one stab oneself?” Stefan tells her he doesn’t want anyone to get hurt tonight. Katherine agrees and says: “Just give me the moonstone.” He tells her that he doesn’t have it on him, and tells him they would have to get it together. Katherine, who expected this, simply says “Or, you can go get it by yourself and bring it here, and I will try not to kill anyone while you’re gone.” Stefan then says: “My way or you don’t get it.” They are interrupted by Aimee Bradley, asking Stefan where Matt is. When she sees “Elena”, she compliments her and her dress. Katherine thanks her and tells her she loves her necklace. She says it’s twisted, pretends to go fix it, but instead cracks her spine, paralyzing her from the waist down, followed by another crack that kills her. Then she says: “The moonstone, Stefan. Tick tock!” and leaves, leaving dead Aimee in Stefan’s arms to deal with. Back at the Gilbert house, Elena tells Jenna and Alaric she’s going to bed, but she instead grabs a key and sneaks out the door to go to the Lockwoods’. Stefan tells Damon that he left the body in the trunk for now. Damon says they’ll dump it later and writes it off as collateral damage. Stefan says that this is why they just need to call the whole thing off, but Damon convinces him to change his mind again, saying: “What? Who’s hesitating now? Hey! Don’t do this to me. This woman ruined our lives, she destroyed us. Tonight it ends. We can do it together. I got your back. Alright?” Stefan reluctantly agrees. Jeremy and Bonnie are outside and Jeremy asks her random questions. “Can you do a hocus pocus to pass a math exam?” “I don’t know that spell.” “Huh. That would be the first one I’d learn. Or a sex spell or something, I don’t know.” He asks her to dance while they are waiting, and Bonnie says “No!”, like it is a crazy idea. Jeremy chuckles and plays it off well, and Bonnie says: “I mean… no, thank you.” Jeremy’s phone rings. He received a message from Damon, saying: “Now.” They look at each other and Jeremy stands up. Lucy catches up with Katherine, saying: “You didn’t tell me there was another witch here.” Katherine plays dumb, but Lucy says that no one was supposed to know that she was involved in this. Katherine says she owes her dear friend – meaning herself – a favor. Jeremy appears, pretending to think that Katherine is Elena. He asks Lucy to let him talk to his sister alone and she leaves. He drops the act and tells her that Stefan and Damon want to meet her at the edge of the lake by the woods and that they brought the moonstone. She asks him why he’s doing the Salvatores’ bidding, and he responds that he’s not afraid of her. She jokes that the Gilbert men are so courageous and reminds him how she cut off John Gilbert’s fingers. She finally leaves, and Jeremy is texting when suddenly Elena pulls him behind a bush. She asks him: “What the hell is going on?”
Caroline sees Matt laughing and drinking with Sarah. Tyler appears and wants Matt to go somewhere with him, when Matt sees Caroline. They smile at each other for a moment, but Matt leaves. She receives a message from Jeremy saying: “Your turn.” She goes into another room. Katherine appears and presses her to the wall, throttling her. She asks her what Stefan and Damon are up to, and Caroline purposely pretends not to know anything. She finally admits that they’re trying to kill her. When Katherine asks for the moonstone, Caroline tells her that Bonnie has it and also tells her – after another bit more throttling – that she’s upstairs. Elena is shocked to find out that they want to kill Katherine there. She tells Jeremy and Bonnie that they’re crazy and that they’ll get themselves killed, especially Jeremy, who she doesn’t want to be involved in this sort of thing in the first place. Bonnie says they know what they’re doing, and Jeremy explains that they saw an opportunity and had to take it; he also adds that Katherine went after Jenna and needs to be stopped, and that he’s involved regardless of whether he wants to be or not. Caroline is whining while Katherine pulls her upstairs with her. She tells her in which room Bonnie is, and Katherine walks into it, asking: “Where is she?” She turns around and sees Caroline smiling before saying: “I did it. I didn’t think I’d be able to fool… you, but… I did it.” Katherine tries to run towards her, but is being held back by the trapping spell Bonnie cast earlier. Stefan appears in the room, and Caroline leaves. She taunts Stefan, asking him if he really thinks that he can kill her with the stake in his hand, and he just smiles and says no before adding “But he can.” as Damon comes out of the closet and shoots a stake out of a crossbow into her back. As the stake impales Katherine, Elena is seen screaming outside, with a blooming red bloodstain on the back of her shirt. Damon stakes Katherine in the deltoids, and Elena screams in pain again, blood blossoming from the same spot in the same arm. Everywhere Katherine gets hurt, Elena feels the same pain and gets the same wounds. Bonnie finally realizes that the doppelgängers are linked to each other and yells at Jeremy to run and stop them before they kill Elena on accident. Katherine, Stefan and Damon continue fighting, and when Damon is just about to drive the stake through Katherine’s heart, Jeremy appears and yells: “Stop! You’re hurting Elena! Everything you’re doing to her is hurting Elena.” Damon looks confused and shocked at him, his arm frozen in mid-air. She gets up and says: “You think you two were the only ones with a witch on your side? Wrong. Something tells me that my witch is better than your witch.” Stefan tells Jeremy to check on Elena and he leaves. “Let’s all make sure poor Elena’s okay,” Katherine mocks, and starts to cut her palm with the stake just to hurt Elena even more. Katherine is about to stake herself in the stomach when Stefan stops her. Bonnie tells Elena that she can’t undo the linking spell, but that she can do a spell to take some of the pain away. Jeremy comes back to Bonnie and Elena and tells them Katherine has a witch on her side. Bonnie realizes it’s Lucy, the mystery woman she got the vibe from, and runs away to find her. Jeremy offers to give Elena his Gilbert Ring in case they try to kill Elena through Katherine, but Elena prefers to know that Jeremy is safe. Katherine reminisces about the old times in 1864 to the Salvatores, making snide comments about what a bore Damon was back then and how much of an inconvenience his obsession with her was. Stefan asks Katherine why she was working with a werewolf (Mason). Damon tells him not to waste his breath, mockingly apologizes about killing Mason and Katherine explains that Mason isn’t the only wolf in town.
