HALLOWEEN OF HORROR REVIEW: THE POSSESSION

Starring

Jeffrey Dean Morgan (The Walking Dead)
Kyra Sedgwick (Man On A Ledge)
Madison Davenport (Sharp Objects)
Natasha Calis (Daydream Nation)
Grant Show (Born To Race)
Matisyahu (A Buddy Story)
Jay Brazeau (Bates Motel)
Rob LaBelle (Jack Frost)
Agam Darshi (Sanctuary)
Ned Bellamy (Terminator: TSCC)

A newly separated couple Clyde Brenek (Jeffrey Dean Morgan) and Stephanie (Kyra Sedgwick) live in different homes. After Clyde picks up their two children, Emily “Em” (Natasha Calis) and Hannah (Madison Davenport), for the weekend, they stop at a yard sale where Em becomes intrigued by an old wooden box that has Hebrew letters engraved on it. Clyde buys the box for Em, and they later find that there seems no way to open it. That night, Em hears whispering coming from the box. She is able to open it, and finds a tooth, a dead moth, a wooden figurine, and a ring, which she begins to wear. Em becomes solitary, and her behavior becomes increasingly sinister; she stabs her father in the hand with a fork during breakfast. That night, the house, especially Em’s bedroom, becomes infested with moths.Kyra Sedgwick and Madison Davenport in The Possession (2012)At school, Em violently attacks a classmate when he takes her box, resulting in a meeting with Clyde, Stephanie, the principal and the teacher. Em’s teacher recommends that she spend time away from the box, so it is left in the classroom. That night, curious about the mysterious noises from the box, the teacher tries to open it, but a malevolent force, the dybbuk, murders her by violently throwing her out a window. Em tells Clyde about an invisible hag who lives in her box who says that Em is “special”. Alarmed by her behavior, Clyde attempts to dispose of the box. During their next weekend at Clyde’s, Emily gets progressively more upset with the disappearance of the box. She begins yelling at Clyde in the hall with Hannah watching in the back. The dybbuk seems to slap Em across the face. She begins yelling, asking why she’s hitting her, from Hannah’s perspective it looks like her father actually does. Em flees the house, recovers the box and the dybbuk begins conversing with her in a strange language.Natasha Calis in The Possession (2012)Clyde takes the box to a university professor who tells him that it is a dybbuk box that dates back to the 1920s; it was used to contain a dybbuk, a dislocated spirit as powerful as a devil. Clyde enters Em’s room and reads Psalm 91; a dark but invisible force throws the Tanakh across the room. Clyde then travels to a Hasidic community in Brooklyn and learns from a Jewish priest named Tzadok (Matisyahu) that the possession has three main stages; in the third stage, the dybbuk latches onto its human host, becoming one entity with it. The only way to defeat the dybbuk is to lock it back inside the box via a forced ritual. Upon further examination on the box, Tzadok learns that the dybbuk’s name is “Abyzou”, or the “Taker of Children”.Em has a seizure and is taken to the hospital for an MRI. During the procedure, Stephanie and Hannah are horrified when they see the dybbuk’s face in the MRI scans next to Em’s heart. Clyde and Tzadok join the family at the hospital and attempt to conduct an exorcism. Where Em is taken to a room that has a tub full of water and a stretcher to keep Em stable during the exorcism. During the exorcism, the possessed Em attacks Tzadok. Clyde grabs Em from him, and Em runs out of the room. Clyde follows her out and finally finds her in the morgue where the lights are off. As he nears her, she starts to attack him. Clyde survives the attack, but the dybbuk is passed from Em to him. Tzadok performs a successful exorcism; Abyzou emerges from Clyde and crawls back into the box. The family is reunited, with Clyde and Stephanie’s love rekindled. Tzadok drives away with the box in Clyde’s vehicle. The car is hit by a truck, killing him. The box lands safely from the wreckage, and Abyzou’s whispering is heard from it, the same Polish rhyme heard at the beginning of the film.Kyra Sedgwick, Jeffrey Dean Morgan, Matisyahu, and Natasha Calis in The Possession (2012)It is a well written, acted, and executed movie that while it may seem slow moving is well worth the watch.

