31 DAYS OF HORROR REVIEW: SCREAM 4

CAST

Neve Campbell (Wild Things)
Courteney Cox (Masters of The Universe)
David Arquette (Eight Legged Freaks)
Emma Roberts (Scream Queens)
Lucy Hale (Pretty Little Liars)
Shenae Grimes-Beech (90210)
Anna Paquin (X-Men)
Kristen Bell (Veronica Mars)
Britt Robertson (The Secret Circle)
Alison Brie (The Lego Movie)
Mary McDonnell (Battlestar Galactica)
Hayden Panettiere (Heroes)
Marley Shelton (Sin City)
Roger Jackson (The Powerpuff Girls)
Rory Culkin (Mean Creek)
Anthony Anderson (Transformers)
Adam Brody (The OC)
Matthew Lillard (Scooby-Doo)

maxresdefaultOn the fifteenth anniversary of the original Woodsboro murders, high school students Jenny Randall and Marnie Cooper are attacked and brutally killed by a new Ghostface. The following day, Sidney Prescott returns to Woodsboro to promote her new book with her publicist Rebecca Walters. After evidence is found in Sidney’s rental car, Sidney becomes a suspect in the murders and must stay in town until the murders are solved. Her cousin, Jill, who is dealing with the betrayal of her ex-boyfriend, Trevor Sheldon, gets a threatening phone call from Ghostface, as does her friend Olivia Morris. Jill and Olivia, alongside their friend Kirby Reed, are questioned about their calls by Dewey Riley, who is now the sheriff of the town, while one of his deputies, Judy Hicks, assists him in the case. Meanwhile, Dewey’s wife, Gale Weathers-Riley, is struggling with writer’s block. She gives up the writing and decides to investigate the murder instead.MV5BMTM4Mzc3MjEzM15BMl5BanBnXkFtZTcwOTQwMTgzNA@@._V1_SY1000_CR0,0,1503,1000_AL_Sidney stays with Jill’s mother, Sidney’s aunt Kate Roberts. Later that night, Olivia, who lives next door to Jill and Kate, is attacked and murdered by Ghostface as Jill and Kirby watch in horror. Sidney and Jill rush in to save Olivia, but the killer injures them and gets away; Sidney and Jill are taken to the hospital. In the hospital’s parking garage, Ghostface murders Rebecca. Gale, trying to solve the murders, enlists the help of two high school movie geeks, Charlie Walker and Robbie Mercer, who explain that the killer is using the rules of movie remakes to murder. Charlie concludes that the killer will likely strike at a party being held that night. Gale goes to the party to investigate. Ghostface injures her but flees when Dewey arrives. Dewey takes her to the hospital. At Jill’s house, Sidney discovers that the policemen assigned to guard the house are dead. She also discovers that Jill has left the house and gone to Kirby’s. Sidney goes down to tell Kate, but the killer appears, kills Kate, and disappears again. After Deputy Judy Hicks arrives, Sidney rushes to Kirby’s house to save Jill on her own.Scre4m_CastJill, Kirby, Charlie, Robbie and Trevor are at Kirby’s house when Ghostface appears and murders a drunken Robbie. Sidney arrives at the house. Kirby is forced to answer horror movie trivia to save Charlie, who is tied up outside. Sidney goes upstairs to find Jill, promising to return to Kirby. After Kirby answers Ghostface’s questions, she goes outside to untie Charlie, believing that she has won the game. He suddenly stabs her in the stomach and reveals himself as Ghostface, before leaving her for dead. Sidney is confronted by Charlie and a second Ghostface, who is revealed as Jill. She explains that they want the attention Sidney got for surviving the murders, and that they intend to frame Trevor as Ghostface; she then pulls Trevor out of a closet and shoots him in the head. Jill then betrays Charlie and kills him too, to pin him as Trevor’s accomplice and to make herself the sole survivor. Jill stabs Sidney in the stomach and mutilates herself to make it seem as if Trevor attacked her. Later, Dewey, Judy, and the rest of the police stumble upon the carnage.scream-4Jill is then taken to the hospital. After discovering that Sidney had survived, she goes to Sidney’s hospital room and attempts to finish her. Dewey, Gale, and Judy intervene, having been clued by a detail about Gale’s injury that Jill somehow knew. Jill subdues Sidney’s rescuers, which gives Sidney the chance to shoot her in the chest, killing her. Dewey calls in all police units, as media reporters outside confirm Jill as the “sole-surviving hero”.Scream-4-screenshot-026Scream 4 is not only one of the best in the series, but also one of the best slasher movies in at least a decade.