Sarah asks Matt and Tyler what happened to Aimee, and the boys don’t know. Matt purposely spills alcohol all over the floor of the office and over a picture of his deceased father. Tyler asks Matt what’s wrong with him. He gets Tyler mad by saying mean things about his father and bringing up the times that his dad beat him, and breaks the frame of the picture. Even though Tyler says: “I’m not gonna fight you”, Matt makes the first move and they start fighting anyway, Matt because he is compelled to, and Tyler in order to defend himself. Caroline walks through a room, still smiling about her achievement, when she hears Tyler and Matt fighting in the office. She runs into the room, asking what’s going on. She pulls Matt far away from Tyler. When Matt still won’t stop, Caroline elbows him in the face and knocks him unconscious. Tyler looks at her, shocked about her strength. She immediately looks if Matt is okay. Meanwhile, Sarah grabs a knife, muttering: “If Matt fails, I can’t.” Caroline sees her coming and starts to warn Tyler, but it’s too late; Sara stabs him in the clavicular area with a knife, and he instinctively pushes her away. She falls backwards, and her head hits the edge of the desk and cracks her neck, dying immediately. Tyler is shocked and doesn’t know what to do when Sarah doesn’t wake up. Caroline checks her pulse and realizes she’s dead. Tyler freaks out, starts screaming in pain and his eyes change colors, signifying the werewolf curse being triggered. Damon, Stefan and Katherine are still waiting for Katherine’s witch, Lucy. Stefan realizes something. He remembers that she told him that she gave George Lockwood something that he needed to make him help her fake her death. He figures it’s the moonstone. He wants to know why she needs it back, but Katherine just changes the topic and says: “I love you in a suit. So dashing.” Meanwhile, Stefan figures the moonstone wasn’t hers to begin with and asks who she was running from in 1864 when she faked her death. She changes the topic again, saying that in 1987, while Stefan was in a concert with Lexi, she was there to see him. Stefan asks her again who she was running from and she just whispers: “I love you.” Bonnie finds Lucy. She walks away when she sees her, but Bonnie follows her. She tells her her first name and says: “I should’ve known I’d run into a Bennett.” Bonnie wants to know how she knows her. She says she doesn’t want to fight her and that she will stop the spell that links Elena to Katherine if she gives her the moonstone. Lucy finally tells her about Katherine: “The bitch saved my life. And now I owe her.” She’s about to leave, when Bonnie grabs her arm. Lucy senses that Bonnie has the moonstone on her. “Can you feel that?” she then says, “You can trust me. Give it to me. It’s okay.”
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Upstairs, Damon is about to kill Katherine with a stake, but Stefan holds him back. Damon says: “The second the spell’s lifted, I’m gonna drive a stake right through your heart.” Katherine isn’t scared, just says: “God, you’re hot.” Lucy appears and gets their attention. She has the moonstone in her hand and tells Katherine that the spell is broken and that she can leave. “When I hand this over, my dept to you is over,” says Lucy. “I owe you nothing.” Katherine agrees and she gives it to her. Then suddenly Katherine starts gasping and falls. “You should’ve told me another witch was involved,” says Lucy. She also says that Elena is fine and that the spell is broken and explains that with Bonnie with her, she will heal quickly. She apologizes for her involvement to the Salvatores and leaves. Caroline explains a different version of how Sarah died to Carol. After she leaves, she tells Tyler that Matt is in the car sleeping it off. Tyler asks her why she is covering for him. He says she doesn’t know what it means that Sarah’s dead. Caroline says she does, but Tyler shakes his head. She asks if his wound has healed and he asks: “How did you…?” Lucy is walking away from the house and Bonnie asks her to wait. She apologizes and makes it pretty clear that she is not more of a fan of vampires than Bonnie is. She asks Lucy how she could know she could trust her, and Lucy responds by asking her if she’s ever felt that feeling before. Bonnie says that she has felt it before around family and her Grams. Lucy says that they’re cousins. She says seeing her was a wake-up call, that she has to stop letting vampires control her. She thanks her and leaves. Bonnie asks her to wait again, saying she has so many questions and that she doesn’t want to be in the middle of all of this either and asks her how to stay out of it. Lucy says: “Unlike me, you’re one of the good ones, Bonnie. The middle of it is exactly where you need to be.” She tells her to take care and that they’ll see each other again and finally leaves. Bonnie looks after her. Jeremy walks over to her, saying he’s going home and offers her a ride. He sees her face and asks if she’s okay. She nods, giggles, and asks him when he got his driver’s license. Jeremy laughs and tells her he’s not a kid anymore. She says she’d love a ride home. Stefan sees Elena outside. She promises she will see a doctor about the wounds, but assures him that she’s okay. She asks if Katherine is really gone. Stefan nods. They smile at each other. Stefan says he was so worried and comes closer to her, but Elena moves him away. “Katherine being gone, it doesn’t change anything for you, does it?” he asks. “I wanna be with you, Stefan,” she says, “You know that. But first, I need to wake up and know that the people that I love are safe. I need to feel safe. Do you understand?” Stefan says he does, even though he looks sad. Elena slowly walks away. Katherine is seen waking up. She is in the tomb, but still has the moonstone. She wants to get out, but she is trapped in the tomb by a new trapping spell. Damon appears outside of the tomb. When she asks him where she is, he says: “Where you should have been all along.” She says he should have just killed her, but he retorts that death would have been too kind. Damon is almost done closing the heavy door to the tomb when Katherine pleads: “No. Damon, don’t. Damon. Don’t. You need me, Elena’s in danger.” Damon stops for a moment and furrows his brow. “From who?” he asks. Katherine refuses to answer. “You’re lying,” Damon says, “You’re always lying.” Damon closes the door further. “Why do you think I haven’t killed her?” asks Katherine. “Because she’s the doppelgänger! She needs to be protected.” “Then I’ll protect her,” says Damon, “While you rot in hell.” As he finally closes the door, Katherine starts screaming and begging desperately: “No. Damon, don’t. I’ll do anything, please, Damon, you need me. You need me. You need me!” She bangs her fist against the door and screams “You need me!” again, but Damon walks away, but not before swallowing hard.
Elena is in the driveway at the Lockwood’s and is on the phone with Jeremy. “Yeah, Jeremy, I’ve got my car. I told Bonnie, whatever she did, I’m starting to feel better. Yeah, you can drive her home. I’m just gonna go straight to bed. Okay.” She hangs up and suddenly, a masked man appears behind her. Elena realizes someone’s following her. She turns around and the man places his hand on her mouth so she can’t scream and carries her away. It is somewhat surprising that Katherine has been defeated this early in the season, but I am not complaining. The Vampire Diaries moves quickly, and it is better to move on before Katherine becomes one of those tiresome villains who can never be defeated. Although the show is wise to keep her alive; she hints that Elena is still in danger and that she has some information. I’m sure we will be getting back to Katherine and her information sooner or later.
GHOST WORLD
 Damon is seen tied to a chair with chains, and a poker in his chest. He notices his ring is on the ground, and tells Stefan that’s a low blow; Stefan comes in, telling him he didn’t do any of that. Stefan plucks the poker out, and rips off the binds on his hands, but leaves him chained. Mason, standing in the shadows, opens the curtains and lets Damon burn for a while. It is the Night of Illumination in Mystic Falls and everyone is helping out, hanging paper lanterns. Carol Lockwood introduces Tobias Fell, who gives a history lesson. Jeremy asks Alaric what they are doing there, where Alaric explains Tobias is the head of the history department, and why he’s there. Elena joins them and asks what she has missed, Anna (who is tethered to Jeremy still) gives a witty reply which Elena can’t hear, but Jeremy said she missed nothing. He laughs at something Anna says, which confuses Elena. Anna smiles, and takes Jeremy’s hand. Caroline asks Bonnie whether the spell she did would make Anna disappear too, which she replies no and explains Jeremy still has a direct line to the Other Side, and could see Anna whenever he wished. Bonnie says she took a risk bringing Jeremy back, and was now paying the consequences for it. Damon arrives in his car, and tells Bonnie that she messed up during her spell because Mason Lockwood is now after him for revenge.