REVIEW: WATCHMEN – THE DIRECTORS CUT

CAST

Malin Ackerman (The Heartbreak Kid)
Billy Crudup (Almost Famous)
Matthew Goode (Match Point)
Jackie Earle Haley (Human Target)
Jeffrey Dean Morgan (The Losers)
Patrick Wilson (The Conjuring)
Carla Gugino (Sin City)
Matt Frewer (Jailbait)
Stephen McHattie (300)
Rob Labelle (Jack Frost)
Garry Chalk (Dark angel)
Chris Gauthier (Smallville)
Patrick Sabongui (The Flash)
Agam Darshi (Sanctuary)
Danny Woodburn (Mirror Mirror)
Laura Mennell (Van Helsing)
Robert Wisden (Highlander: The Series)
Jerry Wasserman (I, Robot)
Don Thompson (Slither)
Michael Kopsa (Fantastic Four)
Fulvio Cecere (Valentine)
Mark Acheson (Elf)
Jay Brazeau (Bates Motel)
Niall Matter (The Predator)
Apollonia Vanova (Man of Steel)
Carrie Genzel (Jennifer’s Body)
Frank Cassini (Timecop)
Sonya Salomaa (The Collector)
Michael Eklund (Arrow)
John Tench (Andromeda)
Jason Schombing (Sanctuary)
Colin Lawrence (Virgin River)
Alessandro Juliani (Smallville)
Sahar Biniaz (Blade: The Series)
Tom McBeath (Stargate SG.1)
Kevin McNulty (Snakes on a Plane)
Michael Adamthwaite (Supergirl)

