12 DAYS OF CHRISTMAS REVIEW: HANNIBAL – Œuf

Hannibal-hannibal-tv-series-34316075-800-600
MAIN CAST
Hugh Dancy (King Arthur)
Mads Mikkelsen (Doctor Strange)
Caroline Dhavernas (Wonderfalls)
Hettienne Park (Young Adult)
Laurence Fishburne (The Matrix)
Scott Thompson (The Simpsons)
Aaron Abrams (Resident Evil 2)
Œuf
GUEST CAST
Kacey Rohl (Red Riding Hood)
Molly Shannon (Scary Movie 4)
Gina Torres (Firefly)
Vladimir Jon Cubrt (Hollywoodland)
Œuf has an asterisk in the Hannibal canon. Scheduled to air April 25, the episode was pulled in the wake of the Boston Marathon bombings and the Sandy Hook massacre (the episode was filmed before the tragedy in Newtown), according to a statement by creator Bryan Fuller. Later, “Œuf” was split into web videos in an attempt to bridge any continuity gaps that the missing episode may have created. Soon after, “Œuf” was put on iTunes, Amazon and the like for interested parties.
 Curiously, “Œuf” was not included in the first run of episodes given out to critics before the began its run, and even I wondered if Fuller didn’t have cold feet about airing “Œuf” before the Boston bombings occurred. Seeing a charred child in a fireplace or an angelic little one with a bullet through her head are difficult sights to take even without the added baggage of real-life tragedy . As time passes, wounds are healed and the emotional rawness of the aftermath is forgotten. Sure, holding the episode made sense at the time (I thought it was a good idea), but we’re all good now. So rather than be an episode swept under the rug in the name of good taste, “Œuf” is now a lesser episode in the first season of an excellent series.
Hannibal’s strengths from the beginning has been its subtlety. A lot of procedurals  are not so good at the subtlety of their theme. They don’t need to be. Hell, there’s an episodic conversation in Law and Order: SVU episodes that’s akin to the Danny Tanner/lesson of the week discussion on Full House. But Hannibal has been so good at letting the inner meaning of the episode or arc slowburn. “Œuf” is not one of those episode. This one telegraphs “FAMILY!” throughout. Not only is the Molly Shannon-driven case-of-week about familial bonds (albeit fucked up ones) via created family, but so is the Hannibal-Will driven plot, as well. This is where we see Hannibal beginning to talk to Will about the surrogate fatherhood they share over Abigail. Then there is the dinner scene with Alana, Hannibal and Abigail where they sit down for a recreation of the last meal Abigail had with her real mother and father.
The procedural element of the show, featuring Molly Shannon as mother who kidnaps boys and has them turn on their families a year after their disappearance, was a fantastic premise. What I did really like about the family aspect of “Œuf” was a minor branch of the theme that ended up being its strongest: the interactions of the BAU team. I’ve loved the interplay between Hetienne Park, Scott Thompson, and Aaron Abrams since the beginning. They’re a family too, one bonded together by the horror that they’ve collectively experienced as dispassionate outsiders.
This was great episode and thankfully in the UK we got it aired and then we all get to see it on the Blu-ray/DVD. The only Christmas part of the episode is the scene where we see the remains of a family burnt near a Christmas Tree and decorations. Hannibal is a show that was brilliant and will be missed.
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