REVIEW: ARROW – SEASON 4

Image result for ARROW - SEASON 4 BLU-RAY

MAIN CAST

Stephen Amell (Screamers 2)
Katie Cassidy (Black Xmas)
David Ramsey (Con Air)
Willa Holland (Legion)
Emily Bett Rickards (Brooklyn)
John Barrowman (Torchwood)
Paul Blackthorne (The River)
Image result for arrow season 4 green arrowRECURRING / NOTABLE GUEST CAST

Neal McDonough (Minority Report)
Grant Gustin (Glee)
Audrey Marie Anderson (Lie To Me)
Cynthia Addai-Robinson (Spartacus)
Enid-Raye Adams (Final Destination 2)
Echo Kellum (Ben and Kate)
Jimmy Akingbola (Holby City)
Alexander Calvert (The Returned)
Elysia Rotaru (Supernatural)
Jeri Ryan (Star Trek: Voyager)
Katrina Law (Spartacus)
Ryan Robbins (Sanctuary)
JR Bourne (Stargate SG.1)
Rutina Wesley (Hannibal)
Matt Ryan (Constantine)
Parker Young (Suburgatory)
Brandon Routh (Superman Returns)
Charlotte Ross (NYPD Blue)
Eugene Byrd (Bones)
Danielle Panabaker (The Crazies)
Carlos Valdes (The Flash)
Ciara Renee (Legends of Tomorrow)
Casper Crump (The Legend of Tarzan)
Falk Hentschel (Knight and Day)
Anna Hopkins (Defiance)
Peter Francis James (Oz)
Lynda Boyd (Power Rangers In Space)
Janet Kidder (Earth: Final Conflict)
James Kidnie (Robocop: The Series)
Colton Haynes (Scream Queens)
Celian Jade (Legendary Assassin)
Rila Fukushima (The Wolverine)
Tom Amandes (Brokedown Palace)
Daniel Cudmore (X-Men 2)
Rachel Luttrell (Stargate: Atlantis)
Megalyn Echikunwoke (That 70s Show)
Amy Gumenick (Greek)
Adrian Holmes (Smallville)
Jason Schombing (Mutant X)
Emily Kinney (The Walking Dead)
Madison McLaughlin (Major Crimes)
Alex Kingston (Flashforward)
Adrian Glynn McMorran (50/50)
Vinnie Jones (The Cape)
Nolan Gerard Funk (Riddick)

Image result for arrow RestorationMy name is Oliver Queen. For five years I was stranded on an island with only one goal: survive. Now I will fulfill my father’s dying wish. To use the list of names he left me and bring down those who are poisoning my city. To do this, I must become someone else, I must become … something else.” The quote that has started a journey of an era and for many of us introduced us to the “Emerald archer” . The Fourth Season sees our hero finally become Green Arrow as aposed to The Hood or just The Arrow.

Image result for arrow The season started was excellent we are introduced with change, the “relaunch” of Oliver’s identity and a brand new arrow cave. To top it all off we are finally introduced to Damien Darhk and the secret organization of HIVE. This all brings us one good big package of an extremely great season. The early part of the season was a build up to Legends and the huge two, night crossover event which introduced savage and the hawks. Then season gets back to the main story of Damien Darhk. With the Christmas episode of the Year being the mid season cliffhanger leaving Felicity Smoak at deaths door, Showing just how far Damien will go to get his way.Image result for arrow Legends of YesterdayHaving a Villain with magical powers was a nice twist for Arrow making him different from the villains that have come before. The theme of this season was tied in very good to be honest, through the main villain’s name and the character types of most characters on this show. Basically it was accepting the inner darkness within you, which was portrayed quite well throughout the episodes. On top of all this darkness, the main cast was trying to find hope in their struggles or the lack of hope more or so. Arrow was always a dark show even from season 1 it was pretty dark, so it was appropriate for season 4 to continue the trend. Towards the end you see other characters grow darkness inside of them, and team arrow slowly splitting apart during these dark times. Also we get to see more of the darkness that happened to Ollie back on the island which wasn’t great for the most part of it, but at least they got that dark message across.One of the biggest highlights this year was John Constantine played by Matt Ryan making an appearance. I was a huge fan of the short lived Constantine TV Show so it was to have him return on Arrow, which could lead to more appearances throughout the arrowverse.