Malin Akerman and Patrick Wilson in Watchmen (2009)In the latter half of the 1980s, three illustrated novels challenged the mainstream perception of comic books. While the Pulitzer Prize-winning ‘Maus’ by Art Spiegelman introduced emotionally complex subject matter and established the genre as a viable literary format, Frank Miller’s ‘Batman: The Dark Knight Returns’ scaled national bestseller lists and demonstrated that superheroes struggle with the conditions of the world they feel destined to protect. When the 12-issue limited series of ‘Watchmen’ by Alan Moore and Dave Gibbons was published as a novel-length comic, it stunned audiences with its commercial success and its innovative structure layout. The book’s narrative also took a radical approach, scrutinizing the concept of superheros and offering a sort of “deconstruction” of their being, one which has pervaded the comic book world, including film adaptations, ever since. Over twenty years later, director Zack Snyder finally brings to the screen what so many once thought could never be filmed.Matthew Goode in Watchmen (2009)Taking place in an alternate reality of America, where Richard Nixon is serving his fourth term as president after winning the Vietnam War. The Keene Act of 1977 has outlawed all acts of masked vigilantism, forcing many into retirement. One October night, the murder of Edward Blake interests Rorschach, a masked avenger seen by the public as more a psychotic criminal than a hero. His investigation leads him to discover that Blake was the man behind The Comedian, a fellow crime fighter turned government operative. Fearing a conspiracy against costumed adventurers, he sets out to warn his former comrades: the Batman-esque Dan Dreiberg/Nite Owl, the successful businessman Adrian Veidt/Ozymandias, an angst-ridden Laurie Juspeczyk/Silk Spectre, and the only true superhero of the bunch Dr. Jon Osterman/Doctor Manhattan. As the investigation progresses, the band of superhero outcasts uncovers a plot more sinister and gruesome than they initially expected, revealing an enemy no one would’ve anticipated.Matthew Goode and Jeffrey Dean Morgan in Watchmen (2009)At the time of its theatrical release, the film version of the popular graphic novel was seen as a mild success, never coming close to expected box office figures. It was also heavily criticized by fans on internet boards around the globe for failing to truly capture the spirit of the series. Being one of those critics (yes, I am that kind of a nerd), the 162-minute adaptation felt rushed and heavily cluttered, as a wealth of information was quickly thrown at the audience with little time to digest it all. Those unfamiliar with the novel were alienated by the onscreen events, while the core fans saw a large amount of exposition skimmed over for the sake of time. Ultimately, what is now considered the theatrical cut seemed more concerned with reverence for its source, rather than a commitment to acting as a legitimate film that stood on its own. Much of the novel’s power and depth was lost in the translation.Jackie Earle Haley in Watchmen (2009)Now, in this Director’s Cut, Snyder is allowed to thicken the plot and create a better flow within the already-trimmed narrative. Arguably, Snyder shows more style over substance, seemingly imitating the original look of the comic rather than offering his own interpretation. But with 24 minutes of footage now added to the story, the film captures the comic’s dark, gritty appeal nicely, giving it more of a realistic feel and creating more human fascination. These masked vigilantes are confronted with contemporary real-world events, where they are frequently made aware of the Cold War reaching the breaking point and the fact that nuclear holocaust is imminent. As gloomy and pessimistic as that may sound, the idea posits these would-be superheroes against issues of power and the failure of salvation. They must cope with the world as it truly is: a dark and unpredictable existence, driven by fear and uncertainty of the future.This band of costumed avengers challenges what normally typifies the superheroics of their peers. They are flawed humans and deeply haunted by their pasts, primarily a shared experience of feeling unwanted from The Keene Act. Their interactions with one another and society at large expose questions about the limitations inherent to the superhero archetype trying to save humanity from itself. It’s the reason why fans are attracted to the two most complex characters in the series: Rorschach and The Comedian. While one idealizes his fight against injustice as a battle that must be won, the other possesses a harshly cynical worldview of civilization doomed beyond repair. The narrative also opens doors to discussions on power relations and politics, issues of certainty and doubt, metaphysics and existential nihilism, moral ambiguity, and Ozymandias’s actions bring to mind Nietzsche’s central theme of the “Master-slave morality”.Coming in at 186 minutes, ‘Watchmen: Director’s Cut’ may be daunting to some viewers, but for fans, this will be the closest we’ll ever come to seeing a faithful adaptation of the ragtag group of outcasts. Some of its drawbacks, I feel, are quickly outweighed by the overall sense that the comic book’s central conceit is maintained and clearly expressed with a genuine approach. Granted, certain aspects are still missing, but I admit they are necessary alterations to make the transition into film a success. As a long time fan of the illustrated novel, this director’s cut of ‘Watchmen’ easily bests the theatrical version, making it worthy of multiple viewings to take in its dense and complex implications.
After twenty years of hardcore fans hearing that the ‘Watchmen’ comics are “unfilmable”, Zack Snyder defies logic and gives audiences the closest we’ll ever come to experiencing the novel on film. In the ‘Watchmen: Director’s Cut’, Snyder is allowed to flesh out the details better and create a smoother narrative flow, offering an improved vision of this alternate reality.

REVIEW: WATCHMEN

 

CAST

Malin Ackerman (The Heartbreak Kid)
Billy Crudup (Almost Famous)
Matthew Goode (Match Point)
Jackie Earle Haley (Human Target)
Jeffrey Dean Morgan (The Losers)
Patrick Wilson (The Conjuring)
Carla Gugino (Sin City)
Matt Frewer (Jailbait)
Stephen McHattie (300)
Rob Labelle (Jack Frost)
Garry Chalk (Dark angel)
Chris Gauthier (Smallville)
Patrick Sabongui (The Flash)
Agam Darshi (Sanctuary)
Danny Woodburn (Mirror Mirror)
Laura Mennell (Van Helsing)
Robert Wisden (Highlander: The Series)
Jerry Wasserman (I, Robot)
Don Thompson (Slither)
Michael Kopsa (Fantastic Four)
Fulvio Cecere (Valentine)
Mark Acheson (Elf)
Jay Brazeau (Bates Motel)
Niall Matter (The Predator)
Apollonia Vanova (Man of Steel)
Carrie Genzel (Jennifer’s Body)
Frank Cassini (Timecop)
Sonya Salomaa (The Collector)
Michael Eklund (Arrow)
John Tench (Andromeda)
Jason Schombing (Sanctuary)
Colin Lawrence (Virgin River)
Alessandro Juliani (Smallville)
Sahar Biniaz (Blade: The Series)
Tom McBeath (Stargate SG.1)
Kevin McNulty (Snakes on a Plane)
Michael Adamthwaite (Supergirl)

