REVIEW: I GIVE IT A YEAR

CAST

Rose Byrne (Bad Neighbours)
Rafe Spall (The World’s End)
Anna Faris (Mom)
Simon Baker (The Mentalist)
Stephen Merchant (Logan)
Minnie Driver (Ella Enchanted)
Jason Flemyng (Layer Cake)
Olivia Colman (The Iron Lady)
Jane Asher (Runners)
Clare Higgins (Hellraiser)

Ambitious high-flyer Nat (Rose Byrne) and struggling writer Josh (Rafe Spall) fall in love at first sight at a party. After seven months together they decide to marry. The film highlights their struggles during their first year of marriage, switching back and forth from flashbacks of the year’s action to a marriage-guidance counselor’s office. Their wedding goes as planned despite many friends’ comments that the marriage will not last, an embarrassing best-man’s speech, and a coughing priest. When Nat returns to work after the honeymoon, she’s embarrassed when Josh calls her in the office—on speakerphone in front of her colleagues—to tell her she is sexy and that he misses her, causing her to abruptly hang up on him. Later, the two meet with their solicitor to discuss how to handle medical crises (last wishes). Nat becomes annoyed when Josh, knowing she would be late, admitted that he deliberately told her the wrong time, causing her to turn up early.The couple throw a dinner party to use their wedding gifts. Some of their differences are highlighted when they talk about their honeymoon in Morocco: Nat didn’t enjoy the leather museum; Josh remembers it as interesting. When the topic changes to Josh’s former flame, Chloe (Anna Faris), Nat discovers that the two never officially broke up when Chloe departed to Africa for four years. In the kitchen Chloe apologizes to Nat for not realising she didn’t know. The women talk about the constrictions of marriage. Nat’s sister Naomi has issues with her own husband’s annoying habits. Josh’s best man Danny asks Chloe out but is rebuffed.The following day, Nat and her work-colleagues make fun of their new client, Guy Harrap (Simon Baker), the new owner of a bleach company. They believe he will be a stereotypical American who thinks the British are “quaint”. They do not realize that their client has been sitting right there in the same café. Before the meeting, one colleague steals Nat’s wedding ring, believing that the account will have a better chance of success if she appears single. During the meeting, Guy deliberately fulfils their expectations of him: speaking in a brash American way, asking for high-fives and casual fist-bumps, asking Nat to repeat certain words he finds amusing and doing a crude Austin Powers impression. Then when they focus on business talk, he switches to his true self, embarrassing the women for their earlier stereotyping. As he and Nat exit the boardroom, she apologizes for their misjudgment of him, and he says they should get better acquainted for the sake of the account. Feeling the attraction between them, she struggles with telling him she’s married, then ends up leaving without telling him.Josh talks to Chloe about his book while she’s working at a charity office. He invites her to dinner because Nat’s going to a work party that night. Chloe declines, saying she’s going out with her work-colleague Charlie, whom she’s been dating. The scene returns to the marriage-guidance counsellor’s office as the two explain that the realities of marriage do not live up to the fairytale expectation they both had. Unable to focus on his writing, Josh sits at home watching television while Nat’s out jogging. At work, Nat receives a large bouquet of roses from Guy. The couple bicker over domestic issues; Josh leaving the toilet seat up, Nat’s inability to sing the right words to popular songs and their different definitions of the rubbish bin being full. Guy shows Nat around one of the factories he owns, where one of his longest-serving workers expresses approval of her as a potential wife for him. Guy explains that he basically grew up in the factory during his childhood summers. Nat comments that she’s not the marrying type, still unable to tell Guy she’s married.Nat tries to discourage Josh from accompanying her to a work party, but he is determined, irritating her. At the party, he makes a fool of himself with embarrassing dancing and standing next to a poster he can joke about during the night. When he approaches Nat while she’s talking with Guy, she still doesn’t reveal that he is her husband and Guy attempts to shake him off, assuming he’s an unwanted menace. Guy asks her to dinner and Nat declines. Incredibly annoyed at Josh for embarrassing her at the party, she heads home without him. Meanwhile, Chloe and Charlie attend a boring dinner party, then leave early to adjourn to Charlie’s apartment. As they kiss on the bed, Chloe’s colleague Alexandra joins them and Chloe finds herself in an awkward threesome. Feeling too silly to continue, Chloe eventually leaves. The next morning she calls Josh to tell him about it, and he soon turns up at her apartment with coffee and her favourite sweets to cheer her up.Chloe and Josh then go Christmas-shopping. Josh wants to get casserole dishes for Nat but Chloe laughs that this is not