REVIEW: HIGHLANDER: THE SERIES – SEASON 5

Starring

Adrian Paul (Arrow)
Stan Kirsch (Shallow Ground)
Jim Byrnes (Sanctuary)

 Cassandra

 Witch of Donen Woods

 The Highlander

RECURRING / NOTABLE GUEST CAST

Tracy Scoggins (Babylon 5)
Matthew Walker (Ginger Snaps Back)
Gerard Plunkett (Sucker Punch)
Anna Hagan (The Possession)
Chris William Martin (The Vampire Diaries)
Réal Andrews (The Bay)
Rachel Hayward (Jingle All The Way 2)
Gary Jones (Stargate SG.1)
Bruce A. Young (Jurassic Park 3)
Eric McCormack (Will & Grace)
Aaron Pearl (Staragte SG.1)
Ian Tracey (Bates Motel)
Marcia Strassman (Third Watch)
Michael Kopsa (Fantastic Four)
Alastair Duncan (The Batman)
Sandra Bernhard (2 Broke Girls)
Elizabeth Gracen (Marked For Death)
April Telek (Hell on Wheels)
Tom McBeath (Stargate SG.1)
Nicholas Lea (V)
John Novak (Wishmaster 3 & 4)
Andrew Divoff (Lost)
Nathaniel DeVeaux (Andromeda)
Roger Cross (First Wave)
Steve Bacic (Androemda)
Kira Clavell (Frankie & Alice)
Ron Perlman (Hellboy)
Peter Wingfield (Caprica)
Robert Wisden (Watchmen)
Fulvio Cecere (Valentine)
Musetta Vander (Wild Wild West)
Valentine Pelka (The Pianist)
Richard Ridings (Rise of TPOTA)
Marcus Testory (The Cyberstalking)
Anthony De Longis (Masters of The Universe)
Dolores Chaplin (The Ice Rink)
Michael Culkin (Dorian GRay)
Roger Daltrey (Tommy)
Michael J. Jackson (Emmerdale)
Jonathan Firth (Victoria & Albert)
Katie Carr (Heroes)
Michel Modo (The troops Get Married)
Peter Hudson (Hitman)

Jim Byrnes in Highlander (1992)The immortal suave and sword fighting style of Highlander: The Series continues for Season 5 – from BC to the nineties and then some. Immortal Highlander Duncan MacLeod (Adrian Paul) struggles with who he is and who is friends are- thanks to prophecies of good and evil and secrets withheld by the 5,000 year old Methos (Peter Wingfield). Watcher Joe Dawson (Jim Byrnes) also wrestles with his immortal friendships and the mortality they so often harbinger. Unfortunately, Amanda (Elizabeth Gracen) and Richie (Stan Kirsh) must also face immortal fame, infamy, and religion. imagesOne might think Highlander: The Series would retread a topic or two after such a solid syndicated tenure- but no. Faith and hope in immortal pacifism are tempted in “Little Tin God” and “The Messenger”; the uses and wastes of immortality are examined in “Haunted” and “The Modern Prometheus”; “The End of Innocence” questions the immortal mentor and student relationships. Yes, the season opener “Prophecy” and the finale “Archangel” do stray into a little mythical and magic fantasy much- but hey, what do you expect in a show about folks who live forever? Fortunately, there’s plenty of fun, too, especially in the period piece treats “Money is No Object” and “The Stone of Scone.” Despite its reduction to 18 episodes, Year 5 nicely balances one-off immortal explorations with ongoing storylines and multiple part shows. Instead of growing old and withered, Season 5 is the culmination of Highlander: The Series. The audience knows the mythos and the players well enough by now, so there’s no need for filler or fluff or straying beyond the exploration of our Immortal repertoire.highlanderWhile some of the Depression era hijinks are oft played, at least Duncan MacLeod has some fun in the past, from time to time, occasionally- just so long as he doesn’t get too fun and crazy in the present! MacLeod seems increasingly tired, weary, burned out beautifully by the likes of “The Valkyrie,” “Forgive Us Our Trespasses” and “Duende.” Perhaps part of that was indeed the growing stress of Adrian Paul- naturally so much rides upon him. However, it’s understandable that Mac gets tired of being the good guy after 400 years- in the same way he remains haunted by when he wasn’t always the good guy and made costly, nay deadly mistakes. Duncan clings to his friendships in an attempt to deal with all this routine death- the cost for his long life- but even his support system carries tragic consequences.s5-e16-5One thing that has always bugged me about the Watchers- you know the secret organization watching Immortals that isn’t really so secret and that isn’t supposed to interfere but always does- is that they’ve blindly keep their presence hidden from immortals. I’m so glad Joe Dawson at last gets his friendship with Mac out in the open. Why can’t the Watchers share on a case-by-case basis with immortals? Hey, he’s a good guy, I can ask him some questions about The Bronze Age and get the facts right! “Glory Days” again gives us a beautiful peak into Joe’s life thanks to Duncan and likewise, Joe provides wonderful reflection in, well, every episode he appears! By contrast, Amanda allows for more sexy fun and tongue in cheek cool with “Dramatic License.” Not without their immortal drama, it’s also great to see her and Mac wonder what their relationship really is under all the laughter and if their difficulties could not only survive mortal conventions, but immortal lifetimes. Then let’s toss in some competition from Nicholas Lea (The X-Files) as Cory Raines in “Money for Nothing” just to keep the romance on its toes. Of course, seeing Amanda and Roger Daltry’s Hugh Fitzcairn go head to head in “The Stone of Scone” is so, so sweet, too!highlander47I know I’ve mentioned some of the same episodes more than once- hey, they bear repeating- but most viewers probably remember ‘the horsemen ones’ most from Season 5, if not the entire series. Peter Wingfield guests in count ‘em seven episodes this year, and “Comes A Horseman” and “Revelation 6:8” finally give us a piece of the Methos mythos (hee). Not that “The Messenger” and “The Modern Prometheus” don’t, but seeing the wild side of Methos is an exceptional antithesis to do-gooder MacLeod. Toss in the lady scorned Tracy Scoggins (Babylon 5, The Colbys, and I always remember Watchers II for some reason) for 3 shows as immortal witch Cassandra, and oh me oh my! These storylines add to MacLeod’s own legend and the ancient presence of immortals without having to disastrously explain where they all come from- as in the various versions of Highlander 2. They are, they f*ck up, they move on. Highlander: The Series needs nothing else, indeed. Although I must say, I always thought I liked Fitz more than Methos, but now I’m not so sure. The Methos possibilities are just too interesting- be he good or evil, selfless and righteous for the greater good, or downright arrogant and self centered. highlander39Unfortunately, Richie always gets the short end of the sword and never quite gets a head above the rest. “The End of Innocence” tries to backpedal on Richie’s off screen whereabouts from last season- but if the audience is supposed to find all this so important, why weren’t we seeing snips of these adventures then? How ironic he’s a regular character who also appears in only 7 episodes. Sadly, in this rewatch, I think I’ve come to the conclusion that I don’t really like Richie. He isn’t treated as any more significant than the guest immortals, he’s kind of a jerk who always screws up or never really learns anything, or if so, the changes never stick as he comes and goes. All that being said, when Richie gets a spotlight show like “Haunted,” Highlander: The Series still can’t go wrong. Here’s a lovely episode again exploring what exactly a Quickening may be- is it the spirit or the soul? Does it live on in the immortal who takes the victor’s head; do they obtain the quirks and characteristics of their beheaded comrades? If that is the case, immortals must fight to the death in order to pass on all their greatness in one culmination towards The Prize. In a way, it’s almost as if the Quickening is a unique form of…procreation towards one glorious being. Such Intriguing thoughts like this, however, are given a backseat so Richie can have another one off romance and then disappear. Snark. The visiting Bruce A. Young’s (The Sentinel) Carl Robinson in “Manhunt” is far more interesting as the slave turned ball player with political hopes who can’t quite get past his own immortal racism. 25309860c90b36158_wSome of the narrations leading into the flashbacks this season are, however, a little unusual. Show don’t tell, after all. Some exotic locations like Peru or unexplored times and places like Andersonville, the 1970s, and Spain add more zest and fun to the always lovely and upscale period design. Again, perhaps Depression era crime and Nazi motifs are over played- and the dojo really looks ready to retire. How can a members only gym be open all the time yet be so empty? How can it close down and get wrecked all the time and expect to keep such bare clientele? Then again, episodes like “The Stone of Scone” make one wonder why Highlander: The Series didn’t do an entirely period episode at least once a season- or continue on with stand alone totally in the past television movies or multipart miniseries.  Those who know and love the Highlander franchise will absolutely adore Season 5.