66262-ycoiuhbnkq-1503295178Watchmen was easily the most hotly awaited picture of the first half of 2009, and I’ll readily admit that the dynamic yellow-and-red poster billboards around town generated a charge of anticipation that Savant hasn’t felt in years. That the film was not considered a runaway success doesn’t surprise me. A movie about superheroes that is neither consistently feel-good nor entertainingly funny is a hard sell. Other writers have noted that the Watchmen are relative unknowns in comparison to icons like Spiderman and Superman; there’s less of a built-in audience for them. Describing the Watchmen movie also suggests expressions like “intellectual puzzle” and “non-linear”. Large segments of the audience have little use for narrative complexities and historical irony.

What movie audiences do care about is action, and to compensate Watchmen ratchets up the graphic novel’s considerable violence. Bloody content limited to a single comic panel or two, looks like gore porn when turned into a film sequence.  Even with a few subplots deleted, Watchmen is so complicated that it bears comparison with David Lynch’s noble 1984 attempt to film Dune. Lynch got lost in wall-to-wall exposition and characters reduced to walk-ons. Watchmen avoids the same fate by closely following the original’s highly cinematic structure. Moore and Gibbons’ comic book panels made heavy use of devices familiar to moviegoers — parallel cutting, associative transitions.Watchmen is a multi-generational story of costumed superhero crime fighters. They got their start in the 1940s as “The Minutemen”, later formed another association called “The Watchmen” and then were outlawed in the early 1980s. Most have kept their anonymity in retirement. Nite Owl (Patrick Wilson), Silk Spectre (Malin Ackerman), Rorschach (Jackie Earle Haley), Ozymandias (Matthew Goode) and The Comedian (Jeffrey Dean Morgan) have no super-powers. The one Watchman who does is Dr. Manhattan (Billy Crudup), an “atomic man” who glows a soft blue color. A research scientist transformed into a near demigod by an experiment gone wrong, Dr. Manhattan wins the Vietnam War for Richard Nixon, allowing the President to run for a third term by popular demand. Most of Watchmen plays out as a science fiction alternate history tale, although the film drops a major Sci-Fi element from the final act.In 1985 an unknown assailant murders The Comedian. Defying the ban on costumed vigilantes, Rorschach warns the other Watchmen and puts pressure on the underworld to find out who is responsible. Dr. Manhattan breaks up with Laurie Jupiter (secretly the Silk Spectre) and abandons humanity to meditate on Mars. The Cold War goes into panic mode, as the U.S. and the Soviets are already at the brink of nuclear war, and Dr. Manhattan was America’s defense insurance policy. Laurie and Dan Dreiburg (secretly the Nite Owl) become an item. Frustrated by all the bad news, they ignore the ban and reassume their roles as crime fighters. Laurie and Dan spring Rorschach from prison and begin an investigation that leads to the activities of the millionaire technocrat Adrian Veidt, formerly Ozymandias.That synopsis doesn’t begin to touch the intricacies of Watchmen or its pleasing assortment of superheroes, that collectively flesh out a pantheon of comic book traditions. The Nite Owl is a kinder Batman type, a quiet millionaire who has engineered a flying vehicle and other crime-fighting gadgets. He’s actually following in the footsteps of the original Nite Owl, a two-fisted hero from the 1940s. The Silk Spectre is a Wonder Woman- like beauty with identity issues. She was pushed into her role by her flamboyant mother, the Silk Spectre of the Minuteman years. The corrupt Comedian lost sight of his crimefighting ethics and became a murderer, war criminal, rapist and dirty ops agent for Dick Nixon. The highly intelligent Ozymandias is also a fabulously wealthy international businessman under the name Adrian Veidt; he’s put his crime-fighting past on the public record and even sells Ozymandias toy action figures. Veidt considers himself a modern Alexander the Great.The most interesting Watchman is Rorschach, a seedy misanthrope who wears a strange mask that forms mysterious symmetrical patterns identical to a psychologist’s inkblot test. Now considered an outlaw vigilante, Rorschach keeps a bitter Travis Bickle-like diary and refuses to compromise on his mission to slay criminals. Between them the Watchmen cover numerous approaches to the concept of “masked crusaders” trying to function in a complex world. Director Zack Snyder  epitomizes the modern director who prepares computerized pre-visualization sequences, directs the live action, and waits for his technician-artisans to deliver test composites to critique. Elements that the director once had to make “come together” before a real camera on a real set can now be added, subtracted or altered almost indefinitely; the director of an effects-heavy film now functions as a creative manager. Snyder openly admits that his goal is to faithfully replicate the visions of other artists, which has prompted some to question exactly what he contributes artistically to the show. To the extent that Snyder still casts and directs the actors and decides when and when not to follow the graphic novel, he is actually much more “involved” than were many old-school studio directors. Even the biggest Hollywood names sometimes worked from locked scripts and often had little contact with projects before or after the actual filming. Considering how little opportunity for personal expression the Watchmen assignment afford, Snyder’s done a fine job.In this case, closely following the original was Snyder’s only choice. CGI allows the presentation of almost any visual, and the leagues of Watchmen fans wouldn’t have tolerated detours from their story. Most of Snyder’s adjustments are good ones. The strange sidebar tangent involving a “Black Freighter” horror comic has wisely been spun off into a separate direct-to-video production. To get out from under a mountain of plot complications, Snyder drops Adrian Veidt’s elaborate hoax on humanity that involves murdering an army of technicians that mock up the corpse of a gigantic space alien.Watchmen was somewhat overpowering in the movie theater, precisely because it is so close to the original. Instead of being taken in a new direction, I felt like Snyder was holding the book in front of my eyes and turning the pages for me. But movies of this kind are no longer made to be seen only once, and on a second viewing it was easier to simply watch what was happening, admire the classy designs and marvel at the excellent casting.

