REVIEW: THE SKULLS II

CAST

Robin Dunne (Sanctuary)
Nathan West (Bring It On)
Ashley Tesoro (The Wereolf Reborn)
Lindy Booth (Cry Wolf)
James Gallanders (Bride of Chucky)
Christopher Ralph (Animorphs)
Aaron Ashmore (Smallville)
Andrew Gillies (Mutant X)
Simon Reynolds (Saw IV)

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Picking up several years after the first film, Ryan Sommers (Robin Dunne) is a student at an unnamed university, believed to be Yale University by the sports teams logo and various New Haven, Connecticut, imagery seen throughout the film. He and lacrosse teammate, Jeff, are tapped for the elite “Skulls” society. Despite his friend Jeff’s zeal for being tapped, Ryan is ambivalent toward admission into the Skulls seeing it as a form of control from his older brother, Greg (who is a member), and its distraction from his beautiful, socialite girlfriend, Ali (Ashley Tesoro).

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Soon after being tapped, Ryan (having received inside information from his older brother Greg) stages an accident during one of the Skulls’ secret initiation rituals by faking that he has been accidentally stabbed, only to reveal that it was a sophomoric joke. Not amused, the senior leadership led by Parker Neal (Nathan West) decide to punish Ryan and Jeff by making them clean the attic of the Skulls tomb. While cleaning the attic that night, both Ryan and Jeff hear someone on the roof, only to discover it is fellow Skulls member, Matt “Hutch” Hutchison and field hockey team captain, Diana Rollins. While peeping on Hutchison and Rollins as she begins to disrobe, Ryan notices her drinking from a flask that Hutchison gave her. Soon thereafter, she starts to become dizzy and then falls off the roof of the Skulls tomb. Trying to alert the other members in the tomb, Ryan is told that nothing is wrong and he must have been seeing things.the-skulls-ii

Ryan later goes to his brother Greg about the incident, believing that the Skulls have covered up Diana Rollins’ death. Greg agrees to give Ryan a key to the tomb, so that he can investigate further, but this later turns out to be a ploy in order to lure Ryan there. Ryan is told the supposed truth about what was really taking place. He is fed a story by Parker Neal that, due to Ryan’s sophomoric joke during the initiation ritual, the Skulls staged Diana Rollins falling off the roof as they had staged (years earlier) the death of a former member’s roommate when he too was not taking membership seriously. This was all a test to see if Ryan would remain loyal to the Order by not going to the authorities. The former member’s roommate story is a direct reference to the first film and the death of Will Beckford, Lucas McNamara’s roommate. Not convinced by this ruse, Ryan begins to do research, and later discovers from Beckford’s parents that their son was killed by the Skulls for doing an expose on the secret society and breaking into the tomb; this was the storyline from the first film.

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That evening, Ryan receives a phone call from his brother Greg that Diana Rollins was killed in a car accident while returning from a supposed ski trip in New Hampshire. At this point, Ryan knows the entire scandal has been a cover-up to protect Matt Hutchison and the Skulls from public humiliation. Due to his digging around, the Skulls turn Ryan’s life into chaos. His brother Greg is fired from his high-level position as an attorney at Skull member Winston Taft’s firm, Ryan’s girlfriend Ali accuses him of assaulting her, and he is pursued by the Skulls at every avenue. Through his friendship with Ali’s roommate, Kelly (Lindy Booth), he later discovers that his apartment is bugged, and the Skulls will stop at nothing to cover up Diana Rollins’ accidental death, even attempting to run him and Kelly down in the streets of New Haven.the_skulls_II_big4Ryan and Kelly believe that the only true way to expose the Skulls is by getting their hands on the coroner’s report, showing that Diana Rollins did indeed have drugs and alcohol in her system, and that she had been dead for days, not hours. Ryan’s brother, Greg, uses his acquaintance, county coroner Dr. Phillip Sprague, to gain inside information — Sprague was offered a prostitute by the Skulls to switch the coroner’s reports. Later, breaking into Sprague’s office, Ryan steals the real report and goes to the police. In the meantime, Jeff has already come forward stating the Skulls covered up Diana Rollins’ death and that Matt Hutchison was responsible. Hutchison is taken into custody; Parker Neal narrowly escaping arrest himself. Back at the Skulls tomb, Skulls chairman senator George Milford states that shame and disgrace has been brought to the Order by this scandal. Believing that Ryan will be expelled from the Order, Parker egotistically states that he believes casting out Ryan is a smart move, only to discover that he is the one being expelled. Parker is seized by members of the Order and his brand of membership is removed from his wrist as he screams out in pain. Ryan casts himself out of the Order. The final scene show he and Kelly kissing in her car as they begin a new life together.the-skulls-ii