Image result for arrow dark watersSara Lance’s resurrection is also a highlight, many were sad to see her killed off during the first episode of season 3. When Legends of Tomorrow was announced and the first teaser showed Sara Lance alive and well using the new hero identity White Canary, it left fans wondering how her resurrection would happen. Thankfully fans of the comics knew the powers of The Lazarus Pit, which was also used to help Thea (Speedy) during season 3. Having the pit destroyed was a good idea too. If it hadn’t been vanquished then you could use it as an easy to bring characters back.Image result for arrow Blood DebtsRay Palmer also gets a resurrection,. Although many knew he wasn’t dead and that he had most likely just shrunk, his return also led to his role on Legends of Tomorrow, which nice to see Brandon Routh getting a main role.

Image result for arrow takenDuring the first episode of the season we were shown a grave where Oliver and Barry are shown standing over it without giving away who was in it, then near the end of the season we find out. When it was revealed  that Black Canary aka Dinah Laurel Lance was the victim it sent shockwaves throughout the fandom, seeing as how They were regular lovers in the comics.  I see it as a nice change as not have to copy what the comics do. We know that Katie Cassidy will be appearing throughout the Arrowverse in the upcoming seasons of the various shows, so it will be interesting in what format she returns.

Image result for arrow SchismI’m a huge fan of the Arrowverse and love all the shows (Arrow, The Flash, Legends of Tomorrow and Supergirl) Arrow Season was great it had great action, heartbreaking moments and a great villain. It will be interesting to see where season 5 takes the characters.

12 DAYS OF CHRISTMAS REVIEW: ARROW – THE CLIMB

Image result for ARROW TV LOGO

THE CLIMB

CAST
Stephen Amell (Screamer 2)
Katie Cassidy (Black Xmas)
David Ramsey (Dexter)
Willa Holland (Legion)
Paul Blackthorne (The Dresden Files)
Emily Bett Rickards (Brooklyn)
John Barrowman (Torchwood)
Colton Haynes (Teen Wolf)

GUEST CAST

Brandon Routh (Superman Returns)
Kelly Hu (X-Men 2)
Matt Nable (Riddick)
Katrina Law (Spartacus)
Karl Yune (Reel Steel)
Rila Fukushima (The Wolverine)
Alex Kingston (Flashforward)