At the Mystic Grill, Elena asks for Jeremy’s help with Stefan, wondering if he could contact Lexi—an old friend of Stefan’s that always had a way to bring him back from his ripper ways. Jeremy said he’s not sure if she’s even on The Other Side and he had no previous connection to her whatsoever. Bonnie asks Matt whether he’s contacted Vicki again, and he swears he hasn’t. Caroline asks why she thinks it’s Vicki and not Mason, to which she replies that if any other ghost has a foothold, something is very wrong. Bonnie grabs her bag, but her grimoire falls out, and it flips open to a Manifestation spell, used to reveal veil matter – ghosts. Alaric is not too comfortable with the idea of bringing back dead vampires, seeing as they already have enough vampires as it is. Anna silently tells Jeremy that not all ghosts go to the other side, that some find peace. Stefan joins them at the table, picking up his diaries, wondering how he could have cared so much. Stefan tells Elena it would be better if she moved on and let go of her feelings for him. At the place where the witches were burned, Bonnie and Caroline start setting up to do the Manifestation spell. Jeremy questions Anna why she didn’t want Elena to know that she was there, and Anna replies that she wouldn’t like it, seeing as Bonnie is Elena’s best friend. Jeremy is extremely confused with his feelings, tells Anna he always loved her, and kisses her.
Bonnie does the spell, and Grams appears to her, holding her hands – all over town, ghosts of previous vampires start to appear. Elena walks in on Jeremy and Anna kissing, finally being able to see her again. Lexi appears to Stefan who’s shocked. Mason appears to Damon and Alaric at the Grill, and knocks him over the head with a glass. Lexi tells Stefan he’s off the rails, and that while she’s materialized in the real world, she’ll help him out of his mess. Lexi knocks Stefan unconscious after he refuses her help. Bonnie is emotional at seeing her Grams. Sheila tells Bonnie that the Original Witch unleashed everyone who had unfinished business – she has to close the “door”, by destroying the talisman of the Original Witch. Anna overhears Caroline and Elena on the phone talking about the necklace, and she disappears. Elena walks out and bumps into Lexi, where she thanks her for thinking about her that day, bringing her back. Lexi tells Elena to come with her, as she could help Stefan. Mason tells Damon he’s not after revenge, but an apology. The truth is he’s there to help Tyler. Mason heard of a way to be able to kill an Original, and that the secrets are in the old Lockwood basement. In the City Jail, Lexi has tied Stefan to the torture chair. Lexi looks at Stefan in the eyes and gets inside his head, making him hallucinate. Damon goes to the basement where Mason is waiting for him, and they break through a wall, which reveals a tunnel, which they start to climb through.
Stefan is starting to struggle, screaming to get out and Lexi starts to count the total years he’s been without blood as he’s hallucinating. Caroline calls Elena and tells her the necklace isn’t where Damon said it would be. Elena says they should hold off on stopping the ghosts, and they need to help Stefan. Jeremy is shown to be searching for Anna. Frederick walks over to where Anna is standing in the celebrations, saying they have some unfinished business with the Founding Families. A scream erupts and Tobias Fell is shown, dangling from a tree, dead. Stefan is starting to beg Elena to release him, he’s sorry and that he loves her. Lexi warns her that he’d say anything to get out of there. She goes on to say that he’s now getting past the blood and he could feel things – she demonstrates this by stabbing him on the arm. Elena rushes off, not being able to handle it. Walking around the corner, she is greeted by ambulance lights and a body being taken away. Caroline and Bonnie are still searching for the necklace, but can’t find it anywhere in the Salvatore house. Caroline gets a suspicion that Anna could have perhaps taken it, and asks Jeremy about it. Anna tells him no. Back in the caves, Mason is leading Damon through the tunnel. Damon walks forward and is struck by stakes, puncturing him in the sides
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Elena confronts Jeremy about Anna being missing, and that she was the only one who knew about the necklace being needed to send the ghosts away. Jeremy fesses up and tells Elena he can touch Anna, and that he loves her and always will. Elena asks him whether he will love a ghost for the rest of his life. Anna reappears and Elena tells her she’s holding Jeremy back. Anna holds up the necklace for them to see, and Elena instructs Jeremy to call Bonnie with the news that they have the necklace and can send the ghosts away. Mason comes back to Damon and breaks off the stakes. Damon can’t believe that Mason isn’t after revenge, but redemption. Mason only wants to help Tyler. Bonnie and Caroline drive back to the Witch House, but see Carol Lockwood’s car and the tomb vampires approaching it. Caroline gets out and attacks. Jeremy tells Anna that they will still be able to see each other afterwards, and that they have nothing to worry about. Anna says that it should be the end, and that she is holding him back from his life. She is sorry she took the necklace, but hoped that with the tomb vampires out, maybe she would get to see her mother. Lexi repeatedly stabs Stefan with a stake – Elena enters and tells her they are running out of time, and the necklace will be destroyed. Lexi uses the necklace as determination, telling Stefan to focus on that as it once gave him hope. Damon cannot get into the small cavern, as it somehow looks like he has to be invited in. Mason goes on ahead of him to look at the cave walls. Bonnie starts to recite the spell, and her Grams joins her, resulting in the necklace being destroyed in the fire. Caroline is seen fighting off the tomb vampires. Frederick gets a hold on her neck, but he disappears, along with Mason in the cave and Lexi at the city jail. Anna sees her mother, Pearl, and they embrace, disappearing together, finally able to rest in peace. Grams is the last to disappear, telling Bonnie she is very proud of her. In the caves, Alaric arrives to help Damon out. Damon again gives the same apology he gave Mason Lockwood, but genuinely meaning it. In the city jail, Stefan asks Elena what she’s gonna do now and if she’s gonna wait till he dries out. Elena says that she’ll go home and be the support her friends need right now. She’s is headstrong and still has hope for him. Elena comes to stand right in front of Stefan, telling him to fight for it, to feel something, because if he doesn’t, he will lose her forever. “I won’t love a ghost for the rest of my life,” she says to him. Jeremy goes to Bonnie, telling her he is sorry. She sends him away, not being able to handle his betrayal. Noises and sparks erupt from the fireplace, and on closer examination, Bonnie sees the necklace’s quality is restored. In the cave, Alaric finds drawings on the wall, yet doesn’t know what they are.
All of the ghosts’ disappearances were handled well, from the heartfelt reunion of Anna and Pearl, or Mason, Grams and Lexie leaving after accomplishing what they needed to do, to the tomb vampires vanishing just in time before they overwhelmed Caroline.

