REVIEW: BATMAN: THE ANIMATED SERIES – VOLUME 3

Starring

Kevin Conroy (Justice League Doom)
Loren Lester (Red Eye)
Bob Hastings (General Hospital)
Robert Costanzo (Total Recall)
Efrem Zimbalist Jr. (Hot Shots)

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Recurring / Notable Guest Cast

Mari Devon (Digimon)
Melissa GIlbert (House on The Prairie)
John Vernon (Animal House)
Richard Moll (Scrry Movie 2)
Tim Matheson (The West Wing)
Diana Muldaur (Star Trek: TNG)
Lloyd Bochner (Point Blank)
Jeff Bennett (Enchanted)
Paul Williams (Battle For TPOTA)
John de Lancie (Star Trek: TNG)
Manu Tupou (Payback)
Helen Slater (Supergirl)
David Warner (The Lost world)
Frank Welker (Transformers)
George DiCenzo (She-Ra)
William Sanderson (Blade Runner)
Pat Fraley (Teenage Mutant Ninja Turtles)
Steve Susskind (Star Trek V)
Vernee Watson (The Big Bang Theory)
Bess Armstrong (Jaws 3D)
George Dzundza (Crimson Tide)
Earl Boen (The Terminator)
Neil Ross (Back To The Future – Part II)
Marilu Henner (Taxi)
Roddy McDowall (Planet of The Apes)
LeVar Burton (Star Trek: TNG)
Aron Kincaid (Transformers)
Brad Garrett (Ratatouille)
Jeffrey Jones (Howard The Duck)
Gregg Berger (Transformers)
Mark Hamill (Star Wars)
Arleen Sorkin (Days of Our Lives)
Stephanie Zimbalist (A Timeless Love)
Diane Pershing (Gotham Girls)
Nichelle Nichols (Star Trek)
Megan Mullally (Will & Grace)
Peter Scolari (Gotham)
Bill Mumy (Lost In Space)
Hector Elizondo (The Princess Diaries)
Dick Miller (Gremlins)
Alan Rachins (Dharma & Greg)
Alan Oppenheimer (He-Man)
Tress MacNeille (Futurama)
Roscoe Lee Browne (Logun’s Run)
Henry Silva (Above The Law)
Diane Michelle (Robotech: The Movie)
Alison La Placa (Fletch)
Adrienne Barbeau (Swamp Thing)
Jason Marsden (A Goofy Movie)
Robbie Rist (Teenage Mutant Ninja Turtles)
Alan Young (The Time Machine)
Kate Mulgrew (Star Trek: Voyager)
Malcolm McDowell (Halloween 2007)
Michael Bell (Transformers: The Movie)
Elizabeth Montgomery (Bewitched)
Bill McKinney (First Blood)
John Glover (Smallville)
Peter Mark Richman (Friday The 13th 8)
William Katt (Carrie)
Linda Gary (He-Man)
Nicholas Guest (Trading Places)
Henry Polic II (Mighty Max)
Bruce Weitz (Half Past Dead)
Andrea Martin (SCTV Network)
Michael Ansara (The Message)
Dan O’Herlihy (Robocop)
Edward Asner (Elf)