a present for a wife and she must help him; they end up at a lingerie shop with Josh uncomfortably trying to make conversation with the shop assistant amongst the shop’s expensive contents. Chloe tries on a lingerie set, and asks Josh what he thinks of it. They end up kissing in the dressing room, although both are embarrassed about it afterwards. Josh ends up buying the lingerie. When Nat meets with Guy at his hotel to discuss their business deal, she rebuffs his attempts to get her into his room. He mentions that he has booked a conference room down the hall, but when Nat enters she finds a romantic dinner complete with doves and a violinist. When Guy makes advances, she finally blurts out that she’s married and can’t leave her husband because it would destroy him, and finally storms out.Guy chases after Nat and they bump into Chloe and Josh on the street. After some initial awkward exchanges, Josh suggests that Chloe and Guy get together and they agree on a double date. Back to the present in the counsellor’s office: Nat explains that they hit a low point around the Christmas period, commenting that her husband’s family are weird—in particular his mother. Josh retaliates that Nat’s family were not overly friendly towards him. The scene shifts to a Christmas family reunion at Nat’s parents’, where a series of embarrassing incidents revolving around Josh occur. Josh unwittingly but clumsily offends Nat’s grandmother during a game of charades, Nat’s father makes him sleep on the upper deck of a bunk bed of a young female relative, and Nat’s parents giving Josh a pair of books titled How to Be a Successful Writer and How to Stop Wasting Your Life. At the end of the visit, while leaving her parents’ house, Nat confronts Naomi about why she stays with her husband as they clearly hate each other. Naomi says that they both “embrace the hatred” and that is what marriage is about. Even though she admits there could be something better out there for her, she ultimately loves her husband.Nat and Josh have a conversation about his suggestion of Chloe dating Guy. The two talk about the prospects of both of them as romantic interests. The four meet for dinner, and spend the evening playing pool. Chloe and Guy seem to hit it off, happily competing against Nat and Josh. Nat becomes more frustrated with Josh’s clumsy and patronising attempt to teach her how to play properly, as well as with her growing jealousy towards Chloe, who can play well. They leave the bar, and Nat asks Guy to talk about packaging details, intending to meet Josh back at their flat afterwards. Chloe and Josh depart together, while Nat and Guy go the other direction. After a moment, Nat passionately kisses Guy, resulting in the ripping of the underwear bought for her by Josh.Meanwhile, Josh attempts to discourage Chloe’s attraction to Guy, and she admits she is and has always been still in love with him, lamenting that Josh never stopped her from leaving and insisting that their current circumstances are impossible, that they cannot see each other anymore. When Nat returns home, she and Josh talk about their relationship. After nine months they decide to get help instead of giving up on their marriage. This leads us back to the counsellor’s office, who ultimately advises them to try to make it to the one-year marker. The couple then put up with each other’s quirks over the next few months, eventually making it to their anniversary. Nat brings out the same expensive lingerie for the special occasion, and struggles to do it up because of two broken hooks, remembering the circumstances in which they were broken—her with Guy. Josh meanwhile leaves the flat, telling Nat he’s remembered he has to do something and that he will meet her at the restaurant. He races to Chloe’s apartment, only to find that she is heading off in a cab with Guy, whom she embraces lovingly. Nat contemplates phoning Guy, but then decides to go to the restaurant, where her friends and family are there waiting to surprise the couple. After failing to contact Josh, Nat sits down. She discovers that their friends didn’t think her marriage would last. Josh makes it to the restaurant party, and tells Nat that he thinks she is the perfect wife, just not for him. He asks her for a divorce and she immediately and delightedly agrees. The couple rejoice at the situation, and immediately leave the party one after the other.Meanwhile, Guy and Chloe are at the railway station waiting to go to Paris on a romantic trip. Josh finds them and professes his love for Chloe. When it’s discovered that he split up with Nat, the two are shocked. Nat appears behind Josh, who awkwardly assumed he is the one she wants to speak to, but it turns out she was there for Guy. After a short exchange they happily discuss how perfect Guy and Chloe are for them. In the end, Chloe and Guy mutually break up. Nat ends up kissing Guy and Chloe shares a kiss with Josh.I really enjoyed this movie! It’s a laugh-out-loud romcom, which is genuinely unconventional. It is awkward in all the right places. This movie is clearly making fun of mainstream romcoms. Definitely worth checking out.