MONSTERS BALL

After Professor Wes Maxfield (Rick Cosnett) killed Jesse (Kendrick Sampson) at the end of the last episode, this episode starts with him performing experiments on Jesse for unknown reasons and it seems that this is not the first one. Meanwhile, Elena (Nina Dobrev) attempts to deal with Bonnie’s (Kat Graham) death by distracting herself with her research about Megan’s death and why Professor Maxfield covered the reason she died. While she ponders how to get the information she needs, she sees someone at Megan’s grave. She approaches the stranger and asks him his name and if he knew Megan, but the man seems reluctant to answer her questions. It is later revealed that the man’s name is Aaron (Shaun Sipos) and Professor Wes is his guardian. Wes asks Aaron to stay away from Elena and then, on an encounter with Elena at the Whitmore Historical Ball, he tells her to leave college and go back to Mystic Falls with her friends as there are people at Whitmore who are watching her. Tyler (Michael Trevino) returns for Bonnie’s funeral and spends some time with Caroline (Candice Accola) who still tries to convince him to cease what he is doing and come to college. Tyler informs her that he cannot let Klaus get away with what he did to his mom, Carol, and that he will hunt him down and kill him. Caroline tries to change his mind with no such luck. The two part ways, ending their relationship.
Nadia (Olga Fonda) still has Katherine captured and Silas (Paul Wesley) commences to try to find them but is unable to without his mental power. Katherine consistently asks Nadia what she wants from her and Nadia reveals to her that she is her daughter whom she left behind in 1492 and the only reason she became a vampire was to find her. In the meantime, Damon (Ian Somerhalder) tells Jeremy (Steven R. McQueen) his plan about how they can bring Bonnie back to life. Because someone has to die to bring another back, Damon says that they should take advantage of the fact that Silas wants to die to be with his true love, Amara, so that Bonnie comes back. They have to work with Silas to do so and Bonnie does not agree with the idea. Damon meets Silas to inform him about his plan and Silas agrees but own his terms; he wants Damon to “kill” his brother. By “killing” Stefan, the link between the two of them will be broken and Silas will have his mental power back. Damon just has to keep Stefan “dead” as long as Silas will be pretending to be Stefan so he can get the information he needs from Quetsiyah’s (Janina Gavankar) head.
The plan goes well until the moment Stefan escapes from Damon before he “kills” him again and lets Quetsiyah know that she is talking to Silas and not him. Quetsiyah becomes enraged, reaches into his heart and twists it whilst making a spell causing it to stop. The spell turns Silas cold and grey and unable to move or do anything, but not dead. Damon and Elena find him and take him back to the Salvatore house. Katherine arrives at the Salvatore home after Damon calls her and she is happy to see that Silas is gone, unbeknownst to the real reason Damon called her, to use her to bring Silas back. Silas starts to wake up after feeding on Katherine and while Katherine should be dead after this, she also wakes up with Elena and Damon not knowing why.
Though not the most surprising or action packed episode of The Vampire Diaries, “Monster’s Ball” was full of enough emotion to overshadow these minor missing elements.
THE WORLD HAS TURNED AND LEFTED ME HERE
Trip (Colin Ferguson) calls Stefan (Paul Wesley) to thank him for turning in Enzo (Michael Malarkey) and informs him that he is trying to get out of him all the information he knows about vampires. Enzo told him that there is a vampire in Savannah, where Stefan is, and that leads Stefan to get back to Mystic Falls with Ivy (Emily C. Chang) to avoid the vampire hunters. Stefan arrives at Caroline’s (Candice Accola) dorm and asks her help with Ivy. Caroline tries to keep Ivy in the dorm but Ivy snaps her neck and gets away. When Caroline wakes up, she tries to reach Stefan while she is out searching for Ivy, but he is not answering his phone.Ivy finds a guy and attacks him but she manages to stop feeding on him before she kills him. She tries to compel him but she does not know how to do it. To make sure that she will not kill him, she asks him to run away. In the meantime, Stefan listens Caroline’s messages and comes back. When Caroline asks him where he has been all day, he admits that he was on his way out of town. Caroline is shocked that he would leave town leaving Ivy with her. Angry, she asks him to leave and then Ivy calls for her help.
Elena (Nina Dobrev) invites Liam (Marco James) to the annual “Homecoming Corn Maze” party as her date. She also convinces Alaric (Matt Davis) and Jo (Jodi Lyn O’Keefe) to go since they both need it but they have no idea that Elena planned it this way to set them up. While everyone being in the corn maze, the guy that Ivy attacked jumps in front of Tyler’s (Michael Trevino) car and Tyler, on his attempt to avoid him, drives through the corn maze injuring many people, including the guy who jumped in front of him. Tyler is terrified and calls Elena to tell her that he was the one driving the car and she needed her to heal the person he injured. Elena tells him that there are many injured people and Tyler does not know what to do.
Jo and Alaric try to help those who got injured while Liam and Elena do the same. Liam finds a girl who is deadly injured and asks Elena’s help. Elena tells him that she can handle it and he should go to help others. When Liam leaves, she feeds the girl her blood healing her and then compels her to forget about it. On their way out, Liam sees the girl alive and well and gets suspicious of what happened. When he asks Elena about it, Elena denies to tell him the truth and kisses him as a distraction.  Meanwhile, Liv (Penelope Mitchell) finds Tyler and tries to help him. When they find out that there is nothing they can do to save him, Tyler is desperate since his curse will be activated again, but Liv decides to kill the guy before he bleeds to death, so she will be the one who killed him and not Tyler. Back at the hospital, Jo confess her feelings to Alaric but Alaric compels her to forget about him. The compulsion though does not work on her and Jo kisses him before she leaves. Caroline is on her way to find Ivy but Tripp gets to her before Caroline. He shots her with vervain and takes her away while Caroline watches from her car in shock.
Back in 1994, Damon (Ian Somerhalder) tries to convince Bonnie (Kat Graham) that it is fine to take Kai (Chris Wood) with them because they will kill him the moment they go back but Bonnie does not agree to free him. When she realizes that Kai does not know the spell, she kills him and tries to find the spell on her own in her grandmother’s Grimoire. Bonnie finds the spell and she and Damon get ready to get back home but Kai, who did not die, appears and shoots Bonnie with an arrow. Damon and Kai start to fight and when Bonnie realizes that she will not make it, she uses her magic to at least send Damon back leaving herself behind with Kai.
The episode ends with Stefan going to the Salvatore crypt and talking alone about his dead family and Damon. While he is there, Damon appears telling him he is alive and back and the two brothers reunite.
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The episode was pretty solid and took viewers on emotional journey filled with ups, downs and some shocking twists. Also it had a nice cliffhanger with the fate of several characters in question.

I CARRY YOU IN MY HEART WITH ME

Damon said goodbye for now to Elena during “I Carry Your Heart With Me,” and Alaric said hello again to Jo.That’s right, ladies and gentlemen. The Phoenix stone works! It’s unlikely that this resurrection spell is going to come with no consequences. Resurrection spells, messing around with the laws of life and death, never come without their issues in this world. But that’s okay. We’ll deal with that later. Thanks to the flash forward, we know that the Phoenix stone resurrected not just Jo but also their girls. Twin girls. The Gemini coven has been reborn. Maybe they’ll figure out a way to prevent that whole twin-absorption merging thing that caused a lot of family drama, but if not, my money’s on Josie being the stronger of the two.

The Vampire Diaries -- I’m still not buying that Enzo is in love with Lily and wants to be with her romantically. I think it’s a ploy of his to stay in Mystic Falls and keep whomever happens to wander into town safe. Sure, he brought home a body, but that was more of a peace offering for Valerie than anything, right?

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He’s smart to want to know about Julian and who he was, and he’s smart enough to know that Lily’s a lovestruck, idiotic idealist when it comes to her family. There is no part of me who believes he wants to keep Julian away so that he can have Lily to himself. Enzo just sort of understands that if Lily would fall for this guy, he cannot be a good man. Keeping Julian away is for the good of everyone. Speaking of Lily, she does have a type. Damon was right when he said she prefers the sons who can’t control their bloodlust, and Oscar definitely couldn’t once he was resurrected. Whether that bloodlust is just who Oscar is or whether it’s a weird side-effect of the Phoenix stone remains to be seen. So far, I’m leaning toward Oscar is a blood-thirsty maniac who just can’t stop. That explains the body count in Myrtle Beach and his ravenous feeding frenzy post-awakening.
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It’s time for Damon to let Elena’s body rest. If he’s going to live, move on, whatever, he cannot do it with Elena’s physical presence beside him. He can’t keep her safe, and he has no idea who he is without her. Holding on to her body is his way of holding on to her, and the only reason he’s doing that is because he doesn’t trust himself to be a good man without her. He’s already shown moments of it when he’s protected Matt. In fact, listing “keeping Matt Donovan” alive as one of the reasons he wants to move back to Mystic Falls is a huge sign that he’s already become someone Elena would be proud to know. He can do this. Letting go was the first step

REVIEW: ANGEL – SEASON 1-5

 

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MAIN CAST

David Boreanaz (Bones)
Charisma Carpenter (Scream Queens)
Glenn Quinn (R.S.V.P)
Alxis Denisof (Dollhouse)
J. August Richards (Agents of SHIELD)
Amy Acker (The Cabin In The Woods)
Vincent Kartheiser (Mad Men)
Andy Hallett (Chance)
James Marsters (Smallville)
Mercedes McNab (The Addams Family)

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RECURRING / NOTABLE GUEST STARS

