REVIEW: STARGATE UNIVERSE – SEASON 2

Starring

Robert Carlyle (One Upon A Time)
Louis Ferreira (Saw IV)
Brian J. Smith (Sense8)
Elyse Levesque (The Originals)
David Blue (Ugly Betty)
Alaina Huffman (Samllville)
Jamil Walker Smith (General Hospital)
Ming-Na Wen (Agents of Sheild)

SGU Stargate Universe (2009)

RECURRING / NOTABLE GUEST CAST

Julie McNiven (Doom Patrol)
Mike Dopud (Arrow)
Caroline Cave (Van Helsing)
Peter Kelamis (50/50)
Julia Benson (The Order)
Jennifer Spence (You Me Her)
Alisen Down (Smallville)
Robert Knepper (Izombie)
Lou Diamond Phillips (Young Guns)
Louise Lombard (CSI)
Jeffrey Bowyer-Chapman (UnREAL)
Reiko Aylesworth (24)
Kathleen Munroe (Patriot)
Camille Sullivan (Kingsway)
Michelle Harrison (The Flash)
Vincent Gale (Van Helsing)
Bill Dow (Izombie)
French Stewart (Mom)
Victor Garber (Legends of Tomorrow)
David Hewlett (Rise of TPOTA)
Robert Picardo (The Orville)
Anna Galvin (Tin Man)
Sarah Smyth (Supergirl)

The Stargate franchise has literally run its course, some may feel. While others feel, similar to the “Star Trek” franchise, there are many stories that can still be told.From “Stargate SG-1′ to the animated series “Stargate Infinity” and then “Stargate Atlantis”, here we are with the final season of “Stargate Universe”, a series that met with fans who were split on whether they enjoyed or disliked the series. Unfortunately, for this series which began in 2009, there was no renewal for a third season and thus the second season ended with a cliffhanger, just when the series had made some major changes and had gotten better.SGU Stargate Universe (2009)Should Stargate Universe had a chance to prove itself? Afterall, even the popular syndicated series “Star Trek: The Next Generation” had its haters and also didn’t do well initially in the ratings, but given the chance to make the series better, it became one of the best “Star Trek” spinoff.SGU Stargate Universe (2009)I’m sure that this will be a debate in which these split fans will continue to have varying opinions but the fact is,Alaina Huffman, Jamil Walker Smith, Patrick Gilmore, and Brian J. Smith in SGU Stargate Universe (2009)“Stargate” is over and in April 2011, “Stargate” producer announced that any plans for continuation of “Stargate” have been cancelled and that he had officially packed his desk. 17 years of “Stargate” on television and it looks as if this was the final nail on the popular franchise.ursini1I do dislike when a series never receives its full run and in this case, ending with a cliffhanger but still, the creators and the fans did all they can to keep the series going. But for the fans who stuck with this series from beginning to end. perhaps one day the franchise will be brought back in some shape or form.

REVIEW: STARGATE UNIVERSE – SEASON 1

Starring

Robert Carlyle (One Upon A Time)
Louis Ferreira (Saw IV)
Brian J. Smith (Sense8)
Elyse Levesque (The Originals)
David Blue (Ugly Betty)
Alaina Huffman (Samllville)
Jamil Walker Smith (General Hospital)
Ming-Na Wen (Agents of Sheild)

SGU Stargate Universe (2009)

RECURRING / NOTABLE GUEST CAST

Richard Dean Anderson (MacGyver)
Michael Shanks (Smallvilel)
Amanda Tapping (Sanctuary)
Ona Grauer (V)
Peter Kelamis (50/50)
Gary Jones (Chilling Adventures of Sabrina)
Bill Dow (Izombie)
Christopher McDonald (Fanboys)
Lou Diamond Phillips (Young GUns)
Jennifer Spence (You Me Her)
Julia Benson (The Order)
Jeffrey Bowyer-Chapman (UnREAL)
Agam Darshi (Sanctuary)
Bradley Stryker (The Lizzie Bordern Chronicles)
Anna Galvin (Tin Man)
Peter DeLuise (21 Jump Street)
Dominic Zamprogna (Odyssey 5)
Carlo Rota (Saw V)
Ryan Kennedy (Smallville)
Reiko Aylesworth (24)
Sarah Smyth (Supergirl)
Zak Santiago (Caprica)
Rukiya Bernard (Van Helsing)
Alisen Down (Smallville)
Vincent Gale (BatesMotel)
Louise Lombard (CSI)
Sean Blakemore (Bones)
William MacDonald (Riverdale)
Rhona Mitra (Doomsday)
Mike Dopud (Arrow)
Kirby Morrow (Ninja Turtles: Next Mutation)