REVIEW: MOVIE 43

CAST

Dennis Quaid (The Day After Tomorrow)
Greg Kinnear (Ghost Town)
Common (Wanted)
Hugh Jackman (Logan)
Kate Winslet (Divergent)
Liev Schreiber (The 5th Wave)
Naomi Watts (King Kong)
Anna Faris (Mom)
Chris Pratt (Passengers)
Kristen Bell (Bad Moms)
Seth MacFalrane (Family Guy)
Emma Stone (The Amazing Spider-Man)
Charlie Saxton (Hung)
Leslie Bibb (American Housewife)
Uma Thurman (KillBill)
Bobby Cannavale (Ant-Man)
Kate Bosworth (Superman Returns)
Will Sasso (Happy Gilmore)
Christopher Mintz-Plasse (Superbad)
Chloe Grace Moretz (The 5th Wave)
Odessa Rae (Hard Candy)
Terrence Howard (Iron Man 2)
Elizabeth Banks (Power Rangers)
Josh Duhamel (Transformers)
Tony Shalhoub (Teenage Mutant Ninja Turtles)
Gerard Butler (Gamer)
Seann William Scott (American Pie)
Katie Finneran (Wonderfalls)
Halle Berry (X-Men)
Justin Long (Jeepers Creepers)
Jason Sudeikis (Son of Zorn)
Julie Claire (Devious Minds)
Stephen Merchant (The Office)
Johnny Knoxville (The Last Stand)
Richard Gere (Primal Fear)
Julie Ann Emery (Fargo)
J.B. Smoove (Date Night)
Jarrad Paul (The Grinder)
Katrina Bowden (30 Rock)
Kieran Culkin (Scott Pilgrim Vs The World)
Aasif Mandvi (The Dictator)
Julianne Moore (Carrie)
Anton Yelchin (Star Trek)
Fisher Stevens (Hail, Caesar!)
Jack McBrayer (30 Rock)
Julie McNiven (Doom Patrol)
Jimmy Bennett (Orphan)
Matt Walsh (Ted)
Emily Alyn Lind (Revenge)
Martin Klebba (Project X)

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Movie 43 is a series of different skits containing different scenes and scenarios.

Movie 43

The Pitch

The film is composed of multiple comedy shorts presented through an overarching segment titled “The Pitch”, in which Charlie Wessler (Dennis Quaid), a mad screenwriter, is attempting to pitch a script to film executive Griffin Schraeder (Greg Kinnear). After revealing several of the stories in his script, Wessler becomes agitated when Schraeder dismisses his outrageous ideas, and he pulls a gun on him and forces him to listen to multiple other stories before making Schraeder consult his manager, Bob Mone (Common), to purchase the film. When they do so, Mone’s condescending, humiliating attitude toward Schraeder angers him to the point that, after agreeing to make the film “the biggest film since Howard the Duck”, he confronts Mone in the parking lot with a gun and tries to make him perform fellatio on the security guard (Will Sasso) (Wessler had gotten on the lot by doing the same thing) and kill him if he does not make the film. Wessler tries to calm Schraeder down with more story ideas to no avail, but Mone pulls out a gun and shoots Schraeder to death. The segment ends with it being revealed that it is being shot by a camera crew as part of the movie, leading into the final segments.

Alternative version (The Thread)