REVIEW: HIGHLANDER: THE SERIES – SEASON 1

Starring

Adrian Paul (Arrow)
Alexandra Vandernoot (Pret-a-Porter)
Stan Kirsch (Shallow Ground)
Amanda Wyss (A Nightmare On Elm Street)

Adrian Paul and Alexandra Vandernoot in Highlander (1992)

RECURRING / NOTABLE GUEST CAST

Christopher Lambert (Mortal Kombat)
Richard Moll (Scary Movie 2)
Wendell Wright (The Howling)
Peter DeLuise (Stargate SG.1)
J.E. Freeman (Alien: Resurrection)
Tamsin Kelsey (The Commish)
Matthew Walker (Alone In The Dark)
Dustin Nguyen (Legend Is Alive)
Soon-Tek Oh (Mulan)
A.C. Peterson (Shooter)
Vincent Schiavelli (Ghost)
John Novak (War)
Victor A. Young (Nemesis Game)
Garry Chalk (Arrow)
Jay Brazeau (Bates Motel)
Joan Jett (Light of Day)
Leslie Carlson (Videodrome)
Andrew Divoff (Wishmaster)
Colleen Winton (Van Helsing)
Gary Jones (Stargate SG.1)
Wes Studi (Mystery Men)
Marc Singer (V)
Brent Stait (Andromeda)
Doug Abrahams (Sanctuary)
Joe Pantoliano (The Matrix)
Catherine Lough Haggquist (Fifty Shades Freed)
Stephen Macht (Trancers 4)
Johannah Newmarch (When Calls The Heat)
John Tench (Watchmen)
Scott McNeil (Beast Wars)
Adrian Holmes (Smallville)
Vanity (The Last Dragon)
Tim Reid (IT)
Kevin McNulty (Snakes on A Plane)
J.G. Hertzler (Staragte SG.1)
Fulvio Cecere (Valentine)
Tom Butler (Blade: The Series)
Werner Stocker (The White Rose)
Peter Howitt (Defying Gravity)
Roland Gift (Brakes)
Dee Dee Bridgewater (The Brother From Another Planet)
Fay Masterson (Eyes Wide Shut)
Elizabeth Gracen (Marked For Death)
Jason Isaacs (Star Trek: Discovery
Martin Kemp (The Krays)
Nigel Terry (Excalibur)
Peter Guinness (Sleepy Hollow)
Anthony Head (Buffy: TVS)
Marion Cotillard (Inception)
Roger Daltrey (Tommy)
Peter Hudson (Lockout)