David Blue in SGU Stargate Universe (2009)The stargate itself–an artificially created wormhole through which one can instantly travel to different worlds light-years away–is still around, but much else has changed. Gone, for the most part, are the rough-and-tumble adventures that were the specialty of SG-1 and Stargate Atlantis, SGU‘s popular predecessors. Gone, too, are insouciant but charismatic and intrepid leaders like SG-1‘s Col. Jack O’Neill (Richard Dean Anderson does make several cameo appearances in that role in the course of these 20 episodes, offered here on six discs) and Atlantis‘s Col. John Sheppard.In their places, in addition to a new ongoing story line, is a rather less conventional approach, featuring a more minimalist vibe and an entirely fresh cast of earnest, intense, mostly youthful characters battling personal demons and complex interpersonal relationships, along with a myriad of technical issues more typical of sci-fi shows. If this all sounds very serious, well, these folks have a lot to be serious about.Robert Carlyle in SGU Stargate Universe (2009)Very early on, the “Icarus Base” is under alien attack, forcing military and civilian personnel alike to escape through the stargate. They end up aboard Destiny, a massive ship that’s millions of years old and was once the property of the omniscient master race known as the Ancients. Not only do our characters barely know how to operate the ship, they also have no idea where they are, except that it’s billions of light-years from Earth. It’s the responsibility of the two main men, Col. Everett Young (Justin Louis) and scientist Dr. Nicholas Rush (Robert Carlyle), to figure out how to get everyone home safely, a task that dominates the series’ overall arc.Elyse Levesque and Brian J. Smith in SGU Stargate Universe (2009)That dicey proposition is complicated considerably by ceaseless internecine conflict on the ship, much of it between soldiers and civilians (typified by Young and Rush, both of whom are self-righteous, utterly humorless, and not especially likable).Much of the action takes place on Destiny, but there are occasional excursions to various planets in search of water and other supplies; there are also trips to Earth made possible by magical “communication stones” that allow users to exchange bodies with folks on the other end. As is the case with many new programs, SGU takes a while to hit its stride, but when that happens about a third of the way into the season, the results are often quite exciting; SGU may not be as much fun as the earlier shows, but it’s still well written and entertaining, with excellent production values, good special effects.

REVIEW: STARGATE: ATLANTIS – SEASON 5

Starring

Joe Flanigan (Thoughtcrimes)
Rachel Luttrell (A Dog’s Breakfast)
Jason Momoa (Aquaman)
Jewel Staite (Firefly)
Robert Picardo (The Orville)
David Hewlett (Rise of TPOTA)

Paul McGillion in Stargate: Atlantis (2004)

RECURRING / NOTABLE GUEST CAST

Amanda Tapping (Sanctuary)
Connor Trinneer (Star Trek: Enterprise)
Mitch Pileggi (The X-Files)
Kavan Smith (Mission To Mars)
Patrick Sabongui (Power Rangers)
Leela Savasta (Battlestar Galactica)
Sharon Taylor (Smallville)
Rainbow Francks (Aliens Vs Predator: Requiem)
Paul McGillion (The Flash)
David Nykl (Arrow)
Mark Dacascos (Kamen Rider Dragon Knight)
Chuck Campbell (Jason X)
Michelle Morgan (Deep Six)
Robert Moloney (Man of Steel)
Kate Hewlett (A Dog’s Breakfast)
Nicole de Boer (Star Trek: DS9)
Janina Gavankar (True Blood)
Christina Cox (The Chronicles of Riddick)
Apollonia Vanova (Watchmen)
Christopher Heyerdahl (Van Helsing)
Mike Dopud (Arrow)
Chelah Horsdal (Hell on Wheels)
Michael Shanks (Smallville)
Daniella Alonso (The Hills Have Eyes II)
Agam Darshi (Sanctuary)
Sarah Deakins (Andromeda)
Aaron Craven (The Predator)
Alan Blumenfeld (Heores)
David Lovgren (Antitrust)
Robert Davi (The Goonies)
Tamlyn Tomita (The Eye)
Anna Galvin (Tin Man)
Jonathon Young (Sanctuary)
Gary Jones (Chilling Adventures of Sabrina)
Dawn Olivieri (The Vampire Diaries)
Neil Jackson (Blade: The Series)
Jody Thompson (The 4400)
Frank Vincent (Goodfellas)
Steve Schirripa (The Sopranos)
Michael Beach (Aquaman)