The structure of the film released in some countries, like the United Kingdom and the Netherlands, differs. Instead of a pitch, the films are connected by a group of three teenagers searching for the most banned film in the world, Movie 43, which will ultimately lead to the destruction of civilization. Calvin Cutler (Mark L. Young) and his friend J.J. (Adam Cagley) make a video in the style of MTV’s Jackass and upload it on YouTube where it instantly reaches over 1,000,000 views. This turns out to be an April Fool’s prank from Calvin’s younger brother Baxter (Devin Eash), who cloned YouTube and hyper-inflated the views while working on his science project. Calvin and J.J. attempt to get revenge. They tell Baxter of a film that’s so dangerous it will cause the annihilation of the world. The movie is known as Movie 43. While J.J. and Baxter look for Movie 43 on Google, Calvin retrieves Baxter’s laptop and loads it with viruses from porn sites, and masturbates to the naked women on the porn sites in a bathroom. Baxter finds hundreds of results for Movie 43 on a website referred to by him as a dark corner of the Internet. They find the sketches starting from the 43rd search on the list of results. As he and J.J. keep watching videos, they are interrupted by a man known as Vrankovich (Fisher Stevens) and a group of Chinese mobsters (Tim Chou and James Hsu) who are tempted to find Movie 43, even going as far as to take J.J.’s classmate Stevie Schraeder (Nate Hartley), film executive Griffin Schraeder’s oldest son, hostage. Vrankovich warns them that if they find Movie 43, civilization will be left to ruins. They ignore his claims and keep searching. They eventually find the real, the one and only Movie 43, which turns out to involve Baxter as a profane commando who leads a group of recruits to survive after the world has ended. As Calvin finishes ruining Baxter’s laptop, their mother (Beth Littleford) enters, wearing the same shirt and shorts that the porn site women wear, causing Calvin to flip out, have visions, and find semen from his erect crotch on his hand in shock and horror. Afterward, a deadly earthquake rumbles and mankind is lost. However, a few years later the only survivor, a crippled Calvin, finds Baxter’s laptop still working despite viral infections. He watches the last remaining skits on the laptop. This version of the film was released in the U.S. as part of the Blu-ray Disc of Movie 43 as an unrated alternate cut of the film

The Catch

Beth (Kate Winslet) is a single businesswoman who goes on a blind date with Davis (Hugh Jackman), the city’s most eligible bachelor. When the two arrive together at a restaurant, Beth is shocked when he removes his scarf, revealing a pair of testicles dangling from his neck. Over dinner it confuses her that Davis fails to acknowledge his anatomical abnormality, and that nobody seems to be surprised by it. When two friends of Davis (Roy Jenkins and Katie Finneran) come by, one of them convinces him to give Beth a kiss. Davis agrees, but when he kisses her, his neck-testicles are dangling near Beth’s mouth, causing her to scream and budge out of the kiss.

Homeschooled

Having recently moved, Sean (Alex Cranmer) and Clare (Julie Ann Emery) have coffee with their new neighbors. The neighbors, Robert (Liev Schreiber) and Samantha (Naomi Watts) have a teenage son, Kevin (Jeremy Allen White), whom they have home-schooled. Sean and Clare begin inquiring about the homeschooling, and the numerous manners in which Robert and Samantha have replicated a high school environment within their home, going as far as hazing, bullying, and giving out detentions, are revealed. They also throw high school parties and Samantha instigates Kevin’s “first kiss” with him. Visibly disturbed, the neighbors end up meeting Kevin, who says he is going out and gives them the impression that all is fine: until he reveals a doll made of a mop with Samantha’s face on it, referring to the doll as his girlfriend.

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The Proposition

Julie (Anna Faris) and Doug (Chris Pratt) have been in a relationship for a year. When he attempts to propose to her, she reveals to him that she is a coprophiliac, and asks him to defecate on her in the bedroom. Urged by his best friend Larry (J.B. Smoove) and others to go along with it, he eats a large meal and drinks a bottle of laxative prior to the event. Wanting foreplay, Julie is angered when Doug wants to finish, and she runs into the street. Chasing after her, he is then hit by a car and graphically evacuates his bowels everywhere. She cradles him and apologizes; covered and surrounded by his excrement on the road, she exclaims that it is the “most beautiful thing” she has ever seen and accepts his marriage proposal.

Veronica

Neil (Kieran Culkin) is working a night shift at a local grocery store. His ex-girlfriend, Veronica (Emma Stone), comes through his line and the two begin arguing, which soon turns into sexual discussion and flirtation as they lament over their relationship; unbeknownst to them, Neil’s intercom microphone broadcasts the entire explicit conversation throughout the store, where various elderly people and vagrants tune in. After she leaves in tears, the customers agree to cover his shift while he goes after her.

iBabe

A developing company is having a meeting in their headquarters over their newly released product, the “iBabe”, which is a life-sized, realistic replica of a nude woman which functions as an MP3 player. The boss (Richard Gere) listens to his various workers (Kate Bosworth, Aasif Mandvi and Jack McBrayer) argue over the placement of a fan that was built into the genital region of the iBabe, which is dismembering the penises of teenage boys who attempt to have sex with them. The board members then agree to strongly emphasize the dangers of the product via its new commercials.