Alexandra Vandernoot in Highlander (1992)400-year-old Scottish Immortal Duncan MacLeod (Adrian Paul) has spent the last twelve years living a quiet life with his mortal girlfriend, sculptor Tessa Noel (Alexandra Vandernoot). Unfortunately, when young punk Richie Ryan (Stan Kirsh) breaks into their antiques store, he stumbles upon another uninvited guest- Connor MacLeod (Christopher Lambert), also an immortal Highlander. Connor insists Duncan return to The Gathering- an ongoing battle where immortals fight each other to the death by beheading their opponent to take their Quickening. Friendly immortals like the Parisian monk Darius (Werner Stocker) have no interest in the violence and remain on Holy Ground to avoid the evil, corrupt, insane, angry, and power hungry immortals Duncan must face. All this, however, is in addition to Duncan’s daily hiding of his secrets from pesky cops and nosey reporters like Randi MacFarland (Amanda Wyss).Adrian Paul and Soon-Tek Oh in Highlander (1992)I always find it tough to summarize the scenario that establishes the Highlander universe, even though it is a fairly simple fantasy once you get to know it. Longtime franchise producers Peter Davis and Bill Panzer and creative consultant David Abramowitz don’t have to waste much time in setting up The Series’ introductory mythology like most shows do thanks to its parent 1986 film, but that does not mean this First Season isn’t without its flaws. Highlander: The Series spends most of the 1992 debut here trying to adhere to the original film whilst also attempting to appeal to other compatriot shows of the time like Renegade. Sometimes, Duncan is an immortal who also just happens to get kidnapped, Tessa just happens to witness an immortal murder, Richie just happens to get caught up in some immortal romance or crime.Season 1 seems to meander between reopening its fantastical roots- which actually concluded at the end of the first film- and finding an audience with one off action plotlines and crazy guest star immortals. Toss in some ho-hum police investigations and one annoying journalist, and it feels like you have bits of every other nineties television program. It also seems like the filmmakers were light on material early on, for a slew of slow and dated musical montages about absolutely nothing also have not stood the test of time. Adrian Paul in Highlander (1992)I’ve complained, yes- but the irony is, Highlander as a series and its Season 1 still work damn fine. So they had to iron out a few special effects and immortal explanations. Maybe there is an uneven mix of normal real world crime storylines and charming, even glorious, period piece flashback sequences. Yes, they have to mimic the first movie while trying to establish episodic material. Yet somehow, all this and more gets done in fun, entertaining, stylized television. A few of the guest immortals do seem a bit interchangeable and even hokey in their maniacal ways, but that’s part of the bemusement. The lovely counterbalance of the tragedies, consequences, and ill desires of living forever are well played along with the beauty and value of morality, artistry, and time for those who inevitably grow old and die. Highlander: The Series may have lured audiences in the door with promises of nineties cool and wicked swordfights, but its intelligent core of immortal drama, heart, and soul win out today.Adrian Paul and Vanity in Highlander (1992)Although Adrian Paul (Tracker, Relic Hunter) has some big sneakers to fill in following Christopher Lambert, he quickly makes Duncan MacLeod his own with the perfect mix of fearless fighter and moral convictions. Yes, part of his fighting skills, suave ponytail, and immortal sexual buffness is meant to be dreamy for the ladies. However, Mac’s kickass ruthlessness against those who do wrong-whether they be mortal or immortal- combined with his sensitive ways and 400 year old hang ups appeal to all. Paul wonderfully expresses the love, loss, humor, and intelligence as well as the anger, vengeance, and violence each episode as needed. There’s no doubt MacLeod is our hero- and yet he is usually the one handing out killing blows. It’s a complicated mix with plenty of fine drama- and Alexandra Vandernoot (The Five Obstructions) is the perfect compliment to Adrian Paul. Though she can seem kind of uppity and European pissy to start, once you come to know Tessa’s artistic heart and moral fulcrum you can’t help but enjoy her and Mac’s relationship. The two have wonderful chemistry, but then you throw in illicit immortal love with mortal women growing old and dying to that romantic design and it’s dynamite. Such juicy and angst still has plenty of relatable, powerful stuff that never fades, wow, almost 20 years on.Still of Adrian Paul and Amanda Wyss in Highlander and See No EvilStan Kirsh (Invincible) is in the precarious hot young thing role as Richie Ryan, but he also proves himself more likeable then annoying here in Season 1. Despite some of the stereotypically juvenile, young love, and crime storylines in which he finds himself, Richie’s fun place within Mac and Tessa’s lives does a lot of good. He is in a way, their kid- always needing to be bailed out or protected in the ways of the world or waxing philosophical from his humorous spot in the backseat. Even over the course of these 22 episodes, however, Richie also becomes a useful ally and sounding board for each of the leads when immortality or mortality gets in the way. Sadly, the ill-used Amanda Wyss (A Nightmare on Elm Street), doesn’t fair so well. Her brief and needlessly stuck in the opening credits reporter Randi is absolutely unrealistic as a journalist and completely annoying in her attempted antagonizing and snooping. Perhaps more could have been done with the character in time, but thankfully, the role was dropped in favor of some  policemen and detectives. Wendell Wright’s (Benson) Sgt. Powell, Tim Reid’s (Sister, Sister) Bennett and Hugues Leforestier as Inspector LeBrun come and go too much in Season 1, but any one of them could have been fine continuing foil for MacLeod. You do have to wonder how the authorities haven’t discovered all these beheaded bodies!Adrian Paul in Highlander (1992)In addition to the lovely guest appearance by Lambert as Connor “same clan, different vintage” MacLeod in ‘The Gathering’, Season 1 offers an array of sweet guest stars. Critical immortals such as Elizabeth Gracen’s (later of the spinoff Highlander: The Raven) Amanda and Fine Young Cannibals’ singer Roland Gift as Xavier St. Cloud appear in ‘The Lady and the Tiger’ and ‘For Tomorrow We Die’ respectively. We don’t get to see the late Werner Stocker’s Darius as much as I would have liked, but he and Roger Daltry’s Hugh Fitzcairn are also wonderful pieces in Highlander: The Series’ repertoire, comparing the potential of pacifism for immortals to their apparent zest for women. As much as I love Joan Jett, her appearance as the first female immortal we see in ‘Free Fall’ is one of the woefully dated examples this season. Several other guest villains and street thugs of the week do seem a little the same- especially the maniacal and crazy, if no less understandable, immortals. Again, it’s tough to not have an over the top bad guy when it is your hero befrickingheading someone per episode. A few of the French supporting players also suffer; so many seemed poorly dubbed that you don’t wonder if it would have been better to just have some French dialogue. All in all however, the guests add debut credibility this season whilst laying the ground work for the series to establish itself beyond the films: the plots and players in the Season 1 finale ‘The Hunters’ directly lead to the events in Season 2 and beyond.Adrian Paul and Christian van Acker in Highlander (1992)Although the actors do their part, the designs of Season 1 could have used some…tweaking. The Quickening effects are definitely touch and go to start. Honestly, the lightning shows generally coming at the end of each episode waver from looking extremely painful and capable of powering a village to limp, sputtering light bulbs and quasi orgasmic shuddering. Women seriously seem to get the short end of the stick regarding Quickenings, and the fashions of the time have not been kind. Oh, the unflattering gaudy shoulder pads, pleated pants, and high-waisted jeans! Richie fairs no better, with some woefully colorful New Edition and Color Me Badd cast-offs. At least most of the immortal men seem to have classic, swanky style- except some of Duncan’s sweaters, vests, and colorful blazers are a miss. However, any men who can carry off such a variety of period fashion earn a plus in my book. The Leather jackets, cozy turtlenecks, tuxedos, and fedoras here are as timeless as the kilts, cavalier coats, French uniforms, and kimonos.Adrian Paul in Highlander (1992)While the MacLeod and Noel Antiques store, loft, and workshop design look just as good as the period production, it also seems a little too high end and unrealistic today. I know he is immortal and she is a sculptor, but real people could not live in such a pricey and overly designed museum. By contrast, Season 1’s opening Seacouver location seems obvious and bland- again looking like it’s a random warehouse back lot used by every other show made at the time. Thankfully, MacLeod’s barge on the Seine is just a little bit cooler. These French locations add a touch of Old World European class to Highlander. Even if I can’t quite figure the logistics of the barge, (How can one just park his boat on the Seine? What kind of codes and regulations are there for a refurbished ship? Where in the heck does Richie sleep if there’s one bed?!) it’s still a neat and unique set. Yes, Highlander: The Series’ location splits and prominence for French casting is thanks to French financing and production, but it also gives Season 1 a chance to correct its early flaws- including adjusting the opening credits and spending more time in our immortals’ pasts. Subtle connections to the original film are all that’s needed for Season 1 to find its footing- and those motifs largely come from the perfect use of Queen’s soundtrack. You can’t not love the ‘Princes of the Universe’ theme. Be honest, sometimes you just tune into Highlander just to hear the song! The somber ballad ‘Who Wants to Live Forever’ also makes a few appearances- however; it’s the nonchalant use of the titular question by unknowing mere mortals that adds extra zing and panache.Fans of the Highlander franchise surely already know and love these DVDs back to front, but 21st Century newcomers will be pleasantly surprised by the exhaustive amount of features for the Season 1 set. The interface is cumbersome, I grant; but the Watcher Chronicles’ menus, additional scenes, bloopers, commentary options, full script CDs, and behind the scenes features are almost obsessive in shear amount, variety, and content. Almost every episode contains some form of extras- and more is included as the season sets progress. I can even forgive the lack of subtitles here, because someone obviously took his time in making Highlander: The Series as complete as possible on DVD. New fans, however, should be forewarned, as there are often spoilers for the entire series within the features. In fact, all the extras from the Complete Series DVDs are probably best left in a marathon viewing all their own. Adrian Paul and Martin Kemp in Highlander (1992)Highlander: The Series is best when it is about the trials of immortality- not the contemporary messes into which an immortal could get himself. Season 1 falters some when it tries for the latter, but there’s plenty of immortal angst and juicy action established here to enjoy. Longtime fans can delight anytime, and audiences looking for action, adventure, fantasy, and romance can certainly find it here. Some scenes and storylines might be too saucy or complicated for younger tween viewers, but a show that matures in its mythos and quality along with its audience while also staying young forever is tough to find. Yes, just think, Highlander: The Series only gets better from here. Start anew or travel back with Season 1 today.