 

 

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31 DAYS OF HORROR REVIEW: THE RING

CAST

Naomi watts (Insurgent)
Martin Henderson (Everest)
Brian Cox (Rise of The Planet of The Apes)
David Dorfman (The Singing Detective)
Jane Alexander (Terminator Salvation)
Lindsay Frost (Collateral Damage)
Amber Tamblyn (Two and a Half Men)
Daveigh Chase (S.Darko)
Adam Brody (Mr. & Mrs. Smith)
Alan Blumenfeld (Heroes)
Pauley Parrette (Almost Famous)
Sara Rue (Mom)

Teenagers Katie Embry and Becca Kotler discuss the urban legend of a cursed videotape that kills the viewer seven days after watching it. Katie admits she watched the tape with her boyfriend and two others at a campsite a week ago. Suddenly, the telephone rings and both of the teenagers are initially startled, but the caller turns out to be Katie’s mother. After speaking with her mother, Katie begins to notice eerie noises coming from upstairs, where her friend had supposedly gone. After witnessing other paranormal phenomena, Katie hesitantly yells to Becca from the bottom of the stairs, as the sounds become intensely unsettling. Reaching the top of the stairs, Katie notices water leaking from her bedroom and as soon as she opens the door, she sees an image of a well on her TV screen, which frightens her to death. Becca is later institutionalised after witnessing Katie’s death.

At Katie’s funeral, her aunt Rachel Keller, a Seattle journalist, is asked by her mother to investigate the cause of Katie’s death. Her mother tells her that she found Katie’s distorted body inside the closet and that none of the doctors she consulted could explain her sudden death. Rachel’s son Aidan also tells her that Katie predicted her own death about a week ago. Rachel learns Katie’s three friends also died on the same date and time. Travelling to Shelter Mountain Inn, Rachel discovers the videotape and watches its haunting imagery in the cabin Katie stayed in. The cabin’s telephone rings and on the line, a girl’s voice tells Rachel she has “seven days”.

Rachel turns to Noah Clay, her ex-boyfriend and Aidan’s father, for help. Noah, a video analyst, is skeptical of the curse but watches the tape, asking Rachel to copy it for further examination. Rachel discovers hidden footage of a lighthouse on the tape. Research reveals the identity of a woman on the tape as Anna Morgan, a deceased horse breeder from Moesko Island, who committed suicide after her beloved horses all drowned from a mysterious ailment. Rachel and Noah both experience supernatural phenomena, and Rachel catches Aidan watching the tape. Leaving Aidan in the care of her sister, Rachel travels by ferry to Moesko Island while Noah tries to obtain Anna’s medical files during her time in therapy. However, a horse aboard the ferry is spooked by Rachel’s presence and falls off the ferry. Passengers then see blood in the water, indicating that the horse was killed by the propellers.

Arriving on the island, Rachel visits the Morgan Ranch but is quickly dismissed by Anna’s husband Richard when she starts asking questions about their adopted daughter Samara. Rachel meets the island GP, Dr. Grasnik, who explains Anna was unable to have children, leading to the adoption of Samara. However, Samara possessed unusual psychic abilities that drove her parents close to insanity. Rachel sneaks into the Morgans’ house and discovers a recorded medical interview with Samara, who implies she drove the horses to death after being locked in the barn by her father. Rachel confronts Richard, but he commits suicide in a bathtub. Noah arrives and they break into the barn, find Samara’s bedroom in the loft, and discover a picture of a tree burnt into the wall – the tree seen at Shelter Mountain.  Rachel and Noah go to the cabin and discover a stone well beneath the floor; the well is also present on the tape. Rachel is knocked down the well and experiences a flashback, revealing Anna pushed Samara down the well and sealed her in before committing suicide herself. Rachel finds Samara’s corpse at the bottom of the well, which is removed by the authorities and later given a proper burial.  The next day, Rachel returns home with Aidan but he warns her that she should not have helped Samara out of the well, as the curse is still in effect. In his apartment, Noah witnesses his television turn itself on. As he watches, Samara crawls out of the onscreen well and then crawls right out of the television, which frightens him to death.