Superhero Speed Dating

Robin (Justin Long) and his cohort Batman (Jason Sudeikis) are in Gotham City at a speed dating establishment seeking out a bomb threat by their nemesis, Penguin (John Hodgman). While Robin attempts to connect with various women through speed dating including Lois Lane (Uma Thurman) and Supergirl (Kristen Bell), Batman encounters his ex Wonder Woman (Leslie Bibb) and attempts to stop Penguin from detonating Supergirl, who later turns out to be the Riddler (Will Carlough) in disguise, which Batman already knew and was screwing with Robin, who kissed “her” moments before unveiling.

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Machine Kids

A faux-Public service announcement about children stuck in machines and how adults’ criticism of these particular machines affect the feelings of the children stuck inside the machines. This commercial was paid for by the “Society for the Prevention of Cruelty to Children Inside Machines”.

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Middleschool Date

Nathan (Jimmy Bennett) and Amanda (Chloë Grace Moretz) are watching television after school at Nathan’s house as their first “middle school” date. When they begin to kiss, his older brother Mikey (Christopher Mintz-Plasse) enters the living room and makes fun of them. Amanda then discovers she is menstruating and tries to hide it, and when Nathan sees blood on her pants, he panics and believes her to be bleeding to death, causing a debacle, which would later have Nathan and Mikey’s father Steve (Patrick Warburton) and Amanda’s father (Matt Walsh) involved. Amanda calls them out on their stupidity and feels embarrassed to know that she’s getting her first period in front of them and they don’t know what to do about it. When she leaves with her father, Nathan yells that the process of keeping the lining of her internal organs intact by inserting his erect phallus into her vagina is much too complicated and Mikey agrees. Steve cheers them up by farting in front of them. As Mikey goes to the bathroom, Nathan and Steve watch a game on television, which has a very graphic Tampax commercial in which a girl gets eaten by a shark due to her menstruating.

Tampax

Another faux-commercial involving two women who go swimming in the sea. As the women submerge into the water, a great shark suddenly appears and eats one of the women. A tagline appears, reading: “Tampax. Now Leak-Proof”

Happy Birthday

Pete (Johnny Knoxville) captures a leprechaun (Gerard Butler) for his roommate Brian (Seann William Scott) as a birthday present. After tying the leprechaun up in the basement, they demand he give them a pot of gold. The obscene leprechaun threatens that his brother is coming to save him. When he arrives, Brian and Pete are shot at but ultimately kill both leprechauns. At the end of the segment, Pete reveals he has also caught a fairy (Esti Ginzburg) who performs fellatio for gold coins.

Truth or Dare

Donald (Stephen Merchant) and Emily (Halle Berry) are on a date together at a Mexican restaurant. Tired of typical first dates, Emily challenges Donald to a game of truth or dare. She dares him to grab a man’s buttocks, and he follows with daring her to blow out the birthday candles on a blind boy’s cake. The game rapidly escalates to extremes, in which both of them get plastic surgery and tattoos, and humiliate themselves. When Donald and Emily arrive back at Emily’s apartment, they praise their date. Donald tries to kiss her, but she rejects him, claiming she’s not attracted to Asian men (which he was surgically altered to resemble). It is revealed that she was joking and invites him to have sex with her as she shows him her enlarged breasts.

Victory’s Glory

Set in 1959, Coach Jackson (Terrence Howard) is lecturing his all-black basketball team before their first game against an all-white team. Worried about losing the game, the timid players are lectured by the coach about their superiority in the sport over their white counterparts, which he expresses vulgarly. When the game ensues, the all-white team loses miserably yet rejoices in a single point they earn.