This film is just as good as the original. The actors are certainly no less charismatic. The plot is a great sequel to a good film.

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REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

12 DAYS OF CHRISTMAS REVIEW: SMALLVILLE – THE CHRISTMAS EPISODES

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MAIN CAST
Tom Welling (The Fog)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Cursed)
Erica Durance (The Butterfly Effect 2)
Allison Mack (Riese)
John Glover (Batman & Robin)
Annette O’Toole (IT)
John Schneider (The Dukes of Hazzard)
Aaron Ashmore (The Skulls 2)
LEXMAS
GUEST CAST
Kenneth Welsh (The Day After Tomorrow)
Alisen Down (Stargate Universe)
Adrian Holmes (Cabin In The Woods)
Jerry Wasserman (Watchmen)
Lex drives into a dark alley to meet Griff, who is being paid to do whatever Lex wants to destroy Jonathan in the race for State Senator. Lex hesitates and says that he wants 24 hours to decide if he wants to go down that path. As he heads for his car, he is mugged and shot, and left for dead in the street.
Lex’s Dream: It is Christmas Eve. Lex wakes up, shocked to see a very pregnant Lana in bed next to him. He also has a young son, Alexander. Lex lifts up his shirt and sees the scar on his side from the gun shot. His dead mother, Lillian, appears to Lex and says that it is not a dream and this can be his life if he makes the right choices. Lex is then seen to be lying unconscious in an alley.
Reality: At the farm, the Kents are getting ready for Christmas, and Clark has invited Lana to spend it with them. Clark gets an urgent call from Chloe, who is still at the Planet . The scene shifts to Lex being transported to the hospital as the doctors try to save his life. He slips back into his dream.
Lana says that it has been seven years since Lionel cut Lex out of the family fortune. He takes his son to go buy a Christmas tree. At the tree farm, Lex sees Clark and Chloe. Clark is now a full-fledged reporter at the Daily Planet and Chloe is publishing a book next month exposing LuthorCorp with Lex’s help.
In reality, Lionel is speaking with the doctors at the Hospital and demands to speak to the doctor in charge in order to push a risky surgery. In Metropolis, Clark meets Chloe at the Planet, and she explains that her Teamsters went on strike, and the thousands of presents they collected for Toys for Tots will be undelivered unless he helps her out. Clark agrees to help her distribute the toys. While zipping through the city, he sees a man dressed in a Santa Claus costume about to jump off a building with a liquor bottle in his hand. He says he was going to jump because the Christmas spirit is dead. Clark objects and tells him about how he gave up his first Christmas with Lana to help Chloe deliver toys. When Santa falls off, Clark saves him and sends him on his way. Dr. Scanlan explains to Lionel that Lex will most likely be paralyzed from the chest down because he is too unstable for surgery or transfer. Despite this, Lionel transfers Lex to the Davis Clinic in Metropolis for immediate but extremely risky surgery.
In the alternate reality, Lex and Lana Luthor go to the party at the Kents’ house. Jonathan Kent is now the current State Senator. He says that Lex is the best man he knows and announces that Lex will receive the Kansas Humanitarian Award. Lex steps outside where his mother’s spirit is. He marvels that he’s never been happier and she tells him that he could have this happiness in reality if he makes the right choice. He doesn’t understand but when he asks for more information, she disappears. Clark approaches and muses that he and Lana didn’t work out because Lex became a man she could love. However, they are still on good terms. Their conversation is interrupted by Martha, who reports that Lana has gone into labor. Lana delivers a baby girl on Christmas Eve. However, she starts to rapidly lose blood. Lex goes to Lionel in the Luthor Mansion to beg for resources to save his wife, but Lionel refuses to help them because Lex betrayed him seven years ago by dropping out of the Senate race. He tells him that he has no son. Lana dies and Lillian appears again. Lex tells her that he doesn’t want this alternate reality because everyone he’s ever loved has died. Reality: The man dressed as Santa Claus appears at the Daily Planet and offers to help Chloe with the gifts because Clark was willing to give up his Christmas with Lana. After Chloe reluctantly accepts Santa’s help, he and all the presents disappear. Back at the Kents’ party, Chloe tells Clark about the presents disappearing and says she thinks that he may have possibly been Santa Claus. Clark and Lana spend their first Christmas together as it snows. Lex wakes up with Lionel at his bedside. He is upset with Lionel for ordering surgery with very low odds of survival, asking him, “How dare you play God with my life?” When Griff asks Lex what his choice was, Lex decides that he will do anything it takes to win the Senate race. Lex says his only wish is to live happily ever after and the key to that is money and power because “once you have those two things, you can secure everything else.” In her reflection in the window, Lillian cries over the choice Lex just made and then disappears.