Tracy Middendorf (Scream: The Series)
Christian Kane (Just Married)
Josh Holloway (Lost)
Sarah Michelle Gellar (Ringer)
Michael Mantell (The Ides of March)
Elisabeth Rohm (Joy)
Obi Ndefo (Stargate SG.1)
Johnny Messner (Anacondas)
Jennifer Tung (Masked Rider)
Seth Green (Family Guy)
Andy Umberger (Deja Vu)
Tushka Bergen (Mad Max 3)
Beth Grant (Wonderfalls)
Bai Ling (The Crow)
Jesse James (Blow)
J. Kenneth Campbell (Mars Attacks)
Henri Lubatti True Blood)
Christina Hendricks (Mad Men)
John Mahon (Zodiac)
Kristin Dattilo (Intolerable Cruelty)
Carlos Jacott (3rd Rock From The Sun)
Lee Arenberg (Once Upon A Time)
Jeremy Renner (Avengers Assemble)
Ken Marino (Veronica Mars)
Stephanie Romanov (Thirtten Days)
Tamara Gorski (Man With The Screaming Brain)
Julie Benz (Punisher: Warzone)
Eliza Dushku (Tru Calling)
Alastair Duncan (The Batman)
Sam Anderson (Lost)
Todd Stashwick (The Originals)
Justina Machado (Final Destination 2)
Matthew James (American Crime)
J.P. Manoux (Birds of Prey)
Tony Amendola (Stargate SG.1)
David Herman (Futurama)
Edwin Hodge (The Purge)
Daisy McCrackin (Halloween 8)
Juliet Landau (Ed Wood)
Brigid Brannagh (Army Wives)
W. Earl Brown (Bates Motel)
Tony Todd (Wishmaster)
Jim Piddock (The Prestige)
Julia Lee (A Man Apart)
Gerry Becker(Spider-Man)
Eric Lange (Lost)
Leah Pipes (The Originals)
Thomas Kopache (Catch Me If You Can)
Brody Hutzler (Days of Our Lives)
Persia White (The Vampire Diaries)
Daniel Dae Kim (Lost)
Mark Lutz (Bitch Slap)
Alyson Hannigan (How I Met Your Mother)
Keith Szarabajka (The Dark Knight)
Frank Salsedo (Power Rangers Zeo)
David Denman (Outcast)
Justin Shilton (Little Miss Sunshine)
Rance Howard (Chinatown)
Kristoffer Polaha (Ringer)
Jack Conley (Payback)
Jim Ortlieb (Roswell)
Laurel Holloman (Boogie Nights)
Jeffrey Dean Morgan (The Losers)
Sunny Mabrey (Snakes On A Plane)
Summer Glau (Firefly)
John Rubinstein (Red Dragon)
Alexa Davalos (Clash of The Titans)
Kay Panabaker (No Ordinary Family)
Joel David Moore (Bones)
Adrienne Wilkinson (Xena)
Gina Torres (Hannibal)
Annie Wersching (The Vampire Diaries)
Danny Woodburn (Watchmen)
Sarah Thompson (Cruel Intentions 2)
Jonathan M. Woodard (Firefly)
T.J. Thyne (Bones)
John Billingsley (Star Trek: Enterprise)
Simon Templeman (Black Road)
Roy Dotrice (Beauty and the Beast)
Brendan Hines (Lie to Me)
Tom Lenk (Argo)
Navi Rawat (Feast)
Roy Werner (Power Rangers Time Force)
Alec Newman (Dune)
Adam Baldwin (Chuck)
Jaime Bergman (Soulkeeper)
Stacey Travis (Easy A)
Dennis Christopher (Django Uncahined)

When Joss Whedon pitched Angel: the Series, he described it as a detective-style film-noir-themed take on the supernatural, much in the same way Buffy was pitched as a look from the viewpoint of the Horror genre. Buffy’s style took some time to get right, but the aesthetics of this show in its first year are well thought out and crafted; darkness and emotive shadow creep over, tense musical swells linger, and the picture is shot in a large resolution to provide just a bit of grain. I’d be damned if it didn’t seem intentional. Joss also said that where Buffy looked, metaphorically, at the hell of High School, Angel’s show would look at life past it in your early adulthood and the life and relationship issues of that unique, big city world. This metaphor is dominant in the first season, and is one of the main themes.

Angel, as a series, is always and will always be about redemption, but the themes of its respective seasons are about the different facets to it. Exploring what it is, losing the chance at it or the responsibility one pledges to it is all covered over the duration of the show. With season one, it was most direct: How do you get it? At the start of the season we see Angel arrive in LA, see him save lives, but we also watch him slip deeply into apathy about his goal. To understand the importance and worth of a human and life and soul, Angel learns in “City of” (1×01) that one must have a human connection; friends and allies that make his life worth living so his mission can be worth fighting for, and most importantly so that he doesn’t become detached from (and even dangerous to) those he hopes to save.

The season, as I mentioned, does lack a cohesive arc, but it also has a tremendous amount of hugely entertaining and well-written standalones. Many of them focus on Angel’s mission: “helping the helpless.” Angel makes it his goal to not only save lives, but save souls and make life worth living for others, and as a result of this his connections are solidified as he carries this out. He and his group slowly form into a legitimate investigation team which takes cases and makes money off of them, and many of the seasons situations out of which the characters are developed are a result of these cases. Cordelia, who in “Rm w a Vu” (1×05) is still defining herself by her possessions, searches for a place to live. Instead what she finds is a stronger sense of self, and in that a connection to the world of humans rather the one of plastic. Doyle and Wesley both find their own connections, as well. Episodes such as these are the season’s order, in every one of which something new happens that alters the main or supporting characters, or teaches the audience something about them.

This is, in my opinion, what sets shows like Buffy and Angel apart: relevance. More than any other show, each episode contains progressive, ongoing development that charts development in a very realistic way. On a more specific level, this particular season has an extremely strong episode to episode consistency, with each individual showing striking its own tone and exploring the main theme in different ways. A few larger, more exciting events may have helped, but at the same time I appreciate this season for what it is and how it does something a bit different from most other seasons of Buffy or Angel. There’s a lot more to talk about, including the metaphorical basis’ used and what we’re being fed through them, as well as the general ups and downs. The strongest suit this season has is its extremely fluid use of theme. Though the ponderings on connection, redemption and starting a new life are not as intricately detailed, subtle or socially penetrating as the themes of any other season, the careful and consistent way they’re used to develop characters and give the stories real world relevance is masterful. Angel made it his mission to save souls, and we were shown him connecting with people by helping them, failing to help them, or losing them altogether. All the supporting characters followed, gaining their own redemption through helping Angel and the helpless.

With the exception of Wesley being overly bumbling at times, nothing felt out of character this season, and that’s extremely impressive considering the length of a season. Doyle’s sacrifice in “Hero” (1×09), Angel’s re-ignited belief in himself in “To Shanshu in LA” [1×22] or Kate’s decision to see Angel kiss daylight in “Sanctuary” [1×19] were all thematically conclusive, resonant and well built up to.

The preceding season was,strong and coherent. While looking at the tribulations of life after High School in the big city, it managed to do so in a way that developed the characters within another major theme: Connection; Human emotions and growth that make us a part of the world, make us human. By the end of the season, Angel had been given a purpose, both short and long term, and a mission to fight for: Fighting in the final battles and surviving to be made a breathing human being again. Season Two, with a much broader theme, builds logically on that, and asks our vampire hero just what it means to really be human. Much of the season’s development is split in that way, with Angel increasingly being led off into his own world, with his friends developing entirely in a place away from him.screen-shot-2016-09-09-at-10-18-22-am-e1473430782777While he and the fate that ties him to Darla explore the complexities of human existence, Cordelia, Wesley and Gunn become forced to suffer through and succeed in it on their own. Though not as characterized by pain and hopelessness as much as S3 post “Sleep Tight” [3×16] through to the end of the series is, there’s much darkness and suffering abound, especially for Angel. His epic trials and will for revenge separate him harshly from humanity, only for him to realize that his worst actions are indeed wholly human, and that this is what humanity really can be. Season Two has such interesting ideas in spades, and its theme looks at all the best (“Untouched” [2×04], “Guise Will Be Guise” [2×06], “Epiphany” [2×16]) and worst (“Reunion” [2×10], “Reprise” [2×15]) sides of our existence: forgiveness, self-control, image, obsession, revenge, victory, belonging and the very nature of evil itself. By the time the season closes, Angel’s re-examined entirely what his mission is and how he’s to fight it, and goes from a champion vampire-with-a-soul to simply a genuinely good human being who helps people.fake-dwarvesWith the exception of the brilliant period piece Are You Now or Have You Ever Been?, and a few rare others, the season doesn’t have quite as much use for pure standalones. Its arc employs its best metaphors and situations in the interest of exploring all sides of the characters’ journey, and as such, the season gives the impression that more happens this year than last because of the depth of each phase of the arc: the four episode standalone period, the first part of the Darla arc (“Dear Boy” [2×05] to “Reunion” [2×10]), the second part of the Darla arc (“Redefinition” [2×11] to “Epiphany” [2×16]), another couple of standalones (“Disharmony” [2×17] and “Dead End” [2×18]) and the Pylea arc (“Belonging” [2×19] to “There’s No Place Like Plrtz Glrb” [2×22]).

This is likely why the season finds such a strong and undivided following. While some dispute the worth of the standalones or the Pylea arc, others like them, and everyone loves the story arc; there’s something for everyone. The best aspect of this year of the character’s journey in L.A. is how broad and all encompassing the season is. With the exception of Season Five, I find this to be the best season of the show. It has a few great metaphors, an engaging, unpredictable story arc, fun standalones, important character development, strong drama, and some of the most intelligent moral and social considerations I’ve ever seen on a TV show or in a movie.