REVIEW: SANCTUARY – SEASON 4

Starring

Amanda Tapping (Stargate SG.1)
Robin Dunne (Space Milkshake)
Ryan Robbins (Arrow)
Christopher Heyerdahl (Van Helsing)

Amanda Tapping in Sanctuary (2008)

Recurring / Notable Guest Cast

Peter Wingfield (Highlander: The Series)
Ian Tracey (Bates Motel)
Pascale Hutton (Fantastic Four)
Agam Darshi (You Me Her)
Jody Thompson (The 4400)
Françoise Yip (The Predator)
Tom McBeath (Stargate SG.1)
Robert Lawrenson (Underworld: The Awakening)
David Milchard (Big Eyes)
Greyston Holt (Bitten)
Adam Copeland (Highlander: Endgame)
Pauline Egan (Home BEfore Dark)
Brian Markinson (Caprica)
Mig Macario (The Final Cut)
Lara Gilchrist (Battlestar Galactica)
Sandrine Holt (House of Cards)
Carlo Rota (Saw V)
John Novak (War)
Martin Cummins (Dar kAngel)
Charlie Carrick (Reign)
Kurt Evans (Izombie)
Jonathon Young (Antitrust)
Zak Santiago (Caprica)
Adam Greydon Reid (Izombie)
Caroline Cave (Van Helsing)
Brent Stait (Blade: The Series)
Jim Byrnes (Highlander: The Series)
Anjali Jay (Supergirl)
Gil Bellows (Jett)