An amazing episode, its basically a dark version of It’s A Wonderful life showing what could of happened if Lex had taken different choices, but as he awakes he’s learnt to take what he wants. The Santa story was fun Chloe left wondering if it really was Santa.
GEMINI
GUEST CAST
Michael Cassidy (Argo)
Tim Guinee (Iron Man)
Lois Lane and Grant Gabriel are kissing in a storage closet in the Daily Planet. She tells him that she doesn’t want to write the Lex Luthor exposé since it might raise eyebrows about her relationship with Grant. However, Grant says that Lex requested her. Meanwhile, Chloe Sullivan is trying to call Clark Kent, who has been missing for two weeks. Chloe has been covering for him in his absence, explaining that he is in Minnesota, but she is starting to get worried. Lois catches up with Chloe, who gives her all her research on LuthorCorp. While looking through the papers, Lois hears a phone ringing. Despite the fact that it doesn’t belong to her, she answers it and hears a mysterious caller tell her that Chloe has a bomb on her. If she doesn’t stop ignoring him, Chloe will die.
At the Luthor Mansion, Lex is fencing with Grant. Grant asks Lex to request that someone else besides Lois write the article since Lois has a way of uncovering significant facts, but Lex denies having anything to hide. Even though Grant seems to be concerned, Lex affirms that he always wins. The caller, whose name is Adrian Cross, is talking to Lois, telling her that he is an escaped clone from LuthorCorp. His body is aging at a rapid rate and he expects to die very soon. While she is talking to him, Lois attempts to send Chloe an e-mail to warn her, but her internet line is cut. Adrian calls her again and warns her not to disobey him. Frightened, Lois looks around the basement of the Daily Planet for men on phones. She spots a suspicious-looking delivery man and follows him into a secluded room, then attacks him. However, the man is innocent and he begins to walk away. He falls back toward Lois, dead from being stabbed with a pair of scissors. Lois’ cell phone rings and Adrian warns her to keep her mouth shut. Clark suddenly reappears on the Kent Farm to find Lana in the barn. He reveals that he was unable to find Kara. Lana tells him she has decided to stop obsessing over Lex, but Clark says he wants to see what she’s uncovered. She takes Clark to her secret room in the Isis Foundation, now filled with non-functioning surveillance equipment. Clark finds a folder on Project Scion and Lana shows him the vial filled with black liquid that she thought she destroyed when she wrecked his lab. Clark tells her that she couldn’t have destroyed alien technology, so she decides to show him more. Lois is still attempting to warn Chloe about the bomb. This time, she tries to get a woman to deliver a manila envelope to Chloe which has the warning written on the back. The woman hands the letter to Chloe, who tells Lois that Clark is back and she is leaving to go visit him. At this time, Lois receives a text message from Adrian, warning Lois not to tell Chloe anything. Chloe suspects that something is bothering Lois, but Lois doesn’t say anything.
Lana takes Clark to a LuthorCorp lab where Project Scion was tested and shows him Casey Brock, a woman who was found suffering from toxic levels of metal poisoning. Overnight, the amount of metal in her bloodstream dropped dramatically, meaning that whatever was in her bloodstream had left. Clark states that her incoherent speech patterns are actually Kryptonian and writes down what she is murmuring. Jimmy and Chloe both get into an elevator and share an awkward moment. They recall a Christmas party last year, when Chloe was still dating Jimmy. Chloe turns the envelope over and reads Lois’ warning message about the bomb. At this moment, the elevator suddenly brakes, trapping Chloe and Jimmy with the bomb.