Like at the start of Season Two, the writers seemed to have a clear direction in mind at the start of Season Three, and they wisely picked up the story at the logical introductory point: With Angel having conquered his innermost doubts about his own humanity. He begins to live a truly human life. He’s accepted his role in the world as a good person rather than a champion, and recognizes the world as a wide-open, random place with no greater destiny or order about it. It’s the kind of world where even the smallest acts of kindness mean everything, because they mean someone is able to shrug off the horrible burdens of life long enough to make another life better.screen-shot-2016-09-09-at-10-18-22-am-e1473430782777It opens with a six episode prelude looking at various facets of the responsibilities and obligations of normal human life, and then really begins with “Offspring” [3×07] when Darla returns to L.A. in a very, very pregnant state. Like “Dear Boy” [2×05] was for S2, this is where the beginning of S3 truly lies. With Darla’s death and the birth of baby Connor (“Lullaby” [3×09]) as the emotional forces driving the season, the writers used the question of responsibility and all the ideas that fall under it (justice, deserving, chaos and guilt) to create some truly, gut-wrenchingly impossible situations for our characters to face. If I have to commend this year for one thing alone, it’s the painstaking drama that the writers plunge the characters into throughout the main arc and in the mini-arcs that follow. Although there’s not nearly as much thematic depth as S2 or as much consistency as S1, the tragedies and difficult moral situations our beloved Angel Investigations team members are forced to face moved me deeper than a lot of other episodes in the series.

Aesthetically, S3 also has a much more sprawling scope than the previous two seasons. While the first six episodes were essentially standalones, everything that followed “Offspring” [3×07] was in some way tied to the main plot arc of the show, even when some of its key players disappeared following the epic tragedy of “Sleep Tight” [3×16]. Just when it seemed the story was about to move in another Pylea-like offshoot after the main storyline concluded, Connor and Holtz returned and the plot kept on chugging. This led to some problems, of course, as all season-long arcs eventually do. Tension sometimes tried to take the place of real content and it often showed. It also led to there being an uncomfortable setup/payoff ratio on the episode list. But on the plus side, S3 (and S4, which moves even further in this direction) had a feeling of epic scope that no other seasons manage, so to even think of the better aspects that lie within strikes me. Such a sprawl is one of the reasons many people love S3 even if they haven’t looked very deeply at it.Image result for angel forgiving“Forgiving” [3×17] was another gem, as it looked at the human need to assume we live in an ordered world where someone is responsible for everything that happens. But it’s never that easy, and watching Angel struggle with that was fascinating. The final three episodes (“A New World” [3×20], “Benediction” [3×21], “Tomorrow” [3×22]) made up another interesting stretch where we saw how our characters could be motivated by pain, hatred or love and the effects of all those things.

Having already been on the air for three years, Angel had more then enough time to establish its theme, characters, and relationships. It was in its fourth year that it would bring all of these elements to the forefront and then mix them up in a season that would come to be known for its complex twists and turns.The season begins with our title character trapped at the bottom of the ocean – put there by his son – with the rest of his gang broken up. From this grim beginning, things only get darker – literally. Enter the Beast, a rock-encrusted devil whose arrival is heralded by a rain of fire and promptly blocks out the sun over L.A. All signs are pointing to the apocalypse, and it’s up to Angel and the rest of his demon-fighting crew to put a stop to it. From a storytelling point of view things just keep getting worse and worse and it’s a credit to the writers that they somehow manage to end it all on a positive note.Since Season 2 Angel has been a very arc-heavy show, but in its fourth year it would approach almost 24 levels of continuity and follow-through. In addition to being very cool to watch, the interlinked episodes add up to a season that is one big experience unto itself. It’s as if the entire season is one episode with many chapters.This year we get to watch everything get shaken up. Wedges are slowly driven between certain relationships while jealousy quickly divides others. The great thing about it is that you get to see what has caused all of these problems. Despite their best efforts to hold together, these characters have no choice but to push each other apart. It makes for gripping television.Visually and stylistically the show is very well put together. The directing efforts of Joss Whedon (who is always excellent), Tim Minear (who has grown by leaps and bounds over the course of the series), and even Sean Astin (yes that Sean Astin) give the show a very polished and theatrical feel. The producers repeatedly stated that they were going for an ‘operatic’ feel to the season and they pulled it off very well. The use of darkness and shadow deserves special mention as does the great use of wide shots and the directors’ ability to fill each frame with as much information as possible. Wesley goes from bumbling dork to dark James Bond. Cool! While the twists and turns are great, the really cool thing to the season is the multiple layers that you’ll find within. Just when you think you know who the real ‘big bad’ is or in which direction the show is going, the rug is pulled out from under your feet. The entire season keeps you guessing from start to finish. Of course, our heroes win in the end — but everyone is left wondering if they did the right thing. And that’s what sets the show apart: It’s action with substance.

Nobody, not the producers, not the actors, and certainly not the fans could have predicted where this show would go. Where it could go. After all, this is an hour-long fantasy about a guy who spends so much time sitting in the shadows and brooding so much he would give Batman a run for his money. Or utility belt, as the case may be. So why is it that after five years and over a hundred episodes this show was still one of the freshest on TV? Simple: this is a story about something. What started off as just a Buffy spin-off has ended up as a massive epic that challenges, if not surpasses, its parent show. Unfortunately, the WB didn’t think so. After giving the producers a hard time and insisting on several changes, the network decided to bring the show back for a fifth, and what would be its final year.

 

So, in previous seasons we’ve had operatic apocalypses, quests for meaning, and our hero even went evil for a while. There’s only one place left to go. Into the belly of the beast, into hell itself: a law firm. Based on the out-of-left-field plot twist that was thrown at Angel and the gang in previous season’s finale, the team is now in charge of wolfram and hart the evil law firm that they’ve spent the entire series battling. The trick then becomes changing the system from the inside, all the while making sure that it doesn’t change them.


Unfortunately when the network decided to renew the show for a fifth year, there were conditions. First and foremost, it had to be more stand-alone. No more back-to-back cliffhangers. Next, the budget was cut. And finally, to sweeten the deal, the producers decided to bring over Spike – who was barbequed in the Buffy finale – in the hopes that his fans would follow. Luckily the introduction of Spike worked out well. He added a nice flavor to the show and helped flesh out Angel’s character in a way that nobody else could have. The punky vampire brought out the worst in our hero, which ended up resulting in some great comedy. Even if this Spike was different from whom he became on Buffy, he made for a nice addition.

The most unwelcome change was the standalone mandate. Yes, it can work, but it’s just not as good. The greatest strength of this show has always been its own history and tying the hands of the writers was a mistake. It resulted in a bump in the show’s overall flow. Even though it seems rushed, things tie up nicely and the finale certainly puts the “grand” in grandiose; now there’s a balls-to-the wall showstopper for you. Most people will agree that the show finished with perfect thematic closure. These characters fight an impossible fight knowing they’ll probably lose, but that’s not the point. They fight, not to win, but because that’s who they are. They don’t give up. No matter what.