In enraged grief, Rachel burns the original tape but realises she was spared by the curse because she had made a copy, while Noah did not. In an effort to save Aidan, who watched the tape, Rachel aids him in making a copy. Aidan asks her what will they do when they show it to someone else, but Rachel does not reply.

I saw the original Japanese “Ringu” movie after this one and although I liked it, to my considerable surprise I found that American remake is a real improvement over the original. And that is one more reason to praise “The Ring” as an exceptionnally good film.

REVIEW: AMERICAN PIE 2

CAST

Jason Biggs (Evil Woman)
Alyson Hannigan (How I Met Your Mother)
Shannon Elizabeth (Scary Movie)
Chris Klein (Election)
Thomas Ian Nicholas (Rookie of The Year)
Natasha Lyonne (Orange Is The New Black)
Tara Reid (Urban Legend)
Eddie Kaye Thomas (American Dad)
Seann WIlliam Scott (Goon)
Mena Suvari (Loser)
Eugene Levy (Cheaper By The Dozen 2)
Chris Owen (October Sky)
Molly Cheek (Drag Me To Hell)
Jennifer Coolidge (2 Broke Girls)
Denise Faye (Chicago)
Lisa Arturo (Garden Party)
John Cho (Sleepy Hollow)
Justin Isfeld (Fraternity House)
Eli Marienthal (The Iron Giant)
Casey Affleck (Gone Baby Gone)
George Wyner (Spaceballs)
Joelle Carter (Justified)
Larry Drake (Darkman)
Lee Garlington (A Lot Like love)
Tsianina Joelson (Bring it On)
Lacey Beeman (Coach Carter)
Joanna Garcia Swisher (The Internship)
Nora Zehetner (Heroes)
Adam Brody (Jennifers Body)
Kevin Kilner (Earth: Final Conflict)

After breaking up for the summer, the four friends regroup for a party held by Stifler (Seann William Scott), their overtly sex-crazed class clown and good friend. His party is shut down thanks in part to the neighbors calling the police. Kevin (Thomas Ian Nicholas) is inspired by his brother to make his summer with his friends count by renting a beach home. He, Jim, Oz and Finch plan to take off to a beach house together, where they intend to spend the summer. Kevin realizes a problem and worked out that they can only afford the house if they have a fifth member to work along with them. Stifler takes charge of much of the organizing, often ending up leading the group in their misadventures.Oz (Chris Klein) is miserable, being away from his girlfriend Heather (Mena Suvari) who is in Spain. During the stay at the beach house, they proceed to start having phone sex to vent some of their loneliness, which ends up being interrupted by Stifler. Heather later shows up early to the party, ending the short storyline that Oz is involved in. After arriving in Grand Harbor they settle in, they manage to find work painting a house (based on the Tuition Painters franchise) in the area together, mistaking the owners for lesbians. Jim (Jason Biggs), Stifler and Finch (Eddie Kaye Thomas) end up performing “like for like” sexual acts on each other in return for being able to watch the girls doing the same thing. Oz and Kevin take turns watching up a ladder and listening on the walkie-talkie also in the room. The conversation is accidentally picked up and heard by many other people in the neighborhood. Finally at the end of the last party, Stifler manages to have a wild threesome with the owners of the house.After this, many concurrent stories run at the same time, some interacting with each other, others staying mainly separate. Nadia (Shannon Elizabeth) is coming to visit Jim in August. When she arrives early, Jim asks for help from band geek Michelle (Alyson Hannigan), humiliating himself in front of the audience when he pretends to be Petey, a mentally challenged boy who plays the trombone. They pretend to be in a relationship so that Nadia will not expect Jim to have sex (Jim is involved in an incident involving a tube of super glue he mistook for lube; he accidentally glued his hand to his penis while watching a porno film and injured himself, leaving him wounded and unable to perform). Jim and Michelle break the mock relationship off once he is ready to have sex with Nadia, but by then Michelle has really fallen in love with Jim, and soon Jim realizes that he has found his soul-mate in Michelle. Nadia also realizes this and tells him, “Go, get your band geek, and I will find mine”. Jim goes and plays the trombone once more whilst Michelle is playing the flute at a major recital in order to show her that she is the one he wants to be with.Finch has become involved in the sexual art of Tantra, and claims that through Tantra he can “make an orgasm last for days”. He is waiting for Stifler’s Mom (Jennifer Coolidge), who he had sex with in the first film, hoping she will show up and be willing to do it again. He thinks she arrives when a vehicle turns up after Stifler is talking on the phone, but it turns out to be his little brother Matt (Eli Marienthal), the star of later films. He spends the night talking with a few girls, but he doesn’t sleep with any of them. The next morning, after the party, a Mercedes coupe with darkened windows turns up, Finch approaches and it turns out Stifler’s Mom has come after all. He jumps at the chance and they drive off together, Stifler not realizing until after the car has driven off that it was Finch and his mother. After being asked, she reveals her name is Janine, but also instructs Finch to resume calling her “Stifler’s mom” as per usual.The geeky Sherman (Chris Owen) gives up on getting anyone after he is turned down by the experienced and sharp-tongued Jessica (Natasha Lyonne), but the rejected Nadia, who wanted Jim because he was a geek, is turned on by his “Sherminator” gimmick, and they end up in bed together. Kevin doesn’t end up “getting off” with anyone, but he does seem to succeed in getting over Vicky (Tara Reid) after making advances on her throughout the film.This is one of the all time best comedies of recent times. With all the favourites back for a sequel, it doesnt disappoint. With the same humour but more orginal storylines, this is a must see for any movie fan.