Meanwhile, Lois notices an “out of service” sign on the elevator. She begins to walk toward it, but is stopped by Adrian, who is holding the detonator in his hand and demanding his story. In the elevator, Chloe empties her pocketbook to search for the bomb. She finds It, disguised as Chloe’s Secret Santa gift. Back in a Daily Planet office, Lois is showing Adrian her article about LuthorCorp’s first clone. Adrian tells her about his family and his Christmas memories, then reveals that they were all fictitious memories downloaded into his brain. Lois promises to publish the story if Adrian will let Chloe go, but Adrian has another mission for Lois. She must force Lex to confess what he’s done. Chloe is trying to call Clark in the elevator, but Jimmy is annoyed that Chloe would call Clark before she would call 911. The cell phone breaks when Chloe accidentally drops it.
Lois goes to her interview with Lex wearing a hidden camera and a device in her ear which allows Adrian to talk to her. If she can’t get a confession from Lex, Adrian will kill Chloe. At the same time, Clark and Lana go to the Daily Planet to see if Chloe can translate the code that Casey Brock was mumbling, but they can’t find her. Grant and Lex are both waiting for Lois, but they are surprised with her first question, a demand to know about Project Gemini. Adrian is still communicating with her through her earpiece, telling her exactly what to do. Lex claims he doesn’t have anything to do with cloning and he denies knowing a man named Adrian. Adrian orders Lois to aim a gun at Grant to get Lex to confess. Lois begins ranting about Adrian’s life story. Lex knocks her out and finds the hidden camera she was wearing. Shortly after, Adrian enters and tells Lex and Grant about more of his memories. Grant soon realizes that they have the exact same memories, even talking about their past experiences simultaneously. Adrian also says that they have the same DNA and history, only Adrian was a failed experiment and Grant was a successful one. In an outburst of anger, Lex shoots and kills Adrian, saying he was just a mistake. In his last seconds of life, Adrian presses the button on the bomb’s detonator. In a state of panic, Chloe and Jimmy bang on the elevator door, but no one can hear them. Thinking she is about to die, she confesses to Jimmy that she is a meteor freak. They share one last kiss as the detonater ticks down to the final seconds. In the basement of the Daily Planet, Lana turns on Lois’ computer screen and sees the email that Lois attempted to send Chloe, warning her about the bomb. Clark uses his super-hearing to locate the sound of the bomb, then he runs to the staircase, soars to an upper floor and superspeeds to the rescue. He opens the elevator door and finds Chloe and Jimmy kissing before he throws the bomb off the building roof, where it explodes harmlessly. Chloe and Jimmy are stunned to find that they are unharmed with the elevator doors open and many people staring at them.After Lois wakes up, Lex tells her that Chloe is fine, but Lois says she will expose his project to the world. Lex retorts by telling Lois that she has no evidence, and he recently bought the Daily Planet. Since he is now Lois’ boss, there is no way she can write the article.
 Jimmy catches up with Chloe and they talk about what happened. He wishes Chloe trusted him more to tell him about her meteor infection, but Chloe just says she had trouble accepting herself. Chloe demonstrates her powers for him by healing a cut on his finger. Even though this was not a major injury, Chloe still feels some slight internal pain from using her healing powers. Jimmy promises to keep Chloe’s powers a secret. While Lex is receiving the acquisition papers for the Daily Planet, Grant enters his office, sarcastically congratulating him for purchasing the Daily Planet. He is sick of always being under Lex’s control and is outraged for being nothing more than an experiment. Lex declares that all he wanted was a family, but Grant is anxious to break free from his control. Later, Grant visits Lois at the Talon apartment. Contrary to her first impression, she is not fired, in fact, Lex requested that she stay. Grant then breaks up with Lois, since he thinks their relationship is too complicated, especially after what happened today.Back at the Kent Farm, Chloe and Clark discuss the possibility of the Brain InterActive Construct’s return. The Kryptonian code Clark wrote down was an error message that a system encounters when it can’t boot up. Each time the code repeats, it learns from its mistakes and is getting closer to actually loading. Clark warns Chloe that the black fluid has evolved into technology willing to kill. Once Chloe leaves and Lana returns home, Clark and Lana share a warm moment. As they embrace, Clark’s face flashes white and his skin distorts, revealing that “Clark” has actually been Bizarro the entire time. Meanwhile, the real Clark is frozen in the Fortress of Solitude.
A great Christmas episode especially for Chloe and Jimmy, and that shocker ending when you find out Lana has been talking to Bizarro all the time and not Clark is just amazing.