You can draw a lot of parallels between season 1’s Flash mid season finale and Arrow season 3’s. Both served as mid-season finales. Both prominently featured a major villain who had only appeared briefly in the past. There were many similarities, but the overall impact in this episode was stronger. Arrow needed a bigger, bolder villain this season, and it got one in Ra’s al Ghul. Even the opening of “The Climb” paralleled “The Man in the Yellow Suit,” as we were treated to a brief flash-forward of Ollie surmounting a cliff before the episode flashed back 48 hours earlier. This framing device was repeated several times throughout the episode, always serving to heighten the tension and the build-up to the final showdown between the Arrow and the Demon’s Head.
Untitled
There was a definite sense of increased momentum this week. The mystery behind Sara Lance’s murder again became the focus, with Ollie and the gang now given a strict 48-hour ultimatum to either turn over her killer or face the League’s wrath. After two months of build-up, we finally learned the killer’s identity. I can’t say I was surprised to learn it was Thea, between the DNA almost matching Ollie’s and the footage of her accompanying Malcolm Merlyn. But that wasn’t really the point. The conflict quickly became more about Ollie trying to understand why Thea could have committed such an act, and choosing how far he would go to defend his last living family member. This became a much more emotionally stirring conflict than a mere whodunit.
I was almost disappointed that Thea’s actions were explained away by the magical brainwashing root. It would be far more interesting if she had fired the arrows of her own free will and was forced to be held accountable for her actions. Though maybe Thea needed that level of sympathy to her actions given how much Ollie gave up for her in the end. In any case, it was cool to see Ollie and Thea briefly battle it out in their apartment. His stunned reaction upon realizing that his sister had become a martial arts whiz was pretty great. This conflict culminated on a great note as Ollie decided that he would rather throw himself to the wolves and be devoured rather than risk turning the League’s wrath on Thea. He definitely played right into Merlyn’s hand, but he didn’t have much choice. Any chance that Merlyn might have softened since his defeat two years ago is clearly gone. Having already manipulated Ollie and wormed his way out of the League’s crosshairs, Merlyn is free to carry out whatever the next stage of his plan might be. You have to wonder if he’ll prove to be the true villain of the season rather than Ra’s.
Image result for ARROW THE CLIMB
Ollie bidding farewell to his friends was easily one of the most emotionally stirring moments of the season. It was pretty clear that he knew he was going to his death and acted accordingly. His goodbye to Felicity was powerful stuff. The confrontation with Ra’s didn’t disappoint either. In a lot of ways, Matt Nable is an odd choice to play the iconic villain. He’s more rugged and scruffy than you’d expect of the character, and even his accent is less refined than what we’ve seen in the past. But Nable does bring charisma and danger to the part. He also has the physicality to pull off a shirtless sword fight with a guy who spends 90% of his free time on a salmon ladder. Nable doesn’t look or sound much like Ra’s, but he manages to be Ra’s all the same. The sword duel was definitely a highlight of the episode. From Ra’s story about his first kill (“I replaced great evil with death.”) to his choice to fight without a blade of his own, it was clear how badly outmatched Ollie was. And even though our hero nearly got the drop on Ra’s at the end, death finally came him, as promised.
Now, obviously the writers aren’t going to kill off the show’s main character halfway into the third season. Ra’s offhand remark about Ollie being the first person in 67 years to challenge him was full with meaning. It all but confirms that Lazarus Pits exist in this universe and that Ra’s uses them. The writers also found time for several subplots in between all the League business. Laurel continued to mourn her sister’s death, with the added complication that her mother briefly returned to town. Laurel’s confession was nonetheless another key emotional moment in an already emotional episode. Arrow never disappoints when it comes to finales (mid-season or otherwise). This episode offered a steady stream of tension and emotional drama as Ollie learned the truth about his sister and chose to confront his own death. Both Ra’s al Ghul and Malcolm Merlyn emerged as clear and present threats to Starling City.

REVIEW: FLASHFORWARD

CAST

Joseph Fiennes (Hercules)
John Cho (Sleepy Hollow)
Courtney B. Vance (Final Destination 5)
Sonya Walger (Lost)
Christine Woods (The Walking Dead)
Jack Davenport (Pirates of The Caribbean)
Zachary Knighton (Cherry Falls)
Peyton List (The Flash)
Dominic Monaghan (Lost)
Brían F. O’Byrne (Million Dollar Baby)