REVIEW: REVENGE FOR JOLLY

CAST

Brian Petsos (Bridemaids)
Kristen Wiig (Paul)
Elijah Wood (Lord of The Ring)
Oscar Isaac (Star Wars: The Force Awakens)
Adam Brody (Jennifers Body)
Ryan Phillippe (Cruel Intentions)
Garrett Dillahunt (Deadwood)
Amy Seimetz (You’re Next)
Kevin Corrigan (The Get Down)
David Rasche (Ugly Betty)
Gillian Jacobs (The Box

The film reverts 36 hours earlier after a man pulls up at a house and confronts another man at his front door. The tale centers on Harry (Brian Petsos), a freelancer who spends a great deal of time with his beloved female pup, Jolly. Owing a group of people a large amount of money for refusing to do them a favor, he plans to leave town to avoid the debt. One day when he returns home, Jolly is found dead. Stricken with grief and anger, Harry enlists the help of his close cousin Cecil (Oscar Isaac) to find Jolly’s murderer, dragging him through a path of destruction.At a bar, they interrogate a rude bartender, Thomas (Elijah Wood), getting a lead on a man named Bachmeier (Ryan Phillippe), a regular visitor and suspect who was given Harry’s address upon request. Harry snaps and shoots Thomas dead for that reason. Next, they track down known hooker, Tina (Gillian Jacobs), who was recently seen with Bachmeier. Refusing to pay her for sex and written info, Cecil is shot by Tina in the hand with a gun, but Tina joins her friend Vicki (Amy Seimetz) in death when Harry shoots them, as he grows overly vengeful.The following stop takes Harry and Cecil to a law firm office, where they confront and wipe out three unscrupulous lawyers, Bobby (Bobby Moynihan), Eichelberger (David Rasche) and Danny (Adam Brody), for withholding info. The receptionist eventually tells them Bachmeier is at a wedding reception. There, Harry and Cecil show up uninvited and hold the people hostage, although Bachmeier is not present and his sister, Angela (Kristen Wiig) informs them that her family is dysfunctional. After killing many people in attendance, assaulting Angela and shooting her husband, Gary (Garret Dillahunt), a man soon gives them Bachmeier’s address. The film returns to the beginning. Harry pulls up at a house, leaving Cecil in his car to approach an armed Bachmeier at his front door. Harry blames him for Jolly’s death, and Bachmeier invites him in like nothing is wrong. The final image shows two shots fired inside the house, though it is only seen from a distance on the outside.While this is a comedy, it is not a movie with comedy that will make you laugh yourself crazy. However, the comedy here is so bizarre and outrageous that it just works out quite nicely. I enjoyed this oddball comedy and was rather entertained by it.