REVIEW: VERONICA MARS – SEASON 1-3

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MAIN CAST

Kristen Bell (Frozen)
Teddy Dunn (Jumper)
Jason Dohring (The Originals)
Percy Daggs III (Izombie)
Francis Capra (Heroes)
Enrico Colantoni (Powers)
Sydney Tamiia Poitier (Death Proof)
Tessa Thompson (Thor: Ragnarok)
Ryan Hansen (2 Broke Girls)
Kyle Gallner (Smallville)
Tina Majorino (Bones)
Julie Gonzalo (Dodgeball)
Chris Lowell (The Help)
Michael Muhney (Columbus Day)
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RECURRING / NOTABLE GUEST STARS

Corinne Bohrer (Police Academy 4)
Amanda Seyfried (Jennifer’s Body)
Lisa Thornhill (The Family Man)
Kyle Secor (The Purge 3)
Daran Norris (Izombie)
Brandon Hilock (Villains)
Patrick Wolff (Power Rangers Lost Galaxy)
Bradley Joseph (A Cinderella Story)
Duane Daniels (First Strike)
Paris Hilton (Bottoms Up)
Aaron Ashmore (Smallville)
Melissa Leo (The Fighter)
Paul Marshall (Cheaper By The Dozen)
Alison MacInnis (Power Rangers Lightspeed Rescue)
Kyla Pratt (Dr. Dolittle)
Adam Wylie (Under Wraps)
Sam Huntington (Superman Returns)
Lisa Rinna (Melrose Place)
Jane Lynch (Glee)
Harry Hamlin (Clash of The Titans)
Jessica Chastain (Interstellar)
Steven Williams (The Blues Brothers)
Adam Kaufman (Buffy)
Bonita Friedericy (Chuck)
Alona Tal (Cult)
Erica Gimpel(Roswell)
Christian Clemenson (Lois & CCLark)
Jonathan Bennett (Van Wilder: Freshman Year)
Chris William Martin (The Vampire Diaries)
Megalyn Echikunwoke (Arrow)
Emmanuelle Vaugier (Two and a Half Man)
Christopher B. Duncan (Three Kings)
Anthoyn Anderson (Transformers)
Jowharah Jones (The Client List)
Leighton Meester (The Roommate)
Max Greenfield (New Girl)
Christine Lakin (Family Guy)
Adam Scott (Krampus)
Cynthia LaMontagne (That 70s Show)
Zachery Ty Bryan (Fast and The Furious 3)
Erin Chambers (Happy Feet)
Ken Marino (Agent Carter)
Jonathan Taylor Thomas (Smallville)
Roy Werner (Power Rangers Time Force)
Kevin Sheridan (The Closer)
Jeffrey D. Sams (Soul Food)
Charisma Carpenter (Buffy)
Steve Guttenberg (Police Academy)
Kevin Smith (Clerks)
David Starzyk (Bones)
Ari Graynor (For A Good Time, Call..)
Kristin Dattilo (Dexter)
Laura Bell Bundy (Anger Management)
Dana Davis (Heroes)
Krysten Ritter (Jessica Jones)
Rick Peters (The Craving HearT)
Tracey Walter (Batman)
Joss whedon (Angel)
Rodney Rowland (The 6th Day)
Taylor Sheridan (Sicario)
Jason Molina (Alpha Dog)
Lucas Grabeel (Smallville)
Alyson Hannigan (How I Met Your Mother)
B.J. Britt (Agents of SHIELD)
Curtis Andersen (Sabrina: TTW)
Jessy Schram (The Lizzie Borden Chronicles)
Michael Cera (Juno)
Kayla Ewell (The Vampire Diaries)
Patrick Fabian (The Last Exorcism)
Jason Beghe (G.I. Jane)
Samm Levine (Not Another Teen Movie)
Rider Strong (Cabin Fever)
Chastity Dotson (Single Ladies)
Lucy Lawless (Ash Vs Evil Dead)
Keri Lynn Pratt (Cruel Intentions 2)
Dan Castellaneta (The Simpsons)
Rachelle Lefevre (Twilight)
Ryan Devlin (Weather Girl)
Armie Hammer (The Social Network)
Lindsey McKeon (One Tree Hill)
Ed Begley Jr. (Batman Forever)
Parry Shen (The New Guy)
Blake Shields (Heroes)
Ryan Pinkston (Bad Santa)
Jaime Ray Newman (Bates Motel)
Krista Kalmus (North Shore)
Adam Rose (Up In The Air)
Amanda Walsh (Disturbia)
Charlie Weber (Buffy)
Sandra McCoy (Power Rangers Wild Force)
Michael Grant Terry (Bones)
David Tom (Pleasantville)
Charles Shaughnessy (Stargate SG.1)
David Blue (Stargate Universe)
Jeremy Roberts (The Mask)
Robert Ri’chard (The Vampire Diaries)
Jesse James (Jumper)
Paul Rudd (Ant-Man)
Suzanne Cryer (Two Guys and a GIrl)
Ed Gathegi (X-Men: First Class)
Travis Van Winkle (Meet The Spartans)