Robert Picardo and Joe Flanigan in Stargate: Atlantis (2004)Carson Beckett is back for no less than five episodes, and despite heavy use of the Wraith ship set, the stories are good and justify it. The characters are as well written as ever, I really felt the writers stepped it up a notch this season.Jewel Staite in Stargate: Atlantis (2004)Robert Picardo is back as Richard Woolsey and promoting him to the role of Commander was a stroke of genus. No disrespect to Commander Weir and Colonel Carter, but in Richard Woolsey, Stargate Atlantis had finally cast its ideal leader. There are also a couple of deadpan in-jokes about his holographic Doctor character hidden in the dialogue, which are extremely funny when you spot them.Joe Flanigan in Stargate: Atlantis (2004)Despite the technology getting more and more advanced, there is less of a reliance on the technology itself selling the story. There is more focus on the characters than before and all the characters get at least one episode where they take centre stage in the story – for example, David Hewlett puts in an incredibly moving performance in The Shrine where McKay is struck down with a fast acting Pegasus equivalent of Alzheimer’s. Very good use is made of the popular Wraith characters Michael and Todd, and the budding relationship between McKay and Keller is a refreshing antidote.

 

REVIEW: STARGATE SG.1 – SEASON 9

Starring

Ben Browder (Farscape)
Amanda Tapping(Sanctuary)
Christopher Judge (The Dark Knight Rises)
Michael Shanks (Smallville)
Beau Bridges (My Name Is Earl)

Ben Browder in Stargate SG-1 (1997)

RECURRING / NOTABLE GUEST CAST

Claudia Black (Pitch Black)
Richard Dean Anderson (MacGyver)
Obi Ndefo (Star Trek: DS9)
Gary Jones (The Chilling Adventures of Sabrina)
Bill Dow (Izombie)
Matthew Walker (Alone In The Dark)
April Telek (Rogue)
Lexa Doig (Arrow)
Julian Sands (What/If)
Wallace Shawn (Young Sheldon)
Barclay Hope (Final Destination 3)
Maury Chaykin (My Cousin Vinny)
Louis Gossett Jr. (Enemy Mine)
Cliff Simon (Project Eden)
Kendall Cross (X-Men 2)
Peter Flemming (Staragte: Atlantis)
Sonya Salomaa (Watchmen)
Chilton Crane (The 4400)
Jason George (Fallen)
Jarvis W. George (Gamer)
William B. Davis (The X-Files)
Tony Todd (Candyman)
Neil Jackson (Blade: The Series)
Robert Picardo (The Orville)
Panou (Flash Gordon)
Ty Olsson (War For TPOTA)
Cameron Bright (Birth)
Garry Chalk (Arrow)
Don S. Davis (Twin Peaks)
Anna Galvin (Tin Man)
William Atherton (Ghostbusters)
JR Bourne (The 100)
Teryl Rothery (Arrow)
Reed Diamond (Agents of Shield)
Dakin Matthews (Child’s Play 3)
Veena Sood (Timecop)
Eric Breker (Scary Movie 3)
Matthew Bennett (Battlestar Galactica)
John Aylward (Alias)
Ernie Hudson (Ghostbusters)
Chelah Horsdal (You Me Her)
Peter Shinkoda (Daredevil)
Matthew Glave (Argo)
Eric Steinberg (Supergirl)
Tamlyn Tomita (The Eye)
Tim Guinee (Iron Man)
Daniella Evangelista (Ripper)
Michael Ironside (Total Recall)
John Noble (Sleepy HOllow)
Katharine Isabelle (Ginger Snaps)
Noah Danby (Bitten)