REVIEW: LOST – SEASON 6

Starring

Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Evangeline Lilly (Ant-Man and The Wasp)
Terry O’Quinn (The Rocketeer)
Josh Holloway (Colony)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Henry Ian Cusick (Hitman)
Ken Leung (Inhumans)
Emilie de Ravin (Roswell)
Jeff Fahey (Texas Rising)
Nestor Carbonell (Bates Motel)
Zuleikha Robinson (Homeland)

Josh Holloway and Elizabeth Mitchell in Lost (2004)

Recurring / Notable Guest Cast

Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Brad William Henke (Bright)
Kimberly Joseph (Hercules: TLJ)
Fredric Lehne (Amityville 4)
Elizabeth Mitchell (V)
Dominic Monaghan (Flashforward)
Mark Pellegrino (13 Reasons Why)
Daniel Roebuck (Final Destination)
Ian Somerhalder (The Vampire Diaries)
Sean Whalen (Twister)
Greg Grunberg (Alias)
John Hawkes (Winter’s Bone)
David H. Lawrence XVII (Heores)
Hiroyuki Sanada (Westworld)
William Mapother (Anotehr Earth)
Jeff Kober (New Girl)
Katey Sagal (Futurama)
Veronica Hamel (Cannonball)
Dylan Minnette (13 Reasons Why)
Andrea Gabriel (2 Broke Girls)
Kevin Durand (Swamp Thing)
Anthony Azizi (Eagle Eye)
William Atherton (Ghostbusters)
Alan Dale (Ugly Betty)
Jon Gries(Taken)
Tania Raymonde (Texas Chainsaw)
Neil Hopkins (The Net 2.0)
Rebecca Mader (Iron Man 3)
Jodi Lyn O’Keefe (The Vampire Diaries)
Titus Welliver (The Town)
Andrew Divoff (Wishmaster)
Chad Donella (Smallville)
Jeremy Davies (Hannibal)
Fionnula Flanagan (The Others)
Sonya Walger (Flashforward)
Fisher Stevens (Hackers)
Harold Perrineau (Constantine)
Cynthia Watros (Titus)
François Chau (The Tick)
Kevin Tighe (My Bloody Valentine)
Allison Janney (Mom)
Mira Furlan (Babylon 5)
Michelle Rodriguez (The Fast and The Furious)
Maggie Grace (The Fog)
John Terry (Full Metal Jacket)
John Pyper-Ferguson (Caprica)

Nestor Carbonell and Terry O'Quinn in Lost (2004)Season 6 of Lost is quite possibly the most scrutinized season of television in history. With both longtime fans of the series and curious outsiders wondering if this season would deliver both on answers and a satisfying conclusion, series show runners DamonLindelof and Carlton Cuse had an incredible task on their hands. With an edge-of-your-seat conclusion to Season 5, the small band of survivors we’ve grown to love set out on their final journey against a villainous shape shifter on an island of mystery.