RECURRING / NOTABLE GUEST CAST

Ryan Wynott (The Cape)
Lennon Wynn (Jennifers Body)
Barry Shabaka Henley (Heroes)
Genevieve Cortese (Supernatural)
Michael Ealy (Almost Human)
Gabrielle Union (10 Things I Hate About You)
Michael Masse (The Amazing Spider-Man)
Lee Thompson Young (Smallville)
Neil Jackson (Blade: The Series)
Rachel Roberts (Simone)
Yūko Takeuchi (Ring)
James Callis (Battlestar Galacitca)
Shohreh Aghdashloo (The Exorcism of Emily Rose)
Gil Bellows (Sanctuary)
Mark Famiglietti (Terminator 3)
Annabeth Gish (Mystic Pizza)
Alex Kingston (Arrow)
Ricky Jay (Lie To Me)
Loren Lester (Batman: TAS)
Cynthia Addai-Robinson (Arrow)
Alan Ruck (Speed)
Kim Dickens (Lost)
Gina Torres (Firefly)
Keir O’ Donnell (Paul Blart: Mall Cop)
Navi Rawat (Thoughtcrimes)
Lindsay Crouse (Buffy)
Carmen Argenziano (Stargate SG.1)
Seth MacFarlane (Family Guy)
Lee Garlington (A Lot Like Love)
Callum Rennie (Legends of Tomorrow)
Peter Coyote (Sphere)
Jake Johnson (New Girl)
Thomas Kretschmann (Dracula)

In the summer of 2009 ABC realized that their ratting juggernaut, Lost, was coming to an end. When it started, Lost was the first real hit they’d had in half a decade and the network wanted to replace it with another show that would keep viewers coming back week after week for years. Their answer: Flashforward. Reportedly planned to last five seasons, the show starts out with a deep mystery that gets more complex and intricate as the show progresses. Unfortunately the show wasn’t renewed for a second season.


On October 6th, 2009 at precisely 11:00:00 PST on the dot, without warning, every person in the world blacked. This caused mayhem as planes fell out of the sky, cars plowed into crowds, and helicopters crashed into skyscrapers. Two minutes and seventeen seconds later everyone woke up, having all experienced the same thing: they saw what they would be doing on April 29, 2010, six month in the future.


People started calling this event a flashforward and it naturally affected people in different ways. To many the glimpse of what was to come was life altering, both good and bad. One man sees his daughter, who he thought was killed in Afghanistan, alive but wounded. A happily married woman sees a strange man in her bed. An alcoholic sees himself drinking. A few people don’t see anything. Does that mean that they’ll be dead in half a year?An FBI agent, Mark Benford (Joseph Fiennes), sees himself investigating who or what triggered the flashforward as armed gunmen break into the LA branch of the FBI with the purpose of killing him. Armed with what he can remember from the bulletin board covered with leads, Benford and his partner, Demetri Noh (John Cho), head up the investigation of the event. They start a web site, Mosaic, where people can publically post what they saw in their future and use the data to come up with a picture of what the world will look like in 6 months. They also discover some very interesting things that are hard to explain. Like the fact that not everyone was knocked out. Examining camera footage from a baseball stadium they discover images of a person calmly walking through the thousands of unconscious people towards an exit. He  is labeled ‘Suspect Zero’ and finding this person is the agency’s top priority. Second only to the person he was talking to on his cell phone.

When it originally aired, the program ran ten episodes and then took a three-and-a-half month break, then came back for another 12 installments. The show really hits its stride in that later half .  it was cancelled at the end of the first season. The show was conceived to run for 5 years and when this set ends, there are still a lot of plot lines that are unresolved. That’s going to be really disappointing to a lot of people who get hooked on this show

 

REVIEW: ARROW – SEASON 1 & 2

CAST

Stephen Amell (The Vampire Diaries)
Katie Cassidy (Black Xmas)
Colin Donnell (Chicago Med)
David Ramsey (Pay It Forward)
Willa Holland (Legion)
Susanna Thompson (Dragonfly)
Paul Blackthorne (The Dresden Files)
Emily Bett Rickards (Brooklyn)
Manu Bennett (Spartacus)
Colton Haynes (Teen Wolf)