Veronica Mars is set in Neptune, California, a town without a middle-class. Everyone’s either a millionaire or works for one, and the man largely responsible for Neptune’s unparalleled success is Jake Kane (Kyle Secor), the resident billionaire software mogul. Kane and his family are still reeling from the murder of his daughter Lilly (Amanda Seyfried) some months earlier, and as if that loss wasn’t enough, the beloved Kane family was doggedly pursued by a county sheriff convinced that they were hiding something. Public sentiment turned against Sheriff Keith Mars (Enrico Colantoni), who was ousted from office and abandoned by his wife.

Cue the title character. His daughter Veronica (Kristen Bell) had already lost her best friend with Lilly’s death, but standing by her father also cost Veronica her friends, her social status, her house…even her mother. Veronica had already been unceremoniously dumped by Lilly’s brother Duncan (Teddy Dunn) shortly before her friend’s murder, and a defiant visit to face her former friends at a party weeks later led to Veronica being drugged and raped. Despite having lost so much, Veronica is resilient enough to move on with her life, and as her father struggles to stay afloat as a private eye, Veronica puts her smarts and determination to work to help ease the caseload at Mars Investigations. She also puts her talents to use to help her classmates with their troubles — for a price, of course. To cap it all off, Veronica’s faced with a couple of her own mysteries to solve. What convinced Lianne Mars to abandon her family, and where is she now? Who was it who drugged and raped Veronica last December? Also, is her father right — did someone other than disgruntled Kane Software employee Abel Koontz murder Lilly? If there is, who orchestrated the conspiracy that led to Koontz’ confession and why?

The dialogue in Veronica Mars has the same sparkle as Joss Whedon’s work…arguably better, even, since Buffy sometimes sounded like a deliberate attempt to be hip, whereas Veronica Mars manages to be witty and clever without feeling quite so forced. The writing doesn’t skew as young as one might expect from a TV show set in a high school. If anything, the target audience seems to be twentysomething — I don’t know how many fifteen year olds would be able to appreciate references to Archie comics or 21 Jump Street, f’r instance. Characterization is another strength of the series, and part of the reason Veronica Mars works as well as it does is that the audience truly does care about the characters. Despite having a seemingly endless array of talents, Veronica isn’t some sort of idyllic Mary Sue. She’s not always right. Her investigations frequently take morally questionable turns. Things don’t always go the way she wants. Not every episode has a happy ending.Image result for veronica mars return of kaneAlong with the cases that are solved in the space of forty minutes and change every week, a couple of mysteries are introduced in the pilot that are gradually explored throughout the entire length of the season. That’s right — unlike the hydra that is Lost, where answering one question spawns ten more, all of Veronica Mars’ mysteries are resolved by the time the season finale rolls around. (The finale tosses out a couple questions of its own, but if a second season hadn’t gotten the green light, it still would’ve been a fitting end to the series.)