REVIEW: YOGA HOSSERS

CAST

Harley Quinn Smith (Tusk)
Lily-Rose Depp (The Dancer)
Adam Brody (Jennifers Body)
Austin Butler (Arrow)
Tyler Posey (Teen Wolf)
Justin Long (New Girl)
Tony Hale (Chuck)
Natasha Lyonne (American Pie)
Genesis Rodriguez (Hours)
Haley Joel Osment (A.I.)
Jennifer Schwalbach Smith (Now You Know)
Vanessa Paradis (Heartbreaker)
Ralph Garman (Ted)
Johnny Depp (Into The Woods)
Kevin Conroy (Batman: TAS)
Kevin Smith (Dogma)
Stan Lee (Avengers Assemble)
Jason Mewes (R.S.V.P.)

Colleen Collette and Colleen McKenzie are two average 15-year-old girls that spend their days studying yoga with their guru, Yogi Bayer, and working an after-school job at a Manitoba convenience store called Eh-2-Zed. The two are invited to a party by a popular senior, Hunter Calloway, who is the object of Colleen M’s affections.

The next day at school, the girls’ history teacher informs the class that the Nazi Party once had an influence in Winnipeg. Led by the self-proclaimed “Canadian Führer” Adrien Arcand and his right-hand-man, Andronicus Arcane, the Canadian Nazis were once a great force of terror. Arcand was later arrested by Federal authorities, but Andronicus Arcane was never found.

Colleen C’s father Bob, who own the Eh-2-Zed, and his girlfriend Tabitha, the store’s manager, decide to take a spontaneous trip to Niagara Falls, leaving the girls to run the store on the night of Hunter’s party. The Colleens invite Hunter to bring the party to the store so that they won’t miss out. Colleen M escorts Hunter to the back room at his request, only to discover that Hunter and Gordon are actually Satanists who wish to sacrifice and dismember the Colleens. Before this can occur, an army of little monsters called Bratzis (one-foot-tall Nazis made from bratwurst) attack and kill Hunter and Gordon. Using their yoga skills, the Colleens fight and defeat the Bratzis, but are soon arrested for the murder of Hunter and Gordon.
Legendary man-hunter Guy LaPointe, who had an encounter with the Colleens once before, arrives at the police station to interrogate the girls. Having obtained some of his own evidence of the Bratzis, he believes the girls’ testimony and wishes to help them prove their innocence. After sneaking them out of the station and taking them back to the Eh-2-Zed, LaPointe and the Colleens are knocked unconscious by the Bratzis. They are taken to an underground lair beneath the store where they find the Bratzis’ master, Andronicus Arcane.
51n-dzerjqlArcane reveals to LaPointe and the Colleens that he once had dreams of becoming an artist. After having his work ridiculed by various critics, he decided to become a scientist for the Canadian Nazi movement. The Nazis hid him in the underground lair to create a clone army to conquer Canada and the United States. The clones, made from bratwurst and Arcane’s DNA, needed to incubate for 100 years before they were fully grown, so Arcane cryogenically froze himself until a time where he and his clones could rise again. This process was interrupted when a power outage at the Eh-2-Zed 70 years later caused Arcane to thaw and the clones’ incubation to stop, rendering them at just one foot in height.

51n-dzerjqlLearning that the Nazi Party had long since been defeated, Arcane began a new mission to kill all critics as revenge for those that poorly reviewed his early work. He reveals he has constructed a ten-foot-tall goaltender from body parts of the Bratzis’ victims to carry out his murderous deeds. This “Goalie Golem” is controlled by the Bratzis who operate it from its insides. No longer wishing to follow Arcane’s orders, the Golem kills him and then turns on the Colleens. The Colleens once again use their yoga skills to defeat the Golem and soon after, clear their names. After being dubbed “Hero Clerks” by the media, the Colleens return to their normal lives and end the film with a cover of “O, Canada”, accompanied on guitar by Guy LaPointe.thumbnail_24847Overall, I enjoyed the movie. It had much of Kevin Smith’s normal humor and those girls really had great chemistry as best friends.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: THANK YOU FOR SMOKING