RECURRING / NOTABLE GUEST CAST

Colin Salmon (Limitless TV)
Jamey Sheridan (The Ice Storm)
Annie Ilonzeh (Beauty and The Beast)
Brian Markinson (Izombie)
Derek Hamilton (Disturbing Behavior)
Hiro Kanagawa (Heroes Reborn)
Kelly Hu (The Vampire Diaries)
Ty Olsson (X-Men 2)
Byron Mann (Dark Angel)
Roger Cross (First Wave)
Euegen Lipinski (Goosebumps)
Michael Rowe (Tomorrowland)
John Barrowman (Reign)
Currie Graham (Agent Carter)
Kyle Schmid (The Covenant)
Sarah-Jane Redmond (V)
Jessica De Gouw (Dracula)
Jeffrey Nordling (Tron: Legacy)
Tahmoh Penikett (Battlestar Galactica)
Sebastian Dunn (The Other Half)
Andrew Dunbar (Leprechaun: Origins)
Danny Nucci (Eraser)
Ben Browder (Stargate SG.1)
Christie Laing (Scary Movie 4)
Patrick Sabongui (The Flash)
David Anders (Izombie)
Ona Grauer (V)
Adrian Holmes (Smallville)
Agam Darshi (Sanctuary)
James Callis (Battlestar Galactica
Rekha Sharma (Dark Angel)
Chin Han (The Dark Knight)
Janina Gavankar (True Blood)
Alex Kingston (Flashforward)
Celina Jade (The Man with The Iron Fists)
Seth Gabel (Salem)
J. August Richards (Angel)
Summer Glau (Firefly)
Dylan Bruce (Heroes Reborn)
Caity Lotz (The Machine)
Michael Jai White (The Dark Knight)
Kevin Alejandro (Ugly Betty)
Bex Taylor-Klaus (Scream: The Series)
Teryl Rothery (Stargate SG.1)
Aubrey Marie Anderson (The Unit)
Jimmy Jean-Louis (Heroes)
Cle Bennett (Flashpoint)
Dylan Neal (Sabrina: TTW)
Cynthia Addai-Robinson (Spartacus)
David Nykl (Stargate: Atlantis)
Sean Maher (Firefly)
James Kidnie (Robocop: The Series)
Katrina Law (Chuck)
Nicholas Lea (V)
Robert Knepper (Cult)
Tara Strong (Batman: The Animated Series)
Lochlyn Munro (Little Man)
Jorge Vargas (Power Rangers Ninja Storm)
Carlos Valdes (The Flash)
Danielle Panabaker (Sky High)

Image result for arrow pilotAfter turning the story about Clark Kent’s evolution from humble teenager to world’s greatest hero into one of the most successful science fiction TV series of all time, what exactly do you do for an encore? The obvious answer would be a series about a young Bruce Wayne. Or maybe a crime procedural starring the men and women of the Gotham City Police Department. Instead, The CW gave us Arrow, a series that simultaneously explores Oliver Queen’s first months as a vigilante hero and the painful hero’s journey he undertook while stranded on a remote island. Even considering Green Arrow’s popularity in Smallville and Justice League Unlimited, it wasn’t the most obvious choice. Nor was it the choice many DC fans wanted. But ultimately, it was a choice that paid off.

To their credit, they succeeded. Even right off the bat, there were many notable elements that he writers introduced into the Green Arrow mythos. Generally a loner in the comics, here Ollie was given a full family and circle of allies. Some were inspired by characters from the comics, while others were entirely new creations. Probably the most successful new addition was John Diggle as Ollie’s personal bodyguard-turned-ally in his war on crime. Watching the dynamic between Ollie and Diggle morph from cold and hostile to warm camaraderie was a treat. And the two sequences featuring Diggle in the costume rather than Ollie suggested that this show could have a life beyond that of its lead character.Image result for arrow pilotAmell’s performance grew stronger over time, and the subtle ways in which he distinguished his performances during the present-day and flashback scenes stood out.With other characters, it was more a question of the scripts shedding light on motivation and relationships before they really came into their own. This was certainly the case with Moira Queen (Susanna Thompson), who was a bit of a hard sell as a sympathetic mother figure until viewers came to understand her role in “The Undertaking.” Similarly, Tommy Merlyn (Colin Donnell) came across as a fairly flat and unimportant character at first. But by the end of the season, Tommy had emerged as the emotional heart of the series and Donnell’s one of the strongest performances.