Veronica Mars has a capable cast to match the quality of the writing. Veronica is strong and cynical…bright and sarcastic…and even though all of the trauma she’s suffered over the past year has aged her somewhat, she’s still an emotionally vulnerable teenage girl. That’s a lot to juggle, but Kristen Bell is talented enough to make such a colossal task seem effortless and captivating enough to carry a show on her shoulders. Of course, Bell is joined by a strong enough supporting cast that she doesn’t have to shoulder it all herself.

After cutting down Wallace (Percy Daggs III), the new kid at school, who’d been stripped naked and duct taped to a flagpole, he and Veronica become best friends. In teen-TV land, it’s an immutable rule that people of different genders can’t just be pals…there’s this endless temptation to couple everyone. Veronica Mars manages to resist, resulting in one of the few platonic friendships like this left on television.Enrico Colantoni, who plays Veronica’s father, is another fan favorite, able to shift from warm, loving, and borderline-goofy to secretive and deadly serious when the situation calls for it. There’s also Eli “Weevil” Navarro (Francis Capra), the leader of a local biker gang from the wrong side of the tracks who engages in some mutual backscratching with Veronica.

The character who stands out the most — aside from Veronica, of course — is Logan Echolls (Jason Dohring). Like Kristen Bell, Dohring is endlessly engaging. He’s introduced as an “obligatory psychotic jackass”, but as the season progresses, Logan’s humanized without being watered-down; even when he’s doing something as thoroughly loathesome as bribing a homeless vet to join in on his homebrew Bumfights video, there’s an undercurrent of understanding why Logan is the way he is. The character changes throughout the season, but the shift feels deserved and natural, not just because that’s what’s scrawled on the whiteboard in the writing room.Other guest stars throughout the season include Napoleon Dynamite’s Tina Majorino as computer whiz Mac, Aaron Ashmore as a love interest with a shady past, Logan’s movie star family (played by Harry Hamlin, Lisa Rinna, and Alyson Hannigan), Anthony Anderson, Zachary Ty Brian, Joey Lauren Adams, Jonathan Taylor Thomas, and, in a shameless bit of stuntcasting, Paris Hilton. The fact that the second episode of Veronica Mars manages to be really good despite a Paris Hilton guest spot really is a testament to how good a series this is. Oh, and, in true Laura Palmer fashion, just because Lilly Kane is dead doesn’t mean that Amanda Seyfried can’t rear her head in nearly every other episode.The conclusion to most of the mysteries caught me by surprise. Throughout the entire season, the only time I correctly guessed the culprit was in “Lord of the Bling”, and even then, the motivation and execution were well out of my reach. The many twists the stories take are clever, and watching these episodes a second time, I could spot all sorts of clues and hints that didn’t seem that important the first time through.  Veronica Mars is a series that’s easy to dive into as a marathon, but for viewers catching these episodes for the first time, I’d recommend drawing it out a bit.