Claudia Black and Ben Browder in Stargate SG-1 (1997)Avalon, Part 1 is a great season opener, introduces  new kid on the block Ben Browder,  as the season progresses the character is definitely fleshed out more and he soon fits in nicely with the tightly-knit S.G.1 team.Ben Browder and Michael Shanks in Stargate SG-1 (1997)However, the bottom line is that this is still a character who bares a striking similarity in disposition to Browder’s other well-known TV personality- Farscape’s John Crichton- with that same irreverent humor and easy-going attitude, but it’s a style that clearly works for Browder and it’s difficult not to find that likable. Beau Bridges’ introduction is made with equally good fanfare, his character is one who I found myself liking more readily- he approaches the role of the General of the base differently to Don S. Davis, with more of an every man approach, although he never hesitates to exert the full force of his office against unfriendly aliens, or humans when required.Mark Houghton in Stargate SG-1 (1997)Largely thanks to the development of this season’s main story-arc with the introduction of God-wannabes the Ori and their powerful minions known as Priors, this ninth season becomes surprisingly mesmerising in very short order. Beginning with the concluding part and then into episode 3- `Origin’, this season soon establishes itself as one of the best `Stargate: S.G.1′ offerings in years. The use of Arthurian legend in this season is spread pretty thickly in the beginning and had me worried that this fantasy element might not work in a predominantly science-fiction-oriented series, but very soon the parallels the writers draw between the Arthurian myth and the familiar Stargate set-up, become very inventive and come to work surprisingly well at contrasting against the new and growing force of evil spreading through the galaxy. In the first five episodes that other recognizable `Farscape’ regular Claudia Black and her seductively disobedient alter-ego Vala are another reason to be enchanted by this season. Vala brings such humor and life to the series that I was really disappointed when she parted company with S.G.1, despite the welcome return of Sam Carter following her brief career change. Thankfully Vala returns towards the end of the season and here’s hoping it’s not the last we see of her.Larry Cedar in Stargate SG-1 (1997)This season’s other major success is in its stand-alone stories that continue to present unique, punchy and creative sci-fi ideas to its audience. In particular episode 9- `Prototype’ and episode 13- `Ripple Effect’ are a couple of my favourites, the first of which concerns the discovery of a prodigy of Anubis frozen on a distant planet and the second has multiple S.G.1 teams pouring through the Stargate from diverse alternate realities , both of which had me glued to my seat

REVIEW: SMALLVILLE – SEASON 7

Starring

Tom Welling (Lucifer)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Impastor)
Allison Mack (Wilfred)
Erica Durance (Supergirl)
Laura Vandervoort (Bitten)
Aaron Ashmore (Veronica Mars)
John Glover (Shazam)

Laura Vandervoort in Smallville (2001)

Recurring / Notable Guest Cast

Phil Morris (Doom Patrol)
Jacqueline Samuda (Stargate SG.1)
Michael Cassidy (Batman V Superman)
Kim Coates (Goon)
Terence Stamp (Jor-El)
Tom McBeath (Van Helsing)
Peter Bryant (Legends of Tomorrow)
Eva Marcille (Crossover)
Christine Chatelain (Sanctuary)
Dean Cain (Lois & Clark)
Jovanna Burke (Fringe)
Christina Milian (Brin It On 5)
Christopher Jacot (Mutant X)
David Richmond-Peck (V)
Helen Slater (Supergirl)
Christopher Heyerdahl (Van Helsing)
Elyse Levesque (The Originals)
Alex Zahara (Horns)
Tim Guinee (Iron Man)
Anna Galvin (Warcraft)
James Marsters (Buffy: TVS)
Marc McClure (Superman)
Alaina Huffman (Stargate Universe)
Justin Hartley (This Is Us)
Alisen Down (12 Monkeys)
Corey Sevier (Immortals)
Connor Stanhope (American Mary)
David Orth (The Lost World)
Sam Jones III (Bones)
Gina Holden (Flash Gordon)
Aaron Douglas (Battlestar Galactica)
Jonathan Scarfe (Van Helsing)
Jill Teed (Godzilla)
Anne Openshaw (Narc)
Ari Cohen (IT)
Camille Mitchell (Izombie)
Robert Picardo (Star Trek Voyager)
Donnelly Rhodes (Battlestar Galactica)
Julia Benson (The Order)

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.Tom Welling in Smallville (2001)What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.Tom Welling in Smallville (2001)For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.Laura Vandervoort in Smallville (2001)For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