REVIEW: COLD CASE – SEASON 1-7

CAST

Kathryn Morris (Mindhunters)
Justin Chambers (Grey’s Anatomy)
Danny Pino (Law & Order:SVU)
John Finn (True Crme)
Jeremy Ratchford (Angel Eyes)
Thom Barry (Texas Chainsaw)
Tracie Thoms (Looper)

RECURRING / NOTABLE GUEST CAST

Sherman Howard (Superboy)
Kate Mara (Fantastic Four)
Becki Newton (Ugly Betty)
Brett Cullen (Lost)
Jimmi Simpson (Date Night)
Daisy McCrackin (Halloween: Resurrection)
Lacey Beeman (Power Rangers Time Force)
Summer Glau (Firefly)
Vincent Ventresca (Dollhouse)
Brandon Routh (Legends of Tomorrow)
Barbara Tarbuck (American Horror Story)
Laura Regan (Minorty Report TV)
Christina Cox (Arrow)
Silas Weir Mitchell (My Name Is Earl)
Fredric Lehne (Lost)
Jeffrey Nording (Flight 93)
Josh Hopkins (The Perfect Storm)
Robert LaSardo (Nip/Tuck)
Blake Shields (Heroes)
Chelsea Field (Masters of The Universe)
Marc McClure (Superman)
Geoffrey Lewis (The Devil’s Rejects)
Leslie Silva (Odyssey 5)
Garrett M. Brown (Kick-Ass)
Molly Cheek (American Pie)
Autumn Reeser (The OC)
Amanda Wyss (Highlander: The Series)
Robin Riker (Big Love)
Nichole Hiltz (Bones)
Amber Benson (Buffy)
Maggie Grace (Lost)
Katee Sackhoff (Battlestar Galactica)
Marisol Nichols (Felon)
Mehcad Brooks (Supergirl)
Cameron Dye (Smallville)
Lee Garlington (Flashforward)
Michael Pare (Bloodrayne 3)
T.J. Thyne (Bones)
John Kassir (Pete’s Dragon)
Patty McCormack (The Bad Seed)
Barbara Niven (The Rat Pack)
W. Earl Brown (Bates Motel)
Tracy Middendorf (Scream: The Series)
Jason Dohring (Veronica Mars)
Noel Fisher (Teenage Mutant Ninja Turtles)
Sam Witwer (Smallville)
Mae Whitman (The Duff)
Aloma Wright (Scrubs)
Shirley Knight (As Good As It Gets)
Ian Bohen (Hercules: TLJ)
Jenna Fischer (The Office)
Chadwick Boseman (Captain America: Civil War)
Rance Howard (A Beautiful Mind)
Nicholas D’Agasto (Gotham)
Roxanne Hart (Highlander)
Chad Lindberg (Teh Fast and The Furious)
Daveigh Chase (S. Darko)
Virginia Williams (Fairly Legal)
Chad Donella (Smallville)
Nicki Aycox (Roadkill 2)
Bob Papenbrook (Jeepers Creepers 2)
John Billingsley (Star Trek: Enterprise)
Phil LaMarr (Free Enterprise)
Johnny Whitwroth (Empire Records)
Danielle Harris (Halloween 2007)
Michael O’Neil (Roswell)
Amy Sloan (The Aviator)
Brigid Brannagh (Angel)
Andrea Savage (Izombie)
Meredith Salenger (Lake Placid)
Clare Carey (Hercules: TLJ)
Dana Davis (Heroes)
Dee Wallace (ET)
Jay Acovone (Stargate SG.1)
Bradley Stryker (The Lizzie Borden Chronicles)
Piper Laurie (Carrie)
Tessa Thompson (Veronica Mars)
Karina Logue (Bates Motel)
Sarah Brown (VR Troopers)
Brooke Anne Smith (Misschief Night)
Kristin Richardson (Lost)
Lindsay Hollister (Bluberella)
Nick Wechsler (Roswell)
Mimi Kennedy (Mom)
Christina Hendricks (Mad Men)
Thomas Kopache (Stigmata)
April Grace (Lost)
Edwin Hodge (The Purge)
Jon Huertas (Sabrina: TTW)
Phillip Jeanmarie (Power Rangers Wild Force)
Michael Grant Terry (Bones)
Deborah Van Valkenburgh (Mean Guns)
Robin Weigert (Deadwood)
James Handy (Alias)
Megan Follows (Reign)
Zachary Ty Bryan (Fast and Furious 3)
Alona Tal (Cult)
Meagen Fay (The Big Banng Theory)
Priscilla Pointer (The Flash 90s)
Tina Holmes (Taken)
Jeremy Davidson (Roswell)
Brennan Elliott (Paul Blart: Mall Cop)
Zeljko Ivanek (Heroes)
Shiloh Fernandez (Red Riding Hood)
George Coe (Smallville)
Laura Bell Bundy (Scream Queens)
John Rubenstein (Angel)
Meredith Baxter (Family Ties)
Dean Norris (Breaking Bad)
K Callan (Lois & CLark)
Michelle Harrison (The Flash)
Peter Graves (Airplane 2)
Stacy Haiduk (Superboy)
Dale Dickey (Iron Man 3)
Mageina Tovah (Spider-Man 2 & 3)
Kenny Johnson (Bates Motel)
Kyle Gallner (Veronica Mars)
Nestor Carbonell (The Dark Knight)
L. Scott Caldwell (Lost)
Neil Jackson (Alexander)
Greg Cipes (Teen Titans)
Rutanya Alda (Amityville 2)
George Newbern (Justice League)
Annie Wersching (The Vampire Diaries)
Eugene Robert Glazer (La Femme Nikita)
John Aylward (Alias)
Bobby Hosea (Xena)
Charles Mesure (V)
Conor O’Farrell (Lie To Me)
Sonja Sohn (The Originals)
Thomas Ian Girffiths (XXX)
Polly Shannon (Lie With Me)
Michael Trevino (The Vampire Diaries)
Jake McDorman (Limitless TV)
Robert Picardo (Stargate: Atlantis)
Ernie Hudson (Ghostbusters)
Lucinda Jenney (Rain Man)
Jamie Bamber (Battlestar Galactica)
Bruce Boxleitner (Babylon 5)
Greg Finley (Izombie)
Paula Malcomson (Caprica)
Holmes Osborne (Donnie Darko)
Faran Tahir (Iron Man)
Jennifer Lawrence (The Hunger Games)
Mitch Pileggi (The X-Files)
Whitney Able (Monsters)
AnnaLynne McCord (Excision)
Drew Powell (Gotham)
Erin Cahill (Power Rangers Time Force)
Carolyn McCormick (Enemy Mine)
Michael Massee (Flashforward)
Helena Mattsson (Iron Man 2)
Lynda Boyd (Sanctuary)
Justina Machado (Final Destination 2)
Cynthia Ettinger (Thirteen)
Bonnie Root (Home Invasion)
Melissa Leo (The Fighter)
Shailene Woodley (Divergent)
Danielle Bisutti (Curse of Chucky)
Monet Mazur (Blow)
Justin Bruening (Knight Rider 2008)
Daphne Ashbrook (The Love Letter)
Rodney Rowland (Veronica Mars)
James Black (Anger Management)
Ralph Waite (Bones)
Aisha Hinds (Cult)
Jamil Walker Smith (Stargate Universe)
Jonathan Keltz (Reign)
Justin Hartley (Smallville)
Diane Delano (Jeepers Creeprs 2)
Nikki Deloach (The Net 2.0)
Deirdre Lovejoy (Bones)
Keone Young (Crank)
Kim Coates (The Amityville Curse)
Timothy Omundson (Xena)
Jeffrey Combs (Gotham)
Kathleen Munroe (Stargate Universe)
John Pyper-Ferguson (Caprica)
Paul Wesley (The Vampire Diaries)
Brea Grant (Heroes)
Ronny Cox (Robocop)
Nichole Tom (Gotham)
M.C. Gainey (LosT)
James Karen (Hercules In New York)
Justin Leak (Powers)
Sean O’ Bryan (The Princess Diaries)
Cassidy Freeman (Smallville)
Patricia Belcher (Bones)
Jenna Leigh Green (Sabrina: TTW)
Vernee Watson (The Big Bang Theory)
Carl Lumbly (Alias)
Charles Napier (The Silence of The Lambs)
Joel Murray (Two and a Half Men)
Elena Satine (Revenge)
Nicole Bilderback (Buffy)
Erin Cummings (Spartacus)
Tania Raymonde (Lost)
Jonathan LaPaglia (Seven Days)
Keith Szarabajka (The Dark Knight)
Christine Woods (Flashforward)
Lee Majors (Ash vs Evil Dead)
Lindy Booth (Cry Wolf)
Adrienne Barbeau (Swamp Thing)
Raymond J. Barry (Lost)
Ttaylor Cole (Heroes)
Jeff Kober (New Girl)
Courtney Ford (True Blood)
David Starzyk (Veronica mars)
Bailey Chase (Buffy)
Wynn Everett (Agent Carter)
Brad Greenquist (Heroes)
Katherine LaNasa (Lie To Me)
Jeff Fahey (Planet Terror)
Clayne Crawford (Roswell)
Brit Morgan (Supergirl)
Jonathan Banks (The Lizzie Borden Chronciles)
Victoria Pratt (Mutant X)
Ryan Wynott (The Cape)
Jonathan Schaech (Legends of Tomorrow)
Valerie Azlynn (Julia X)
Muse Watson (I Know What You did Last Summer)
Michael Ironside (Total Recall)
Daniel Baldwin (Vampires)
Ashley Johsnon (Dollhouse)
Erin Chambers (Finding Carter)
Tracey Walter (Batman)
Loren Lester (Batman: TAS)
Chris Browning (Supergirl)
Dawn Olivieri (The Vampire Diaries)
Steven Culp (Jason Goes To Hell)
Meagan Good (D.E.B.S)
Steven Williams (The X-Files)
Loretta Devine (Crash)
Yara Shahidi (Ugly Betty)
Nelson Lee (Blade: The Series)
Steven Krueger (The Originals)
Lolita Davidovich (Santa Fe)
Alan Blumenfeld (Heroes)
Chandra West (White Noise)
Carel Struycken (The Addams Family)
Justina Vail (Highlander: The Series)
Rachel Miner (the Butterfly Effect )
Sean Maguire (Meet The Spartans)
Lauren Cohan (Chuck)
Roddy Piper (They Live)
Susanna Thompson (Arrow)
John D’Aquino (Seaquest)
Azura Skype (28 Days)
Johnny Messner (Anacondas)
Rob Benedict (Birds of Prey)
JR Bourne (Stargate SG.1)