At the end of the last season things were getting pretty hairy on a couple of different fronts. The subterranean abnormals who live inside the Earth have decided that they want their chance in the sun and three armies march out of caves in different parts of the planet. If that wasn’t bad enough, Magnus is battling an old companion, Adam Worth, who manages to open up a hole in time and slip back to the 1800’s with the aim of curing his terminally ill daughter. This will change the time stream irrevocably, so Magnus follows him on his one-way journey into the past in order to stop him.Christopher Heyerdahl in Sanctuary (2008)This season opens with Magnus in 19th Century London, following Worth. He manages to wound her and escape, so she turns to one person she knows she can trust, he husband at the time, James Watson Together they have to stop Worth, but even if they do, how will Magnus manage to return to the 21stCentury? She does manage it, but it takes a very long time. Meanwhile Will has been put in charge of the New York Sanctuary by the Sanctuary Network, that mysterious body that runs the various abnormal shelters around the world. He’s having a rough time, as the US military wants to actually attack the invading army, especially after there’s a revolt in the refugee compound that’s housing several Hollow Earth abnormals in which the subterranean creatures take hostages and threaten to kill them. No one in authority will take Will’s calls, and withMagnus MIA he’s clearly out of his depth.Robin Dunne and Pascale Hutton in Sanctuary (2008)After that crisis, and Magnus’ return, things are different. The government is very leery of abnormals and they create a department, SCUI, to hunt down the Hollow Earth creatures that are still on the surface. Either imprisoning the abnormals that they capture or using them for experiments it’s a race between the bad military and the saintly Sanctuary to see who can locate and capture the renegade abnormals first.There are some very good episodes in this season. Monsoon, where Magnus is held hostage by some abnormal crooks while in an airport in Africa was a high point. Seeing the unarmed Magnus take out a group of ex-military super-humans was delightful.Amanda Tapping and Pascale Hutton in Sanctuary (2008)The series does wrap up (though there is room for more adventures) It was nice that the show did get a coda. All in al lSanctuary was an excellent show that lasted four seasons and left room for more stories to be told shold Syfy every decide to bring it back.

REVIEW: SANCTUARY – SEASON 3

Starring

Amanda Tapping (Stargate SG.1)
Robin Dunne (Space Milkshake)
Christopher Heyerdahl (Van Helsing)
Ryan Robbins (Arrow)
Agam Darshi (You Me Her)

Robin Dunne in Sanctuary (2008)

Recurring / Notable Guest Cast

Callum Blue (Smallville)
Shekhar Paleja (Arrow)
Terry Chen (Jessica Jones)
Sahar Biniaz (Blade: The Series)
Paul McGillion (The Flash)
Robert Lawrenson (Underworld: Awakening)
Jim Byrnes (Highlander: The Series)
Chasty Ballesteros (The Internship)
Gary Jones (Stargate SG.1)
Peter Flemming (Unspeakable)
Michael J Rogers (Two For The Money)
Jonathon Young (Impastor)
Martin Christopher (Night At The Museum)
Jorge Vargas (Power Rangers Ninja Storm)
Chris Gauthier (Smallville)
Michael Adamthwaite (Supergirl)
Allison Hossack (Fringe)
Pauline Egan (Home Before Dark)
Adrian Hough (Chilling Adventures of Sabrina)
Ian Tracey (Bates Motel)
Peter Wingfield (Highlander: The Series)
Vincent Gale (Van Helsing)
Pascale Hutton (Chaos)
Polly Walker (Pennyworth)
Scott McNeil (Beast Wars)
Nels Lennarson (Cold Pursuit)
Jody Thompson (The 4400)
Françoise Yip (The Predator)
Peter DeLuise (21 Jump Street)
Chuck Campbell (Jason X)
Aliyah O’Brien (Bates Motel)
Douglas O’Keeffe (Mutant X)
Barclay Hope (Stargate SG.1)
Elysia Rotaru (Arrow)
Tom McBeath (Van Helsing)
Greyston Holt (Bitten)