Felicity Smoak (Emily Bett Rickards) was endearing, her instant charm made fans fall in love with her making her a regular was the best choice when they headed into season 2. As Laurel, Katie Cassidy was excellent as future Black Canary, dealing with her emotions of seeing her former boyfriend back from the dead and the lost of her sister.  Structurally, the season started out strong and finished even stronger. The writers managed to weave together an overarching narrative as Ollie slowly uncovered the truth of The Undertaking and his own parents’ involvement while contending with various smaller villains and conflicts.

Anchoring the series throughout were the frequent flashbacks to Ollie’s five years on the island. The pilot episode offered a tantalizing glimpse of what had transpired over the course of those five years with the Deathstroke mask discarded on the beach. Various plot twists revealed just how complicated that story is, teaming Ollie with Slade Wilson (Manu Bennett) and Shado (Celina Jade) in an ongoing guerrilla war against mercenary leader Edward Fyers (Sebastian Dunn). Particularly once Slade entered the picture and his bond with Ollie became a major focal point, the flashbacks emerged as one of the strongest elements of the show.

Everything in Season 1 culminated in two climactic episodes as Ollie fought for the survival of Starling City in the present and to stop Fyers from sparking an international incident in the past. These episodes offered a satisfying blend of big action scenes and emotional character showdowns. In particular, the final scene between Ollie and Tommy that closed out the season was perhaps the best the show has delivered so far.

Right off the bat, “City of Heroes” set the tone and direction for Season 2. We saw a despondent Ollie still crushed by the death of his best friend, Tommy, and having retreated to the island in a self-imposed exile. Though Colin Donnell only briefly reprised his role as Tommy this season, his character was very much a lingering presence driving the actions of Ollie and Laurel throughout the year. And his death formed the crux of Ollie’s renewed mission. It was right there in the revised opening sequence – “To honor my friend’s memory, I can’t be the killer I once was.” And that, more than Ollie’s battles with Slade Wilson or Sebastian Blood or Isabel Rochev, was the core conflict of the season. It’s easy enough to fight criminals by shooting them dead. But could Ollie muster the strength and the courage not to kill, even if it meant putting himself, his family, and his city in greater danger? It was a struggle, but the most satisfying element of the finale was the way Ollie definitively answered that question and established himself as a better class of vigilante.

Overall, Season 2 was a good showcase for Stephen Amell’s acting talents.  Ollie was haunted by demons and shouldering heavy burdens throughout the year. He suffered more often than he succeeded, and Amell conveyed that pain well. Most impressive was the way Amell was so capable at portraying Ollie at different periods in his life. We saw plenty more of Ollie’s life on the island in the various flashback scenes. Having already spent a year fighting for his life against men like Edward Fyers and Billy Wintergreen, flashback Ollie was closer to the man he is in the present, but not all the way there. And we even caught glimpses of a pre-island Ollie, most significantly in “Seeing Red.” More than the changes in hairstyle or fashion, it was Amell’s purposeful shifts in vocal intonation and body language that differentiated the different versions of Ollie.

Having established himself as one of the better supporting players in Season 1, it was very gratifying to see Manu Bennett step fully into the spotlight and become the big antagonist of Season 2. That’s despite him not even being revealed as the secret mastermind of Brother Blood’s uprising until the mid-season finale, “Three Ghosts.” But it was crucial that the show spend so much time, both this season and last, in building up the brotherly bond between Ollie and Slade and the island. We needed to feel the pain of seeing them broken apart and Slade become a vengeful villain hellbent on tearing his former friend’s life down. And it wasn’t until much later still that we saw how that rift occurred and Slade turn his wrath against Ollie. It’s a testament to both the writing and Bennett’s acting that the character never quite lost his aura of sympathy even as he murdered Ollie’s mother and tried to do the same to Felicity. This was a man driven half-mad by the loss of the woman he loved and an injection of a super-steroid. But conversely, I appreciated how the finale took pains to establish that it wasn’t just the Mirakuru fueling Slade’s anger. Even now, super-strength gone and exiled back to the island, Slade is a clear and present danger to Ollie’s world.