Beezel

Played mid-credits, Amy (Elizabeth Banks) worries that her boyfriend Anson’s (Josh Duhamel) cat, Beezel (an animated cartoon), is coming between their relationship. Beezel seems to detest Amy and anyone who comes between him and Anson, but Anson only sees Beezel as innocent. One day, Amy witnesses Beezel masturbating to summer vacation photos of Anson in a swimsuit. Beezel attacks her and violently urinates on her. Anson still finds his pet innocent but Amy threatens to leave if he doesn’t get rid of Beezel. Caring more about his relationship, Anson agrees to find a new home for him. That night, from a closet, Beezel tearfully watches the couple make love (whilst sodomizing himself with a hairbrush and dry humping a stuffed teddy bear). The next day when it comes time to take Beezel away, he is nowhere to be found. Amy goes outside to look. Beezel then runs her over with a truck and attempts to shoot her to death with a shotgun, but she chases him into the street and begins beating him with a shovel, which is witnessed by a group of children attending a birthday party at a neighboring house. When Anson approaches to see what is happening, Amy tries to explain Beezel’s motives. Beezel acts innocent and Anson sides with his cat. The children of the party then attack and murder Amy for beating up Beezel, stabbing her with plastic forks. Anson grabs Beezel, as Beezel again fantasizes about French kissing his owner.

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Find Our Daughter

In this segment that was cut from the film, Maude (Julianne Moore) and George (Tony Shalhoub) are looking for their breast-flashing daughter Susie (Jordanna Taylor) with the help of the private eye (Bob Odenkirk), who is behind the camera with only one clue which is a small video that features their daughter. The scene was released on Blu-ray.

Necrophiliac

This segment cut from the film stars a necrophiliac who worked at a morgue and had sex with the dead female bodies. The scene was included on the Blu-Ray release.

This film gets a lot of negative reviews, and I can see why – it’s definitely a marmite type ‘love it or hate it’ film. I doubt there’s any room for a grey area. Slapstick, crude toilet humour delivered in a very clever fashion. This isn’t so much a film as it is a series of interlinked sketches with an all-star cast

 

 

REVIEW: THE HOUSE BUNNY

CAST

Anna Faris (Mom)
Emma Stone (Zombieland)
Colin Hanks (King Kong)
Kat Dennings (2 Broke Girls)
Katharine McPhee (Shark Night 3D)
Rumer Willis (Sorority Row)
Christopher McDonald (Fanboys)
Beverly D’Angelo (Mom)
Monet Mazur (Just Married)
Tyson Ritter (Parenthood)
Sarah Wright (21 & Over)
Matt Barr (Sleepy Hollow)
Nikki Deloach (longshot)
Jennifer Tisdale (Mr. Deeds)
Kathleen Gati (Arrow)
Allen Covert (Little Nicky)
Hugh Hefner (Hop)

Shelley Darlington (Anna Faris) is an aspiring Playboy Playmate living the life of luxury in the Playboy Mansion. The day after her twenty-seventh birthday, she awakes to find a note, seemingly from Hugh Hefner, asking her to pack up and leave. She happens to stumble upon a group of girls who remind her of herself: beautiful and fun. She follows them and sees that they live in luxury too. They turn out to be the Phi Iota Mu sorority, and snobbishly reject her when she tries to join them.
She makes her way down to the Zeta Alpha Zeta house, which appears to be far less luxurious than the first sorority she visited. The members of the Zeta house are dowdy, socially awkward, and caught off guard by Shelley’s bubbly nature, prompting them to initially reject her. Once they see Shelley’s ability to attract boys, the Zetas change their mind and take in Shelley as their new “house mother”, hoping that she can save them: their sorority is in danger of being shut down unless they can get thirty new pledges to join.
During her time spent with the Zetas, Shelley meets and becomes attracted to an intellectual, altruistic guy named Oliver (Colin Hanks), who works at a retirement home. Shelley goes out on a date with Oliver, and while her flirty tactics work with most guys, they fail with him, for he is a guy who actually wants to get to know Shelley rather than just sleep with her. To impress Oliver on their upcoming second date, Shelley starts attending classes and reading books, and tones down her appearance. The second date is also a disaster because she wears glasses that aren’t meant for her, and brings along note cards to help her sound smart.
Having gotten a makeover and lessons on how to attract guys and be popular, the Zetas throw a party, which is a huge success. Later, the Zetas are reviewing the girls who are hoping to pledge to Zeta, but their new popularity has made them conceited. When they realize what they’ve become, they blame Shelley—just as she returns from her unsuccessful date.
Although Shelley had just been invited back to the Playboy mansion (after Hefner had learned of the forged dismissal) and decided to stay with the Zetas, the unexpected attack from them makes her reconsider, and she calls back to accept the invitation. The Zetas then feel guilty, and decide to give themselves a second makeover, this time being “Half-Shelley and Half-Themselves”. They also decide to draw the pledges out at random, instead of judging them. They show up at Shelley’s photo shoot and ask for her to come back, to which she agrees, having changed her mind about her dream of being a centerfold.
The rival Phi Iota Mu sorority intercepts the invitations and prevents them from being mailed out, so the Zetas are again in danger of being shut down at the campus meeting of the Panhellenic Council. Shelley crashes the meeting and gives a heartfelt speech about what her experience with the Zetas has taught her about love and acceptance, and asks for pledges on the spot; gradually thirty students agree to pledge, and the sorority is saved. Oliver and Shelley reconcile, and Shelley explains that she likes Oliver a lot and was trying too hard to impress him. They decide to start over with their relationship and Oliver is looking forward to getting to know the “real” Shelley.
The film ends with Zetas and their new pledges celebrating. Shelley has remained in close contact with Mr. Hefner and her friends at the Playboy mansion.