Amanda Tapping in Sanctuary (2008)Season three sees Sanctuary taking a big step forward,and for the most part being very successful. instead of the previous two seasons 13 episode runs,this has 20 episodes,something which allows the writers to expand storylines and explore things further,bringing more depth to this seasons story arc. As always the acting from the entire cast is first rate .There is also plenty of Jonathan Young as Nikola Tesla,whos presence always lifts any episode he appears in,and guarantees some sharp dialogue.Robin Dunne and Amanda Tapping in Sanctuary (2008)This series looks better as well,and steps out of,whenever possible,the confines of a cgi generated world,something which I always believed limited it far too much.Season three sees Sanctuary setting itself up as a major league player,and staking a claim as a show to be taken seriously,and it does it very well.Giving you more than it has before,while leaving you with the impression that there is much more to come,and the desire to find out what.The Sanctuary team deal with the aftermath of the gigantic tidal wave released by Big Bertha while Will’s life remains in balance but soon the errand comes to an end once Will leads one final plea to “Kali” A.K.A. Big Bertha in his near death experience to stop the destruction. Following Will’s return to life two abnormals appear to him to rekindle his memory and in doing so Will remembers an important message that Gregory sent for Helen to find an underground city with great technology and secrets.Agam Darshi in Sanctuary (2008)Later Nikola sends an SOS call and after his rescue continues to help Helen in discovering the secrets of the city which eventually leads them to a Hollow Earth atlas. Soon Adam Worth, a former acquaintance, tricks Helen and causes radiation poisoning (that should kill both Helen and Adam in a few weeks) so that she may show Adam the Hollow Earth. Upon Adam’s interference Helen, Will, Henry and Kate enter the city to save Gregory and find a cure for the poisoning but only to be executed immediately when caught while Adam imprisons John, leaving Tesla and Big-Guy alone in the mysteries. Magnus is then revived by Ranna for answering and Magnus finds out that she needs her to help an abnormal from the events of ‘KALI’, thereby Magnus and the gang is revived and she given the cure and is reunited with her father, together Gregory and Helen save the abnormal and reach the surface back again while John kills Adam. The show returned to its original format, featuring a new short story for every episode until Tesla and Magnus discover a Praxian Stronghold. This is revealed to have been taken by Vampires and as such was a Vampire Stronghold where a whole army of Vampires and their queen were buried to be awakened someday. Magnus views this as a threat and destroys the stronghold, but not before restoring Tesla to a Vampire again.Christopher Heyerdahl in Sanctuary (2008)Season 3 has lots of fun and lots of action, with a extended season it helps to do greater story-arcs. a must watch for fans of good sci-fi.

REVIEW: SANCTUARY – SEASON 2

Starring

Amanda Tapping (Stargate SG.1)
Robin Dunne (Space Milkshake)
Emilie Ullerup (Artic Air)
Christopher Heyerdahl (Van Helsing)
Ryan Robbins (Arrow)
Agam Darshi (You Me Her)

Babs Chula and Emilie Ullerup in Sanctuary (2008)

Recurring / Notable Guest Cast

Jonathon Young (Impastor)
Christine Chatelain (The Collector)
Lynda Boyd (Power Rangers In Space)
Robert Lawrenson (Underworld: Awakening)
Hiro Kanagawa (Izombie)
Jason Schombing (The A-Team)
Chuck Campbell (Jason X)
Chris Gauthier (Smallville)
Nicole Muñoz (Defiance)
Anne Marie DeLuise (Love Happens)
Colin Cunningham (Stargate SG.1)
Erica Cerra (Power Rangers)
Colin Lawrence (House of The Dead)
Michael Shanks (Stargate SG.1)
Aleks Paunovic (Van Helsing)
Ryan Kennedy (Caprica)
Chad Rock (The Flash)
Meghan Ory (Dark Angel)
Callum Blue (Smallville)
Shekhar Paleja (Arrow)
Terry Chen (Jessica Jones)
Sahar Biniaz (Blade: The Series)
Paul McGillion (The Flash)

Christopher Heyerdahl and Amanda Tapping in Sanctuary (2008)Season 2 carried on from where season 1 left off. Dr Helen Magnus and team Sanctuary are trying to discover what happened to Ashley Magnus (Emilie Ullerup) and why she would betray her family and friends and join the Cabal, all while trying to save and protect “abnormals” from those who would do them harm. The main cast of Amanda Tapping (Dr Helen Magnus), Dr Will Zimmerman (Robin Dunne), John Druitt (Christopher Heyerdahl), Henry Foss (Ryan Robbins) and Bigfoot (Christopher Heyerdahl, again) all return for the second season.Amanda Tapping in Sanctuary (2008)There is also new girl Kate Freelander (Agam Darshi). Who was created to replace Ashley (who is killed in the opening two epiosdes), Although Ashley was a popular characterKate does grow on you more and more with each episode, by seasons end shes is more rounded out character.Robin Dunne and Amanda Tapping in Sanctuary (2008)I Enjoyed this season even more than season 1 . In this case the stories seem much stronger and have more depth to them than those in the first season. Instead of a season long battle with the Cabal, that story line gets wrapped up in two episodes. Which lets season two create new stories that enrich the characters more.