REVIEW: CAPRICA

MAIN CAST

Eric Stoltz (The Butterfly Effect)
Esai Morales (Fast Food Nation)
Paula Malcolmson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (The Bionic Woman)
Sasha Roiz (Grimm)
Brian Markinson (Izombie)
Polly Walker (Clash of The Titans)

Recurring / Notable Guest Cast

Avan Jogia (Tut)
William B. Davis (The Dead Zone)
Sina Najafi (Stargate SG.1)
Hiro Kanagawa (Heroes Reborn)
Genevieve Buechner (Jennifer’s Body)
Anna Galvin (Tin Man)
Jorge Montesi (The Romeo Section)
Veena Sood (Timecop)
Scott Porter (Prom Night)
Karen Elizabeth Austin (The Eye)
Anita Torrance (Smallville)
Michael Eklund (Arrow)
Patton Oswalt (Young Adult)
Kendall Cross (Snakes on a Plane)
Peter Wingfield (Highlander: The Series)
Luciana Carro (Falling Skies)
Teryl Rothery (Stargate SG.1)
Alex Arsenault (Tucker and Dale vs Evil)
Françoise Yip (The Order)
Panou (Flash Gordon)
Camille Mitchell (Legion)
Richard Harmon (The 100)
A.C. Peterson (Shooter)
Eve Harlow (Bitten)
John Pyper-Ferguson (Suits)
James Marsters (Runaways)
Leah Gibson (Watchmen)
Jill Teed (Godzilla)
James Pizzinato (Rise of The POTA)
Zak Santiago (Ghost Wars)
Meg Tilly (Bomb Girls)
Ryan Robbins (Sanctuary)
Kacey Rohl (Arrow)
Andrew Airlie (Fifty Shades of Grey)
Bridget Hoffman (Hercules: TLJ)
Ben Cotton (Staragte: Atlantis)
Ryan Kennedy (Smallville)
Christopher Heyerdahl (Van Helsing)
Tom McBeath (Stargate SG.1)
Calum Worthy (American Vandal)
James Kirk (X-Men 2)
Aleks Paunovic (War For The POTA)
Elisabeth Rosen (Cult of Chucky)
Carmen Moore (Arrow)
Mike Dopud (Stargate Universe)