I’m glad I got the opportunity to catch this show. It’s no doubt one of the best shows on TV, between 2003-2010. it was a very well written show. The episodes always has their twist even though the cases, at first sight, might seem pretty much alike. This show captures the individuality of each crime, the persons involved and the surroundings in a very good way.The fact that the crimes have been committed years ago and that everything involved has changed over the time, gives this show something different then every other cop show. It also captures the humanity of both the victims the suspects and the investigators. There are a lot of feeling in it and it often gets rather touching. Some episodes might contain elements from the characters personal life. It just gives the characters a life beyond the job and this is good as it never takes over the episode or is used to cover a bad plot. The show involves several investigators and you get to know them as well. They got lives and personalities too, yet they don’t steal the show from Rush, witch in the end is the star of the show.The cast is great. Kathryn Morris does a great job portraying Rush. The cinematography and lightning of this show is just beautiful. It all looks great. Both scenes from past and present. They have given the show a unique look. A kind of white or blue, cold look. They also manage to capture the unique eras in witch the crime was committed. You know just by looking witch decade we’re in. It’s the colors, the way they shoot, the quality and the overall look that make this. The art director, production designer, costume etc. deserves credit for this too. Making the sets and such fit the era.

The original music of this show it catching and good. In addition there is a lot of none original music from the year the crimes are committed. This really gives the right feel and easy gives you the idea of witch year we’re in. The only downside to the use of music of the era means that copyright laws prohibit them being used on DVD and this is why the show has yet come to disc.

REVIEW: BRUCE ALMIGHTY

 

CAST

Jim Carrey (Kick-Ass 2)
Morgan Freeman (The Dark Knight Rises)
Jennifer Aniston (Rumor Has It)
Philip Baker hall (50/50)
Catherine Bell (JAG)
Lisa Ann Walter (War of The Worlds)
Steve Carell (Anchorman)
Nora Dunn (new Girl)
Eddie Jemison (Izombie)
Sally Kirkland (JFKJ
Bradley Stryker (The Lizzie Borden Chronicles)
Annie Wersching (The Vampire Diaries)

Bruce Nolan (Jim Carrey) is a television field reporter for Eyewitness News at WKBW-TV in Buffalo, New York, but desires to be the news anchorman. He is in a healthy relationship with his girlfriend Grace Connelly (Jennifer Aniston), but also has a mild crush on his co-worker, Susan Ortega (Catherine Bell), who barely seems to notice him. Bruce however continues to suffer unfortunate events and it reaches his breaking point when he is passed over for promotion by his rival, Evan Baxter (Steve Carell), who then steals dialogue from Bruce’s segment in accepting the promotion on-air. Bruce becomes furious and aggressively and profanely criticizes the station during his first live report, leading to his dismissal from the station. Following a series of other misfortunes, Bruce complains that God (Morgan Freeman) is “the one that should be fired.”

Bruce later receives a message on his pager, directing him to an empty warehouse where he meets God, who offers to give Bruce His powers to prove that He is doing the job correctly. God tells Bruce that there are rules to the job he must follow, albeit only two: firstly, Bruce cannot tell anyone else that he has God’s powers; and secondly, Bruce cannot use the powers to alter or interfere with free will. Bruce ignores God and is initially jubilant with the powers, using them for personal gain, such as training his dog to use the toilet, chasing away thugs by spewing out a swarm of hornets, and sexually impressing Grace. Bruce also finds ways of using the powers to cause miraculous events to occur at otherwise mundane events that he covers, such as discovering Jimmy Hoffa’s body or causing a meteor to harmlessly land near a cook-off, earning him his job back. Bruce then uses his powers to cause Evan to make a fool out of himself on-air, causing Evan to be fired in favor of Bruce as the new anchor.

After taking Grace to a fancy dinner and telling her he made anchor (angering her, as she thought he was going to propose), Bruce begins to hear voices in his head. He re-encounters God, who confronts Bruce on using his powers for personal gain and not helping people. He also explains that the voices are prayers to God that Bruce must deal with. Bruce creates a computerized email-like system to receive the prayers and respond, but finds that the influx is far too great for him to handle — even though God had stated that Bruce is only receiving prayers from the Buffalo area — and sets the program to automatically answer Yes to every prayer. Bruce attends a party celebrating his promotion. When Grace arrives, she finds Bruce being seduced and kissed by Susan, and quickly leaves. Bruce follows Grace, but she is heartbroken and will not listen to him. He tries to use his powers to convince Grace to stay but cannot influence her free will. As Bruce looks around, he realizes that the city has fallen into chaos due to his actions. Bruce returns to God, who explains that He can’t solve all the problems, and that Bruce must figure out a way to solve it himself. Bruce then begins to solve his problems in life practically, such as helping a man whose car broke down across the street, training his dog normally, and allowing Evan to have his job back. Bruce returns to his computer system and goes about answering prayers as best he can. As he reads through them, he finds a prayer from Grace, wishing for Bruce’s success and well-being. As he reads it, another prayer from Grace arrives, this one wishing not to be in love with Bruce anymore.

Bruce is stunned and walks alone on a highway, asking God to take back His powers and letting his fate be in His hands. Bruce is suddenly struck by a truck, and regains consciousness in a white void. God appears and asks Bruce what he really wants; Bruce admits that he only wants to make sure Grace finds a man that would make her happy. God agrees and Bruce finds himself in the hospital, shortly after being revived—near miraculously—by the doctors. Grace arrives and the two rekindle their relationship, with Bruce and Grace later becoming engaged. After his recovery, Bruce returns to his field reporting but takes more pleasure in the simple stories. Bruce and Grace announce their engagement on live TV. The film ends with the beggar who Bruce had previously run into on various occasions finally revealing himself to be God. Morgan Freeman delivers a fantastic performance as the Man himself, displaying a God whose infinite wisdom is somewhat reflected through Freeman’s massive talent as an actor. He is the kind of God who takes his job very seriously, but in such a way as to advise his followers that there are times when you need to slow down and do some manual labor in life. I love his line that some of the happiest people in the world come home smelling to high heaven at the end of the day.

Bruce Almighty

Bruce Almighty is one of the more memorable comedies, It is a comedy written and performed in good taste, but with enough relatively low-brow humor to keep the everyone entertained. This is a meaningful comedy for the whole family.