REVIEW: STARGATE UNIVERSE – SEASON 1

Starring

Robert Carlyle (One Upon A Time)
Louis Ferreira (Saw IV)
Brian J. Smith (Sense8)
Elyse Levesque (The Originals)
David Blue (Ugly Betty)
Alaina Huffman (Samllville)
Jamil Walker Smith (General Hospital)
Ming-Na Wen (Agents of Sheild)

SGU Stargate Universe (2009)

RECURRING / NOTABLE GUEST CAST

Richard Dean Anderson (MacGyver)
Michael Shanks (Smallvilel)
Amanda Tapping (Sanctuary)
Ona Grauer (V)
Peter Kelamis (50/50)
Gary Jones (Chilling Adventures of Sabrina)
Bill Dow (Izombie)
Christopher McDonald (Fanboys)
Lou Diamond Phillips (Young GUns)
Jennifer Spence (You Me Her)
Julia Benson (The Order)
Jeffrey Bowyer-Chapman (UnREAL)
Agam Darshi (Sanctuary)
Bradley Stryker (The Lizzie Bordern Chronicles)
Anna Galvin (Tin Man)
Peter DeLuise (21 Jump Street)
Dominic Zamprogna (Odyssey 5)
Carlo Rota (Saw V)
Ryan Kennedy (Smallville)
Reiko Aylesworth (24)
Sarah Smyth (Supergirl)
Zak Santiago (Caprica)
Rukiya Bernard (Van Helsing)
Alisen Down (Smallville)
Vincent Gale (BatesMotel)
Louise Lombard (CSI)
Sean Blakemore (Bones)
William MacDonald (Riverdale)
Rhona Mitra (Doomsday)
Mike Dopud (Arrow)
Kirby Morrow (Ninja Turtles: Next Mutation)

David Blue in SGU Stargate Universe (2009)The stargate itself–an artificially created wormhole through which one can instantly travel to different worlds light-years away–is still around, but much else has changed. Gone, for the most part, are the rough-and-tumble adventures that were the specialty of SG-1 and Stargate Atlantis, SGU‘s popular predecessors. Gone, too, are insouciant but charismatic and intrepid leaders like SG-1‘s Col. Jack O’Neill (Richard Dean Anderson does make several cameo appearances in that role in the course of these 20 episodes, offered here on six discs) and Atlantis‘s Col. John Sheppard.In their places, in addition to a new ongoing story line, is a rather less conventional approach, featuring a more minimalist vibe and an entirely fresh cast of earnest, intense, mostly youthful characters battling personal demons and complex interpersonal relationships, along with a myriad of technical issues more typical of sci-fi shows. If this all sounds very serious, well, these folks have a lot to be serious about.Robert Carlyle in SGU Stargate Universe (2009)Very early on, the “Icarus Base” is under alien attack, forcing military and civilian personnel alike to escape through the stargate. They end up aboard Destiny, a massive ship that’s millions of years old and was once the property of the omniscient master race known as the Ancients. Not only do our characters barely know how to operate the ship, they also have no idea where they are, except that it’s billions of light-years from Earth. It’s the responsibility of the two main men, Col. Everett Young (Justin Louis) and scientist Dr. Nicholas Rush (Robert Carlyle), to figure out how to get everyone home safely, a task that dominates the series’ overall arc.Elyse Levesque and Brian J. Smith in SGU Stargate Universe (2009)That dicey proposition is complicated considerably by ceaseless internecine conflict on the ship, much of it between soldiers and civilians (typified by Young and Rush, both of whom are self-righteous, utterly humorless, and not especially likable).Much of the action takes place on Destiny, but there are occasional excursions to various planets in search of water and other supplies; there are also trips to Earth made possible by magical “communication stones” that allow users to exchange bodies with folks on the other end. As is the case with many new programs, SGU takes a while to hit its stride, but when that happens about a third of the way into the season, the results are often quite exciting; SGU may not be as much fun as the earlier shows, but it’s still well written and entertaining, with excellent production values, good special effects.