The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas Adams. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Observant fans will see where Caprica’s going with the duplicate Zoe, coming together in an introductory pilot that realizes the germ of an idea behind the genesis of the Cylon race, but it certainly doesn’t leave newcomers in the cold. Moore and Eick, with this freshness in mind, go in a startling direction with the content surrounding the Cylon conception; a murderous STO-related terrorist attack on a train rattles the city of Caprica, leaving the Graystones without their daughter and Joseph with only his son, Billy. The grief they endure becomes a convincing dramatic catalyst for what’s to come, breaking a floodgate for aggressive decision-making regarding family memories and Daniel’s technological advancement — with the idea of an exact digital replication of both mind and memory, such as the avatar of Zoe that lingers after her death, propelling it forward. It’s a thought-provoking launch that tackles some rather challenging concepts, including that of the human psyche as raw data and the extent that open-minded intellectuals might go to preserve those they’ve lost. And, of course, the narcissistic power behind potential immortality.imagesUpon the second episode, “Rebirth”, one fact becomes very clear: Caprica isn’t cut from the same cloth as its inspiration, instead existing as a compelling new creation with its own hurdles to cross. In retrospect, the reimagined Battlestar Galactica painlessly continued the momentum from its original two-part miniseries, thrusting forward with space warfare and political components into the dazzling episode “33”. With Caprica, a shrewd character-driven thriller with complexity surrounding terrorism and family grief, the carry-over isn’t as easy. Thankfully, the Moore-Eick team never shies away, hitting the gas with some rather incisive writing as they drive deeper into Caprica’s unraveling and the Graystone company’s waning success in the wake of the terrorist attack. Along the way, they also grapple with themes of Tauron racism (“dirt eaters”) and religious extremism through the STO and one of its leaders, Zoe’s teacher Sister Clarice (Polly Walker), that correlate to actual issues, while also cleverly using the concept of a digital underground — especially in the anarchistic “New Cap City” game simulation, a mix of World of Warcraft and Grand Theft Auto — as a way of escape and purpose-finding.Yet as Caprica focuses on these modern analogous ideas while its characters develop into a mixture of morally desolate entities, the first batch of six or so episodes move at a deliberate, slow-burning tempo that shifts between intrigue and sluggishness. The harsh chemistry between Daniel and Joseph as scorned parents electrifies, driven by Eric Stoltz and Esai Morales in two stark, authentic performances, and the pacing focuses on the causal events that unfold around their family-affecting decisions. But focusing on this calculated slow-burn can, at times, temper the series’ manner and cause the multiple plot threads to stray from the course, weaving intuitive dramatic performances around a lot of existential meditation and shots of neo-religious content without the right energy to propel it forward. I still find it compelling; the depth of Daniel’s egotism reaches a genuine depth that’s unexpected, while offering a cluster of explosive moments — such as the board meeting in “There is Another Sky” that actually starts the Cylon race — spliced within the persistent, astute drama.Then, as Caprica approaches “Ghosts in the Machine” and the mid-season finale “End of Line”, the gradual tension sees a much-needed outburst. These prior episodes extend into what’s essentially a rather lengthy fuse leading to this batch of dynamite, using brewing family turmoil and growing suspicions into an emotionally-taxing, brilliantly-realized culmination point. “Ghosts in the Machine” plays with the intensity of psychological torment in a staggering rush of emotion, while “End of Life” finds the first episode of the series to use the familiar “__ Hours Before” time mechanic frequently used in Battlestar Galactica. Quite simply, the build-up becomes worth the time at this point, igniting the series with the narrative outbreak it desperately lacked to become fully involving. Whether Caprica can maintain this momentum still remains to be seen, but the succession of these explosive developments that derive from subtly-evolving plot points — Amanda’s weakening sanity, Daniel’s obsession with meeting the development deadline, and the presence of the STO as violent radicals — satisfies with evocative, edge-of-your-seat chills at this midpoint, finally achieving that addictive science-fiction adrenaline that hallmarked its predecessor.The Second half of season 1 Caprica would be the end as Syfy decided to cancel it. Caprica utilized a cliffhanger episode at the end of the first half of the season, one that leaves the mortality of several characters up in the air. It’s uncertain whether the depression-driven grief that Amanda’s been going through truly led her to suicide; similarly, we’re unsure if the full-throttle abrasiveness that Zoe was enacting inside the U-87 Cylon body destroyed her at the end. Then, Syfy opted to go on a very lengthy mid-season break, leaving curious minds in the dark for roughly seven months and, effectively, knocking the wind out of Caprica. It establishes a fine world that explores the emotions coursing through decisions to either reject or embrace digital memories of loved ones, while also giving some deep-rooted glimpses into the underpinnings of Moore and Eick’s Emmy-winning Battlestar Galactica.None of Caprica’s issues root in the performances, however, or the production design. From the ground up, Moore and Eick continue the shrewdly-cast and stylish thrust of science-fiction with a fine vein of suspense, capturing the city’s expanses with a unique blend of metropolitan polish, futuristic gris-gris, and slick ’50s-esque allure. Locations like the Graystone mansion sport angular windows and a glaring pour of cold light, while the Adama household encapsulates a warm yet dark demeanor. These fitting aesthetic touches cradle some exceptional dramatic performances, including Eric Stoltz and Esai Morales whom have come into their own as tried-and-true denizens of Caprica. The same can be said for Magda Apanowicz as Lacy, who takes the complications surrounding a semi-innocent girl lost in the world of terrorism and runs with them with stalwart momentum. Lacy’s role, which gets sloshed around in the first half of the season, begins to grow more focused as she embeds further into the STO (and learns of her affinity with post-Zoe Cylons). Really, the issues hinge on a general question: “What’s the driving force behind Caprica?” At first, the series closed in on the machinations of the Cylon origins, as well as exploring monotheism vs. polytheism, the benefits and hindrances of an abandon-free V-World, and the reluctance for people to let go of those whom have died. Upon the second half of Caprica, all that’s somewhat switched out for direct drama involving the robots’ “creator”, as well as concentration on the gangster Adama network and the blossoming of the terrorist organization as idealists.Starting with “False Labor”, Caprica begins to see an awakening, In this episode, Daniel attempts to recreate Zoe’s “resurrection” software, while in the process using an avatar of Amanda as a basis for comparison. Since he knows all the mannerisms and minutiae of his wife, he’s able to determine exactly how human or inhuman she’s acting, and the content that unfolds as he dissects this digital Amanda can be both penetrating and emotionally stirring. On top of that, Lacy gets her first hearty taste of the STO’s domineering, contentious presence, while meeting other “recruits” similar to her. Moreover, it rediscovers its tonality; difficult drama remains, but the way it’s handled regains the excitement of its inspiration.Eric Stoltz and Paula Malcomson in Caprica (2009)With Syfy cancelling the show and five episodes still left to run, the big question likely will be: “Does it get a proper, strong conclusion?” Piggybacking off the regained proficiency that it rediscovers in “Blowback”, Caprica sprints through the remaining episodes as if it knows that the end’s coming. With a Coda at the end of the season you do get a conclusion that answers the questions of where the show would of gone had it been around for 5 years.