In Season 4, “The Constant” established Lost as a science fiction series when it introduced time travel into the equation. From that point forward, until the conclusion of Season 5, the series maintained and expanded on that concept by sending the survivors hurtling through time until they eventually landed in 1974 (or 1977, for those on Ajira 316). Season 6 drops the time travel story completely and introduces a different sci-fi concept: alternate realities. It appears that the detonation of Jughead in “The Incident” created a parallel universe in which events played out slightly different and Oceanic Flight 815 never crashed.Much like flash-backs and flash-forwards, we experience this parallel universe through a series of “centric” flash-sideways featuring the lives of these characters as if the crash had never happened. This gives Lindelof and Cuse a unique opportunity to reexamine the lives of these characters from a completely different perspective.Josh Holloway in Lost (2004)The flash-sideways giving us incredibly important character moments and an intriguing new story that’s both surprising and engaging. With each “centric” flash-sideways story, parallels are drawn to the character’s plight while they are on the island. This relationship between timelines establishes a key connection between both storylines that give the flash-sideways an importance outside of simply being a different perspective on how things could have ultimately played out.Jeff Fahey, Michael Emerson, Yunjin Kim, and Zuleikha Robinson in Lost (2004)Connections between the two universes are explored more thoroughly as the series progresses and we do ultimately get a resolution to the flash-sideways storyline. How satisfying that resolution is will ultimately be based on a number of factors that stem from your own expectations. In other words, it’s a polarizing conclusion to a very unique story and you’re probably either going to love it or hate it. I loved the way the flash-sideways story ended because it satisfied the need for closure.Josh Holloway and Elizabeth Mitchell in Lost (2004)“Happily Ever After” stands out as the episode that had the most impact on both universes. Living, breathing Desmond David Hume (Henry Ian Cusick) has his consciousness transported into what we now know to be the afterlife and acts as the genesis for everything that happens in the “flash-sideways” realm after his departure. Desmond is also the catalyst for most events that occur leading up to and including the finale.Matthew Fox and Jorge Garcia in Lost (2004)He’s seen as nothing more than a tool by those around him; a means to an end. However, Desmond is infused with his own sense of purpose. With the events he experienced in the other universe infecting his mind, Desmond sets out to free those remaining on the island from their pain and suffering and take them to a better place. It’s funny how both Desmonds are essentially driven by the same goal, with only one succeeding. But Desmond’s error on the island gives Jack and Kate (Evangeline Lilly) the window they need to stop the Man in Black.untitledTerry O’Quinn, who spent most of the past five seasons playing John Locke, slips into his new role as the embodiment of dark temptation with ease. We actually saw him as the Man in Black last season, but even O’Quinn didn’t realize that he was technically playing a different character until close to the finale.Terry O'Quinn in Lost (2004)Here he’s allowed to truly enjoy portraying a villain and it’s obvious he’s having a hell of a lot of fun in the role.Josh Holloway in Lost (2004)The Man in Black tests the survivors like never before. Offering them freedom, survival and even answers to some of the island’s more pressing mysteries. The way that the survivors respond to this temptation ultimately defines who they truly are, even if it takes them some time to make the right decision. Again, just like the flash-sideways, this gives us yet another fascinating new perspective on these characters. We see them at both their weakest and their strongest this season. )Season 6 does a good job of explaining some mysteries while others are left up to the viewer to dissect for years to come. Lost: Season 6 is a strong conclusion to what has been an extraordinary series.Naveen Andrews and Hiroyuki Sanada in Lost (2004)All the elements that made the past five seasons so great are here, with the added bonus of this being the final season and the stakes being raised for all the characters. Whether or not the answers provided are satisfying or cover enough ground will vary drastically for different viewers, but ultimately, Lost: Season 6 delivers closure on a story that has captivated us for so long.

REVIEW: LOST – SEASON 3

Starring

Evangeline Lilly (Ant-Man and The Wasp)
Matthew Fox (Alex Cross)
Josh Holloway (Colony)
Elizabeth Mitchell (V)
Henry Ian Cusick (Hitman)
Dominic Monaghan (Flashforward)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Jorge Garcia (How I Met Your Mother)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Terry O’Quinn (The Rocketeer)
Emilie de Ravin (Operation: Endgame)
Rodrigo Santoro (300)
Kiele Sanchez (A Perfect Getaway)
Adewale Akinnuoye-Agbaje (Suicide Squad)

Josh Holloway in Lost (2004)

Recurring / Notable Guest Cast

Julie Adams (Code Red)
Brett Cullen (Ghost Rider)
M.C. Gainey (Breakdown)
William Mapother (The Mentalist)
Julie Bowen (Modern Family)
John Terry (Full Metal Jacket)
Michael Bowen (Kill Bill)
Tania Raymonde (Texas Chainsaw)
Paula Malcomson (The Hunger Games)
Ian Somerhalder (The Vampire Diaries)
Chris Mulkey (Whiplash)
Justin Chatwin (War of The Worlds)
Kim Dickens (Gone Girl)
Bill Duke (Black Lightning)
Adetokumboh M’Cormack (Gods & Heroes)
Andrew Divoff (Wishmaster)
Aisha Hinds (Cult)
François Chau (The Tick)
Nathan Fillion (Firefly)
Fredric Lehne (Men In BLack)
Zeljko Ivanek (Heores)
Nestor Carbonell (Bates Motel)
Robin Weigert (Jessica Jones)
Alan Dale (Ugly Betty)
Sonya Walger (Flashforward)
Shishir Kurup (Coneheads)
Fionnula Flanagan (The Others)
Bai Ling (The Crow)
Diana Scarwid (Wonderland)
Cheech Marin (Coco)
Kimberley Joseph (Hercules: TLJ)
Sung Hi Lee (The Girl Next Door)
April Grace (A.I.)
Shaun Toub (Iron Man)
Gabrielle Fitzpatrick (MMPR: The Movie)
Kevin Tighe (My Bloody Valentine)
Cleo King (Mike & Molly)
Patrick J. Adams (Legends of Tomorrow)
Billy Dee Williams (Star Wars)
Daniel Roebuck (Final Destination)
Beth Broderick (Sabrina: TTW)
Andrew Connolly (Heroes)
Marsha Thomason (White Collar)
Jon Gries (Welcome To The Jungle)
Doug Hutchison (Punisher: War Zone)
Samantha Mathis (American Psycho)
Carrie Preston (True Blood)
Sterling Beaumon (The Killing)
Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Andrea Gabriel (2 Broke Girls)
Neil Hopkins (The Net 2.0)
Tracy Middendorf (Scream: The Series)
Lana Parrilla (Once Upon A Time)
Malcolm David Kelley (Detroit)
James Lesure (Las Vegas)
Fisher Stevens (Hackers)
Mira Furlan (Babylon 5)