Great laugh out loud comedy with a simple but fun storyline. The film is worth watching for Anna Faris alone.. It’s a silly feel good comedy worth the money.

REVIEW: 22 JUMP STREET

 
CAST

Channing Tatum (G.I.Joe)
Jonah Hill (Cyrus)
Ice Cube (Ride Along)
Peter Stormare (Fargo)
Wyatt Russell (Cowboys & Aliens)
Amber Stevens West (Greek)
Jillian Bell (Goosebumps)
Dustin Nguyen (V.I.P.)

 Nick Offerman (Sing)
Marc Evan Jackson (The Good Place)
Johnny Pemberton (Son of Zorn)
Richard Grieco (Impact Event)
H. Jon Benjamin (Wet Hot American Summer)
Anna Faris (Mom)
Will Forte (The Lego Movie)
Dave Franco (Bad Neighbours)
Bill Hader (Power Rangers)
Patton Oswalt (Young Adult)
Queen Latifah (Bringing Down The House)
Rob Riggle (The Hangover)
Seth Rogen (Knocked Up)
Steven Williams (Jason Goes To Hell)

 

Two years following their success in the 21 Jump Street program, Schmidt (Jonah Hill) and Jenko (Channing Tatum) are back on the streets chasing narcotics. However, after failing in the pursuit of a group of drug dealers led by Ghost (Peter Stormare), Deputy Chief Hardy (Nick Offerman) puts the duo back on the program to work for Captain Dickson (Ice Cube) – now located across the street at 22 Jump Street. Their assignment is to go undercover as college students and locate the supplier of a drug known as “WHYPHY” (Work Hard, Yes, Play Hard, Yes) that killed a student photographed buying it on campus.
At college, Jenko quickly makes friends with a pair of jocks named Zook (Wyatt Russell) and Rooster (Jimmy Tatro), the latter being a prime suspect of the investigation. Jenko starts attending parties with the jocks who do not take as kindly to Schmidt. Meanwhile, Schmidt gets the attention of an art student, Maya (Amber Stevens), by feigning an interest in slam poetry. The two sleep together, to the disapproval of Maya’s roommate Mercedes (Jillian Bell), and it is revealed that Maya is the daughter of the vehemently disapproving Captain Dickson. Despite sleeping together, Maya tells Schmidt not to take it seriously, and he starts to feel left out as Jenko bonds more and more with Zook who encourages him to join the football team.
When Schmidt and Jenko feel as if they have no clue to who the dealer is because they have no leads, they decide to pay a visit to Mr. Walters (Rob Riggle) and Eric (Dave Franco) in jail for advice on how to look for the WHYPHY supplier. Walters tells the two to look more closely as he notices a unique tattoo on the arm of the dealer in the photograph. He insists that if they find the tattoo, they will have found their man. Whilst hanging out with Zook and Rooster, Jenko notices that Rooster does not have the tattoo but sees it on Zook’s arm. Schmidt and Jenko are invited to join the fraternity led by the jocks but Schmidt refuses, furthering the tension between the two as Jenko passes all the requirements. At a counselling session, they realise that maybe Zook isn’t the dealer but was buying the drugs rather than selling them, and soon afterwards they find Ghost and his men on campus. A chase ensues and Ghost again evades the pair. Jenko reveals to Schmidt that he’s been offered a football scholarship with Zook and is unsure whether he wants to continue to be a police officer. Schmidt decides for him by telling officers on the scene that Jenko had nothing to do with the melee caused by the chase. Immediately afterwards, Schmidt moves out of the dorm and Maya finds out who he really is.
Spring Break arrives and Schmidt prepares to go after Ghost alone. Jenko asks to help so that the two can have one final mission together, and the pair head to the beach where Ghost is likely to be dealing WHYPHY. Inside a bar, they find Mercedes, revealed to be Ghost’s daughter, giving instructions to other dealers. The pair, backed up by Dickson and the rest of Jump Street, ambush the meeting and give chase as they flee. Mercedes is able to handcuff Dickson and take him hostage, pursued by Schmidt. Meanwhile, Jenko goes after Ghost. After a fist fight with Mercedes, Schmidt is held at gunpoint by her but Maya sneaks up and knocks her out. Schmidt goes to help Jenko who is now on a hotel roof in pursuit of Ghost, and inadvertently shoots Jenko in the shoulder. Ghost attempts to escape in a helicopter and Jenko jumps across to it but struggles to hold on with his injured arm. Schmidt makes the same jump and the two fall into the sea, but not before Jenko is able to throw a grenade into the helicopter, supposedly killing Ghost.