MV5BYzBmZjM1MzItNzU2Ny00MzcxLTg2YWYtZmM1NWQ4NzExMmE0XkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_One of the things Batman: The Animated Series does particularly well is infuse its villains with personality. They’re not a rotation of thugs with a different gimmick and costume each week — the writers go to great lengths to humanize these characters, and although they’re still unambiguously the bad guys, they still manage to be sympathetic at times. “His Silicon Soul”, following up on the two-part “Heart of Steel” from the previous collection, features a robotic duplicate of Batman unable to come to grips with the realization that he’s a machine. It’s surprisingly moving.MV5BYTFiODEyZDQtNmRmZi00ZjlhLWE1NDQtOTY3OWE2ODM0OWQ3XkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_The title character of “Baby-Doll” was created especially for the series. Think Webster with the race and gender reversed; Mary Louise Dahl was in her twenties but looked like a three-year-old, and she cashed in on that rare disability with a successful and hopelessly bland sitcom. An ill-advised career move derailed her as an actress, and a decade later, she’s systematically kidnapped all of her former co-stars in an attempt to reclaim those happy years. Again, as outlandish as the premise might sound, it really does work. You might smirk at reading about a teary-eyed Baby Doll attempting to fire an already-emptied doll-shaped pistol into a funhouse mirror, but the immeasurably talented writers are gifted enough to eke more pathos than I ever would have thought possible out of that.MV5BOTEwMmFhM2MtN2NmOC00ZGQ2LThmMGMtYTc4YWFjOTllOTY5XkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_SY1000_CR0,0,1344,1000_AL_Redemption, whether seized or tossed aside, is also frequently touched upon. “Sideshow” opens with a grueling chase between Batman and an escaped Killer Croc, who manages to stumble upon a remote farm that’s home to a group of former sideshow acts. They offer Croc a chance at an honest life, but old habits die hard. Another example is “House and Garden”. When a poisonous plant-creature starts a reign of terror in Gotham, Batman naturally turns his sights towards the recently-released Poison Ivy. She insists that she’s rehabilitated, and by all accounts, Ivy is happily married and living the mundane suburban life. The investigation continues to point back to her, and the final revelation involves some of the creepiest imagery ever seen in the series.MV5BY2U0ZTAwZDYtNjZjNC00YzVhLWJjMGItZDg5MTMzYTM1MjhjXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_SY1000_CR0,0,1334,1000_AL_Harley Quinn is also featured in a couple of episodes centered around her attempts to stick with the straight ‘n narrow. She’s a fan favorite for a reason, and these appearances are some of the most memorable episodes in this collection. “Harlequinade” is a chaotic team-up with Batman in an attempt to track down The Joker, who’s managed to get his hands on a bomb that’ll turn Gotham into a smoldering mushroom cloud. “Harley’s Holiday” documents her release from Arkham Asylum, and even though she’s determined to leave that life of crime behind her, an attempt to legitimately buy a pretty pink dress at a store spirals into a bad day…a really, really bad day, culminating in being chased by Batman, an underground gambling kingpin, Detective Bullock, and…gulp!…the military.MV5BMWNjYWJmNjQtNzQ3Ny00ZGQ2LTkzNjEtNmQ5OTcyM2EwYzBkXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_It’s particularly great to see the villains interact with one another. That’s part of the fun of “Trial”, which has a reluctant prosecutor attempting to defend Batman in an insane trial when the inmates take over the asylum. The flipside of that coin is seen in “Lock-Up”, when a cruel jailer’s overzealousness gets him fired from Arkham and compels him to hunt down the left-leaning scum he blames for the state of the world. Another stand-out is “A Bullet for Bullock”, an episode in which the slovenly detective is rattled by death threats and reluctantly teams with Batman, and the ending is just one example of how clever the show’s writers can be. “Clever” is also the first word that instantly springs to mind for “Make ‘Em Laugh”, an episode where The Joker co-opts a fellow criminal’s technology to create a small army of fumbling costumed criminals with inane gimmicks.MV5BMmIzZTQ4NmItMjRlMS00ZDBiLTllNzktNDUwZTAyNjI3MWI3XkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_These episodes introduce a couple of recurring villains ripped from the pages of the comics. Most notable among them is Ra’s al Ghul, who makes his first appearance in a two-parter penned by Len Wein and Denny O’Neil, familiar names to longtime readers of Batman’s four-color incarnation. The centuries-old Ra’s has virtually unlimited resources at his disposal, equally intrigued by Batman’s boundless skills as a detective as he is frustrated by his foe’s determination to disrupt his machinations. Ra’s often lends a Saturday morning serial flavor to the show, from the globe-trotting in his first few appearances to the flared pants of “Avatar”. The charismatic character has such a presence that he’s able to carry “Showdown” largely by himself in an episode that barely features Batman or Robin in any capacity. “Showdown” is set during the westward expansion of the mid-1800’s as Ra’s’ opposition to the sprawling railroads is pitted against scarred bounty hunter Jonah Hex (one of the few DC characters not connected with the Batman mythos to appear on the show). The other noteworthy recurring villain is The Ventriloquist, a fairly timid-looking middle-aged man who seems more likely to be a CPA than a ruthless crimelord. Taken by himself, that seems to be the right impression, but when he has his puppet Scarface on the end of his arm… The Ventriloquist’s first appearance, “Read My Lips”, is one of my favorites of the season, and he returns twice after that.MV5BMjI2OTQ0NTMwNF5BMl5BanBnXkFtZTgwNTM4MTg3MjE@._V1_Several other characters from the comics briefly appear, including Maxie Zeus, the back-breaking, Venom-fueled Bane, and the fairly obscure masked criminals of The Terrible Trio. The majority of Batman’s rogue’s gallery is present and accounted for, with The Penguin, Killer Croc, Poison Ivy, The Mad Hatter, The Joker, Harley Quinn, The Clock King, Catwoman, The Riddler, The Scarecrow (though only as a supporting character; no “fear!” episodes this time around), Two-Face, and Mr. Freeze all wreaking havoc throughout Gotham City at some point or another. Even with the opening titles shifting on disc three from Batman: The Animated Series to The Adventures of Batman and Robin, there’s no discernable drop in quality.MV5BNGI1YTBiYzYtODI2ZS00NzUzLThkMjktMDhkMzI3Yzk5ODAxXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_Batman: The Animated Series does everything right. It doesn’t dumb itself down or resort to hyperkinetic editing to try to appeal to a younger crowd. The retro-styled art design and dark visuals contribute immeasurably to the overall tone of the show, as does the award-winning music. The writing’s consistently impressive, avoiding falling into some formulaic “villain of the week” trap, and the casting choices for its voice actors is incredibly inspired. Henry Silva, LeVar Burton, Dick Miller, Megan Mullally, Brad Garrett, Bill Mumy, David Warner, Elizabeth Montgomery, Jeffrey Jones, Adam Ant, William Katt, and Robert Pastorelli are just a few of the familiar voices contributing to the series for the first time, joining the usual favorites like Paul Williams, Mark Hamill, and Roddy McDowall. These three collections are required viewing for anyone with an interest in Batman, and fans who have picked up the first two collections should certainly consider buying this third set as well.