This season is easily broken down into two separate parts; the first six episodes that aired before an eight week hiatus and then the rest of the season. Even though the first six are considered part of the third season, they feel much more like a prologue. Very little time is spent with the survivors on the beach and the main focus of the story is Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer’s (Josh Holloway) imprisonment by the Others.Evangeline Lilly in Lost (2004)The second half of the season also featured some of the show’s best episodes to date. Including the brilliantly told “Flashes Before Your Eyes”, which is an interesting twist on Lost’s flashback scenario. Other episodes like “The Man from Tallahassee” and “The Brig” answered long asked questions while “The Man Behind the Curtain” and “One of Us” gave us a much needed back-story on both Ben (Michael Emerson) and Juliet (Elizabeth Mitchell).Really, the only weak point of the final sixteen-episode run would be “Stranger in a Strange Land”, an episode that primarily focused on the origins and meaning of Jack’s tattoo. We still don’t really understand the significance and we’re not too sure if the writers do either as they never bring up the subject again for the rest of the season.Terry O'Quinn in Lost (2004)Even “Expos¿”, an episode that featured fan-hated Nikki (Kiele Sanchez) and Paulo (Rodrigo Santoro), told an interesting “Twilight Zone” style story and we couldn’t be happier with the conclusion.If you were to suggest that the theme for season one was man vs. the unknown and that season two’s was man vs. machine it would be fair to suggest that the theme for season three is man vs. man, as the main crux of the season deals with the survivors of Flight 815 dealing with the Others. There is a constant power struggle between the two groups and the narrative frequently shifts back and forth from the Others camp to the survivor’s beach. Intertwined throughout, are personal struggles for several of the characters in both camps and we realize as the story pushes forward that even though they are enemies, their survival appears to be dependant on each other.At the core of this struggle is Benjamin Linus, and it would be a sin not to mention Michael Emerson’s fantastic performance as the enigmatic leader of the Others. He never once falters in portraying a creepy and unnerving nemesis for the survivors of Flight 815 and in particular, John Locke.Evangeline Lilly in Lost (2004)Terry O’Quinn puts in an equally inspired performance and every time these two appeared on screen together, you knew something special was about to happen. Everything culminates in what can be described as one of the best season finales in recent memory. Carlton Cuse and Damon Lindelof deliver a brilliantly told story that is full of emotion, suspense and action.

REVIEW: WISHMASTER 2: EVIL NEVER DIES

CAST
Andrew Divoff (Indiana Jones 4)
Holly Fields (Interceptor Force)
Chris Weber (Watchmen)
Vyto Ruginis (The Fast and The Furious)
Paul Johansson (Highlander: The Raven)
Robert Lasardo (Nip/Tuck)
Tommy Lister Jr (The Dark Knight)
Llia Volok (Power Rangers Wild Force)
Bokeem Woodbine (Total Recall)
Corey Haim (The Lost Boys)
MV5BZTE0MGU3ODItZmVlYi00YTk3LTk5MTAtY2FjMWI2MTVmNjhhXkEyXkFqcGdeQXVyMjYwNDA2MDE@._V1_.jpg
During an attempted robbery of a museum, the fire opal that contains the Djinn is accidentally released by a stray gunshot. One of the burglars, a beautiful young woman named Morgana Truscott (Holly Fields), steals the gem and is forced to abandon her partner during the escape. The Djinn escapes and kills the remaining burglar when he accidentally wishes he’d never been born. As the police enter the museum, the demon finishes forming into full size, revealing the Djinn (Andrew Divoff). The Djinn surrenders to the police and is led away.
file_204535_4_Black_Moon_Rising_Tommy_Lee_Jones
That evening, Morgana is shown sleeping very restlessly, her left arm dangling over the edge of the bed. In the meantime, Demarest is in a holding cell waiting to be transferred to prison, where he kills a fellow prisoner. In her dreams, she sees glimpses of the Djinn in his true form. The next day, Morgana goes to Church to visit the priest tending the church, a man named Gregory (Paul Johannson) – a former lover of Morgana’s before he found God and joined the priesthood. In prison, Demarest continues to kill prisoners and other personnel through purposely misconstrued wishes, and is confronted by Butz (Rhino Michaels) and his two henchmen, the Tiger brothers (James Kim and Simon Kim). Butz runs all “underground business” at the prison and gives Demarest a “friendly” warning that he is going to be watching him. Morgana is up at dawn, screaming out to her unseen tormentor, demanding to know who he is. She goes to her computer and does an internet search on Persian Mythology.
A voice-over from Morgana recites the contents of a web site she is reading on the Persian deity Ahura Mazda. He was known as a deity of both light and dark, symbolizing the duality of good and evil. He was also known as the keeper of the Stone of the Sacred Fire. Gregory arrives at her loft, he says that Father Dimitri from the church noted that she had passed by, and she seemed unwell. Morgana opens up just a little, telling Gregory she hasn’t been sleeping well, and experiencing confusing nightmares about a voice telling her to “fulfill the prophecy” and confesses to the robbery and the murder of the guard.
Wishmaster2_13
Morgana goes to the prison to visit Demarest. She demands to know why he confessed to the robbery, and he says it was so she wouldn’t have to, and admits to not having to be in prison long, before showing his true form, driving Morgana away. Morgana is at home, doing more research on the internet on Persian mythos. She finds references to the Djinn, a powerful being that laid waste to the Persian court before the King’s alchemist created the Stone of the Sacred Fire and imprisoned the Djinn inside it. The Persian deity Ahura Mazda was enlisted to keep the Djinn imprisoned in the “space between worlds” so that he cannot escape and bring about world-wide apocalypse. Morgana is startled as her window is abruptly blown open by a sharp gust of wind, papers flying everywhere. Morgana goes to see Gregory the next day to tell him about her findings. Gregory rides to the prison with Morgana and confronts Demarest, demanding he leave Morgana alone. Demarest knows exactly who Gregory is, and about his past relationship with Morgana. He even perfectly duplicates Morgana’s voice, speaking seductively to Gregory. Later that evening, Morgana, alone in her loft, begins undergoing a number of rituals aimed at purifying her soul, as only someone pure of heart can banish the Djinn back into his prison.  Back at the prison, Demarest kills the prison warden and escapes the prison when one of the prisoners wishes to be released.
Osip brings Demarest to Pushkin and tells him that Demarest is a Wishmaster who can give Pushkin anything he wants. But Pushkin brushes them off, saying he already has great wealth and power, and he doesn’t need or desire fame. As he is leaving, Demarest asks if Pushkin has any enemies he would like to see eliminated, and Osip quickly pounces. Pushkin’s greatest enemy is a rival crime boss named Moustafa. The mere mention of Moustafa’s name sends Pushkin into a rage. Demarest assures Pushkin that he can do what Pushkin himself might not be able to, like take care of Moustafa. Carelessly, fueled by his anger, Pushkin wishes to have Moustafa’s head.
Kong_1976
Just then, Morgana rushes into the club room, shooting Demarest twice in the chest with her gun. Both she and Osip freeze in horror as the attack only causes the Djinn to assume his true form. He laughs at Morgana’s foolishly thinking she could kill him. Gregory finds Morgana praying feverishly at the church altar, and sobbing inconsolably. She confesses to Gregory that she tried to kill Demarest and then saw the Djinn’s true face. She laments that her guilt, the blood of the innocent man she killed at the art gallery heist, can never be washed away, and so she can never hope to fight the Djinn. Gregory patiently counsels her, promising that God can cleanse any and all burden she carries if only she allows Him to, and that while the Djinn might be too powerful for they to fight, God can win the battle using them as His instruments. During this, they find Morgana is invulnerable when she attempts suicide so the Djinn can not grant her the three necessary wishes.
Morgana and Gregory are preparing for the trip in pursuit of the Djinn. Gregory has compiled more notes, including the incantation used by the alchemist who imprisoned the Djinn; “As was prophesied, the alchemist took the stone into his hand as a woman pure of heart takes the light of God unto her soul, and spoke the words, Nib Sugaroth Baheim”. Morgana points out that unlike the two of them, the alchemist knew what he was doing. But as Gregory points out, these notes are the only solid plan they have on how to defeat the Djinn. Morgana begins to kiss Gregory, and despite his initial reticence, she makes love to him. In Vegas, the Djinn begins granting wishes to the casino patrons in order to collect the remaining required souls. As Morgana and Gregory ride a cab through Las Vegas to the casino Demarest is operating out of, the Djinn stands in his office in his true form. Holding up the fire opal, he intones a deep growl and calls in all the debts owed him—he claims the souls everyone gave up through their wishes.
Noting that Demarest has left the fire opal on his desk, Gregory quietly inches toward it while Demarest is speaking to Morgana. Rushing forward, he grabs it and recites the incantation used by the alchemist. Demarest merely smiles again, noting the two of them have studied the legends well, before gesturing, and the fire opal vanishes from Gregory’s hand into Demarest’s. He warns them about playing with forces they don’t understand. After Morgana accidentally wishes for the Djinn to go to hell, they’re transported inside the fire opal, and Gregory is killed after she wishes for him to be released. But Morgana has forgotten that death is often a release. She screams in grief at the Djinn, angrily wishing for a world free of evil. But the Djinn reminds her that evil is but half of a perfect sphere—without it, good cannot exist. He warns her that he is losing his patience with her. Morgana tries desperately to resist the Djinn’s will. Morgana’s fears suddenly quiet and she asks the Djinn the meaning of fulfilling the prophecy. She reminds him that he himself told her that she would know when the time was right. The Djinn impatiently recites the prophecy to her, that the one who wakes the Djinn shall have three wishes; upon the granting of all three, the race of Djinn will reign over the Earth. Due to a slip of the tongue, Morgana realizes the meaning of the prophecy, and wishes for the guard she killed to be alive again. After receiving a vision of the guard alive and well, she takes the Djinn’s fire opal and intones the alchemist’s chant, “Nib Sugaroth Baheim”. The Djinn is again banished and all the victims returned to life.
The franchise is as low-profile as it can be, but it hit its height with Wishmaster 2, which improves upon the original in terms of story, but is restricted by a lower budget.