Back on land, Jenko tells Schmidt that he still wants to be a police officer as he believes their differences help their partnership, and the two reconcile in front of a cheering crowd. Dickson approaches them claiming to have a new mission undercover at a med school. During the credits, Jenko and Schmidt go on to a variety of undercover missions to different school, which are portrayed as fictional sequels, an animated series, and a toy line. One mission features Detective Booker (Richard Grieco) while another sees the return of Ghost, who survived the helicopter explosion. In a post-credits scene, Walters reveals to Eric that he’s late.
22 Jump Street is a prime example of how to do a sequel right. Directors Phil Lord and Chris Miller took everything from the first and made it better with an intelligently creative script and a bigger budget. This is a comedy that never once was afraid to make fun of itself or the genre. You could also really tell that Hill and Tatum had a blast making this film, because it shows it in their performances. Who really steals the show is Ice Cube as he has a lot more screen time. If you are looking for a hilarious time at the movies this year, then 22 Jump Street is a must see movie.

REVIEW: LOST IN TRANSLATION

CAST

Bill Murray (Zombieland)
Scarlett Johansson (The Avengers)
Giovanni Ribisi (Ted)
Anna Faris (Mom)

Bob Harris, an aging American movie star, arrives in Tokyo to film an advertisement for Suntory whisky. Charlotte, a young college graduate, is left in her hotel room by her husband, John, a celebrity photographer on assignment in Tokyo. Charlotte is unsure of her future with John as she feels he is more interested in his celebrity models, particularly an American actress named Kelly, than her. Bob’s own 25-year marriage is tired as he goes through a midlife crisis.

One night, after a long photo shoot, Bob retreats to the hotel bar. Charlotte, sitting at a table with John and friends, notices Bob and has a waiter take him a cup of peanuts from her table. Bob and Charlotte have brief encounters each night at the hotel bar; eventually Charlotte invites Bob to meet with some local friends of hers. The two bond through their adventures in Tokyo, experiencing the differences between Japanese and American culture and their own generations.

On the penultimate night of his stay, Bob attracts the attention of the hotel jazz singer. Charlotte arrives at his room to go out for breakfast and discovers the woman in his room, leading to an argument over lunch. Later that night, during a fire alarm at the hotel, Bob and Charlotte reconcile and express how they will miss each other as they make one more trip back to the hotel bar.

The following morning, Bob is set to return to the United States. He tells Charlotte goodbye at the hotel lobby and watches her walk back to the elevator. In a taxi to the airport, Bob sees Charlotte on a crowded street and gets out and goes to her. He embraces Charlotte and whispers something in her ear. The two share a kiss, say goodbye and Bob departs.

Coppola has risen leaps and bounds with this incredible second film, a film that works through visual poetry where silence can speak volumes, an intensity in its characters and location, and its incredibly honest subtlety in the interaction between its characters. In its closing, just as in life, the leads don’t solve all their problems and yet because of all they have shared, they feel a little better anyway, and in that profoundly bittersweet melancholia that runs throughout the film, so should the audience too.