The show introduced Sebastian Blood and Isabel Rochev as Slade’s subordinates, with Blood serving as the most visible villain for much of the season. I really enjoyed Kevin Alejandro’s portrayal of Blood. Alejandro’s Blood was so disarmingly charming that it was often difficult to reconcile him with the masked man kidnapping drug addicts and turning street thugs into super-soldiers. Ultimately, Blood became the sort of villain who does the wrong things for the right reasons. He had an honest desire to make Starling City a better place. And when it became clear to him that Slade Wilson wouldn’t leave a city left for him to rule, Blood did the right thing and aided Team Arrow.

Most of the increasingly large supporting cast were given their moments to shine in Season 2. I was often disappointed that Diggle wasn’t given more to do, but at least he was able to take a starring role in “Suicide Squad.” Diggle’s backseat status was mainly the result of Sara Lance stepping into the limelight early on and eventually becoming the fourth member of Ollie’s vigilante crew. The Arrow had his Canary finally. Sara’s own struggles with the desire for lethal force and reuniting with her family often made for good drama. But among Team Arrow, it was often Felicity Smoak who often had the best material.  Emily Bett Rickards had much better material to work with this year, whether it was her unrequited love for Ollie, her burgeoning relationship with Barry Allen, or her desire to pull her weight alongside her more physically capable allies. The final three episodes all featured some standout moments for Felicity as she established herself as a force to be reckoned with.

Elsewhere, Roy Harper was often a focus as he transitioned from troubled street punk to superhero sidekick. Roy’s temporary super-strength powers were a welcome story swerve and a fitting physical manifestation of his inner rage. His character arc received a satisfying conclusion in the finale when he proved himself worthy and received his own red domino mask, but lost Thea as a result.

As for the various women in Ollie’s life, Felicity and Sara aside, Season 2 was a little more uneven. Moira definitely had an interesting ride. She started out Season 2 fighting for her life while on trial for her role in the Undertaking. Then, in an unlikely turn of events, she was spurred to run for mayor. And finally, her life did end when she became a pawn in Slade’s cruel game. It was a terrific finish for Moira, proving once and for all that, whatever wrongs she committed, she was only ever trying to ensure her children’s survival. Thea was more up and down throughout the season. She was often underutilized, but received a boost late in the season when she learned the truth about her parentage. Laurel’s character  had her own crucible this season, spiraling into into drug and alcohol addiction and losing her job before hitting bottom, rebounding, and playing her part in saving Starling City.

The Mirakuru drug served as a plausible, pseudo-scientific way of introducing super-strength and allowing Slade to transform into Deathstroke. And even when it came time to introduce the Flash midway through the season, Barry Allen never felt too out of place alongside the more grounded characters.

Season 2 really opened the floodgates as far as drawing in characters and elements from other DC properties. Barry Allen’s debut was the most high-profile, but we also saw plenty more of Amanda Waller and A.R.G.U.S. “Professor Ivo became a recurring villain, along with a very different take on Amazo. And in a welcome twist, it turned out that even the Batman franchise is fair game with this show. Early on we learned of Sara Lance and Malcolm Merlyn’s connection to the League of Assassins. Nyssa al Ghul appeared in a couple of episodes, and we know her father is out there in the world, leading his shadowy organization in the hidden city of Nanda Parbat. Even Harley Quinn had a brief cameo.

And beyond the introduction of all these new elements, the scope of Arrow really opened up in Season 2. The action was bigger and better choreographed. The scale of the conflicts was bigger. The producers simply seemed to have more money to throw around. And whether that was actually the case or just the result of experience and planning, the end result was the same. Arrow became a bigger, more cinematic TV series this season.