The central arcs of Veronica Mars’ first season were all intensely personal: Veronica being abandoned by her mother, not to mention every one of her former friends, roofie-fueled date rape at a party a year earlier, and the brutal murder of her closest friend, Lilly Kane. How do you follow up a season like that? t’d be nearly impossible to craft another set of stories that’d resonate in quite that same way without retreading familiar ground, so season two of Veronica Mars takes a different approach, shifting the focus away from our plucky junior detective and more towards the sticky underbelly of Neptune, California as a whole.Mayoral candidate Woody Goodman (Steve Guttenberg) has a vision for the glorified country club that is Neptune. Incorporating Neptune would have a Tide with Bleach effect, making the whites whiter and the rich richer as property values are boosted and less desirable elements are rezoned onto someone else’s doorstep. Woody’s plan is announced as the tensions between the haves and have-nots are already boiling over in Neptune.Logan Echols, the cocky son of an aging Hollywood action hero, has walked away unscathed from accusations of stabbing a Hispanic biker to death, prompting a series of vicious attacks from both sides. The stark differences between the classes are also apparent after a school-sponsored trip; the rich kids hop in a limo and ride back in style, and the not-so-privileged cram into a rank schoolbus and careen off the side of a cliff. The town is torn apart by the tragedy, and Veronica, who’d barely missed the bus and was very nearly among the dead, is determined to find out if the crash was a terrible accident, suicide, or something much more ominous.Image result for veronica mars driver edIt’s a hectic season, with a bus crash, two murder trials, class-slash-racial tensions throughout Neptune, a sheriff race, the possibility of Neptune incorporating, the ambiguity about Wallace’s family life, a coma-baby, Beaver following in his shamed father’s footsteps as he tries to get his own real estate endeavour off the ground, the strife former baseball star Terrence Cook and his overbearing daughter Jackie (Tessa Thompson) bring to Neptune, the newly-introduced clan of Irish drug-peddlers known as the Fitzpatricks, and the machinations of Dick and Beaver’s scheming stepmother Kendall (Charisma Carpenter). There’s enough to follow The season plays a lot better on DVD; it’s easier to keep the scores of characters and plot points fresh in the mind over the course of a few days as opposed to the better part of a year.In its third — and ultimately final — season, Veronica Mars steps away from any season-length stories. Slightly truncated to twenty episodes, season three is neatly grouped into three distinct chunks of episodes. The season opens with Veronica settling into her freshman year at Hearst College, but the campus continues to be plagued by a spree of sexual assaults. Mac’s bubbly roommate Parker (Julie Gonzalo) is the latest victim to be roofied and raped, with the attacker leaving his calling card by shaving her head. Having suffered through the past couple of years as a rape victim herself and unwittingly in a position to have caught Parker’s rapist during the attack, Veronica’s grim determination to put an end to this reign of terror makes up the first and the lengthiest of the season’s arcs.The season’s second arc picks up a couple of months after the grisly final shot of “Spit and Eggs” as the police have shrugged off the death of someone close to Veronica as a suicide. A devastating emotional blow delivered just hours earlier, a gunshot to the temple, a vague suicide note typed on a PC…it’s tragic, yes, but the pieces fit neatly together just the same. Still, it’s a scenario lifted directly from a paper Veronica penned for her criminology class on how to commit the perfect murder. Throughout the course of their investigation, Veronica and her father become entangled in a pair of other murders, among them the death of one of Veronica Mars’ most enduring characters.Facing cancellation and attempting to make the largely serialized series more accessible to new viewers, Veronica Mars draws to a close with a set of five standalone episodes. There aren’t any overarching investigations, although some threads leak from one episode to the next, including a sheriff’s race between Keith Mars and an unlikely contender.

The season premiere introduces two other Hearst students who’d go on to stick around for the rest of the year: Wallace’s roommate Stosh “Piz” Piznarski (Chris Lowell) and Mac’s roomieuntitledThe hunt for Hearst’s rapist, which runs for the nine of the season’s twenty episodes, is the highest point of the set. It’s the most engaging of the season’s various arcs, which is impressive considering that these episodes have to juggle the weekly mysteries, the overarching search for the rapist, and introduce the new characters and Hearst College as a whole. There seems to be some connection between the rapes and the Greek system at Hearst, pitting Veronica against a group of feminists determined to bring the frats down, forcing her to defend the same lecherous halfwits she thought were tied to the rapes last season, and clawing her way into the Zeta Theta Beta house. This first half of the season also gives the supporting cast a reasonable amount of screentime, including Wallace and Logan on opposite ends of an Abu Ghraib-inspired prison experiment, Logan stumbling onto a life-changing discovery when trying to find out why his trust fund is dwindling so quickly, and Keith making the same sorts of excuses with a married client as the skeevy men whose infidelities pay his rent. The arc comes to a close with “Spit and Eggs”, which, in true Veronica Mars form, plays like more of a thriller than a mystery, and it’s by far the most intense episode of the season. Veronica Mars was an excellent a show spread across 3 seasons and become a great cult show, and with the arrival of the movie saw resurgence in its popularity.