REVIEW: TIN MAN

CAST

Zooey Deschanel (New Girl)
Alan Cumming (X-Men 2)
Neal McDonough (Arrow)
Kathleen Robertson (Bates Motel)
Raoul Max Trujillo (Highlander 3)
Callum Rennie (Legends of Tomorrow)
Richard Dreyfuss (Jaws)
Blu Mankuma (Robocop: The Series)
Anna Galvin (Caprica)
Ted Whittall (Smallville)
Gwynth Walsh (Star Trek Generations)
Kevin McNulty (Elektra)
Jason Schombing (Sanctuary)
Lucia Walters (Stargate: Atlantis)
Craig Veroni (Dark Angel)
April Telek (Rogue)

The first section of this mini-series is riddled with references to the original story and the musical so many of us grew up with. I was expecting that. But imagine my surprise at the presence of machine guns and chain saws in Oz.  it is now called the Outer Zone, or the O.Z. Then, of course, there are hologram projectors, machines that can project what is in a person’s mind, and cyborgs. After the first section, it grows even farther from the old story. There are still references, of course, but it’s definitely not what we knew anymore. Our heroine, DG, was born in the O.Z., but sent away as a child for her own protection. Unlike her somewhat whiny predecessor, this woman has a bit of attitude and brains. And some serious guts, as she demonstrates when she tries to help a family being attacked by Longcoats, the Sorceress Azkadelia’s henchmen.

Zooey Deschanel does a great  on her portrayal of D.C.. Azkadelia is definitely a far cry from the ugly Wicked Witch of the West. She may be beautiful, but don’t let that fool you. The old witch has nothing on this new version when it comes to evil and cruelty. In place of the Scarecrow, we have Glitch. Once a genius and Royal Adviser to the Queen, he has been reduced to a sometimes annoying, but lovable ditz. This, of course, is because he only has half a brain left. Literally. The witch had it removed so that she could use his knowledge for her own purposes. He keeps what marbles he has left sealed in his head with a zipper.

Replacing the Lion is Raw, a strange, but gentle creature with psychic abilities. Despite his timid ways, Raw is very capable of being brave, especially when it comes to his friends’ safety. The Tin Man is Caine. Or, rather, former Tin Man. “Tin Man” is the term used for police in the O.Z. He lost everything when he was discovered to be fighting for The Resistance. Worse, he was imprisoned in a sealed tin suit for years, forced to watch a holographic image of his family being tortured and taken from him over and over again. All he has left is the idea of revenge and keeping DG safe, since she is the only one who might be able to defeat Azkadelia. The Wizard is anything but wonderful. He might have been once, but has been reduced to a stoner dependent on Vapors, a magic equivalent of ecstasy. Still, in his sober moments he is a big help to the heroes.

The flying monkeys are still in. The old version, ugly though they were, still managed to have a slight cuteness about them. Not these. When they’re not out doing her dirty work, they accompany Azkadelia everywhere in quite a surprising way. Toto is also still in… sort of. The little dog is actually a shape-shifter who was once a teacher to both DG and Azkadelia. After 15 years of imprisonment, he is all too willing to help his former pupil.

Overall, I was impressed. There are spots that could have been better and things that could have been more thoroughly explained, but the concepts and story are quite imaginative. It is really long, but definitely worth at least one watch.  However, I must confess, I’m a little confused as to why it is titled “Tin Man.” That implies that Caine is the main focus of the story, which he is not, although he is given a much more significant role in this version. Oh, well. It was still good, so I guess it doesn’t really matter.