REVIEW: THE TIME MACHINE (2002)

The Time Machine (2002)

CAST

Guy Pearce (Prometheus)
Samantha Mumba (Boy Eats Girl)
Mark Addy (A Knights Tale)
Phyllida Law (The Winter Guest)
Sienna Guillory (Love Actually)
Orlando Jones (Sleepy Hollow TV)
Jeremy Irons (Batman V Superman)
Alan Young (Beverly Hills Cop III)
Doug Jones (Hellboy)
Michael Chaturantabut (Power Rangers Lightspeed Rescue)

 

In the year 1899, Dr. Alexander Hartdegen (Guy Pearce) is a moderately young inventor teaching at Columbia University in New York City. Unlike his conservative friend David Philby (Mark Addy), Alexander would rather do pure research than work in the world of business. After a mugger kills his fiancée, Emma, he devotes himself to building a time machine that will allow him to travel back in time and save her. When he completes the machine four years later, he travels back to 1899 and prevents her murder, only to see her killed by a horse and buggy.

Alexander goes to 2030 to find out whether Emma’s life can be saved. At the New York Public Library, a holographic librarian called Vox 114 insists that time travel is impossible, so Alexander continues into the future until 2037, when the accidental destruction of the moon by space colonists renders the Earth virtually uninhabitable. When he restarts the time machine to avoid falling debris, he is knocked unconscious and travels to the year 802,701, at which point he regains consciousness and stops the machine.

By now, the human race has reverted to a primitive lifestyle. Some survivors, called “Eloi”, live on the sides of cliffs of what was once Manhattan. Alexander is nursed back to health by a woman named Mara, one of the few Eloi who speak English. One night, Alexander and Mara’s young brother, Kalen, dream of a frightening, jagged-toothed face. The next day, the Eloi are attacked and Mara is dragged underground by ape-like monsters. The creatures are called “Morlocks” and they hunt the Eloi for food. In order to rescue her, Kalen leads Alexander to Vox 114, which is still functioning after 800,000 years. After learning from Vox how to find the Morlocks, Alexander enters their underground lair through an opening that resembles the face in his nightmare. He is almost immediately captured and thrown into an area where Mara sits in a cage. There he meets an intelligent, humanoid Morlock, who explains that Morlocks are the evolutionary descendants of the humans who went underground after the Moon broke apart, while the Eloi are evolved from those who remained on the surface. The humanoid Morlocks are a caste of telepaths who rule the other Morlocks.

The Morlock explains that Alexander cannot alter Emma’s fate because her death is what drove him to build the time machine in the first place: saving her would create a temporal paradox. He then reveals that the Morlocks have brought the time machine underground, and tells Alexander to get into it and return home. Alexander gets into the machine but also pulls the Morlock in with him, carrying them into the future as they fight. The Morlock dies by rapidly aging when Alexander pushes him outside of the machine’s temporal bubble. Alexander then stops millions of years in the future in the year 635,427,810, revealing a harsh, rust-colored sky over a wasteland of Morlock caves. Finally accepting that he cannot save Emma, Alexander travels back to rescue Mara. After freeing her, he starts the time machine and jams its gears, creating a violent distortion in time. Though pursued by the Morlocks, Alexander and Mara escape to the surface as the time distortion explodes, killing the Morlocks and destroying their caves along with the time machine. Alexander begins a new life with Mara and the Eloi in 802,701.

While Alexander shows Mara and Kalen a clearing that was once the location of his laboratory, back in 1899, in the same spot, Philby and Alexander’s housekeeper, Mrs. Watchit, are in the laboratory and sadly discuss his absence. Philby tells Mrs. Watchit he is glad that Alexander has gone to a place where he can find peace, then tells her that he would like to hire her as a housekeeper, which she accepts until Alexander returns. Mrs. Watchit bids Alexander farewell and Philby leaves, looking toward the laboratory affectionately, then throws his bowler hat away in tribute to Alexander’s distaste for conformity.

this is a good film in it’s own right. It goes at a fair pace, has its tensions and added violence that all films must have now. But so much of this film is not part of the original story that it should have had the last vestiges of the H.G. Wells story removed and been made as an original film.