CAST
Aaron Eckhart (The Dark Knight Rises)
Maria Bello (The Closer)
Cameron Bright (The Butterfly Effect)
Sam Elliott (Hulk)
Katie Holmes (Batman Begins)
William H. Macy (Jurassic Park 3)
J.K. Simmons (Spider-Man)
Robert Duvall (The Judge)
David Koechner (Anchorman)
Renee Graham (The Convent)
Adam Brody (Mr. & Mrs. Smith)
Rob Lowe (Waynes World)
Dennis Miller (What Happens in Vegas)
Nick Naylor is a handsome, smooth-talking tobacco lobbyist and the vice-president of a tobacco lobby called the “Academy of Tobacco Studies”, which for 15 years has been “researching” the link between tobacco smoking and lung cancer. They claim that their research—funded primarily by tobacco companies—has found no definitive evidence of any linkage. Naylor’s job consists mainly of reporting the questionable research of the “Academy” to the public and defending Big Tobacco on television programs by questioning opposing health claims and advocating personal choice. Naylor and his friends, firearm lobbyist Bobby Jay Bliss and alcohol lobbyist Polly Bailey, meet every week and jokingly call themselves the “Merchants of Death” or “The MOD Squad”. As anti-tobacco campaigns mount and numbers of young smokers decline, Naylor suggests that product placement of cigarettes could once again boost cigarette sales. Naylor’s boss, BR, sends Naylor to Los Angeles to bargain for cigarette placement in upcoming movies. Naylor takes along his young son Joey in hopes of bonding with him. The next day, Naylor is sent to meet with Lorne Lutch, the cancer-stricken man who once played the Marlboro Man in cigarette ads and is now campaigning against cigarettes. As his son watches, Naylor successfully offers Lutch a suitcase of money for his silence. During the drive back, Nick and Joey discuss the beauty of argument.
 Senator Finistirre, one of Naylor’s most vehement critics, is the promoter of a bill to add a skull and crossbones POISON warning to cigarette packaging. During a televised debate with Finistirre, Naylor receives a death threat from a caller. Despite the threat, Naylor still plans to appear before a U.S. Senate committee to fight Finistirre’s bill. Naylor is then kidnapped and covered in nicotine patches. Awakening in a hospital, he learns that the very high nicotine tolerance level resulting from his smoking has saved him from death by nicotine poisoning, but now he is hypersensitive to nicotine and can never smoke again.
Meanwhile, Naylor has been seduced by a young reporter named Heather Holloway. During their steamy fling, the besotted Naylor tells Holloway all about his life and career—information that she happily publishes in an exposé that appears just after the kidnapping. Her article relentlessly bashes Naylor and his work, exposing Lutch’s bribe, the product-placement scheme, and the MOD squad. It accuses Naylor of training his son Joey to follow his amoral example. All public sympathy due to Naylor’s kidnapping evaporates, and Naylor is fired by BR. Naylor falls into depression until Joey helps him recall the integrity in his job of defending corporations that almost no one feels deserve a defense.
Rejuvenated, Naylor tells the press about his affair with Holloway and promises to clear the names of everyone mentioned in her article. He also declares that he will still appear before the Senate committee. At the hearing, Naylor admits to the dangers of smoking but argues that public awareness is already high enough without extra warnings. He emphasizes consumer choice and responsibility and, to the dismay of Senator Finistirre, claims that if tobacco companies are guilty of tobacco-related deaths, then perhaps Finistirre’s state of Vermont, as a major cheese producer, is likewise guilty of cholesterol-related deaths.
BR congratulates Naylor on the speech and offers him his old job but Naylor has a change of heart. Seeing Big Tobacco settling claims of liability, Naylor remarks that he has left just in time. He also mentions Heather was humiliated upon being terminated by the paper for her article and is working as a weather reporter on a local news station. Naylor supports his son’s newfound interest in debating and opens a private lobbying firm. As he consults cellphone industry representatives concerned about claims that cellphones cause brain cancer, he narrates: “Michael Jordan plays ball. Charles Manson kills people. I talk. Everyone has a talent.”
Full of great lines and a redemptive story arc that is actually believable the films greatest triumph is in the casting which is flawless for virtually every role.