REVIEW: WISHMASTER

CAST
Andrew Divoff (Indiana Jones 4)
Tammy lauren (Martial Law)
Robert Englund (A Nigthmare on Elm Street)
Tony Todd (Candyman)
Chris Lemmon (Duet)
Wendy Benson-Landes (As The World Turns)
Jenny O’Hara (Mystic River)
Ricco Ross (Aliens)
George Flower (Power Rangers In Space)
Ted Raimi (Ash vs Evil Dead)
Angus Scrimm (Phantasm)
Brian Klugman (Bones)
Verne Troyer (Austin Powers)
Kane Hodder (Jason X)
A narrator, Angus Scrimm, explains that when “God breathed life into the universe…the light gave birth to Angels…the earth gave birth to man..the fire gave birth to the djinn, creatures condemned to dwell in the void between the worlds.” If a person wakes a djinn, that person will receive three wishes but the third wish will free legions of djinn on Earth. In 1127, the djinn (Andrew Divoff) asks a Persian emperor to make his second wish. When the emperor wishes to see wonders, the djinn uses his powers to torture and mutilate people in the palace. Before the emperor can make his third wish, Zoroaster (Ari Barak), a sorcerer, explains the consequences of the third wish and reveals a fire opal, which pulls the djinn inside and traps him.
In present day America, Raymond Beaumont (Robert Englund) supervises workers lowering a box containing an antique statue of Ahura Mazda onto a ship. The worker (Joseph Pilato)who is operating the crane is drunk and drops the box, killing Beaumont’s assistant (Ted Raimi) and destroying the statue. A dockworker steals the fire opal from the rubble and pawns it. Eventually the jewel reaches Regal Auctioneers, where Nick Merritt (Chris Lemmon) instructs appraiser Alexandra “Alex” Amberson (Tammy Lauren) to examine it, which wakes the djinn. Alex sees something inside the jewel and leaves it with her close friend and colleague, Josh Aickman (Tony Crane), to analyze. As he is collecting data, the gem explodes, destroying the lab and releasing the djinn. Josh is killed, upon his wish for relief from his physical pain.
MV5BZTE0MGU3ODItZmVlYi00YTk3LTk5MTAtY2FjMWI2MTVmNjhhXkEyXkFqcGdeQXVyMjYwNDA2MDE@._V1_
Alex tracks the gem to the statue which she tracks to Beaumont, who sends Alex to visit Wendy Derleth (Jenny O’Hara), a folklore professor, who explains the history of the gem and the djinn. Later, Alex learns that the djinn needs to power the gem with human souls and then grant her three wishes before he can open the gateway to release the djinn on Earth. Meanwhile, the djinn takes the form of a dead man and uses the name Nathaniel Demerest. He grants wishes in exchange for souls while he searches for Alex. Each time the djinn grants a wish, Alex sees troubling visions. She consults Derleth, but realizes that she is talking to the djinn, who has killed Derleth and taken her form. The djinn confronts Alex and offers her three wishes, as well an extra “test” wish; she orders the djinn to kill itself. He shoots himself in the head with a gun but he wound heals instantly, revealing the djinn as an immortal. Using the first of the official three wishes, Alex wishes to know her opponent, the djinn. He teleports her to his world within the gem which terrifies her. She wishes herself back to her apartment, alone.
file_204535_4_Black_Moon_Rising_Tommy_Lee_Jones
The Djinn had been threatening Alex’s sister, Shannon (Wendy Benson), so Alex hurries to a party Beaumont invited them to earlier. The djinn follows, again disguised as Nathaniel Demerest. When Beaumont wishes his party would be unforgettable, the djinn causes artwork to kill the guests. Eventually the djinn corners the sisters and attempts to scare Alex into making her third wish. Alex wishes the crane operator, Mickey Torelli, had not been drunk at work, undoing the events that followed and trapping the djinn in the fire opal again. The now sober crane operator lowers the crate with no problems. Alex visits Josh—now alive again—who notices that Alex seems pleased with herself, though she does not explain why. Inside the jewel on the statue of Ahura Mazda—now in Beaumont’s private collection—the djinn waits on a throne, waiting to be released.
This is a genre film and it is considered to be, “B” rated, it didn’t win any prestigious awards but it is still a fun filled supernatural / horror romp. If you are open minded and love supernatural horror then this film is definitely for you.

REVIEW: INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL

INDIANA 4

CAST
Harrison Ford (Blade Runner)
Cate Blanchett (Hanna)
Shia LaBeouf (Transformers)
Karen Allen (Scrooged)
Ray Winstone (The Departed)
John Hurt (Hellboy)
Jim Broadbent (Cloud Atlas)
llia Volok (Power Rangers Wild Force)
Andrew Divoff (Wishmaster)
Alan Dale (Lost)
Neil Flynn (Scrubs)
Ernie Reyes Jr. (Welcome To The Jungle)
Joel Stoffer (Agents of S.H.I.E.L.D.)
Robert Baker (The Originals)

In 1957, nineteen years after The Last Crusade, Indiana Jones and his partner George “Mac” McHale are kidnapped in Nevada by Soviet agents under Colonel Dr. Irina Spalko. The Soviets infiltrate warehouse labeled “Warehouse 51” and force Jones to locate an alien corpse with a crystal skull, recovered ten years earlier. Upon its discovery, Mac reveals he is a double agent working for the Soviets. Jones escapes, unsuccessfully attempts to retrieve the skull, and in a fight with Spalko’s sadistic henchman, Colonel Antonin Dovchenko, they both fall onto a rocket sled, which ignites and speeds them away. Jones staggers away and, still pursued, arrives in a model town at the Nevada Test Site, minutes before an atomic bomb test, and takes shelter in a lead-lined refrigerator. Jones is rescued, decontaminated, and arrested by FBI agents, who suspect him of working for the Soviets; and though freed on the recommendation of General Ross, who vouches for him, he is put on indefinite leave of absence from Marshall College, also at the cost of the dean having to resign to keep Indiana’s job at the college.
Jones is approached by greaser Mutt Williams (Shia LaBeouf), who tells him that Harold Oxley had found a crystal skull in Peru, suffered a mental breakdown, and was later kidnapped. In return, Jones tells Mutt about the legend of crystal skulls found in Akator. Mutt gives Jones a letter from his mother, who is also held captive, containing a riddle written by Oxley in an ancient Native American language. KGB agents try to take the letter, but Jones and Mutt evade them and reach Peru. At the local psychiatric hospital, Oxley’s scribbles on the walls and floor of his cell lead them to the grave of Francisco de Orellana, a Conquistador searching for Akator. They discover the skull at the grave, with Jones reasoning that Oxley had returned it there.
MV5BMTUxNjIzNDQxN15BMl5BanBnXkFtZTgwNzM3MzY3MTE@._V1_SY1000_CR0,0,1443,1000_AL_
On leaving the grave site, Jones and Mutt are captured by Mac and the Soviets and taken to their camp in the Amazon jungle, where they find Oxley and Mutt’s mother, Marion Ravenwood, who later reveals that Mutt is Jones’ son, Henry Jones III. Jones berates her for not convincing him to finish school. Mac tells Jones he is really a CIA double-agent to regain Jones’ trust. Spalko believes that the crystal skull belongs to an alien life form and holds great psychic power, and that finding more skulls in Akator will grant the Soviets the advantage of psychic warfare. Spalko uses the skull on Jones to enable him to understand Oxley and identify a route to Akator. Jones and his four allies escape with the skull into the Amazon. They elude giant ants (possibly a relation of Eciton burchellii [1], which Jones refers to as “siafu”), and after Dovchenko loses a fight with Jones, he is devoured by the ants. Jones and his allies survive three waterfalls in a GAZ 46 amphibious vehicle (which gets destroyed after the third drop), as many of the Soviets fall from a cliff while trying to pursue them. Jones and Oxley then identify a rock formation that leads them to Akator, unaware that Mac is still loyal to Spalko and has been dropping transceivers to allow the surviving Soviets to track them.
They escape the city’s guardians, gain access to the temple, and find it filled with artifacts from many ancient civilizations. Indy believes the aliens – in fact, inter-dimensional beings – were “archaeologists” studying the different cultures of Earth, and Mac remarks that there’s not a museum in the world that wouldn’t sell its soul for the collection inside the temple. The five enter a chamber containing the crystal skeletons of thirteen enthroned skeletal crystal beings, one missing its skull. Spalko arrives and presents the skull to this skeleton. It suddenly flies from her hands to the skeleton and rejoins, whereupon the aliens reanimate and telepathically offer a reward in ancient Mayan through Oxley. A portal to their dimension becomes activated, and Spalko demands knowledge equal to the aliens’. The thirteen beings fuse into one, and in the process of receiving the overwhelming knowledge, Spalko is disintegrated and sucked into the portal leaving behind her shoes. Indy, Marion, Henry, and Oxley – now released from the skull – escape, while the Soviets are also drawn into the portal. Mac is caught in the pull while trying to scrounge some of the treasure, and even though Indy offers him the whip to pull him to safety, he replies with a wink of his eye, “Jonesy, I’m gonna be all right,” lets go and is pulled in. The survivors watch as the temple walls crumble, revealing a flying saucer rising from the debris, which vanishes into the “space between spaces” while the hollow in the valley floor left by its departure is flooded by the waters of the Amazon.
The following year, Indy is reinstated at Marshall College and made an associate dean. He and Marion are then married (finally) in a church. As the wedding party leaves the chapel, a gust of wind blows through the doors and Indy’s brown fedora flies off the coat rack and deposits it at Henry’s feet. Henry picks it up and is about to don it before Indy takes it from him and puts it on with a grin.
There are moments in Indiana Jones and the Kingdom of the Crystal Skull that are easy to make fun of. However, they amount to nothing but a few shots. When you take in the overall piece, Indy 4 is as fun and exciting as the previous three Indy movies.